THE TWO BABYLONS by ALEXANDER HISLOP
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SEKILAS TENTANG BIOGRAFI ALEXANDER HISLOP :
Alexander
Hislop (lahir di Duns, Berwickshire, 1807 – meninggal di Arbroath, 13 Maret
1865 pada umur 58 tahun) adalah menteri Gereja Bebas Skotlandia. Dia sering mengkritik
Gereja Katolik Roma. Dia adalah putra Stephen Hislop (meninggal 1837), seorang
mason dan salah seorang tetua Relief Church. Adik Alexander juga dinamai
Stephen Hislop (1817–1863) dan menjadi terkenal sebagai misionaris di India
serta sebagai seorang naturalis.
Alexander
menulis beberapa buku, dan bukunya yang paling terkenal adalah The Two
Babylons: Papal worship Revealed to be the worship of Nimrod and His wife.
SEKILAS TENTANG BUKU THE TWO BABYLONS karya Alexander Hislop
The
Two Babylons adalah pamflet keagamaan berbasis teori konspirasi anti-Katolik
yang pada awalnya dibuat oleh teolog dan Prebisterian Skotlandia, Alexander
Hislop, pada tahun 1853.
The
Two Babylons kemudian dikembangkan pada tahun 1858 dan akhirnya diterbitkan
dalam bentuk buku pada tahun 1919.
Tema
utamanya adalah pernyataan bahwa Gereja Katolik adalah lanjutan terselubung
dari agama pagan Babilonia. Dan paganisme terselubung sendiri merupakan hasil dari
konspirasi.
Buku tersebut banyak dikritik oleh para sejarawan.
The Two Babylons
Alexander Hislop
Chapter II
Section I
Trinity in Unity
If there be this general coincidence between the systems of
Babylon and Rome, the question arises, Does the coincidence stop here? To this
the answer is, Far otherwise. We have only to bring the ancient Babylonian
Mysteries to bear on the whole system of Rome, and then it will be seen how
immensely the one has borrowed from the other. These Mysteries were long
shrouded in darkness, but now the thick darkness begins to pass away. All who
have paid the least attention to the literature of Greece, Egypt, Phoenicia, or
Rome are aware of the place which the "Mysteries" occupied in these
countries, and that, whatever circumstantial diversities there might be, in all
essential respects these "Mysteries" in the different countries were
the same. Now, as the language of Jeremiah, already quoted, would indicate that
Babylon was the primal source from which all these systems of idolatry flowed,
so the deductions of the most learned historians, on mere historical grounds
have led to the same conclusion. From Zonaras we find that the concurrent
testimony of the ancient authors he had consulted was to this effect; for,
speaking of arithmetic and astronomy, he says: "It is said that these came
from the Chaldees to the Egyptians, and thence to the Greeks." If the Egyptians
and Greeks derived their arithmetic and astronomy from Chaldea, seeing these in
Chaldea were sacred sciences, and monopolised by the priests, that is
sufficient evidence that they must have derived their religion from the same
quarter. Both Bunsen and Layard in their researches have come to substantially
the same result. The statement of Bunsen is to the effect that the religious
system of Egypt was derived from Asia, and "the primitive empire in
Babel." Layard, again, though taking a somewhat more favourable view of
the system of the Chaldean Magi, than, I am persuaded, the facts of history
warrant, nevertheless thus speaks of that system: "Of the great antiquity
of this primitive worship there is abundant evidence, and that it originated
among the inhabitants of the Assyrian plains, we have the united testimony of
sacred and profane history. It obtained the epithet of perfect, and was
believed to be the most ancient of religious systems, having preceded that of
the Egyptians." "The identity," he adds, "of many of the
Assyrian doctrines with those of Egypt is alluded to by Porphyry and
Clemens"; and, in connection with the same subject, he quotes the
following from Birch on Babylonian cylinders and monuments: "The zodiacal
signs...show unequivocally that the Greeks derived their notions and
arrangements of the zodiac [and consequently their Mythology, that was
intertwined with it] from the Chaldees. The identity of Nimrod with the
constellation Orion is not to be rejected." Ouvaroff, also, in his learned
work on the Eleusinian mysteries, has come to the same conclusion. After
referring to the fact that the Egyptian priests claimed the honour of having
transmitted to the Greeks the first elements of Polytheism, he thus concludes:
"These positive facts would sufficiently prove, even without the
conformity of ideas, that the Mysteries transplanted into Greece, and there
united with a certain number of local notions, never lost the character of
their origin derived from the cradle of the moral and religious ideas of the
universe. All these separate facts--all these scattered testimonies, recur to
that fruitful principle which places in the East the centre of science and
civilisation." If thus we have evidence that Egypt and Greece derived
their religion from Babylon, we have equal evidence that the religious system
of the Phoenicians came from the same source. Macrobius shows that the
distinguishing feature of the Phoenician idolatry must have been imported from
Assyria, which, in classic writers, included Babylonia. "The worship of
the Architic Venus," says he, "formerly flourished as much among the
Assyrians as it does now among the Phenicians."
Now to establish the identity between the systems of ancient
Babylon and Papal Rome, we have just to inquire in how far does the system of
the Papacy agree with the system established in these Babylonian Mysteries. In
prosecuting such an inquiry there are considerable difficulties to be overcome;
for, as in geology, it is impossible at all points to reach the deep,
underlying strata of the earth's surface, so it is not to be expected that in
any one country we should find a complete and connected account of the system
established in that country. But yet, even as the geologist, by examining the
contents of a fissure here, an upheaval there, and what "crops out"
of itself on the surface elsewhere, is enabled to determine, with wonderful
certainty, the order and general contents of the different strata over all the
earth, so is it with the subject of the Chaldean Mysteries. What is wanted in
one country is supplemented in another; and what actually "crops out"
in different directions, to a large extent necessarily determines the character
of much that does not directly appear on the surface. Taking, then, the
admitted unity and Babylonian character of the ancient Mysteries of Egypt,
Greece, Phoenicia, and Rome, as the clue to guide us in our researches, let us
go on from step to step in our comparison of the doctrine and practice of the
two Babylons--the Babylon of the Old Testament and the Babylon of the New.
And here I have to notice, first, the identity of the objects
of worship in Babylon and Rome. The ancient Babylonians, just as the modern
Romans, recognised in words the unity of the Godhead; and, while worshipping
innumerable minor deities, as possessed of certain influence on human affairs,
they distinctly acknowledged that there was ONE infinite and almighty Creator,
supreme over all. Most other nations did the same. "In the early ages of
mankind," says Wilkinson in his "Ancient Egyptians," "The
existence of a sole and omnipotent Deity, who created all things, seems to have
been the universal belief; and tradition taught men the same notions on this
subject, which, in later times, have been adopted by all civilised nations."
"The Gothic religion," says Mallet, "taught the being of a
supreme God, Master of the Universe, to whom all things were submissive and
obedient." (Tacti. de Morib. Germ.) The ancient Icelandic mythology calls
him "the Author of every thing that existeth, the eternal, the living, and
awful Being; the searcher into concealed things, the Being that never
changeth." It attributeth to this deity "an infinite power, a
boundless knowledge, and incorruptible justice." We have evidence of the
same having been the faith of ancient Hindostan. Though modern Hinduism
recognises millions of gods, yet the Indian sacred books show that originally
it had been far otherwise. Major Moor, speaking of Brahm, the supreme God of
the Hindoos, says: "Of Him whose Glory is so great, there is no
image" (Veda). He "illumines all, delights all, whence all proceeded;
that by which they live when born, and that to which all must return"
(Veda). In the "Institutes of Menu," he is characterised as "He
whom the mind alone can perceive; whose essence eludes the external organs, who
has no visible parts, who exists from eternity...the soul of all beings, whom
no being can comprehend." In these passages, there is a trace of the
existence of Pantheism; but the very language employed bears testimony to the
existence among the Hindoos at one period of a far purer faith.
Nay, not merely had the ancient Hindoos exalted ideas of the
natural perfections of God, but there is evidence that they were well aware of
the gracious character of God, as revealed in His dealings with a lost and
guilty world. This is manifest from the very name Brahm, appropriated by them
to the one infinite and eternal God. There has been a great deal of
unsatisfactory speculation in regard to the meaning of this name, but when the different
statements in regard to Brahm are carefully considered, it becomes evident that
the name Brahm is just the Hebrew Rahm, with the digamma prefixed, which is
very frequent in Sanscrit words derived from Hebrew or Chaldee. Rahm in Hebrew
signifies "The merciful or compassionate one." But Rahm also
signifies the WOMB or the bowels; as the seat of compassion. Now we find such
language applied to Brahm, the one supreme God, as cannot be accounted for,
except on the supposition that Brahm had the very same meaning as the Hebrew
Rahm. Thus, we find the God Crishna, in one of the Hindoo sacred books, when
asserting his high dignity as a divinity and his identity with the Supreme,
using the following words: "The great Brahm is my WOMB, and in it I place
my foetus, and from it is the procreation of all nature. The great Brahm is the
WOMB of all the various forms which are conceived in every natural womb."
How could such language ever have been applied to "The supreme Brahm, the
most holy, the most high God, the Divine being, before all other gods; without
birth, the mighty Lord, God of gods, the universal Lord," but from the
connection between Rahm "the womb" and Rahm "the merciful
one"? Here, then, we find that Brahm is just the same as
"Er-Rahman," "The all-merciful one,"--a title applied by
the Turks to the Most High, and that the Hindoos, notwithstanding their deep
religious degradation now, had once known that "the most holy, most high
God," is also "The God of Mercy," in other words, that he is
"a just God and a Saviour." And proceeding on this interpretation of
the name Brahm, we see how exactly their religious knowledge as to the creation
had coincided with the account of the origin of all things, as given in
Genesis. It is well known that the Brahmins, to exalt themselves as a priestly,
half-divine caste, to whom all others ought to bow down, have for many ages
taught that, while the other castes came from the arms, and body and feet of
Brahma--the visible representative and manifestation of the invisible Brahm,
and identified with him--they alone came from the mouth of the creative God.
Now we find statements in their sacred books which prove that once a very
different doctrine must have been taught. Thus, in one of the Vedas, speaking
of Brahma, it is expressly stated that "ALL beings" "are created
from his MOUTH." In the passage in question an attempt is made to mystify
the matter; but, taken in connection with the meaning of the name Brahm, as
already given, who can doubt what was the real meaning of the statement,
opposed though it be to the lofty and exclusive pretensions of the Brahmins? It
evidently meant that He who, ever since the fall, has been revealed to man as
the "Merciful and Gracious One" (Exo 34:6), was known at the same
time as the Almighty One, who in the beginning "spake and it was
done," "commanded and all things stood fast," who made all
things by the "Word of His power." After what has now been said, any
one who consults the "Asiatic Researches," may see that it is in a
great measure from a wicked perversion of this Divine title of the One Living
and True God, a title that ought to have been so dear to sinful men, that all
those moral abominations have come that make the symbols of the pagan temples
of India so offensive to the eye of purity. *
* While such is the meaning of Brahm, the meaning of Deva, the
generic name for "God" in India, is near akin to it. That name is
commonly derived from the Sanscrit, Div, "to shine,"--only a
different form of Shiv, which has the same meaning, which again comes from the
Chaldee Ziv, "brightness or splendour" (Dan 2:31); and, no doubt,
when sun-worship was engrafted on the Patriarchal faith, the visible splendour
of the deified luminary might be suggested by the name. But there is reason to believe
that "Deva" has a much more honourable origin, and that it really
came originally from the Chaldee, Thav, "good," which is also
legitimately pronounced Thev, and in the emphatic form is Theva or Thevo,
"The Good." The first letter, represented by Th, as shown by
Donaldson in his New Cratylus, is frequently pronounced Dh. Hence, from Dheva
or Theva, "The Good," naturally comes the Sanscrit, Deva, or, without
the digamma, as it frequently is, Deo, "God," the Latin, Deus, and
the Greek, Theos, the digamma in the original Thevo-s being also dropped, as
novus in Latin is neos in Greek. This view of the matter gives an emphasis to
the saying of our Lord (Matt 19:17): "There is none good but One, that is
(Theos) God"--"The Good."
So utterly idolatrous was the Babylonian recognition of the
Divine unity, that Jehovah, the Living God, severely condemned His own people
for giving any countenance to it: "They that sanctify themselves, and
purify themselves in the gardens, after the rites of the ONLY ONE, * eating swine's
flesh, and the abomination, and the mouse, shall be consumed together"
(Isa 66:17).
* The words in our translation are, "behind one
tree," but there is no word in the original for "tree"; and it
is admitted by Lowth, and the best orientalists, that the rendering should be,
"after the rites of Achad," i.e. "The Only One." I am aware
that some object to making "Achad" signify, "The Only One,"
on the ground that it wants the article. But how little weight is in this, may
be seen from the fact that it is this very term "Achad," and that
without the article, that is used in Deuteronomy, when the Unity of the Godhead
is asserted in the most emphatic manner, "Hear, O Israel, Jehovah our God
is one Jehovah," i.e., "only Jehovah." When it is intended to
assert the Unity of the Godhead in the strongest possible manner, the
Babylonians used the term "Adad." Macrobii Saturnalia.
In the unity of that one Only God of the Babylonians, there
were three persons, and to symbolise that doctrine of the Trinity, they employed,
as the discoveries of Layard prove, the equilateral triangle, just as it is
well known the Romish Church does at this day. *
* LAYARD's Babylon and Nineveh. The Egyptians also used the
triangle as a symbol of their "triform divinity."
In both cases such a comparison is most degrading to the King
Eternal, and is fitted utterly to pervert the minds of those who contemplate
it, as if there was or could be any similitude between such a figure and Him
who hath said, "To whom will ye liken God, and what likeness will ye
compare unto Him?"
The Papacy has in some of its churches, as, for instance, in
the monastery of the so-called Trinitarians of Madrid, an image of the Triune
God, with three heads on one body. * The Babylonians had something of the same.
Mr. Layard, in his last work, has given a specimen of such a triune divinity,
worshipped in ancient Assyria. **
* PARKHURST'S Hebrew Lexicon, "Cherubim." From the
following extract from the Dublin Catholic Layman, a very able Protestant
paper, describing a Popish picture of the Trinity, recently published in that
city, it will be seen that something akin to this mode of representing the
Godhead is appearing nearer home: "At the top of the picture is a
representation of the Holy Trinity. We beg to speak of it with due reverence.
God the Father and God the Son are represented as a MAN with two heads, one
body, and two arms. One of the heads is like the ordinary pictures of our
Saviour. The other is the head of an old man, surmounted by a triangle. Out of
the middle of this figure is proceeding the Holy Ghost in the form of a dove.
We think it must be painful to any Christian mind, and repugnant to Christian
feeling, to look at this figure." (17th July, 1856)
** Babylon and Nineveh. Some have said that the plural form of
the name of God, in the Hebrew of Genesis, affords no argument of the doctrine
of plurality of persons in the Godhead, because the same word in the plural is
applied to heathen divinities. But if the supreme divinity in almost all
ancient heathen nations was triune, the futility of this objection must be
manifest.
In India, the supreme divinity, in like manner, in one of the
most ancient cave-temples, is represented with three heads on one body, under
the name of "Eko Deva Trimurtti," "One God, three forms." *
* Col. KENNEDY'S Hindoo Mythology. Col. Kennedy objects to the
application of the name "Eko Deva" to the triform image in the
cave-temple at Elephanta, on the ground that that name belongs only to the
supreme Brahm. But in so doing he is entirely inconsistent, for he admits that
Brahma, the first person in that triform image, is identified with the supreme
Brahm; and further, that a curse is pronounced upon all who distinguish between
Brahma, Vishnu, and Seva, the three divinities represented by that image.
In Japan, the Buddhists worship their great divinity, Buddha,
with three heads, in the very same form, under the name of "San Pao
Fuh." All these have existed from ancient times. While overlaid with
idolatry, the recognition of a Trinity was universal in all the ancient nations
of the world, proving how deep-rooted in the human race was the primeval
doctrine on this subject, which comes out so distinctly in Genesis. *
* The threefold invocation of the sacred name in the blessing
of Jacob bestowed on the sons of Joseph is very striking: "And he blessed
Joseph, and said, God, before whom my fathers Abraham and Isaac did walk the
God which fed me all my life long unto this day, the Angel which redeemed me
from all evil, bless the lads" (Gen 48:15,16). If the angel here referred
to had not been God, Jacob could never have invoked him as on an equality with
God. In Hosea 12:3-5, "The Angel who redeemed" Jacob is expressly
called God: "He (Jacob) had power with God: yea, he had power over the
Angel, and prevailed; he wept and made supplication unto him: he found him in
Bethel, and there he spake with us; even the Lord God of Hosts; The Lord is his
memorial."
When we look at the symbols in the triune figure of Layard,
already referred to, and minutely examine them, they are very instructive.
Layard regards the circle in that figure as signifying "Time without
bounds." But the hieroglyphic meaning of the circle is evidently
different. A circle in Chaldea was zero; * and zero also signified "the
seed."
* In our own language we have evidence that Zero had signified
a circle among the Chaldeans; for what is Zero, the name of the cypher, but
just a circle? And whence can we have derived this term but from the Arabians,
as they, without doubt, had themselves derived it from the Chaldees, the grand
original cultivators at once of arithmetic, geometry, and idolatry? Zero, in
this sense, had evidently come from the Chaldee, zer, "to encompass,"
from which, also, no doubt, was derived the Babylonian name for a great cycle
of time, called a "saros." (BUNSEN) As he, who by the Chaldeans was
regarded as the great "Seed," was looked upon as the sun incarnate,
and as the emblem of the sun was a circle (BUNSEN), the hieroglyphical relation
between zero, "the circle," and zero, "the seed," was
easily established.
Therefore, according to the genius of the mystic system of
Chaldea, which was to a large extent founded on double meanings, that which, to
the eyes of men in general, was only zero, "a circle," was understood
by the initiated to signify zero, "the seed." Now, viewed in this
light, the triune emblem of the supreme Assyrian divinity shows clearly what
had been the original patriarchal faith. First, there is the head of the old
man; next, there is the zero, or circle, for "the seed"; and lastly,
the wings and tail of the bird or dove; * showing, though blasphemously, the
unity of Father, Seed, or Son, and Holy Ghost.
* From the statement in Genesis 1:2, that "the Spirit of
God fluttered on the face of the deep" (for that is the expression in the
original), it is evident that the dove had very early been a Divine emblem for
the Holy Spirit.
While this had been the original way in which Pagan idolatry
had represented the Triune God, and though this kind of representation had
survived to Sennacherib's time, yet there is evidence that, at a very early
period, an important change had taken place in the Babylonian notions in regard
to the divinity; and that the three persons had come to be, the Eternal Father,
the Spirit of God incarnate in a human mother, and a Divine Son, the fruit of
that incarnation.
The Two Babylons
Alexander Hislop
Chapter II
Section II
The Mother and Child, and the Original of the Child
While this was the theory, the first perons in the Godhead was
practically overlooked. As the Great Invisible, taking no immediate concern in
human affairs, he was "to be worshipped through silence alone," that
is, in point of fact, he was not worshipped by the multitude at all. The same
thing is strikingly illustrated in India at this day. Though Brahma, according
to the sacred books, is the first person of the Hindoo Triad, and the religiion
of Hindostan is callec by his name, yet he is never worshipped, and there is
scarcely a single Temple in all India now in existence of those that were
formerly erected to his honour. So also is it in those countries of Europe
where the Papal system is most completely developed. In Papal Italy, as
travellers universally admit (except where the Gospel has recently entered),
all appearance of worshipping the King Eternal and Invisible is almost extinct,
while the Mother and the Child are the grand objects of worship. Exactly so, in
this latter respect, also was it in ancient Babylon. The Babylonians, in their
popular religion, supremely worshipped a Goddess Mother and a Son, who was
represented in pictures and in images as an infant or child in his mother's
arms. From Babylon, this worship of the Mother and the Child spread to the ends
of the earth. In Egypt, the Mother and the Child were worshipped under the
names of Isis and Osiris. * In India, even to this day, as Isi and Iswara; **
in Asia, as Cybele and Deoius; in Pagan Rome, as Fortuna and Jupiter-puer, or
Jupiter, the boy; in Greece, as Ceres, the Great Mother, with the babe at her
breast, or as Irene, the goddess of Peace, with the boy Plutus in her arms; and
even in Thibet, in China, and Japan, the Jesuit missionaries were astronished
to find the counterpart of Madonna *** and her child as devoutly worshipped as
in Papal Rome itself; Shing Moo, the Holy Mother in China, being represented
with a child in her arms, and a glory around her, exactly as if a Roman
Catholic artist had been employed to set her up. ****
* Osiris, as the child called most frequently Horus. BUNSEN.
** KENNEDY'S Hindoo Mythology. Though Iswara is the husband of
Isi, he is also represnted as an infant at her breast.
*** The very name by which the Italians commonly designate the
Virgin, is just the translation of one of the titles of the Babylonian goddess.
As Baal or Belus was the name of the great male divinity of Babylon, so the
female divinity was called Beltis. (HESYCHIUS, Lexicon) This name has been
found in Nineveh applied to the "Mother of the gods" (VAUX'S Nineveh
and Persepolis); and in a speech attributed to Nebuchadnezzar, preserved in
EUSEBII Proeparatio Evangelii, both titles "Belus and Beltis" are
conjoined as the titles of the great Babylonian god and goddess. The Greek
Belus, as representing the highest title of the Babylonian god, was undoubtedly
Baal, "The Lord." Beltis, therefore, as the title of the female
divinity, was equivalent to "Baalti," which, in English, is "My
Lady," in Latin, "Mea Domina," and, in Italina, is corrupted into
the well known "Madonna." In connection with this, it may be
observed, that the name of Juno, the classical "Queen of Heaven,"
which, in Greek, was Hera, also signified "The Lady"; and that the
peculiar title of Cybele or Rhea at Rome, was Domina or "The Lady."
(OVID, Fasti) Further, there is strong reason to believe, that Athena, the well
known name of Minerva at Athens, had the very same meaning. The Hebrew Adon,
"The Lord," is, with the points, pronounced Athon. We have evidence
that this name was known to the Asiatic Greeks, from whom idolatry, in a large
measure, came into European Greece, as a name of God under the form of
"Athan." Eustathius, in a note on the Periergesis of Dionysius,
speaking of local names in the district of Laodicea, says the "Athan is
god." The feminine of Athan, "The Lord," is Athan, "The
Lady," which in the Attic dialect, is Athena. No doubt, Minerva is
commonly represented as a virgin; but, for all that, we learn from Strabo that
at Hierapytna in Crete (the coins of which city, says Muller, Dorians have the
Athenian symbols of Minerva upon them), she was said to be the mother of the
Corybantes by Helius, or "The Sun." It is certain that the Egyptian
Minerva, who was the prototype of the Athenian goddess, was a mother, and was
styled "Goddess Mother," or "Mother of the Gods."
**** CRABB'S Mythology. Gutzlaff thought that Shing Moo must
have been borrowed from a Popish source; and there can be no doubt, that in the
individual case to which he refers, the Pagan and the Christian stories had
been amalgamated. But Sir. J. F. Davis shows that the Chinese of Canton find
such an analogy between their own Pagan goddess Kuanyin and the Popish Madonna,
that, in conversing with Europeans, they frequently call either of them
indifferently by the same title. DAVIS' China. The first Jesuit missionaries to
China also wrote home to Europe, that they found mention in the Chinese sacred
books--books unequivocally Pagan--of a mother and child, very similar to their
own Madonna and child at home.
One of the names of the Chinese Holy Mother is Ma Tsoopo; in
regard to which, see note below.
Shing Moo and Ma Tsoopo of China
The name of Shing Moo, applied by the Chinese to their
"Holy Mother," compared with another name of the same goddess in
another province of China, strongly favours the conclusion that Shing Moo is
just a synonym for one of the well known names of the goddess-mother of
Babylon. Gillespie (in his Land of Sinim) states that the Chinese
goddess-mother, or "Queen of Heaven," in the province of Fuh-kien, is
worshipped by seafaring people under the name of Ma Tsoopo. Now, "Ama
Tzupah" signifies the "Gazing Mother"; and there is much reason
to believe that Shing Moo signifies the same; for Mu was one of the forms in
which Mut or Maut, the name of the great mother, appeared in Egypt (BUNSEN'S
Vocabulary); and Shngh, in Chaldee, signifies "to look" or
"gaze." The Egyptian Mu or Maut was symbolised either by a vulture,
or an eye surrounded by a vulture's wings (WILKINSON). The symbolic meaning of
the vulture may be learned from the Scriptural expression: "There is a
path which no fowl knoweth, and which the vulture's eye hath not seen"
(Job 28:7). The vulture was noted for its sharp sight, and hence, the eye
surrounded by the vulture's wings showed that, for some reason or other, the
great mother of the gods in Egypt had been known as "The gazer." But
the idea contained in the Egyptian symbol had evidently been borrowed from
Chaldea; for Rheia, one of the most noted names of the Babylonian mother of the
gods, is just the Chaldee form of the Hebrew Rhaah, which signifies at once
"a gazing woman" and a "vulture." The Hebrew Rhaah itself
is also, according to a dialectical variation, legitimately pronounced Rheah;
and hence the name of the great goddess-mother of Assyria was sometimes Rhea,
and sometimes Rheia. In Greece, the same idea was evidently attached to Athena
or Minerva, whom we have seen to have been by some regarded as the Mother of
the children of the sun. For one of her distinguishing titles was Ophthalmitis
(SMITH'S Classical Dictionary, "Athena"), thereby pointing her out as
the goddess of "the eye." It was no doubt to indicate the same thing
that, as the Egyptian Maut wore a vulture on her head, so the Athenian Minerva
was represented as wearing a helmet with two eyes, or eye-holes, in the front
of the helmet. (VAUX'S Antiquities)
Having thus traced the gazing mother over the earth, is it
asked, What can have given origin to such a name as applied to the mother of
the gods? A fragment of Sanchuniathon, in regard to the Phoenician mythology,
furnishes us with a satisfactory reply. There it is said that Rheia conceived
by Kronos, who was her own brother, and yet was known as the father of the
gods, and in consequence brought forth a son who was called Muth, that is, as
Philo-Byblius correctly interprets the word, "Death." As
Sanchuniathon expressly distinguishes this "father of the gods" from
"Hypsistos," The Most High, * we naturally recall what Hesiod says in
regard to his Kronos, the father of the gods, who, for a certain wicked deed,
was called Titan, and cast down to hell. (Theogonia)
* In reading Sanchuniathon, it is necessary to bear in mind
what Philo-Byblius, his translator, states at the end of the Phenician
History--viz., that history and mythology were mingled together in that work.
The Kronos to whom Hesiod refers is evidently at bottom a
different Kronos from the human father of the gods, or Nimrod, whose history
occupies so large a place in this work. He is plainly none other than Satan
himself; the name Titan, or Teitan, as it is sometimes given, being, as we have
elsewhere concluded, only the Chaldee form of Sheitan, the common name of the
grand Adversary among the Arabs, in the very region where the Chaldean
Mysteries were originally concocted,--that Adversary who was ultimately the
real father of all the Pagan gods,--and who (to make the title of Kronos,
"the Horned One," appropriate to him also) was symbolised by the
Kerastes, or Horned serpent. All "the brethren" of this father of the
gods, who were implicated in his rebellion against his own father, the
"God of Heaven," were equally called by the "reproachful"
name "Titans"; but, inasmuch as he was the ringleader in the
rebellion, he was, of course, Titan by way of eminence. In this rebellion of
Titan, the goddess of the earth was concerned, and the result was that
(removing the figure under which Hesiod has hid the fact) it became naturally
impossible that the God of Heaven should have children upon earth--a plain
allusion to the Fall.
Now, assuming that this is the "Father of the gods,"
by whom Rhea, whose common title is that of the Mother of the gods, and who is
also identified with Ge, or the Earth-goddess, had the child called Muth, or
Death, who could this "Mother of the gods" be, but just our Mother
Eve? And the name Rhea, or "The Gazer," bestowed on her, is
wondrously significant. It was as "the gazer" that the mother of
mankind conceived by Satan, and brought forth that deadly birth, under which
the world has hitherto groaned. It was through her eyes that the fatal
connection was first formed between her and the grand Adversary, under the form
of a serpent, whose name, Nahash, or Nachash, as it stands in the Hebrew of the
Old Testament, also signifies "to view attentively," or "to
gaze" (Gen 3:6) "And when the woman saw that the tree was good for
food, and pleasant to the eyes," &c., "she took of the fruit
thereof, and did eat; and gave also unto her husband with her, and he did eat."
Here, then, we have the pedigree of sin and death; "Lust, when it had
conceived, brought forth sin; and sin, when it was finished, brought forth
death" (James 1:15). Though Muth, or Death, was the son of Rhea, this
progeny of hers came to be regarded, not as Death in the abstract, but as the
god of death; therefore, says Philo-Byblius, Muth was interpreted not only as
death, but as Pluto. (SANCHUN) In the Roman mythology, Pluto was regarded as on
a level, for honour, with Jupiter (OVID, Fasti); and in Egypt, we have evidence
that Osiris, "the seed of the woman," was the "Lord of
heaven," and king of hell, or "Pluto" (WILKINSON; BUNSEN); and
it can be shown by a large induction of particulars (and the reader has
somewhat of the evidence presented in this volume), that he was none other than
the Devil himself, supposed to have become incarnate; who, though through the
first transgression, and his connection with the woman, he had brought sin and
death into the world, had, nevertheless, by means of them, brought innumerable
benefits to mankind. As the name Pluto has the very same meaning as Saturn,
"The hidden one," so, whatever other aspect this name had, as applied
to the father of the gods, it is to Satan, the Hidden Lord of hell, ultimately
that all came at last to be traced back; for the different myths about Saturn,
when carefully examined, show that he was at once the Devil, the father of all
sin and idolatry, who hid himself under the disguise of the serpent,--and Adam,
who hid himself among the trees of the garden,--and Noah, who lay hid for a
whole year in the ark,--and Nimrod, who was hid in the secrecy of the
Babylonian Mysteries. It was to glorify Nimrod that the whole Chaldean system
of iniquity was formed. He was known as Nin, "the son," and his wife
as Rhea, who was called Ammas, "The Mother." The name Rhea, as
applied to Semiramis, had another meaning from what it had when applied to her,
who was really the primeval goddess, the "mother of gods and men."
But yet, to make out the full majesty of her character, it was necessary that
she should be identified with that primeval goddess; and, therefore, although
the son she bore in her arms was represented as he who was born to destroy
death, yet she was often represented with the very symbols of her who brought
death into the world. And so was it also in the different countries where the
Babylonian system spread.
===
The Two Babylons
Alexander Hislop
Chapter II
Section II
Sub-Section I
The Child in Assyria
The original of that mother, so widely worshipped, there is
reason to believe, was Semiramis, * already referred to, who, it is well known,
was worshipped by the Babylonians, and other eastern nations, and that under
the name of Rhea, the great Goddess "Mother."
* Sir H. Rawlinson having found evidence at Nineveh, of the
existence of a Semiramis about six or seven centuries before the Christian era,
seems inclined to regard her as the only Semiramis that ever existed. But this
is subversive of all history. The fact that there was a Semiramis in the
primeval ages of the world, is beyond all doubt, although some of the exploits
of the latter queen have evidently been attributed to her predecessor. Mr.
Layard dissents from Sir. H. Rawlinson's opinion.
It was from the son, however, that she derived all her glory
and her claims to deification. That son, though represented as a child in his
mother's arms, was a person of great stature and immense bodily powers, as well
as most fascinating manners. In Scripture he is referred to (Eze 8:14) under
the name of Tammuz, but he is commonly known among classical writers under the
name of Bacchus, that is, "The Lamented one." *
* From Bakhah "to weep" or "lament." Among
the Phoenicians, says Hesychius, "Bacchos means weeping." As the
women wept for Tammuz, so did they for Bacchus.
To the ordinary reader the name of Bacchus suggests nothing
more than revelry and drunkenness, but it is now well known, that amid all the
abominations that attended his orgies, their grand design was professedly
"the purification of souls," and that from the guilt and defilement
of sin. This lamented one, exhibited and adored as a little child in his
mother's arms, seems, in point of fact, to have been the husband of Semiramis,
whose name, Ninus, by which he is commonly known in classical history,
literally signified "The Son." As Semiramis, the wife, was worshipped
as Rhea, whose grand distinguishing character was that of the great goddess
"Mother," * the conjunction with her of her husband, under the name
of Ninus, or "The Son," was sufficient to originate the peculiar
worship of the "Mother and Son," so extensively diffused among the
nations of antiquity; and this, no doubt, is the explanation of the fact which
has so much puzzled the inquirers into ancient history, that Ninus is sometimes
called the husband, and sometimes the son of Semiramis.
* As such Rhea was called by the Greeks, Ammas. Ammas is
evidently the Greek form of the Chaldee Ama, "Mother."
This also accounts for the origin of the very same confusion
of relationship between Isis and Osiris, the mother and child of the Egyptians;
for as Bunsen shows, Osiris was represented in Egypt as at once the son and
husband of his mother; and actually bore, as one of his titles of dignity and
honour, the name "Husband of the Mother." * This still further casts
light on the fact already noticed, that the Indian God Iswara is represented as
a babe at the breast of his own wife Isi, or Parvati.
* BUNSEN. It may be observed that this very name "Husband
of the Mother," given to Osiris, seems even at this day to be in common
use among ourselves, although there is not the least suspicion of the meaning
of the term, or whence it has come. Herodotus mentions that when in Egypt, he
was astonished to hear the very same mournful but ravishing "Song of
Linus," sung by the Egyptians (although under another name), which he had
been accustomed to hear in his own native land of Greece. Linus was the same
god as the Bacchus of Greece, or Osiris of Egypt; for Homer introduces a boy
singing the song of Linus, while the vintage is going on (Ilias), and the
Scholiast says that this son was sung in memory of Linus, who was torn in
pieces by dogs. The epithet "dogs," applied to those who tore Linus
in pieces, is evidently used in a mystical sense, and it will afterwards been
seen how thoroughly the other name by which he is known--Narcissus--identifies
him with the Greek Bacchus and Egyptian Osiris. In some places in Egypt, for
the song of Linus or Osiris, a peculiar melody seems to have been used. Savary
says that, in the temple of Abydos, "the priest repeated the seven vowels
in the form of hymns, and that musicians were forbid to enter it."
(Letters) Strabo, whom Savary refers to, calls the god of that temple Memnon,
but we learn from Wilkinson that Osiris was the great god of Abydos, whence it
is evident that Memnon and Osiris were only different names of the same
divinity. Now the name of Linus or Osiris, as the "husband of his
mother," in Egypt, was Kamut (BUNSEN). When Gregory the Great introduced
into the Church of Rome what are now called the Gregorian Chants, he got them
from the Chaldean mysteries, which had long been established in Rome; for the
Roman Catholic priest, Eustace, admits that these chants were largely composed
of "Lydian and Phrygian tunes" (Classical Tour), Lydia and Phrygia
being among the chief seats in later times of those mysteries, of which the
Egyptian mysteries were only a branch. These tunes were sacred--the music of
the great god, and in introducing them Gregory introduced the music of Kamut.
And thus, to all appearance, has it come to pass, that the name of Osiris or
Kamut, "the husband of the mother," is in every-day use among
ourselves as the name of the musical scale; for what is the melody of Osiris,
consisting of the "seven vowels" formed into a hymn, but--the Gamut?
Now, this Ninus, or "Son," borne in the arms of the
Babylonian Madonna, is so described as very clearly to identify him with
Nimrod. "Ninus, king of the Assyrians," * says Trogus Pompeius,
epitomised by Justin, "first of all changed the contented moderation of
the ancient manners, incited by a new passion, the desire of conquest. He was
the first who carried on war against his neighbours, and he conquered all nations
from Assyria to Lybia, as they were yet unacquainted with the arts of
war."
* The name, "Assyrians," as has already been
noticed, has a wide latitude of meaning among the classic authors, taking in
the Babylonians as well as the Assyrians proper.
This account points directly to Nimrod, and can apply to no
other. The account of Diodorus Siculus entirely agrees with it, and adds
another trait that goes still further to determine the identity. That account
is as follows: "Ninus, the most ancient of the Assyrian kings mentioned in
history, performed great actions. Being naturally of a warlike disposition, and
ambitious of glory that results from valour, he armed a considerable number of
young men that were brave and vigorous like himself, trained them up a long time
in laborious exercises and hardships, and by that means accustomed them to bear
the fatigues of war, and to face dangers with intrepidity." As Diodorus
makes Ninus "the most ancient of the Assyrian kings," and represents
him as beginning those wars which raised his power to an extraordinary height
by bringing the people of Babylonia under subjection to him, while as yet the
city of Babylon was not in existence, this shows that he occupied the very
position of Nimrod, of whom the Scriptural account is, that he first
"began to be mighty on the earth," and that the "beginning of
his kingdom was Babylon." As the Babel builders, when their speech was
confounded, were scattered abroad on the face of the earth, and therefore
deserted both the city and the tower which they had commenced to build, Babylon
as a city, could not properly be said to exist till Nimrod, by establishing his
power there, made it the foundation and starting-point of his greatness. In
this respect, then, the story of Ninus and of Nimrod exactly harmonise. The
way, too, in which Ninus gained his power is the very way in which Nimrod
erected his. There can be no doubt that it was by inuring his followers to the
toils and dangers of the chase, that he gradually formed them to the use of
arms, and so prepared them for aiding him in establishing his dominions; just
as Ninus, by training his companions for a long time "in laborious
exercises and hardships," qualified them for making him the first of the
Assyrian kings.
The conclusions deduced from these testimonies of ancient
history are greatly strengthened by many additional considerations. In Genesis
10:11, we find a passage, which, when its meaning is properly understood, casts
a very steady light on the subject. That passage, as given in the authorised
version, runs thus: "Out of that land went forth Asshur, and builded
Nineveh." This speaks of it as something remarkable, that Asshur went out
of the land of Shinar, while yet the human race in general went forth from the
same land. It goes upon the supposition that Asshur had some sort of divine
right to that land, and that he had been, in a manner, expelled from it by
Nimrod, while no divine right is elsewhere hinted at in the context, or seems
capable of proof. Moreover, it represents Asshur as setting up in the IMMEDIATE
NEIGHBOURHOOD of Nimrod as mighty a kingdom as Nimrod himself, Asshur building
four cities, one of which is emphatically said to have been "great"
(v 12); while Nimrod, on this interpretation, built just the same number of
cities, of which none is specially characterised as "great." Now, it
is in the last degree improbable that Nimrod would have quietly borne so mighty
a rival so near him. To obviate such difficulties as these, it has been
proposed to render the words, "out of that land he (Nimrod) went forth
into Asshur, or Assyria." But then, according to ordinary usage of
grammar, the word in the original should have been "Ashurah," with
the sign of motion to a place affixed to it, whereas it is simply Asshur,
without any such sign of motion affixed. I am persuaded that the whole
perplexity that commentators have hitherto felt in considering this passage,
has arisen from supposing that there is a proper name in the passage, where in
reality no proper name exists. Asshur is the passive participle of a verb,
which, in its Chaldee sense, signifies "to make strong," and,
consequently, signifies "being strengthened," or "made
strong." Read thus, the whole passage is natural and easy (v 10),
"And the beginning of his (Nimrod's) kingdom was Babel, and Erech, and
Accad, and Calneh." A beginning naturally implies something to succeed,
and here we find it (v 11): "Out of that land he went forth, being made
strong, or when he had been made strong (Ashur), and builded Nineveh,"
&c. Now, this exactly agrees with the statement in the ancient history of
Justin: "Ninus strengthened the greatness of his acquired dominion by
continued possession. Having subdued, therefore, his neighbours, when, by an
accession of forces, being still further strengthened, he went forth against
other tribes, and every new victory paved the way for another, he subdued all
the peoples of the East." Thus, then, Nimrod, or Ninus, was the builder of
Nineveh; and the origin of the name of that city, as "the habitation of Ninus,"
is accounted for, * and light is thereby, at the same time, cast on the fact,
that the name of the chief part of the ruins of Nineveh is Nimroud at this day.
* Nin-neveh, "The habitation of Ninus."
Now, assuming that Ninus is Nimrod, the way in which that
assumption explains what is otherwise inexplicable in the statements of ancient
history greatly confirms the truth of that assumption itself. Ninus is said to
have been the son of Belus or Bel, and Bel is said to have been the founder of
Babylon. If Ninus was in reality the first king of Babylon, how could Belus or
Bel, his father, be said to be the founder of it? Both might very well be, as
will appear if we consider who was Bel, and what we can trace of his doings. If
Ninus was Nimrod, who was the historical Bel? He must have been Cush; for
"Cush begat Nimrod" (Gen 10:8); and Cush is generally represented as
having been a ringleader in the great apostacy. * But again, Cush, as the son
of Ham, was Her-mes or Mercury; for Hermes is just an Egyptian synonym for the
"son of Ham." **
* See GREGORIUS TURONENSIS, De rerum Franc. Gregory attributes
to Cush what was said more generally to have befallen his son; but his
statement shows the belief in his day, which is amply confirmed from other
sources, that Cush had a pre-eminent share in leading mankind away from the
true worship of God.
** The composition of Her-mes is, first, from "Her,"
which, in Chaldee, is synonymous with Ham, or Khem, "the burnt one."
As "her" also, like Ham, signified "The hot or burning
one," this name formed a foundation for covertly identifying Ham with the
"Sun," and so deifying the great patriarch, after whose name the land
of Egypt was called, in connection with the sun. Khem, or Ham, in his own name
was openly worshipped in later ages in the land of Ham (BUNSEN); but this would
have been too daring at first. By means of "Her," the synonym,
however, the way was paved for this. "Her" is the name of Horus, who
is identified with the sun (BUNSEN), which shows the real etymology of the name
to be from the verb to which I have traced it. Then, secondly, "Mes,"
is from Mesheh (or, without the last radical, which is omissible), Mesh,
"to draw forth." In Egyptian, we have Ms in the sense of "to
bring forth" (BUNSEN, Hieroglyphical Signs), which is evidently a
different form of the same word. In the passive sense, also, we find Ms used
(BUNSEN, Vocabulary). The radical meaning of Mesheh in Stockii Lexicon, is
given in Latin "Extraxit," and our English word "extraction,"
as applied to birth or descent, shows that there is a connection between the
generic meaning of this word and birth. This derivation will be found to
explain the meaning of the names of the Egyptian kings, Ramesses and Thothmes,
the former evidently being "The son of Ra," or the Sun; the latter in
like manner, being "The son of Thoth." For the very same reason
Her-mes is the "Son of Her, or Ham," the burnt one--that is, Cush.
Now, Hermes was the great original prophet of idolatry; for he
was recognised by the pagans as the author of their religious rites, and the
interpreter of the gods. The distinguished Gesenius identifies him with the
Babylonian Nebo, as the prophetic god; and a statement of Hyginus shows that he
was known as the grand agent in that movement which produced the division of
tongues. His words are these: "For many ages men lived under the
government of Jove [evidently not the Roman Jupiter, but the Jehovah of the
Hebrews], without cities and without laws, and all speaking one language. But
after that Mercury interpreted the speeches of men (whence an interpreter is
called Hermeneutes), the same individual distributed the nations. Then discord
began." *
* HYGINUS, Fab. Phoroneus is represented as king at this time.
Here there is a manifest enigma. How could Mercury or Hermes
have any need to interpret the speeches of mankind when they "all spake
one language"? To find out the meaning of this, we must go to the language
of the Mysteries. Peresh, in Chaldee, signifies "to interpret"; but
was pronounced by old Egyptians and by Greeks, and often by the Chaldees
themselves, in the same way as "Peres," to "divide."
Mercury, then, or Hermes, or Cush, "the son of Ham," was the
"DIVIDER of the speeches of men." He, it would seem, had been the
ringleader in the scheme for building the great city and tower of Babel; and,
as the well known title of Hermes,--"the interpreter of the gods,"
would indicate, had encouraged them, in the name of God, to proceed in their
presumptuous enterprise, and so had caused the language of men to be divided,
and themselves to be scattered abroad on the face of the earth. Now look at the
name of Belus or Bel, given to the father of Ninus, or Nimrod, in connection
with this. While the Greek name Belus represented both the Baal and Bel of the
Chaldees, these were nevertheless two entirely distinct titles. These titles
were both alike often given to the same god, but they had totally different
meanings. Baal, as we have already seen, signified "The Lord"; but
Bel signified "The Confounder." When, then, we read that Belus, the
father of Ninus, was he that built or founded Babylon, can there be a doubt, in
what sense it was that the title of Belus was given to him? It must have been
in the sense of Bel the "Confounder." And to this meaning of the name
of the Babylonian Bel, there is a very distinct allusion in Jeremiah 1:2, where
it is said "Bel is confounded," that is, "The Confounder is
brought to confusion." That Cush was known to Pagan antiquity under the
very character of Bel, "The Confounder," a statement of Ovid very
clearly proves. The statement to which I refer is that in which Janus "the
god of gods," * from whom all the other gods had their origin, is made to
say of himself: "The ancients...called me Chaos."
* Janus was so called in the most ancient hymns of the Salii.
(MACROB, Saturn.)
Now, first this decisively shows that Chaos was known not
merely as a state of confusion, but as the "god of Confusion." But,
secondly, who that is at all acquainted with the laws of Chaldaic
pronunciation, does not know that Chaos is just one of the established forms of
the name of Chus or Cush? * Then, look at the symbol of Janus, ** whom
"the ancients called Chaos," and it will be seen how exactly it
tallies with the doings of Cush, when he is identified with Bel, "The
Confounder." That symbol is a club; and the name of "a club" in
Chaldee comes from the very word which signifies "to break in pieces, or
scatter abroad." ***
* The name of Cush is also Khus, for sh frequently passes in
Chaldee into s; and Khus, in pronunciation, legitimately becomes Khawos, or,
without the digamma, Khaos.
** From Sir WM. BETHAM'S Etruscan Literature and Antiquities
Investigated, 1842. The Etruscan name on the reverse of a medal--Bel-athri,
"Lord of spies," is probably given to Janus, in allusion to his well
known title "Janus Tuens," which may be rendered "Janus the
Seer," or "All-seeing Janus."
*** In Proverbs 25:18, a maul or club is "Mephaitz."
In Jeremiah 51:20, the same word, without the Jod, is evidently used for a club
(though, in our version, it is rendered battle-axe); for the use of it is not
to cut asunder, but to "break in pieces." See the whole passage.
He who caused the confusion of tongues was he who
"broke" the previously united earth (Gen 11:1) "in pieces,"
and "scattered" the fragments abroad. How significant, then, as a
symbol, is the club, as commemorating the work of Cush, as Bel, the
"Confounder"? And that significance will be all the more apparent
when the reader turns to the Hebrew of Genesis 11:9, and finds that the very
word from which a club derives its name is that which is employed when it is
said, that in consequence of the confusion of tongues, the children of men were
"scattered abroad on the face of all the earth." The word there used
for scattering abroad is Hephaitz, which, in the Greek form becomes Hephaizt, *
and hence the origin of the well known but little understood name of
Hephaistos, as applied to Vulcan, "The father of the gods." **
* There are many instances of a similar change. Thus Botzra
becomes in Greek, Bostra; and Mitzraim, Mestraim.
** Vulcan, in the classical Pantheon, had not commonly so high
a place, but in Egypt Hephaistos, or Vulcan, was called "Father of the
gods." (AMMIANUS MARCELLINUS)
Hephaistos is the name of the ringleader in the first
rebellion, as "The Scatterer abroad," as Bel is the name of the same
individual as the "Confounder of tongues." Here, then, the reader may
see the real origin of Vulcan's Hammer, which is just another name for the club
of Janus or Chaos, "The god of Confusion"; and to this, as breaking
the earth in pieces, there is a covert allusion in Jeremiah 1:23, where
Babylon, as identified with its primeval god, is thus apostrophised: "How
is the hammer of the whole earth cut asunder and broken"! Now, as the tower-building
was the first act of open rebellion after the flood, and Cush, as Bel, was the
ringleader in it, he was, of course, the first to whom the name Merodach,
"The great Rebel," * must have been given, and, therefore, according
to the usual parallelism of the prophetic language, we find both names of the
Babylonian god referred to together, when the judgment on Babylon is predicted:
"Bel is confounded: Merodach is broken in pieces" (Jer 1:2).
* Merodach comes from Mered, to rebel; and Dakh, the demonstrative
pronoun affixed, which makes it emphatic, signifying "That" or
"The great."
The judgment comes upon the Babylonian god according to what
he had done. As Bel, he had "confounded" the whole earth, therefore
he is "confounded." As Merodach, by the rebellion he had stirred up,
he had "broken" the united world in pieces; therefore he himself is
"broken in pieces."
So much for the historical character of Bel, as identified
with Janus or Chaos, the god of confusion, with his symbolical club. *
* While the names Bel and Hephaistos had the origin above
referred to, they were not inappropriate names also, though in a different
sense, for the war-gods descending from Cush, from whom Babylon derived its
glory among the nations. The warlike deified kings of the line of Cush gloried
in their power to carry confusion among their enemies, to scatter their armies,
and to "break the earth in pieces" by their resistless power. To
this, no doubt, as well as to the acts of the primeval Bel, there is allusion
in the inspired denunciations of Jeremiah on Babylon. The physical sense also
of these names was embodied in the club given to the Grecian Hercules--the very
club of Janus--when, in a character quite different from that of the original
Hercules, he was set up as the great reformer of the world, by mere physical
force. When two-headed Janus with the club is represented, the two-fold
representation was probably intended to represent old Cush, and young Cush or
Nimrod, as combined. But the two-fold representation with other attributes, had
reference also to another "Father of the gods," afterwards to be
noticed, who had specially to do with water.
Proceeding, then, on these deductions, it is not difficult to
see how it might be said that Bel or Belus, the father of Ninus, founded
Babylon, while, nevertheless, Ninus or Nimrod was properly the builder of it.
Now, though Bel or Cush, as being specially concerned in laying the first
foundations of Babylon, might be looked upon as the first king, as in some of
the copies of "Eusebius' Chronicle" he is represented, yet it is
evident, from both sacred history and profane, that he could never have reigned
as king of the Babylonian monarchy, properly so called; and accordingly, in the
Armenian version of the "Chronicle of Eusebius," which bears the
undisputed palm for correctness and authority, his name is entirely omitted in
the list of Assyrian kings, and that of Ninus stands first, in such terms as
exactly correspond with the Scriptural account of Nimrod. Thus, then, looking
at the fact that Ninus is currently made by antiquity the son of Belus, or Bel,
when we have seen that the historical Bel is Cush, the identity of Ninus and
Nimrod is still further confirmed.
But when we look at what is said of Semiramis, the wife of
Ninus, the evidence receives an additional development. That evidence goes
conclusively to show that the wife of Ninus could be none other than the wife
of Nimrod, and, further, to bring out one of the grand characters in which
Nimrod, when deified, was adored. In Daniel 11:38, we read of a god called Ala
Mahozine *--i.e., the "god of fortifications."
* In our version, Ala Mahozim is rendered alternatively
"god of forces," or "gods protectors." To the latter
interpretation, there is this insuperable objection, that Ala is in the
singular. Neither can the former be admitted; for Mahozim, or Mauzzim, does not
signify "forces," or "armies," but "munitions,"
as it is also given in the margin--that is "fortifications." Stockius,
in his Lexicon, gives us the definition of Mahoz in the singular, rober, arx,
locus munitus, and in proof of the definition, the following examples:--Judges
6:26, "And build an altar to the Lord thy God upon the top of this
rock" (Mahoz, in the margin "strong place"); and Daniel 11:19,
"Then shall he turn his face to the fort (Mahoz) of his own land."
Who this god of fortifications could be, commentators have
found themselves at a loss to determine. In the records of antiquity the
existence of any god of fortifications has been commonly overlooked; and it
must be confessed that no such god stands forth there with any prominence to
the ordinary reader. But of the existence of a goddess of fortifications, every
one knows that there is the amplest evidence. That goddess is Cybele, who is
universally represented with a mural or turreted crown, or with a
fortification, on her head. Why was Rhea or Cybele thus represented? Ovid asks
the question and answers it himself; and the answer is this: The reason he
says, why the statue of Cybele wore a crown of towers was, "because she
first erected them in cities." The first city in the world after the flood
(from whence the commencement of the world itself was often dated) that had
towers and encompassing walls, was Babylon; and Ovid himself tells us that it was
Semiramis, the first queen of that city, who was believed to have
"surrounded Babylon with a wall of brick." Semiramis, then, the first
deified queen of that city and tower whose top was intended to reach to heaven,
must have been the prototype of the goddess who "first made towers in
cities." When we look at the Ephesian Diana, we find evidence to the very
same effect. In general, Diana was depicted as a virgin, and the patroness of
virginity; but the Ephesian Diana was quite different. She was represented with
all the attributes of the Mother of the gods, and, as the Mother of the gods,
she wore a turreted crown, such as no one can contemplate without being
forcibly reminded of the tower of Babel. Now this tower-bearing Diana is by an
ancient scholiast expressly identified with Semiramis. *
* A scholiast on the Periergesis of Dionysius, says Layard
(Nineveh and its Remains), makes Semiramis the same as the goddess Artemis or
Despoina. Now, Artemis was Diana, and the title of Despoina given to her, shows
that it was in the character of the Ephesian Diana she was identified with
Semiramis; for Despoina is the Greek for Domina, "The Lady," the
peculiar title of Rhea or Cybele, the tower-bearing goddess, in ancient Rome.
(OVID, Fasti)
When, therefore, we remember that Rhea or Cybele, the
tower-bearing goddess, was, in point of fact, a Babylonian goddess, and that
Semiramis, when deified, was worshipped under the name of Rhea, there will
remain, I think, no doubt as to the personal identity of the "goddess of fortifications."
Now there is no reason to believe that Semiramis alone (though
some have represented the matter so) built the battlements of Babylon. We have
the express testimony of the ancient historian, Megasthenes, as preserved by
Abydenus, that it was "Belus" who "surrounded Babylon with a
wall." As "Bel," the Confounder, who began the city and tower of
Babel, had to leave both unfinished, this could not refer to him. It could
refer only to his son Ninus, who inherited his father's title, and who was the
first actual king of the Babylonian empire, and, consequently Nimrod. The real
reason that Semiramis, the wife of Ninus, gained the glory of finishing the
fortifications of Babylon, was, that she came in the esteem of the ancient
idolaters to hold a preponderating position, and to have attributed to her all
the different characters that belonged, or were supposed to belong, to her
husband. Having ascertained, then, one of the characters in which the deified
wife was worshipped, we may from that conclude what was the corresponding
character of the deified husband. Layard distinctly indicates his belief that
Rhea or Cybele, the "tower-crown" goddess, was just the female
counterpart of the "deity presiding over bulwarks or fortresses" and
that this deity was Ninus, or Nimrod, we have still further evidence from what
the scattered notices of antiquity say of the first deified king of Babylon,
under a name that identifies him as the husband of Rhea, the
"tower-bearing" goddess. That name is Kronos or Saturn. *
* In the Greek mythology, Kronos and Rhea are commonly brother
and sister. Ninus and Semiramis, according to history, are not represented as
standing in any such relation to one another; but this is no objection to the
real identity of Ninus and Kronos; for, 1st, the relationships of the
divinities, in most countries, are peculiarly conflicting--Osiris, in Egypt, is
represented at different times, not only as the son and husband of Isis, but
also as her father and brother (BUNSEN); then, secondly, whatever the deified
mortals might be before deification, on being deified they came into new
relationships. On the apotheosis of husband and wife, it was necessary for the
dignity of both that both alike should be represented as of the same celestial
origin--as both supernaturally the children of God. Before the flood, the great
sin that brought ruin on the human race was, that the "Sons of God"
married others than the daughters of God,--in other words, those who were not
spiritually their "sisters." (Gen 6:2,3) In the new world, while the
influence of Noah prevailed, the opposite practice must have been strongly
inculcated; for a "son of God" to marry any one but a daughter of
God, or his own "sister" in the faith, must have been a misalliance
and a disgrace. Hence, from a perversion of a spiritual idea, came, doubtless,
the notion of the dignity and purity of the royal line being preserved the more
intact through the marriage of royal brothers and sisters. This was the case in
Peru (PRESCOTT), in India (HARDY), and in Egypt (WILKINSON). Hence the relation
of Jupiter to Juno, who gloried that she was "soror et
conjux"--"sister and wife"--of her husband. Hence the same
relation between Isis and her husband Osiris, the former of whom is represented
as "lamenting her brother Osiris." (BUNSEN) For the same reason, no
doubt, was Rhea, made the sister of her husband Kronos, to show her divine
dignity and equality.
It is well known that Kronos, or Saturn, was Rhea's husband;
but it is not so well known who was Kronos himself. Traced back to his
original, that divinity is proved to have been the first king of Babylon.
Theophilus of Antioch shows that Kronos in the east was worshipped under the
names of Bel and Bal; and from Eusebius we learn that the first of the Assyrian
kings, whose name was Belus, was also by the Assyrians called Kronos. As the
genuine copies of Eusebius do not admit of any Belus, as an actual king of
Assyria, prior to Ninus, king of the Babylonians, and distinct from him, that
shows that Ninus, the first king of Babylon, was Kronos. But, further, we find
that Kronos was king of the Cyclops, who were his brethren, and who derived
that name from him, * and that the Cyclops were known as "the inventors of
tower-building."
* The scholiast upon EURIPIDES, Orest, says that "the
Cyclops were so called from Cyclops their king." By this scholiast the
Cyclops are regarded as a Thracian nation, for the Thracians had localised the
tradition, and applied it to themselves; but the following statement of the
scholiast on the Prometheus of Aeschylus, shows that they stood in such a
relation to Kronos as proves that he was their king: "The Cyclops...were
the brethren of Kronos, the father of Jupiter."
The king of the Cyclops, "the inventors of
tower-building," occupied a position exactly correspondent to that of
Rhea, who "first erected (towers) in cities." If, therefore, Rhea,
the wife of Kronos, was the goddess of fortifications, Kronos or Saturn, the
husband of Rhea, that is, Ninus or Nimrod, the first king of Babylon, must have
been Ala mahozin, "the god of fortifications." (see note below)
The name Kronos itself goes not a little to confirm the
argument. Kronos signifies "The Horned one." As a horn is a well
known Oriental emblem for power or might, Kronos, "The Horned one,"
was, according to the mystic system, just a synonym for the Scriptural epithet
applied to Nimrod--viz., Gheber, "The mighty one" (Gen 10:8), "He
began to be mighty on the earth." The name Kronos, as the classical reader
is well aware, is applied to Saturn as the "Father of the gods." We
have already had another "father of the gods" brought under our
notice, even Cush in his character of Bel the Confounder, or Hephaistos, "The
Scatterer abroad"; and it is easy to understand how, when the deification
of mortals began, and the "mighty" Son of Cush was deified, the
father, especially considering the part which he seems to have had in
concocting the whole idolatrous system, would have to be deified too, and of
course, in his character as the Father of the "Mighty one," and of
all the "immortals" that succeeded him. But, in point of fact, we
shall find, in the course of our inquiry, that Nimrod was the actual Father of
the gods, as being the first of deified mortals; and that, therefore, it is in
exact accordance with historical fact that Kronos, the Horned, or Mighty one,
is, in the classic Pantheon, known by that title.
The meaning of this name Kronos, "The Horned one,"
as applied to Nimrod, fully explains the origin of the remarkable symbol, so
frequently occurring among the Nineveh sculptures, the gigantic HORNED
man-bull, as representing the great divinities in Assyria. The same word that
signified a bull, signified also a ruler or prince. *
* The name for a bull or ruler, is in Hebrew without points,
Shur, which in Chaldee becomes Tur. From Tur, in the sense of a bull, comes the
Latin Taurus; and from the same word, in the sense of a ruler, Turannus, which
originally had no evil meaning. Thus, in these well known classical words, we
have evidence of the operation of the very principle which caused the deified
Assyrian kings to be represented under the form of the man-bull.
Hence the "Horned bull" signified "The Mighty
Prince," thereby pointing back to the first of those "Mighty
ones," who, under the name of Guebres, Gabrs, or Cabiri, occupied so
conspicuous a place in the ancient world, and to whom the deified Assyrian
monarchs covertly traced back the origin of their greatness and might. This
explains the reason why the Bacchus of the Greeks was represented as wearing
horns, and why he was frequently addressed by the epithet
"Bull-horned," as one of the high titles of his dignity. Even in
comparatively recent times, Togrul Begh, the leader of the Seljukian Turks, who
came from the neighbourhood of the Euphrates, was in a similar manner
represented with three horns growing out of his head, as the emblem of his
sovereignty. This, also, in a remarkable way accounts for the origin of one of
the divinities worshipped by our Pagan Anglo-Saxon ancestors under the name of
Zernebogus. This Zernebogus was "the black, malevolent, ill-omened
divinity," in other words, the exact counterpart of the popular idea of
the Devil, as supposed to be black, and equipped with horns and hoofs. This
name analysed casts a very singular light on the source from whence has come
the popular superstition in regard to the grand Adversary. The name
Zer-Nebo-Gus is almost pure Chaldee, and seems to unfold itself as denoting
"The seed of the prophet Cush." We have seen reason already to
conclude that, under the name Bel, as distinguished from Baal, Cush was the
great soothsayer or false prophet worshipped at Babylon. But independent
inquirers have been led to the conclusion that Bel and Nebo were just two
different titles for the same god, and that a prophetic god. Thus does Kitto
comment on the words of Isaiah 46:1 "Bel boweth down, Nebo stoopeth,"
with reference to the latter name: "The word seems to come from Nibba, to
deliver an oracle, or to prophesy; and hence would mean an 'oracle,' and may
thus, as Calmet suggests ('Commentaire Literal'), be no more than another name
for Bel himself, or a characterising epithet applied to him; it being not
unusual to repeat the same thing, in the same verse, in equivalent terms."
"Zer-Nebo-Gus," the great "seed of the prophet Cush," was,
of course, Nimrod; for Cush was Nimrod's father. Turn now to Layard, and see
how this land of ours and Assyria are thus brought into intimate connection. In
a woodcut, first we find "the Assyrian Hercules," that is
"Nimrod the giant," as he is called in the Septuagint version of
Genesis, without club, spear, or weapons of any kind, attacking a bull. Having
overcome it, he sets the bull's horns on his head, as a trophy of victory and a
symbol of power; and thenceforth the hero is represented, not only with the
horns and hoofs above, but from the middle downwards, with the legs and cloven
feet of the bull. Thus equipped he is represented as turning next to encounter
a lion. This, in all likelihood, is intended to commemorate some event in the
life of him who first began to be mighty in the chase and in war, and who,
according to all ancient traditions, was remarkable also for bodily power, as
being the leader of the Giants that rebelled against heaven. Now Nimrod, as the
son of Cush, was black, in other words, was a Negro. "Can the Ethiopian
change his skin?" is in the original, "Can the Cushite" do so?
Keeping this, then, in mind, it will be seen that in that figure disentombed
from Nineveh, we have both the prototype of the Anglo-Saxon Zer-Nebo-Gus,
"the seed of the prophet Cush," and the real original of the black
Adversary of mankind, with horns and hoofs. It was in a different character
from that of the Adversary that Nimrod was originally worshipped; but among a
people of a fair complexion, as the Anglo-Saxons, it was inevitable that, if
worshipped at all, it must generally be simply as an object of fear; and so
Kronos, "The Horned one," who wore the "horns," as the
emblem both of his physical might and sovereign power, has come to be, in
popular superstition, the recognised representative of the Devil.
In many and far-severed countries, horns became the symbols of
sovereign power. The corona or crown, that still encircles the brows of
European monarchs, seems remotely to be derived from the emblem of might
adopted by Kronos, or Saturn, who, according to Pherecydes, was "the first
before all others that ever wore a crown." The first regal crown appears
to have been only a band, in which the horns were set. From the idea of power
contained in the "horn," even subordinate rulers seem to have worn a
circlet adorned with a single horn, in token of their derived authority. Bruce,
the Abyssinian traveller gives examples of Abyssinian chiefs thus decorated, in
regard to whom he states that the horn attracted his particular attention, when
he perceived that the governors of provinces were distinguished by this
head-dress. In the case of sovereign powers, the royal head-band was adorned
sometimes with a double, sometimes with a triple horn. The double horn had
evidently been the original symbol of power or might on the part of sovereigns;
for, on the Egyptian monuments, the heads of the deified royal personages have
generally no more than the two horns to shadow forth their power. As
sovereignty in Nimrod's case was founded on physical force, so the two horns of
the bull were the symbols of that physical force. And, in accordance with this,
we read in Sanchuniathon that "Astarte put on her own head a bull's head
as the ensign of royalty." By-and-by, however, another and a higher idea
came in, and the expression of that idea was seen in the symbol of the three
horns. A cap seems in course of time to have come to be associated with the
regal horns. In Assyria the three-horned cap was one of the "sacred
emblems," in token that the power connected with it was of celestial
origin,--the three horns evidently pointing at the power of the trinity. Still,
we have indications that the horned band, without any cap, was anciently the
corona or royal crown. The crown borne by the Hindoo god Vishnu, in his avatar
of the Fish, is just an open circle or band, with three horns standing erect
from it, with a knob on the top of each horn. All the avatars are represented
as crowned with a crown that seems to have been modelled from this, consisting
of a coronet with three points, standing erect from it, in which Sir William
Jones recognises the Ethiopian or Parthian coronet. The open tiara of Agni, the
Hindoo god of fire, shows in its lower round the double horn, made in the very
same way as in Assyria, proving at once the ancient custom, and whence that
custom had come. Instead of the three horns, three horn-shaped leaves came to
be substituted; and thus the horned band gradually passed into the modern
coronet or crown with the three leaves of the fleur-de-lis, or other familiar
three-leaved adornings.
Among the Red Indians of America there had evidently been
something entirely analogous to the Babylonian custom of wearing the horns;
for, in the "buffalo dance" there, each of the dancers had his head
arrayed with buffalo's horns; and it is worthy of especial remark, that the
"Satyric dance," * or dance of the Satyrs in Greece, seems to have
been the counterpart of this Red Indian solemnity; for the satyrs were horned
divinities, and consequently those who imitated their dance must have had their
heads set off in imitation of theirs.
* BRYANT. The Satyrs were the companions of Bacchus, and
"danced along with him" (Aelian Hist.) When it is considered who
Bacchus was, and that his distinguishing epithet was "Bull-horned,"
the horns of the "Satyrs" will appear in their true light. For a
particular mystic reason the Satyr's horn was commonly a goat's horn, but
originally it must have been the same as Bacchus'.
When thus we find a custom that is clearly founded on a form
of speech that characteristically distinguished the region where Nimrod's power
was wielded, used in so many different countries far removed from one another,
where no such form of speech was used in ordinary life, we may be sure that
such a custom was not the result of mere accident, but that it indicates the
wide-spread diffusion of an influence that went forth in all directions from
Babylon, from the time that Nimrod first "began to be mighty on the
earth."
There was another way in which Nimrod's power was symbolised
besides by the "horn." A synonym for Gheber, "The mighty
one," was "Abir," while "Aber" also signified a
"wing." Nimrod, as Head and Captain of those men of war, by whom he
surrounded himself, and who were the instruments of establishing his power, was
"Baal-aberin," "Lord of the mighty ones." But
"Baal-abirin" (pronounced nearly in the same way) signified "The
winged one," * and therefore in symbol he was represented, not only as a
horned bull, but as at once a horned and winged bull--as showing not merely
that he was mighty himself, but that he had mighty ones under his command, who
were ever ready to carry his will into effect, and to put down all opposition
to his power; and to shadow forth the vast extent of his might, he was
represented with great and wide-expanding wings.
* This is according to a peculiar Oriental idiom, of which
there are many examples. Thus, Baal-aph, "lord of wrath," signifies
"an angry man"; Baal-lashon, "lord of tongue," "an
eloquent man"; Baal-hatsim, "lord of arrows," "an
archer"; and in like manner, Baal-aberin, "lord of wings,"
signifies "winged one."
To this mode of representing the mighty kings of Babylon and
Assyria, who imitated Nimrod and his successors, there is manifest allusion in
Isaiah 8:6-8 "Forasmuch as this people refuseth the waters of Shiloah that
go softly, and rejoice in Rezin and Remaliah's son; now therefore, behold, the
Lord bringeth up upon them the waters of the river, strong and mighty, even the
king of Assyria, and all his glory; and he shall come up over all his banks.
And he shall pass through Judah; he shall overflow and go over; he shall reach
even unto the neck; and the STRETCHING OUT OF HIS WINGS shall FILL the breadth
of thy land, O Immanuel." When we look at such figures, with their great
extent of expanded wing, as symbolising an Assyrian king, what a vividness and
force does it give to the inspired language of the prophet! And how clear is
it, also, that the stretching forth of the Assyrian monarch's WINGS, that was
to "fill the breadth of Immanuel's land," has that very symbolic
meaning to which I have referred--viz., the overspreading of the land by his
"mighty ones," or hosts of armed men, that the king of Babylon was to
bring with him in his overflowing invasion! The knowledge of the way in which
the Assyrian monarchs were represented, and of the meaning of that
representation, gives additional force to the story of the dream of Cyrus the
Great, as told by Herodotus. Cyrus, says the historian, dreamt that he saw the
son of one of his princes, who was at the time in a distant province, with two
great "wings on his shoulders, the one of which overshadowed Asia, and the
other Europe," from which he immediately concluded that he was organising
rebellion against him. The symbols of the Babylonians, whose capital Cyrus had
taken, and to whose power he had succeeded, were entirely familiar to him; and
if the "wings" were the symbols of sovereign power, and the
possession of them implied the lordship over the might, or the armies of the
empire, it is easy to see how very naturally any suspicions of disloyalty
affecting the individual in question might take shape in the manner related, in
the dreams of him who might harbour these suspicions.
Now, the understanding of this equivocal sense of
"Baal-aberin" can alone explain the remarkable statement of
Aristophanes, that at the beginning of the world "the birds" were first
created, and then after their creation, came the "race of the blessed
immortal gods." This has been regarded as either an atheistical or
nonsensical utterance on the part of the poet, but, with the true key applied
to the language, it is found to contain an important historical fact. Let it
only be borne in mind that "the birds"--that is, the "winged
ones"--symbolised "the Lords of the mighty ones," and then the
meaning is clear, viz., that men first "began to be mighty on the
earth"; and then, that the "Lords" or Leaders of "these
mighty ones" were deified. The knowledge of the mystic sense of this
symbol accounts also for the origin of the story of Perseus, the son of
Jupiter, miraculously born of Danae, who did such wondrous things, and who
passed from country to country on wings divinely bestowed on him. This equally
casts light on the symbolic myths in regard to Bellerophon, and the feats which
he performed on his winged horse, and their ultimate disastrous issue; how high
he mounted in the air, and how terrible was his fall; and of Icarus, the son of
Daedalus, who, flying on wax-cemented wings over the Icarian Sea, had his wings
melted off through his too near approach to the sun, and so gave his name to
the sea where he was supposed to have fallen. The fables all referred to those
who trode, or were supposed to have trodden, in the steps of Nimrod, the first
"Lord of the mighty ones," and who in that character was symbolised
as equipped with wings.
Now, it is remarkable that, in the passage of Aristophanes
already referred to, that speaks of the birds, or "the winged ones,"
being produced before the gods, we are informed that he from whom both
"mighty ones" and gods derived their origin, was none other than the
winged boy Cupid. *
* Aristophanes says that Eros or Cupid produced the
"birds" and "gods" by "mingling all things." This
evidently points to the meaning of the name Bel, which signifies at once
"the mingler" and "the confounder." This name properly
belonged to the father of Nimrod, but, as the son was represented as identified
with the father, we have evidence that the name descended to the son and others
by inheritance.
Cupid, the son of Venus, occupied, as will afterwards be
proved, in the mystic mythology the very same position as Nin, or Ninus,
"the son," did to Rhea, the mother of the gods. As Nimrod was
unquestionably the first of "the mighty ones" after the Flood, this
statement of Aristophanes, that the boy-god Cupid, himself a winged one,
produced all the birds or "winged ones," while occupying the very
position of Nin or Ninus, "the son," shows that in this respect also
Ninus and Nimrod are identified. While this is the evident meaning of the poet,
this also, in a strictly historical point of view, is the conclusion of the historian
Apollodorus; for he states that "Ninus is Nimrod." And then, in
conformity with this identity of Ninus and Nimrod, we find, in one of the most
celebrated sculptures of ancient Babylon, Ninus and his wife Semiramis
represented as actively engaged in the pursuits of the chase,--"the
quiver-bearing Semiramis" being a fit companion for "the mighty
Hunter before the Lord."
Ala-Mahozim
The name "Ala-Mahozim" is never, as far as I know,
found in any ancient uninspired author, and in the Scripture itself it is found
only in a prophecy. Considering that the design of prophecy is always to leave
a certain obscurity before the event, though giving enough of light for the
practical guidance of the upright, it is not to be wondered at that an unusual
word should be employed to describe the divinity in question. But, though this
precise name be not found, we have a synonym that can be traced home to Nimrod.
In Sanchuniathon, "Astarte, traveling about the habitable world," is
said to have found "a star falling through the air, which she took up and
consecrated in the holy island Tyre." Now what is this story of the
falling star but just another version of the fall of Mulciber from heaven, or
of Nimrod from his high estate? for as we have already seen, Macrobius shows
(Saturn.) that the story of Adonis--the lamented one--so favourite a theme in
Phoenicia, originally came from Assyria. The name of the great god in the holy
island of Tyre, as is well known, was Melkart (KITTO'S Illus. Comment.), but
this name, as brought from Tyre to Carthage, and from thence to Malta (which
was colonised from Carthage), where it is found on a monument at this day, cast
no little light on the subject. The name Melkart is thought by some to have
been derived from Melek-eretz, or "king of the earth" (WILKINSON);
but the way in which it is sculptured in Malta shows that it was really
Melek-kart, "king of the walled city." Kir, the same as the Welsh
Caer, found in Caer-narvon, &c., signifies "an encompassing
wall," or a "city completely walled round"; and Kart was the
feminine form of the same word, as may be seen in the different forms of the
name of Carthage, which is sometimes Car-chedon, and sometimes Cart-hada or
Cart-hago. In the Book of Proverbs we find a slight variety of the feminine
form of Kart, which seems evidently used in the sense of a bulwark or a
fortification. Thus (Prov 10:15) we read: "A rich man's wealth is his
strong city (Karit), that is, his strong bulwark or defence." Melk-kart,
then, "king of the walled city," conveys the very same idea as
Ala-Mahozim. In GRUTER'S Inscriptions, as quoted by Bryant, we find a title
also given to Mars, the Roman war-god, exactly coincident in meaning with that
of Melkart. We have elsewhere seen abundant reason to conclude that the
original of Mars was Nimrod. The title to which I refer confirms this
conclusion, and is contained in a Roman inscription on an ancient temple in
Spain. This title shows that the temple was dedicated to "Mars
Kir-aden," the lord of "The Kir," or "walled city."
The Roman C, as is well known, is hard, like K; and Adon, "Lord," is
also Aden. Now, with this clue to guide us, we can unravel at once what has
hitherto greatly puzzled mythologists in regard to the name of Mars Quirinus as
distinguished from Mars Gradivus. The K in Kir is what in Hebrew or Chaldee is
called Koph, a different letter from Kape, and is frequently pronounced as a Q.
Quir-inus, therefore, signifies "belonging to the 93 walled city,"
and refers to the security which was given to cities by encompassing walls.
Gradivus, on the other hand, comes from "Grah," "conflict,"
and "divus," "god"--a different form of Deus, which has
been already shown to be a Chaldee term; and therefore signifies "God of
battle." Both these titles exactly answer to the two characters of Nimrod
as the great city builder and the great warrior, and that both these
distinctive characters were set forth by the two names referred to, we have
distinct evidence in FUSS'S Antiquities. "The Romans," says he,
"worshipped two idols of the kind [that is, gods under the name of Mars],
the one called Quirinus, the guardian of the city and its peace; the other
called Gradivus, greedy of war and slaughter, whose temple stood beyond the
city's boundaries."
===
The Two Babylons
Alexander Hislop
Chapter II
Section II
Sub-Section II
The Child In Egypt
When we turn to Egypt we find remarkable evidence of the same
thing there also. Justin, as we have already seen, says that "Ninus
subdued all nations, as far as Lybia," and consequently Egypt. The
statement of Diodorus Siculus is to the same effect, Egypt being one of the
countries that, according to him, Ninus brought into subjection to himself. In
exact accordance with these historical statements, we find that the name of the
third person in the primeval triad of Egypt was Khons. But Khons, in Egyptian,
comes from a word that signifies "to chase." Therefore, the name of
Khons, the son of Maut, the goddess-mother, who was adorned in such a way as to
identify her with Rhea, the great goddess-mother of Chaldea, * properly
signifies "The Huntsman," or god of the chase.
* The distinguishing decoration of Maut was the vulture
head-dress. Now the name of Rhea, in one of its meanings, signifies a vulture.
As Khons stands in the very same relation to the Egyptian Maut
as Ninus does to Rhea, how does this title of "The Huntsman" identify
the Egyptian god with Nimrod? Now this very name Khons, brought into contact
with the Roman mythology, not only explains the meaning of a name in the
Pantheon there, that hitherto has stood greatly in need of explanation, but
causes that name, when explained, to reflect light back again on this Egyptian
divinity, and to strengthen the conclusion already arrived at. The name to
which I refer is the name of the Latin god Consus, who was in one aspect
identified with Neptune, but who was also regarded as "the god of hidden
counsels," or "the concealer of secrets," who was looked up to
as the patron of horsemanship, and was said to have produced the horse. Who
could be the "god of hidden counsels," or the "concealer of
secrets," but Saturn, the god of the "mysteries," and whose name
as used at Rome, signified "The hidden one"? The father of Khons, or
Ohonso (as he was also called), that is, Amoun, was, as we are told by
Plutarch, known as "The hidden God"; and as father and son in the same
triad have ordinarily a correspondence of character, this shows that Khons also
must have been known in the very same character of Saturn, "The hidden
one." If the Latin Consus, then, thus exactly agreed with the Egyptian
Khons, as the god of "mysteries," or "hidden counsels," can
there be a doubt that Khons, the Huntsman, also agreed with the same Roman
divinity as the supposed producer of the horse? Who so likely to get the credit
of producing the horse as the great huntsman of Babel, who no doubt enlisted it
in the toils of the chase, and by this means must have been signally aided in
his conflicts with the wild beasts of the forest? In this connection, let the
reader call to mind that fabulous creature, the Centaur, half-man, half-horse,
that figures so much in the mythology of Greece. That imaginary creation, as is
generally admitted, was intended to commemorate the man who first taught the
art of horsemanship. *
* In illustration of the principle that led to the making of
the image of the Centaur, the following passage may be given from PRESCOTT'S
Mexico, as showing the feelings of the Mexicans on first seeing a man on
horseback: "He [Cortes] ordered his men [who were cavalry] to direct their
lances at the faces of their opponents, who, terrified at the monstrous apparition--for
they supposed the rider and the horse, which they had never before seen, to be
one and the same--were seized with a panic."
But that creation was not the offspring of Greek fancy. Here,
as in many other things, the Greeks have only borrowed from an earlier source.
The Centaur is found on coins struck in Babylonia, showing that the idea must
have originally come from that quarter. The Centaur is found in the Zodiac, the
antiquity of which goes up to a high period, and which had its origin in
Babylon. The Centaur was represented, as we are expressly assured by Berosus,
the Babylonian historian, in the temple of Babylon, and his language would seem
to show that so also it had been in primeval times. The Greeks did themselves
admit this antiquity and derivation of the Centaur; for though Ixion was
commonly represented as the father of the Centaurs, yet they also acknowledge
that the primitive Centaurus was the same as Kronos, or Saturn, the father of
the gods. *
* Scholiast in Lycophron, BRYANT. The Scholiast says that
Chiron was the son of "Centaurus, that is, Kronos." If any one
objects that, as Chiron is said to have lived in the time of the Trojan war,
this shows that his father Kronos could not be the father of gods and men,
Xenophon answers by saying "that Kronos was the brother of Jupiter."
De Venatione
But we have seen that Kronos was the first King of Babylon, or
Nimrod; consequently, the first Centaur was the same. Now, the way in which the
Centaur was represented on the Babylonian coins, and in the Zodiac, viewed in
this light, is very striking. The Centaur was the same as the sign Sagittarius,
or "The Archer." If the founder of Babylon's glory was "The
mighty Hunter," whose name, even in the days of Moses, was a proverb--(Gen
10:9, "Wherefore, it is said, Even as Nimrod, the mighty hunter before the
Lord")--when we find the "Archer" with his bow and arrow, in the
symbol of the supreme Babylonian divinity, and the "Archer," among
the signs of the Zodiac that originated in Babylon, I think we may safely
conclude that this Man-horse or Horse-man Archer primarily referred to him, and
was intended to perpetuate the memory at once of his fame as a huntsman and his
skill as a horse-breaker. (see note below)
Now, when we thus compare the Egyptian Khons, the
"Huntsman," with the Latin Consus, the god of horse-races, who
"produced the horse," and the Centaur of Babylon, to whom was
attributed the honour of being the author of horsemanship, while we see how all
the lines converge in Babylon, it will be very clear, I think, whence the
primitive Egyptian god Khons has been derived.
Khons, the son of the great goddess-mother, seems to have been
generally represented as a full-grown god. The Babylonian divinity was also
represented very frequently in Egypt in the very same way as in the land of his
nativity--i.e., as a child in his mother's arms. *
* One of the symbols with which Khons was represented, shows
that even he was identified with the child-god; "for," says
Wilkinson, "at the side of his head fell the plaited lock of Harpocrates,
or childhood."
This was the way in which Osiris, "the son, the husband
of his mother," was often exhibited, and what we learn of this god,
equally as in the case of Khons, shows that in his original he was none other
than Nimrod. It is admitted that the secret system of Free Masonry was
originally founded on the Mysteries of the Egyptian Isis, the goddess-mother,
or wife of Osiris. But what could have led to the union of a Masonic body with
these Mysteries, had they not had particular reference to architecture, and had
the god who was worshipped in them not been celebrated for his success in
perfecting the arts of fortification and building? Now, if such were the case,
considering the relation in which, as we have already seen, Egypt stood to
Babylon, who would naturally be looked up to there as the great patron of the
Masonic art? The strong presumption is, that Nimrod must have been the man. He
was the first that gained fame in this way. As the child of the Babylonian
goddess-mother, he was worshipped, as we have seen, in the character of Ala
mahozim, "The god of fortifications." Osiris, in like manner, the
child of the Egyptian Madonna, was equally celebrated as "the strong chief
of the buildings." This strong chief of the buildings was originally
worshipped in Egypt with every physical characteristic of Nimrod. I have
already noticed the fact that Nimrod, as the son of Cush, was a Negro. Now,
there was a tradition in Egypt, recorded by Plutarch, that "Osiris was
black," which, in a land where the general complexion was dusky, must have
implied something more than ordinary in its darkness. Plutarch also states that
Horus, the son of Osiris, "was of a fair complexion," and it was in
this way, for the most part, that Osiris was represented. But we have
unequivocal evidence that Osiris, the son and husband of the great
goddess-queen of Egypt, was also represented as a veritable Negro. In Wilkinson
may be found a representation of him with the unmistakable features of the
genuine Cushite or Negro. Bunsen would have it that this is a mere random
importation from some of the barbaric tribes; but the dress in which this Negro
god is arrayed tells a different tale. That dress directly connects him with
Nimrod. This Negro-featured Osiris is clothed from head to foot in a spotted
dress, the upper part being a leopard's skin, the under part also being spotted
to correspond with it. Now the name Nimrod * signifies "the subduer of the
leopard."
* "Nimr-rod"; from Nimr, a "leopard," and
rada or rad "to subdue." According to invariable custom in Hebrew,
when two consonants come together as the two rs in Nimr-rod, one of them is
sunk. Thus Nin-neveh, "The habitation of Ninus," becomes Nineveh. The
name Nimrod is commonly derived from Mered, "to rebel"; but a
difficulty has always been found in regard to this derivation, as that would
make the name Nimrod properly passive not "the rebel," but "he
who was rebelled against." There is no doubt that Nimrod was a rebel, and
that his rebellion was celebrated in ancient myths; but his name in that
character was not Nimrod, but Merodach, or, as among the Romans, Mars,
"the rebel"; or among the Oscans of Italy, Mamers (SMITH), "The
causer of rebellion." That the Roman Mars was really, in his original, the
Babylonian god, is evident from the name given to the goddess, who was
recognised sometimes as his "sister," and sometimes as his
"wife"--i.e., Bellona, which, in Chaldee, signifies, "The Lamenter
of Bel" (from Bel and onah, to lament). The Egyptian Isis, the sister and
wife of Osiris, is in like manner represented, as we have seen, as
"lamenting her brother Osiris." (BUNSEN)
This name seems to imply, that as Nimrod had gained fame by
subduing the horse, and so making use of it in the chase, so his fame as a
huntsman rested mainly on this, that he found out the art of making the leopard
aid him in hunting the other wild beasts. A particular kind of tame leopard is
used in India at this day for hunting; and of Bagajet I, the Mogul Emperor of
India, it is recorded that in his hunting establishment he had not only hounds
of various breeds, but leopards also, whose "collars were set with
jewels." Upon the words of the prophet Habakkuk 1:8, "swifter than
leopards," Kitto has the following remarks:--"The swiftness of the
leopard is proverbial in all countries where it is found. This, conjoined with
its other qualities, suggested the idea in the East of partially training it,
that it might be employed in hunting...Leopards are now rarely kept for hunting
in Western Asia, unless by kings and governors; but they are more common in the
eastern parts of Asia. Orosius relates that one was sent by the king of
Portugal to the Pope, which excited great astonishment by the way in which it
overtook, and the facility with which it killed, deer and wild boars. Le Bruyn
mentions a leopard kept by the Pasha who governed Gaza, and the other
territories of the ancient Philistines, and which he frequently employed in hunting
jackals. But it is in India that the cheetah, or hunting leopard, is most
frequently employed, and is seen in the perfection of his power." This
custom of taming the leopard, and pressing it into the service of man in this
way, is traced up to the earliest times of primitive antiquity. In the works of
Sir William Jones, we find it stated from the Persian legends, that Hoshang,
the father of Tahmurs, who built Babylon, was the "first who bred dogs and
leopards for hunting." As Tahmurs, who built Babylon, could be none other
than Nimrod, this legend only attributes to his father what, as his name
imports, he got the fame of doing himself. Now, as the classic god bearing the
lion's skin is recognised by that sign as Hercules, the slayer of the Nemean
lion, so in like manner, the god clothed in the leopard's skin would naturally
be marked out as Nimrod, the "leopard-subduer." That this leopard
skin, as appertaining to the Egyptian god, was no occasional thing, we have
clearest evidence. Wilkinson tells us, that on all high occasions when the
Egyptian high priest was called to officiate, it was indispensable that he
should do so wearing, as his robe of office, the leopard's skin. As it is a
universal principle in all idolatries that the high priest wears the insignia
of the god he serves, this indicates the importance which the spotted skin must
have had attached to it as a symbol of the god himself. The ordinary way in
which the favourite Egyptian divinity Osiris was mystically represented was
under the form of a young bull or calf--the calf Apis--from which the golden
calf of the Israelites was borrowed. There was a reason why that calf should
not commonly appear in the appropriate symbols of the god he represented, for
that calf represented the divinity in the character of Saturn, "The HIDDEN
one," "Apis" being only another name for Saturn. *
* The name of Apis in Egyptian is Hepi or Hapi, which is
evidently from the Chaldee "Hap," "to cover." In Egyptian
Hap signifies "to conceal." (BUNSEN)
The cow of Athor, however, the female divinity corresponding
to Apis, is well known as a "spotted cow," (WILKINSON) and it is
singular that the Druids of Britain also worshipped "a spotted cow"
(DAVIES'S Druids). Rare though it be, however, to find an instance of the
deified calf or young bull represented with the spots, there is evidence still
in existence, that even it was sometimes so represented. When we find that
Osiris, the grand god of Egypt, under different forms, was thus arrayed in a
leopard's skin or spotted dress, and that the leopard-skin dress was so
indispensable a part of the sacred robes of his high priest, we may be sure
that there was a deep meaning in such a costume. And what could that meaning
be, but just to identify Osiris with the Babylonian god, who was celebrated as
the "Leopard-tamer," and who was worshipped even as he was, as Ninus,
the CHILD in his mother's arms?
Note
Meaning of the Name Centaurus
The ordinary classical derivation of this name gives little
satisfaction; for, even though it could be derived from words that signify
"Bull-killers" (and the derivation itself is but lame), such a
meaning casts no light at all on the history of the Centaurs. Take it as a
Chaldee word, and it will be seen at once that the whole history of the primitive
Kentaurus entirely agrees with the history of Nimrod, with whom we have already
identified him. Kentaurus is evidently derived from Kehn, "a priest,"
and Tor, "to go round." "Kehn-Tor," therefore, is
"Priest of the revolver," that is, of the sun, which, to appearance,
makes a daily revolution round the earth. The name for a priest, as written, is
just Khn, and the vowel is supplied according to the different dialects of
those who pronounce it, so as to make it either Kohn, Kahn, or Kehn. Tor,
"the revolver," as applied to the sun, is evidently just another name
for the Greek Zen or Zan applied to Jupiter, as identified with the sun, which
signifies the "Encircler" or "Encompasser,"--the very word
from which comes our own word "Sun," which, in Anglo-Saxon, was Sunna
(MALLET, Glossary), and of which we find distinct traces in Egypt in the term
snnu (BUNSEN'S Vocab.), as applied to the sun's orbit. The Hebrew Zon or Zawon,
to "encircle," from which these words come, in Chaldee becomes Don or
Dawon, and thus we penetrate the meaning of the name given by the Boeotians to
the "Mighty hunter," Orion. That name was Kandaon, as appears from
the following words of the Scholiast on Lycophron, quoted in BRYANT:
"Orion, whom the Boeotians call also Kandaon." Kahn-daon, then, and
Kehn-tor, were just different names for the same office--the one meaning
"Priest of the Encircler," the other, "Priest of the
revolver"--titles evidently equivalent to that of Bol-kahn, or
"Priest of Baal, or the Sun," which, there can be no doubt, was the
distinguishing title of Nimrod. As the title of Centaurus thus exactly agrees
with the known position of Nimrod, so the history of the father of the Centaurs
does the same. We have seen already that, though Ixion was, by the Greeks, made
the father of that mythical race, even they themselves admitted that the
Centaurs had a much higher origin, and consequently that Ixion, which seems to
be a Grecian name, had taken the place of an earlier name, according to that
propensity particularly noticed by Salverte, which has often led mankind
"to apply to personages known in one time and one country, myths which
they have borrowed from another country and an earlier epoch" (Des
Sciences). Let this only be admitted to be the case here--let only the name of
Ixion be removed, and it will be seen that all that is said of the father of
the Centaurs, or Horsemen-archers, applies exactly to Nimrod, as represented by
the different myths that refer to the first progenitor of these Centaurs.
First, then, Centaurus is represented as having been taken up to heaven (DYMOCK
"Ixion"), that is, as having been highly exalted through special
favour of heaven; then, in that state of exaltation, he is said to have fallen
in love with Nephele, who passed under the name of Juno, the "Queen of
Heaven." The story here is intentionally confused, to mystify the vulgar,
and the order of events seems changed, which can easily be accounted for. As
Nephele in Greek signifies "a cloud," so the offspring of Centaurus
are said to have been produced by a "cloud." But Nephele, in the
language of the country where the fable was originally framed, signified
"A fallen woman," and it is from that "fallen woman,"
therefore, that the Centaurs are really said to have sprung. Now, the story of
Nimrod, as Ninus, is, that he fell in love with Semiramis when she was another
man's wife, and took her for his own wife, whereby she became doubly
fallen--fallen as a woman *-- and fallen from the primitive faith in which she
must have been brought up; and it is well known that this "fallen
woman" was, under the name of Juno, or the Dove, after her death,
worshipped among the Babylonians.
* Nephele was used, even in Greece, as the name of a woman,
the degraded wife of Athamas being so called. (SMITH'S Class. Dict.,
"Athamas")
Centaurus, for his presumption and pride, was smitten with
lightning by the supreme God, and cast down to hell (DYMOCK,
"Ixion"). This, then, is just another version of the story of
Phaethon, Aesculapius, and Orpheus, who were all smitten in like manner and for
a similar cause. In the infernal world, the father of the Centaurs is
represented as tied by serpents to a wheel which perpetually revolves, and thus
makes his punishment eternal (DYMOCK). In the serpents there is evidently
reference to one of the two emblems of the fire-worship of Nimrod. If he
introduced the worship of the serpent, as I have endeavoured to show, there was
poetical justice in making the serpent an instrument of his punishment. Then
the revolving wheel very clearly points to the name Centaurus itself, as
denoting the "Priest of the revolving sun." To the worship of the sun
in the character of the "Revolver," there was a very distinct
allusion not only in the circle which, among the Pagans, was the emblem of the
sun-god, and the blazing wheel with which he was so frequently represented
(WILSON'S Parsi Religion), but in the circular dances of the Bacchanalians.
Hence the phrase, "Bassaridum rotator Evan"--"The wheeling Evan
of the Bacchantes" (STATIUS, Sylv.). Hence, also, the circular dances of
the Druids as referred to in the following quotation from a Druidic song:
"Ruddy was the sea beach whilst the circular revolution was performed by
the attendants and the white bands in graceful extravagance" (DAVIES'S Druids).
That this circular dance among the Pagan idolaters really had reference to the
circuit of the sun, we find from the distinct statement of Lucian in his
treatise On Dancing, where, speaking of the circular dance of the ancient
Eastern nations, he says, with express reference to the sun-god, "it
consisted in a dance imitating this god." We see then, here, a very
specific reason for the circular dance of the Bacchae, and for the
ever-revolving wheel of the great Centaurus in the infernal regions.
==
The Two Babylons
Alexander Hislop
Chapter II
Section II
Sub-Section III
The Child in Greece
Thus much for Egypt. Coming into Greece, not only do we find
evidence there to the same effect, but increase of that evidence. The god
worshipped as a child in the arms of the great Mother in Greece, under the
names of Dionysus, or Bacchus, or Iacchus, is, by ancient inquirers, expressly
identified with the Egyptian Osiris. This is the case with Herodotus, who had
prosecuted his inquiries in Egypt itself, who ever speaks of Osiris as Bacchus.
To the same purpose is the testimony of Diodorus Siculus. "Orpheus,"
says he, "introduced from Egypt the greatest part of the mystical
ceremonies, the orgies that celebrate the wanderings of Ceres, and the whole fable
of the shades below. The rites of Osiris and Bacchus are the same; those of
Isis and Ceres exactly resemble each other, except in name." Now, as if to
identify Bacchus with Nimrod, "the Leopard-tamer," leopards were
employed to draw his car; he himself was represented as clothed with a
leopard's skin; his priests were attired in the same manner, or when a
leopard's skin was dispensed with, the spotted skin of a fawn was used as a
priestly robe in its stead. This very custom of wearing the spotted fawn-skin
seems to have been imported into Greece originally from Assyria, where a
spotted fawn was a sacred emblem, as we learn from the Nineveh sculptures; for
there we find a divinity bearing a spotted fawn or spotted fallow-deer, in his
arm, as a symbol of some mysterious import. The origin of the importance
attached to the spotted fawn and its skin had evidently come thus: When Nimrod,
as "the Leopard-tamer," began to be clothed in the leopard-skin, as
the trophy of his skill, his spotted dress and appearance must have impressed
the imaginations of those who saw him; and he came to be called not only the
"Subduer of the Spotted one" (for such is the precise meaning of
Nimr--the name of the leopard), but to be called "The spotted one"
himself. We have distinct evidence to this effect borne by Damascius, who tells
us that the Babylonians called "the only son" of the great
goddess-mother "Momis, or Moumis." Now, Momis, or Moumis, in Chaldee,
like Nimr, signified "The spotted one." Thus, then, it became easy to
represent Nimrod by the symbol of the "spotted fawn," and especially
in Greece, and wherever a pronunciation akin to that of Greece prevailed. The
name of Nimrod, as known to the Greeks, was Nebrod. * The name of the fawn, as
"the spotted one," in Greece was Nebros; ** and thus nothing could be
more natural than that Nebros, the "spotted fawn," should become a
synonym for Nebrod himself. When, therefore, the Bacchus of Greece was
symbolised by the Nebros, or "spotted fawn," as we shall find he was
symbolised, what could be the design but just covertly to identify him with
Nimrod?
* In the Greek Septuagint, translated in Egypt, the name of
Nimrod is "Nebrod."
** Nebros, the name of the fawn, signifies "the spotted
one." Nmr, in Egypt, would also become Nbr; for Bunsen shows that m and b
in that land were often convertible.
We have evidence that this god, whose emblem was the Nebros,
was known as having the very lineage of Nimrod. From Anacreon, we find that a
title of Bacchus was Aithiopais--i.e., "the son of Aethiops." But who
was Aethiops? As the Aethiopians were Cushites, so Aethiops was Cush.
"Chus," says Eusebius, "was he from whom came the
Aethiopians." The testimony of Josephus is to the same effect. As the
father of the Aethiopians, Cush was Aethiops, by way of eminence. Therefore
Epiphanius, referring to the extraction of Nimrod, thus speaks: "Nimrod,
the son of Cush, the Aethiop." Now, as Bacchus was the son of Aethiops, or
Cush, so to the eye he was represented in that character. As Nin "the
Son," he was portrayed as a youth or child; and that youth or child was
generally depicted with a cup in his hand. That cup, to the multitude,
exhibited him as the god of drunken revelry; and of such revelry in his orgies,
no doubt there was abundance; but yet, after all, the cup was mainly a
hieroglyphic, and that of the name of the god. The name of a cup, in the sacred
language, was khus, and thus the cup in the hand of the youthful Bacchus, the
son of Aethiops, showed that he was the young Chus, or the son of Chus. In a
woodcut, the cup in the right hand of Bacchus is held up in so significant a
way, as naturally to suggest that it must be a symbol; and as to the branch in
the other hand, we have express testimony that it is a symbol. But it is worthy
of notice that the branch has no leaves to determine what precise kind of a
branch it is. It must, therefore, be a generic emblem for a branch, or a symbol
of a branch in general; and, consequently, it needs the cup as its complement,
to determine specifically what sort of a branch it is. The two symbols, then,
must be read together, and read thus, they are just equivalent to--the
"Branch of Chus"--i.e., "the scion or son of Cush." *
* Everyone knows that Homer's odzos Areos, or "Branch of
Mars," is the same as a "Son of Mars." The hieroglyphic above
was evidently formed on the same principle. That the cup alone in the hand of
the youthful Bacchus was intended to designate him "as the young
Chus," or "the boy Chus," we may fairly conclude from a
statement of Pausanias, in which he represents "the boy Kuathos" as
acting the part of a cup-bearer, and presenting a cup to Hercules (PAUSANIAS
Corinthiaca) Kuathos is the Greek for a "cup," and is evidently
derived from the Hebrew Khus, "a cup," which, in one of its Chaldee
forms, becomes Khuth or Khuath. Now, it is well known that the name of Cush is
often found in the form of Cuth, and that name, in certain dialects, would be
Cuath. The "boy Kuathos," then, is just the Greek form of the
"boy Cush," or "the young Cush."
There is another hieroglyphic connected with Bacchus that goes
not a little to confirm this--that is, the Ivy branch. No emblem was more
distinctive of the worship of Bacchus than this. Wherever the rites of Bacchus
were performed, wherever his orgies were celebrated, the Ivy branch was sure to
appear. Ivy, in some form or other, was essential to these celebrations. The
votaries carried it in their hands, bound it around their heads, or had the Ivy
leaf even indelibly stamped upon their persons. What could be the use, what
could be the meaning of this? A few words will suffice to show it. In the first
place, then, we have evidence that Kissos, the Greek name for Ivy, was one of
the names of Bacchus; and further, that though the name of Cush, in its proper
form, was known to the priests in the Mysteries, yet that the established way
in which the name of his descendants, the Cushites, was ordinarily pronounced
in Greece, was not after the Oriental fashion, but as "Kissaioi," or
"Kissioi." Thus, Strabo, speaking of the inhabitants of Susa, who
were the people of Chusistan, or the ancient land of Cush, says: "The
Susians are called Kissioi," * --that is beyond all question, Cushites.
* STRABO. In Hesychius, the name is Kissaioi. The epithet
applied to the land of Cush in Aeschylus is Kissinos. The above accounts for
one of the unexplained titles of Apollo. "Kisseus Apollon" is plainly
"The Cushite Apollo."
Now, if Kissioi be Cushites, then Kissos is Cush. Then,
further, the branch of Ivy that occupied so conspicuous a place in all
Bacchanalian celebrations was an express symbol of Bacchus himself; for
Hesychius assures us that Bacchus, as represented by his priest, was known in
the Mysteries as "The branch." From this, then, it appears how
Kissos, the Greek name of Ivy, became the name of Bacchus. As the son of Cush,
and as identified with him, he was sometimes called by his father's
name--Kissos. His actual relation, however, to his father was specifically
brought out by the Ivy branch, for "the branch of Kissos," which to
the profane vulgar was only "the branch of Ivy," was to the initiated
"The branch of Cush." *
* The chaplet, or head-band of Ivy, had evidently a similar
hieroglyphical meaning to the above, for the Greek "Zeira Kissou" is
either a "band or circlet of Ivy," or "The seed of Cush."
The formation of the Greek "Zeira," a zone or enclosing band, from
the Chaldee Zer, to encompass, shows that Zero "the seed," which was
also pronounced Zeraa, would, in like manner, in some Greek dialects, become
Zeira. Kissos, "Ivy," in Greek, retains the radical idea of the
Chaldee Khesha or Khesa, "to cover or hide," from which there is
reason to believe the name of Cush is derived, for Ivy is characteristically
"The coverer or hider." In connection with this, it may be stated
that the second person of the Phoenician trinity was Chursorus (WILKINSON),
which evidently is Chus-zoro, "The seed of Cush." We have already
seen that the Phoenicians derived their mythology from Assyria.
Now, this god, who was recognised as "the scion of
Cush," was worshipped under a name, which, while appropriate to him in his
vulgar character as the god of the vintage, did also describe him as the great
Fortifier. That name was Bassareus, which, in its two-fold meaning, signified
at once "The houser of grapes, or the vintage gatherer," and
"The Encompasser with a wall," * in this latter sense identifying the
Grecian god with the Egyptian Osiris, "the strong chief of the
buildings," and with the Assyrian "Belus, who encompassed Babylon
with a wall."
* Bassareus is evidently from the Chaldee Batzar, to which
both Gesenius and Parkhurst give the two-fold meaning of "gathering in
grapes," and "fortifying." Batzar is softened into Bazzar in the
very same way as Nebuchadnetzar is pronounced Nebuchadnezzar. In the sense of
"rendering a defence inaccessible," Gesenius adduces Jeremiah 51:53,
"Though Babylon should mount up to heaven, and though she should fortify
(tabatzar) the height of her strength, yet from me shall spoilers come unto
her, saith the Lord." Here is evident reference to the two great elements
in Babylon's strength, first her tower; secondly, her massive fortifications,
or encompassing walls. In making the meaning of Batzar to be, "to render
inaccessible," Gesenius seems to have missed the proper generic meaning of
the term. Batzar is a compound verb, from Ba, "in," and Tzar,
"to compass," exactly equivalent to our English word
"en-compass."
Thus from Assyria, Egypt, and Greece, we have cumulative and
overwhelming evidence, all conspiring to demonstrate that the child worshipped
in the arms of the goddess-mother in all these countries in the very character
of Ninus or Nin, "The Son," was Nimrod, the son of Cush. A feature
here, or an incident there, may have been borrowed from some succeeding hero;
but it seems impossible to doubt, that of that child Nimrod was the prototype,
the grand original.
The amazing extent of the worship of this man indicates
something very extraordinary in his character; and there is ample reason to
believe, that in his own day he was an object of high popularity. Though by
setting up as king, Nimrod invaded the patriarchal system, and abridged the
liberties of mankind, yet he was held by many to have conferred benefits upon
them, that amply indemnified them for the loss of their liberties, and covered
him with glory and renown. By the time that he appeared, the wild beasts of the
forest multiplying more rapidly than the human race, must have committed great
depredations on the scattered and straggling populations of the earth, and must
have inspired great terror into the minds of men. The danger arising to the
lives of men from such a source as this, when population is scanty, is implied
in the reason given by God Himself for not driving out the doomed Canaanites
before Israel at once, though the measure of their iniquity was full (Exo
23:29,30): "I will not drive them out from before thee in one year, lest
the land become desolate, and the beast of the field multiply against thee. By
little and little I will drive them out from before thee, until thou be
increased." The exploits of Nimrod, therefore, in hunting down the wild
beasts of the field, and ridding the world of monsters, must have gained for
him the character of a pre-eminent benefactor of his race. By this means, not
less than by the bands he trained, was his power acquired, when he first began
to be mighty upon the earth; and in the same way, no doubt, was that power
consolidated. Then, over and above, as the first great city-builder after the
flood, by gathering men together in masses, and surrounding them with walls, he
did still more to enable them to pass their days in security, free from the
alarms to which they had been exposed in their scattered life, when no one
could tell but that at any moment he might be called to engage in deadly
conflict with prowling wild beasts, in defence of his own life and of those who
were dear to him. Within the battlements of a fortified city no such danger
from savage animals was to be dreaded; and for the security afforded in this
way, men no doubt looked upon themselves as greatly indebted to Nimrod. No
wonder, therefore, that the name of the "mighty hunter," who was at
the same time the prototype of "the god of fortifications," should
have become a name of renown. Had Nimrod gained renown only thus, it had been
well. But not content with delivering men from the fear of wild beasts, he set
to work also to emancipate them from that fear of the Lord which is the
beginning of wisdom, and in which alone true happiness can be found. For this
very thing, he seems to have gained, as one of the titles by which men
delighted to honour him, the title of the "Emancipator," or
"Deliverer." The reader may remember a name that has already come
under his notice. That name is the name of Phoroneus. The era of Phoroneus is
exactly the era of Nimrod. He lived about the time when men had used one
speech, when the confusion of tongues began, and when mankind was scattered
abroad. He is said to have been the first that gathered mankind into
communities, the first of mortals that reigned, and the first that offered
idolatrous sacrifices. This character can agree with none but that of Nimrod.
Now the name given to him in connection with his "gathering men together,"
and offering idolatrous sacrifice, is very significant. Phoroneus, in one of
its meanings, and that one of the most natural, signifies the
"Apostate." * That name had very likely been given him by the
uninfected portion of the sons of Noah. But that name had also another meaning,
that is, "to set free"; and therefore his own adherents adopted it,
and glorified the great "Apostate" from the primeval faith, though he
was the first that abridged the liberties of mankind, as the grand "Emancipator!"
** And hence, in one form or other, this title was handed down to this deified
successors as a title of honour. ***
* From Pharo, also pronounced Pharang, or Pharong, "to
cast off, to make naked, to apostatise, to set free." These meanings are
not commonly given in this order, but as the sense of "casting off"
explains all the other meanings, that warrants the conclusion that "to
cast off" is the generic sense of the word. Now "apostacy" is
very near akin to this sense, and therefore is one of the most natural.
** The Sabine goddess Feronia had evidently a relation to
Phoroneus, as the "Emancipator." She was believed to be the
"goddess of liberty," because at Terracina (or Anuxur) slaves were
emancipated in her temple (Servius, in Aeneid), and because the freedmen of
Rome are recorded on one occasion to have collected a sum of money for the
purpose of offering it in her temple. (SMITH'S Classical Dictionary,
"Feronia")
*** Thus we read of "Zeus Aphesio" (PAUSANIAS,
Attica), that is "Jupiter Liberator" and of "Dionysus Eleuthereus"
(PAUSANIAS), or "Bacchus the Deliverer." The name of Theseus seems to
have had the same origin, from nthes "to loosen," and so to set free
(the n being omissible). "The temple of Theseus" [at Athens] says
POTTER "...was allowed the privilege of being a Sanctuary for slaves, and
all those of mean condition that fled from the persecution of men in power, in
memory that Theseus, while he lived, was an assister and protector of the
distressed."
All tradition from the earliest times bears testimony to the apostacy
of Nimrod, and to his success in leading men away from the patriarchal faith,
and delivering their minds from that awe of God and fear of the judgments of
heaven that must have rested on them while yet the memory of the flood was
recent. And according to all the principles of depraved human nature, this too,
no doubt, was one grand element in his fame; for men will readily rally around
any one who can give the least appearance of plausibility to any doctrine which
will teach that they can be assured of happiness and heaven at last, though
their hearts and natures are unchanged, and though they live without God in the
world.
How great was the boon conferred by Nimrod on the human race,
in the estimation of ungodly men, by emancipating them from the impressions of
true religion, and putting the authority of heaven to a distance from them, we
find most vividly described in a Polynesian tradition, that carries its own
evidence with it. John Williams, the well known missionary, tells us that,
according to one of the ancient traditions of the islanders of the South Seas,
"the heavens were originally so close to the earth that men could not
walk, but were compelled to crawl" under them. "This was found a very
serious evil; but at length an individual conceived the sublime idea of
elevating the heavens to a more convenient height. For this purpose he put
forth his utmost energy, and by the first effort raised them to the top of a
tender plant called teve, about four feet high. There he deposited them until
he was refreshed, when, by a second effort, he lifted them to the height of a
tree called Kauariki, which is as large as the sycamore. By the third attempt
he carried them to the summits of the mountains; and after a long interval of
repose, and by a most prodigious effort, he elevated them to their present
situation." For this, as a mighty benefactor of mankind, "this
individual was deified; and up to the moment that Christianity was embraced,
the deluded inhabitants worshipped him as the 'Elevator of the heavens.'"
Now, what could more graphically describe the position of mankind soon after
the flood, and the proceedings of Nimrod as Phoroneus, "The
Emancipator," * than this Polynesian fable?
* The bearing of this name, Phoroneus, "The
Emancipator," will be seen in Chapter III, Section I,
"Christmas," where it is shown that slaves had a temporary
emancipation at his birthday.
While the awful catastrophe by which God had showed His
avenging justice on the sinners of the old world was yet fresh in the minds of
men, and so long as Noah, and the upright among his descendants, sought with
all earnestness to impress upon all under their control the lessons which that
solemn event was so well fitted to teach, "heaven," that is, God,
must have seemed very near to earth. To maintain the union between heaven and
earth, and to keep it as close as possible, must have been the grand aim of all
who loved God and the best interests of the human race. But this implied the
restraining and discountenancing of all vice and all those "pleasures of
sin," after which the natural mind, unrenewed and unsanctified,
continually pants. This must have been secretly felt by every unholy mind as a
state of insufferable bondage. "The carnal mind is enmity against
God," is "not subject to His law," neither indeed is "able
to be" so. It says to the Almighty, "Depart from us, for we desire
not the knowledge of Thy ways." So long as the influence of the great
father of the new world was in the ascendant, while his maxims were regarded,
and a holy atmosphere surrounded the world, no wonder that those who were
alienated from God and godliness, felt heaven and its influence and authority
to be intolerably near, and that in such circumstances they "could not
walk," but only "crawl,"--that is, that they had no freedom to
"walk after the sight of their own eyes and the imaginations of their own
hearts." From this bondage Nimrod emancipated them. By the apostacy he
introduced, by the free life he developed among those who rallied around him,
and by separating them from the holy influences that had previously less or
more controlled them, he helped them to put God and the strict spirituality of
His law at a distance, and thus he became the "Elevator of the
heavens," making men feel and act as if heaven were afar off from earth,
and as if either the God of heaven "could not see through the dark
cloud," or did not regard with displeasure the breakers of His laws. Then
all such would feel that they could breathe freely, and that now they could
walk at liberty. For this, such men could not but regard Nimrod as a high
benefactor.
Now, who could have imagined that a tradition from Tahiti
would have illuminated the story of Atlas? But yet, when Atlas, bearing the
heavens on his shoulders, is brought into juxtaposition with the deified hero
of the South Seas, who blessed the world by heaving up the superincumbent
heavens that pressed so heavily upon it, who does not see that the one story
bears a relation to the other? *
* In the Polynesian story the heavens and earth are said to
have been "bound together with cords," and the "severing"
of these cords is said to have been effected by myriads of
"dragon-flies," which, with their "wings," bore an
important share in the great work. (WILLIAMS) Is there not here a reference to
Nimrod's `63 "mighties" or "winged ones"? The deified
"mighty ones" were often represented as winged serpents. See
WILKINSON, vol. iv. p. 232, where the god Agathodaemon is represented as a
"winged asp." Among a rude people the memory of such a representation
might very naturally be kept up in connection with the "dragon-fly";
and as all the mighty or winged ones of Nimrod's age, the real golden age of
paganism, when "dead, became daemons" (HESIOD, Works and Days), they
would of course all alike be symbolised in the same way. If any be stumbled at
the thought of such a connection between the mythology of Tahiti and of Babel,
let it not be overlooked that the name of the Tahitian god of war was Oro
(WILLIAMS), while "Horus (or Orus)," as Wilkinson calls the son of
Osiris, in Egypt, which unquestionably borrowed its system from Babylon,
appeared in that very character. (WILKINSON) Then what could the severing of
the "cords" that bound heaven and earth together be, but just the
breaking of the bands of the covenant by which God bound the earth to Himself,
when on smelling a sweet savour in Noah's sacrifice, He renewed His covenant
with him as head of the human race. This covenant did not merely respect the
promise to the earth securing it against another universal deluge, but
contained in its bosom a promise of all spiritual blessings to those who adhere
to it. The smelling of the sweet savour in Noah's sacrifice had respect to his
faith in Christ. When, therefore, in consequence of smelling that sweet savour,
"God blessed Noah and his sons" (Gen 9:1), that had reference not
merely to temporal but to spiritual and eternal blessings. Every one,
therefore, of the sons of Noah, who had Noah's faith, and who walked as Noah
walked, was divinely assured of an interest in "the everlasting covenant,
ordered in all things and sure." Blessed were those bands by which God
bound the believing children of men to Himself--by which heaven and earth were
so closely joined together. Those, on the other hand, who joined in the apostacy
of Nimrod broke the covenant, and in casting off the authority of God, did in
effect say, "Let us break His bands asunder, and cast His cords from
us." To this very act of severing the covenant connection between earth
and heaven there is very distinct allusion, though veiled, in the Babylonian
history of Berosus. There Belus, that is Nimrod, after having dispelled the
primeval darkness, is said to have separated heaven and earth from one another,
and to have orderly arranged the world. (BEROSUS, in BUNSEN) These words were
intended to represent Belus as the "Former of the world." But then it
is a new world that he forms; for there are creatures in existence before his
Demiurgic power is exerted. The new world that Belus or Nimrod formed, was just
the new order of things which he introduced when, setting at nought all Divine
appointments, he rebelled against Heaven. The rebellion of the Giants is
represented as peculiarly a rebellion against Heaven. To this ancient quarrel
between the Babylonian potentates and Heaven, there is plainly an allusion in
the words of Daniel to Nebuchadnezzar, when announcing that sovereign's
humiliation and subsequent restoration, he says (Dan 4:26), "Thy kingdom
shall be sure unto thee, when thou hast known that the HEAVENS do rule."
Thus, then, it appears that Atlas, with the heavens resting on
his broad shoulders, refers to no mere distinction in astronomical knowledge,
however great, as some have supposed, but to a quite different thing, even to
that great apostacy in which the Giants rebelled against Heaven, and in which
apostacy Nimrod, "the mighty one," * as the acknowledged ringleader,
occupied a pre-eminent place. **
* In the Greek Septuagint, translated in Egypt, the term
"mighty" as applied in Genesis 10:8, to Nimrod, is rendered the
ordinary name for a "Giant."
** IVAN and KALLERY, in their account of Japan, show that a
similar story to that of Atlas was known there, for they say that once a day
the Emperor "sits on his throne upholding the world and the empire."
Now something like this came to be added to the story of Atlas, for PAUSANIAS
shows that Atlas also was represented as upholding both earth and heaven.
According to the system which Nimrod was the grand instrument
in introducing, men were led to believe that a real spiritual change of heart
was unnecessary, and that so far as change was needful, they could be
regenerated by mere external means. Looking at the subject in the light of the
Bacchanalian orgies, which, as the reader has seen, commemorated the history of
Nimrod, it is evident that he led mankind to seek their chief good in sensual
enjoyment, and showed them how they might enjoy the pleasures of sin, without
any fear of the wrath of a holy God. In his various expeditions he was always
accompanied by troops of women; and by music and song, and games and revelries,
and everything that could please the natural heart, he commended himself to the
good graces of mankind.
===
The Two Babylons
Alexander Hislop
Chapter II
Section II
Sub-Section IV
The Death of the Child
How Nimrod died, Scripture is entirely silent. There was an
ancient tradition that he came to a violent end. The circumstances of that end,
however, as antiquity represents them, are clouded with fable. It is said that
tempests of wind sent by God against the Tower of Babel overthrew it, and that
Nimrod perished in its ruins. This could not be true, for we have sufficient
evidence that the Tower of Babel stood long after Nimrod's day. Then, in regard
to the death of Ninus, profane history speaks darkly and mysteriously, although
one account tells of his having met with a violent death similar to that of
Pentheus, Lycurgus, * and Orpheus, who were said to have been torn in pieces.
**
* Lycurgus, who is commonly made the enemy of Bacchus, was, by
the Thracians and Phrygians, identified with Bacchus, who it is well known, was
torn in pieces.
** LUDOVICUS VIVES, Commentary on Augustine. Ninus as referred
to by Vives is called "King of India." The word "India" in
classical writers, though not always, yet commonly means Ethiopia, or the land
of Cush. Thus the Choaspes in the land of the eastern Cushites is called an
"Indian River" (DIONYSIUS AFER. Periergesis); and the Nile is said by
Virgil to come from the "coloured Indians" (Georg)--i.e., from the
Cushites, or Ethiopians of Africa. Osiris also is by Diodorus Siculus
(Bibliotheca), called "an Indian by extraction." There can be no
doubt, then, that "Ninus, king of India," is the Cushite or Ethiopian
Ninus.
The identity of Nimrod, however, and the Egyptian Osiris,
having been established, we have thereby light as to Nimrod's death. Osiris met
with a violent death, and that violent death of Osiris was the central theme of
the whole idolatry of Egypt. If Osiris was Nimrod, as we have seen, that
violent death which the Egyptians so pathetically deplored in their annual
festivals was just the death of Nimrod. The accounts in regard to the death of
the god worshipped in the several mysteries of the different countries are all
to the same effect. A statement of Plato seems to show, that in his day the
Egyptian Osiris was regarded as identical with Tammuz; * and Tammuz is well
known to have been the same as Adonis, the famous HUNTSMAN, for whose death
Venus is fabled to have made such bitter lamentations.
* See WILKINSON'S Egyptians. The statement of Plato amounts to
this, that the famous Thoth was a counsellor of Thamus, king of Egypt. Now
Thoth is universally known as the "counsellor" of Osiris. Hence it
may be concluded that Thamus and Osiris are the same.
As the women of Egypt wept for Osiris, as the Phoenician and
Assyrian women wept for Tammuz, so in Greece and Rome the women wept for
Bacchus, whose name, as we have seen, means "The bewailed," or
"Lamented one." And now, in connection with the Bacchanal
lamentations, the importance of the relation established between Nebros,
"The spotted fawn," and Nebrod, "The mighty hunter," will
appear. The Nebros, or "spotted fawn," was the symbol of Bacchus, as
representing Nebrod or Nimrod himself. Now, on certain occasions, in the
mystical celebrations, the Nebros, or "spotted fawn," was torn in
pieces, expressly, as we learn from Photius, as a commemoration of what
happened to Bacchus, * whom that fawn represented.
* Photius, under the head "Nebridzion" quotes
Demosthenes as saying that "spotted fawns (or nebroi) were torn in pieces
for a certain mystic or mysterious reason"; and he himself tells us that
"the tearing in pieces of the nebroi (or spotted fawns) was in imitation
of the suffering in the case of Dionysus" or Bacchus. (PHOTIUS, Lexicon)
The tearing in pieces of Nebros, "the spotted one,"
goes to confirm the conclusion, that the death of Bacchus, even as the death of
Osiris, represented the death of Nebrod, whom, under the very name of "The
Spotted one," the Babylonians worshipped. Though we do not find any
account of Mysteries observed in Greece in memory of Orion, the giant and
mighty hunter celebrated by Homer, under that name, yet he was represented
symbolically as having died in a similar way to that in which Osiris died, and
as having then been translated to heaven. *
* See OVID'S Fasti. Ovid represents Orion as so puffed up with
pride on account of his great strength, as vain-gloriously to boast that no
creature on earth could cope with him, whereupon a scorpion appeared,
"and," says the poet, "he was added to the stars." The name
of a scorpion in Chaldee is Akrab; but Ak-rab, thus divided, signifies
"THE GREAT OPPRESSOR," and this is the hidden meaning of the Scorpion
as represented in the Zodiac. That sign typifies him who cut off the Babylonian
god, and suppressed the system he set up. It was while the sun was in Scorpio
that Osiris in Egypt "disappeared" (WILKINSON), and great
lamentations were made for his disappearance. Another subject was mixed up with
the death of the Egyptian god; but it is specially to be noticed that, as it
was in consequence of a conflict with a scorpion that Orion was "added to
the stars," so it was when the scorpion was in the ascendant that Osiris
"disappeared."
From Persian records we are expressly assured that it was
Nimrod who was deified after his death by the name of Orion, and placed among
the stars. Here, then, we have large and consenting evidence, all leading to
one conclusion, that the death of Nimrod, the child worshipped in the arms of
the goddess-mother of Babylon, was a death of violence.
Now, when this mighty hero, in the midst of his career of
glory, was suddenly cut off by a violent death, great seems to have been the
shock that the catastrophe occasioned. When the news spread abroad, the
devotees of pleasure felt as if the best benefactor of mankind were gone, and
the gaiety of nations eclipsed. Loud was the wail that everywhere ascended to
heaven among the apostates from the primeval faith for so dire a catastrophe.
Then began those weepings for Tammuz, in the guilt of which the daughters of
Israel allowed themselves to be implicated, and the existence of which can be
traced not merely in the annals of classical antiquity, but in the literature
of the world from Ultima Thule to Japan.
Of the prevalence of such weepings in China, thus speaks the
Rev. W. Gillespie: "The dragon-boat festival happens in midsummer, and is
a season of great excitement. About 2000 years ago there lived a young Chinese
Mandarin, Wat-yune, highly respected and beloved by the people. To the grief of
all, he was suddenly drowned in the river. Many boats immediately rushed out in
search of him, but his body was never found. Ever since that time, on the same
day of the month, the dragon-boats go out in search of him." "It is
something," adds the author, "like the bewailing of Adonis, or the
weeping for Tammuz mentioned in Scripture." As the great god Buddh is
generally represented in China as a Negro, that may serve to identify the beloved
Mandarin whose loss is thus annually bewailed. The religious system of Japan
largely coincides with that of China. In Iceland, and throughout Scandinavia,
there were similar lamentations for the loss of the god Balder. Balder, through
the treachery of the god Loki, the spirit of evil, according as had been
written in the book of destiny, "was slain, although the empire of heaven
depended on his life." His father Odin had "learned the terrible
secret from the book of destiny, having conjured one of the Volar from her
infernal abode. All the gods trembled at the knowledge of this event. Then
Frigga [the wife of Odin] called on every object, animate and inanimate, to
take an oath not to destroy or furnish arms against Balder. Fire, water, rocks,
and vegetables were bound by this solemn obligation. One plant only, the
mistletoe, was overlooked. Loki discovered the omission, and made that
contemptible shrub the fatal weapon. Among the warlike pastimes of Valhalla
[the assembly of the gods] one was to throw darts at the invulnerable deity,
who felt a pleasure in presenting his charmed breast to their weapons. At a
tournament of this kind, the evil genius putting a sprig of the mistletoe into
the hands of the blind Hoder, and directing his aim, the dreaded prediction was
accomplished by an unintentional fratricide. The spectators were struck with
speechless wonder; and their misfortune was the greater, that no one, out of
respect to the sacredness of the place, dared to avenge it. With tears of
lamentation they carried the lifeless body to the shore, and laid it upon a
ship, as a funeral pile, with that of Nanna his lovely bride, who had died of a
broken heart. His horse and arms were burnt at the same time, as was customary
at the obsequies of the ancient heroes of the north." Then Frigga, his
mother, was overwhelmed with distress. "Inconsolable for the loss of her
beautiful son," says Dr. Crichton, "she despatched Hermod (the swift)
to the abode of Hela [the goddess of Hell, or the infernal regions], to offer a
ransom for his release. The gloomy goddess promised that he should be restored,
provided everything on earth were found to weep for him. Then were messengers
sent over the whole world, to see that the order was obeyed, and the effect of
the general sorrow was 'as when there is a universal thaw.'" There are
considerable variations from the original story in these two legends; but at
bottom the essence of the stories is the same, indicating that they must have
flowed from one fountain.
The Two Babylons
Alexander Hislop
Chapter II
Section II
Sub-Section V
The Deification of the Child
If there was one who was more deeply concerned in the tragic
death of Nimrod than another, it was his wife Semiramis, who, from an
originally humble position, had been raised to share with him the throne of
Babylon. What, in this emergency shall she do? Shall she quietly forego the
pomp and pride to which she has been raised! No. Though the death of her
husband has given a rude shock to her power, yet her resolution and unbounded ambition
were in nowise checked. On the contrary, her ambition took a still higher
flight. In life her husband had been honoured as a hero; in death she will have
him worshipped as a god, yea, as the woman's promised Seed,
"Zero-ashta," * who was destined to bruise the serpent's head, and
who, in doing so, was to have his own heel bruised.
* Zero--in Chaldee, "the seed"--though we have seen
reason to conclude that in Greek it sometimes appeared as Zeira, quite
naturally passed also into Zoro, as may be seen from the change of Zerubbabel
in the Greek Septuagint to Zoro-babel; and hence Zuro-ashta, "the seed of
the woman" became Zoroaster, the well known name of the head of the
fire-worshippers. Zoroaster's name is also found as Zeroastes (JOHANNES
CLERICUS, De Chaldoeis). The reader who consults the able and very learned work
of Dr. Wilson of Bombay, on the Parsi Religion, will find that there was a
Zoroaster long before that Zoroaster who lived in the reign of Darius
Hystaspes. In general history, the Zoroaster of Bactria is most frequently
referred to; but the voice of antiquity is clear and distinct to the effect
that the first and great Zoroaster was an Assyrian or Chaldean (SUIDAS), and
that he was the founder of the idolatrous system of Babylon, and therefore
Nimrod. It is equally clear also in stating that he perished by a violent death,
even as was the case with Nimrod, Tammuz, or Bacchus. The identity of Bacchus
and Zoroaster is still further proved by the epithet Pyrisporus, bestowed on
Bacchus in the Orphic Hymns. When the primeval promise of Eden began to be
forgotten, the meaning of the name Zero-ashta was lost to all who knew only the
exoteric doctrine of Paganism; and as "ashta" signified
"fire" in Chaldee, as well as "the woman," and the rites of
Bacchus had much to do with fire-worship, "Zero-ashta" came to be
rendered "the seed of fire"; and hence the epithet Pyrisporus, or
Ignigena, "fire-born," as applied to Bacchus. From this
misunderstanding of the meaning of the name Zero-ashta, or rather from its
wilful perversion by the priests, who wished to establish one doctrine for the initiated,
and another for the profane vulgar, came the whole story about the unborn
infant Bacchus having been rescued from the flames that consumed his mother
Semele, when Jupiter came in his glory to visit her. (Note to OVID'S Metam.)
There was another name by which Zoroaster was known, and which
is not a little instructive, and that is Zar-adas, "The only seed."
(JOHANNES CLERICUS, De Chaldoeis) In WILSON'S Parsi Religion the name is given
either Zoroadus, or Zarades. The ancient Pagans, while they recognised
supremely one only God, knew also that there was one only seed, on whom the
hopes of the world were founded. In almost all nations, not only was a great
god known under the name of Zero or Zer, "the seed," and a great
goddess under the name of Ashta or Isha, "the woman"; but the great
god Zero is frequently characterised by some epithet which implies that he is
"The only One." Now what can account for such names or epithets?
Genesis 3:15 can account for them; nothing else can. The name Zar-ades, or Zoro-adus,
also strikingly illustrates the saying of Paul: "He saith not, And to
seeds, as of many; but as of one, and to thy seed, which is Christ."
It is worthy of notice, that the modern system of Parseeism,
which dates from the reform of the old fire-worship in the time of Darius
Hystaspes, having rejected the worship of the goddess-mother, cast out also
from the name of their Zoroaster the name of the "woman"; and
therefore in the Zend, the sacred language of the Parsees, the name of their great
reformer is Zarathustra--i.e., "The Delivering Seed," the last member
of the name coming from Thusht (the root being--Chaldee--nthsh, which drops the
initial n), "to loosen or set loose," and so to free. Thusht is the
infinitive, and ra appended to it is, in Sanscrit, with which the Zend has much
affinity, the well known sign of the doer of an action, just as er is in
English. The Zend Zarathushtra, then, seems just the equivalent of Phoroneus,
"The Emancipator."
The patriarchs, and the ancient world in general, were
perfectly acquainted with the grand primeval promise of Eden, and they knew
right well that the bruising of the heel of the promised seed implied his
death, and that the curse could be removed from the world only by the death of
the grand Deliverer. If the promise about the bruising of the serpent's head,
recorded in Genesis, as made to our first parents, was actually made, and if
all mankind were descended from them, then it might be expected that some trace
of this promise would be found in all nations. And such is the fact. There is
hardly a people or kindred on earth in whose mythology it is not shadowed
forth. The Greeks represented their great god Apollo as slaying the serpent
Pytho, and Hercules as strangling serpents while yet in his cradle. In Egypt,
in India, in Scandinavia, in Mexico, we find clear allusions to the same great
truth. "The evil genius," says Wilkinson, "of the adversaries of
the Egyptian god Horus is frequently figured under the form of a snake, whose
head he is seen piercing with a spear. The same fable occurs in the religion of
India, where the malignant serpent Calyia is slain by Vishnu, in his avatar of
Crishna; and the Scandinavian deity Thor was said to have bruised the head of
the great serpent with his mace." "The origin of this," he adds,
"may be readily traced to the Bible." In reference to a similar
belief among the Mexicans, we find Humboldt saying, that "The serpent
crushed by the great spirit Teotl, when he takes the form of one of the
subaltern deities, is the genius of evil--a real Kakodaemon." Now, in
almost all cases, when the subject is examined to the bottom, it turns out that
the serpent destroying god is represented as enduring hardships and sufferings
that end in his death. Thus the god Thor, while succeeding at last in
destroying the great serpent, is represented as, in the very moment of victory,
perishing from the venomous effluvia of his breath. The same would seem to be
the way in which the Babylonians represented their great serpent-destroyer
among the figures of their ancient sphere. His mysterious suffering is thus
described by the Greek poet Aratus, whose language shows that when he wrote,
the meaning of the representation had been generally lost, although, when
viewed in this light of Scripture, it is surely deeply significant:--
"A human figure, 'whelmed with toil, appears;
Yet still with name uncertain he remains;
Nor known the labour that he thus sustains;
But since upon his knees he seems to fall,
Him ignorant mortals Engonasis call;
And while sublime his awful hands are spread,
Beneath him rolls the dragon's horrid head,
And his right foot unmoved appears to rest,
Fixed on the writhing monster's burnished crest."
The constellation thus represented is commonly known by the
name of "The Kneeler," from this very description of the Greek poet;
but it is plain that, as "Eugonasis" came from the Babylonians, it
must be interpreted, not in a Greek, but in a Chaldee sense, and so
interpreted, as the action of the figure itself implies, the title of the mysterious
sufferer is just "The Serpent-crusher." Sometimes, however the actual
crushing of the serpent was represented as a much more easy process; yet, even
then, death was the ultimate result; and that death of the serpent-destroyer is
so described as to leave no doubt whence the fable was borrowed. This is
particularly the case with the Indian god Crishna, to whom Wilkinson alludes in
the extract already given. In the legend that concerns him, the whole of the
primeval promise in Eden is very strikingly embodied. First, he is represented
in pictures and images with his foot on the great serpent's head, and then,
after destroying it, he is fabled to have died in consequence of being shot by
an arrow in the foot; and, as in the case of Tammuz, great lamentations are
annually made for his death. Even in Greece, also, in the classic story of
Paris and Achilles, we have a very plain allusion to that part of the primeval
promise, which referred to the bruising of the conqueror's "heel."
Achilles, the only son of a goddess, was invulnerable in all points except the
heel, but there a wound was deadly. At that his adversary took aim, and death
was the result.
Now, if there be such evidence still, that even Pagans knew
that it was by dying that the promised Messiah was to destroy death and him
that has the power of death, that is the Devil, how much more vivid must have
been the impression of mankind in general in regard to this vital truth in the
early days of Semiramis, when they were so much nearer the fountain-head of all
Divine tradition. When, therefore, the name Zoroaster, "the seed of the
woman," was given to him who had perished in the midst of a prosperous
career of false worship and apostacy, there can be no doubt of the meaning
which that name was intended to convey. And the fact of the violent death of
the hero, who, in the esteem of his partisans, had done so much to bless
mankind, to make life happy, and to deliver them from the fear of the wrath to
come, instead of being fatal to the bestowal of such a title upon him, favoured
rather than otherwise the daring design. All that was needed to countenance the
scheme on the part of those who wished an excuse for continued apostacy from
the true God, was just to give out that, though the great patron of the apostacy
had fallen a prey to the malice of men, he had freely offered himself for the
good of mankind. Now, this was what was actually done. The Chaldean version of
the story of the great Zoroaster is that he prayed to the supreme God of heaven
to take away his life; that his prayer was heard, and that he expired, assuring
his followers that, if they cherished due regard for his memory, the empire
would never depart from the Babylonians. What Berosus, the Babylonian
historian, says of the cutting off of the head of the great god Belus, is
plainly to the same effect. Belus, says Berosus, commanded one of the gods to
cut off his head, that from the blood thus shed by his own command and with his
own consent, when mingled with the earth, new creatures might be formed, the
first creation being represented as a sort of a failure. Thus the death of
Belus, who was Nimrod, like that attributed to Zoroaster, was represented as
entirely voluntary, and as submitted to for the benefit of the world.
It seems to have been now only when the dead hero was to be
deified, that the secret Mysteries were set up. The previous form of apostacy
during the life of Nimrod appears to have been open and public. Now, it was
evidently felt that publicity was out of the question. The death of the great
ringleader of the apostacy was not the death of a warrior slain in battle, but
an act of judicial rigour, solemnly inflicted. This is well established by the
accounts of the deaths of both Tammuz and Osiris. The following is the account
of Tammuz, given by the celebrated Maimonides, deeply read in all the learning
of the Chaldeans: "When the false prophet named Thammuz preached to a
certain king that he should worship the seven stars and the twelve signs of the
Zodiac, that king ordered him to be put to a terrible death. On the night of
his death all the images assembled from the ends of the earth into the temple
of Babylon, to the great golden image of the Sun, which was suspended between
heaven and earth. That image prostrated itself in the midst of the temple, and
so did all the images around it, while it related to them all that had happened
to Thammuz. The images wept and lamented all the night long, and then in the
morning they flew away, each to his own temple again, to the ends of the earth.
And hence arose the custom every year, on the first day of the month Thammuz,
to mourn and to weep for Thammuz." There is here, of course, all the
extravagance of idolatry, as found in the Chaldean sacred books that Maimonides
had consulted; but there is no reason to doubt the fact stated either as to the
manner or the cause of the death of Tammuz. In this Chaldean legend, it is
stated that it was by the command of a "certain king" that this
ringleader in apostacy was put to death. Who could this king be, who was so
determinedly opposed to the worship of the host of heaven? From what is related
of the Egyptian Hercules, we get very valuable light on this subject. It is
admitted by Wilkinson that the most ancient Hercules, and truly primitive one,
was he who was known in Egypt as having, "by the power of the gods" *
(i.e., by the SPIRIT) fought against and overcome the Giants.
* The name of the true God (Elohim) is plural. Therefore,
"the power of the gods," and "of God," is expressed by the
same term.
Now, no doubt, the title and character of Hercules were
afterwards given by the Pagans to him whom they worshipped as the grand
deliverer or Messiah, just as the adversaries of the Pagan divinities came to
be stigmatised as the "Giants" who rebelled against Heaven. But let
the reader only reflect who were the real Giants that rebelled against Heaven.
They were Nimrod and his party; for the "Giants" were just the
"Mighty ones," of whom Nimrod was the leader. Who, then, was most
likely to head the opposition to the apostacy from the primitive worship? If
Shem was at that time alive, as beyond question he was, who so likely as he? In
exact accordance with this deduction, we find that one of the names of the
primitive Hercules in Egypt was "Sem."
If "Sem," then, was the primitive Hercules, who
overcame the Giants, and that not by mere physical force, but by "the
power of God," or the influence of the Holy Spirit, that entirely agrees
with his character; and more than that, it remarkably agrees with the Egyptian
account of the death of Osiris. The Egyptians say, that the grand enemy of
their god overcame him, not by open violence, but that, having entered into a
conspiracy with seventy-two of the leading men of Egypt, he got him into his
power, put him to death, and then cut his dead body into pieces, and sent the
different parts to so many different cities throughout the country. The real
meaning of this statement will appear, if we glance at the judicial
institutions of Egypt. Seventy-two was just the number of the judges, both
civil and sacred, who, according to Egyptian law, were required to determine
what was to be the punishment of one guilty of so high an offence as that of
Osiris, supposing this to have become a matter of judicial inquiry. In
determining such a case, there were necessarily two tribunals concerned. First,
there were the ordinary judges, who had power of life and death, and who
amounted to thirty, then there was, over and above, a tribunal consisting of
forty-two judges, who, if Osiris was condemned to die, had to determine whether
his body should be buried or no, for, before burial, every one after death had
to pass the ordeal of this tribunal. *
* DIODORUS. The words of Diodorus, as printed in the ordinary
editions, make the number of the judges simply "more than forty,"
without specifying how many more. In the Codex Coislianus, the number is stated
to be "two more than forty." The earthly judges, who tried the
question of burial, are admitted both by WILKINSON and BUNSEN, to have
corresponded in number to the judges of the infernal regions. Now, these
judges, over and above their president, are proved from the monuments to have
been just forty-two. The earthly judges at funerals, therefore, must equally
have been forty-two. In reference to this number as applying equally to the
judges of this world and the world of spirits, Bunsen, speaking of the judgment
on a deceased person in the world unseen, uses these words in the passage above
referred to: "Forty-two gods (the number composing the earthly tribunal of
the dead) occupy the judgment-seat." Diodorus himself, whether he actually
wrote "two more than forty," or simply "more than forty,"
gives reason to believe that forty-two was the number he had present to his
mind; for he says, that "the whole of the fable of the shades below,"
as brought by Orpheus from Egypt, was "copied from the ceremonies of the
Egyptian funerals," which he had witnessed at the judgment before the
burial of the dead. If, therefore, there were just forty-two judges in
"the shades below," that even, on the showing of Diodorus, whatever
reading of his words be preferred, proves that the number of the judges in the
earthly judgment must have been the same.
As burial was refused him, both tribunals would necessarily be
concerned; and thus there would be exactly seventy-two persons, under Typho the
president, to condemn Osiris to die and to be cut in pieces. What, then, does
the statement account to, in regard to the conspiracy, but just to this, that
the great opponent of the idolatrous system which Osiris introduced, had so
convinced these judges of the enormity of the offence which he had committed,
that they gave up the offender to an awful death, and to ignominy after it, as
a terror to any who might afterwards tread in his steps. The cutting of the
dead body in pieces, and sending the dismembered parts among the different
cities, is paralleled, and its object explained, by what we read in the Bible
of the cutting of the dead body of the Levite's concubine in pieces (Judges
19:29), and sending one of the parts to each of the twelve tribes of Israel;
and the similar step taken by Saul, when he hewed the two yoke of oxen asunder,
and sent them throughout all the coasts of his kingdom (1 Sam 11:7). It is
admitted by commentators that both the Levite and Saul acted on a patriarchal
custom, according to which summary vengeance would be dealt to those who failed
to come to the gathering that in this solemn way was summoned. This was
declared in so many words by Saul, when the parts of the slaughtered oxen were
sent among the tribes: "Whosoever cometh not forth after Saul and after
Samuel, so shall it be done to his oxen." In like manner, when the
dismembered parts of Osiris were sent among the cities by the seventy-two
"conspirators"--in other words, by the supreme judges of Egypt, it
was equivalent to a solemn declaration in their name, that "whosoever
should do as Osiris had done, so should it be done to him; so should he also be
cut in pieces."
When irreligion and apostacy again arose into the ascendant,
this act, into which the constituted authorities who had to do with the
ringleader of the apostates were led, for the putting down of the combined
system of irreligion and despotism set up by Osiris or Nimrod, was naturally
the object of intense abhorrence to all his sympathisers; and for his share in
it the chief actor was stigmatised as Typho, or "The Evil One." *
* Wilkinson admits that different individuals at different
times bore this hated name in Egypt. One of the most noted names by which
Typho, or the Evil One, was called, was Seth (EPIPHANIUS, Adv. Hoeres). Now
Seth and Shem are synonymous, both alike signifying "The appointed
one." As Shem was a younger son of Noah, being "the brother of Japhet
the elder" (Gen 10:21), and as the pre-eminence was divinely destined to
him, the name Shem, "the appointed one," had doubtless been given him
by Divine direction, either at his birth or afterwards, to mark him out as Seth
had been previously marked out as the "child of promise." Shem,
however, seems to have been known in Egypt as Typho, not only under the name of
Seth, but under his own name; for Wilkinson tells us that Typho was
characterised by a name that signified "to destroy and render
desert." (Egyptians) Now the name of Shem also in one of its meanings
signifies "to desolate" or lay waste. So Shem, the appointed one, was
by his enemies made Shem, the Desolator or Destroyer--i.e., the Devil.
The influence that this abhorred Typho wielded over the minds
of the so-called "conspirators," considering the physical force with
which Nimrod was upheld, must have been wonderful, and goes to show, that
though his deed in regard to Osiris is veiled, and himself branded by a hateful
name, he was indeed none other than that primitive Hercules who overcame the
Giants by "the power of God," by the persuasive might of his Holy
Spirit.
In connection with this character of Shem, the myth that makes
Adonis, who is identified with Osiris, perish by the tusks of a wild boar, is
easily unravelled. * The tusk of a wild boar was a symbol. In Scripture, a tusk
is called "a horn"; among many of the Classic Greeks it was regarded
in the very same light. **
* In India, a demon with a "boar's face" is said to
have gained such power through his devotion, that he oppressed the
"devotees" or worshippers of the gods, who had to hide themselves.
(MOOR'S Pantheon) Even in Japan there seems to be a similar myth.
** Pausanian admits that some in his day regarded tusks as
teeth; but he argues strongly, and, I think, conclusively, for their being
considered as "horns."
When once it is known that a tusk is regarded as a
"horn" according to the symbolism of idolatry, the meaning of the
boar's tusks, by which Adonis perished, is not far to seek. The bull's horns
that Nimrod wore were the symbol of physical power. The boar's tusks were the
symbol of spiritual power. As a "horn" means power, so a tusk, that
is, a horn in the mouth, means "power in the mouth"; in other words,
the power of persuasion; the very power with which "Sem," the primitive
Hercules, was so signally endowed. Even from the ancient traditions of the
Gael, we get an item of evidence that at once illustrates this idea of power in
the mouth, and connects it with that great son of Noah, on whom the blessing of
the Highest, as recorded in Scripture, did specially rest. The Celtic Hercules
was called Hercules Ogmius, which, in Chaldee, is "Hercules the
Lamenter." *
* The Celtic scholars derive the name Ogmius from the Celtic
word Ogum, which is said to denote "the secret of writing"; but Ogum
is much more likely to be derived from the name of the god, than the name of
the god to be derived from it.
No name could be more appropriate, none more descriptive of
the history of Shem, than this. Except our first parent, Adam, there was,
perhaps, never a mere man that saw so much grief as he. Not only did he see a
vast apostacy, which, with his righteous feelings, and witness as he had been
of the awful catastrophe of the flood, must have deeply grieved him; but he
lived to bury SEVEN GENERATIONS of his descendants. He lived 502 years after
the flood, and as the lives of men were rapidly shortened after that event, no
less than SEVEN generations of his lineal descendants died before him (Gen
11:10-32). How appropriate a name Ogmius, "The Lamenter or Mourner,"
for one who had such a history! Now, how is this "Mourning" Hercules
represented as putting down enormities and redressing wrongs? Not by his club,
like the Hercules of the Greeks, but by the force of persuasion. Multitudes
were represented as following him, drawn by fine chains of gold and amber
inserted into their ears, and which chains proceeded from his mouth. *
* Sir W. BETHAM'S Gael and Cymbri. In connection with this
Ogmius, one of the names of "Sem," the great Egyptian Hercules who
overcame the Giants, is worthy of notice. That name is Chon. In the
Etymologicum Magnum, apud BRYANT, we thus read: "They say that in the
Egyptian dialect Hercules is called Chon." Compare this with WILKINSON,
where Chon is called "Sem." Now Khon signifies "to lament"
in Chaldee, and as Shem was Khon--i.e., "Priest" of the Most High
God, his character and peculiar circumstances as Khon "the lamenter"
would form an additional reason why he should be distinguished by that name by
which the Egyptian Hercules was known. And it is not to be overlooked, that on
the part of those who seek to turn sinners from the error of their ways, there
is an eloquence in tears that is very impressive. The tears of Whitefield
formed one great part of his power; and, in like manner, the tears of Khon,
"the lamenting" Hercules, would aid him mightily in overcoming the
Giants.
There is a great difference between the two symbols--the tusks
of a boar and the golden chains issuing from the mouth, that draw willing
crowds by the ears; but both very beautifully illustrate the same idea--the
might of that persuasive power that enabled Shem for a time to withstand the
tide of evil that came rapidly rushing in upon the world.
Now when Shem had so powerfully wrought upon the minds of men
as to induce them to make a terrible example of the great Apostate, and when
that Apostate's dismembered limbs were sent to the chief cities, where no doubt
his system had been established, it will be readily perceived that, in these
circumstances, if idolatry was to continue--if, above all, it was to take a
step in advance, it was indispensable that it should operate in secret. The
terror of an execution, inflicted on one so mighty as Nimrod, made it needful
that, for some time to come at least, the extreme of caution should be used. In
these circumstances, then, began, there can hardly be a doubt, that system of
"Mystery," which, having Babylon for its centre, has spread over the
world. In these Mysteries, under the seal of secrecy and the sanction of an
oath, and by means of all the fertile resources of magic, men were gradually
led back to all the idolatry that had been publicly suppressed, while new
features were added to that idolatry that made it still more blasphemous than
before. That magic and idolatry were twin sisters, and came into the world
together, we have abundant evidence. "He" (Zoroaster), says Justin
the historian, "was said to be the first that invented magic arts, and
that most diligently studied the motions of the heavenly bodies." The
Zoroaster spoken of by Justin is the Bactrian Zoroaster; but this is generally
admitted to be a mistake. Stanley, in his History of Oriental Philosophy,
concludes that this mistake had arisen from similarity of name, and that from
this cause that had been attributed to the Bactrian Zoroaster which properly
belonged to the Chaldean, "since it cannot be imagined that the Bactrian
was the inventor of those arts in which the Chaldean, who lived contemporary
with him, was so much skilled." Epiphanius had evidently come to the same
substantial conclusion before him. He maintains, from the evidence open to him
in his day, that it was "Nimrod, that established the sciences of magic
and astronomy, the invention of which was subsequently attributed to (the Bactrian)
Zoroaster." As we have seen that Nimrod and the Chaldean Zoroaster are the
same, the conclusions of the ancient and the modern inquirers into Chaldean
antiquity entirely harmonise. Now the secret system of the Mysteries gave vast
facilities for imposing on the senses of the initiated by means of the various
tricks and artifices of magic. Notwithstanding all the care and precautions of
those who conducted these initiations, enough has transpired to give us a very
clear insight into their real character. Everything was so contrived as to wind
up the minds of the novices to the highest pitch of excitement, that, after
having surrendered themselves implicitly to the priests, they might be prepared
to receive anything. After the candidates for initiation had passed through the
confessional, and sworn the required oaths, "strange and amazing
objects," says Wilkinson, "presented themselves. Sometimes the place
they were in seemed to shake around them; sometimes it appeared bright and
resplendent with light and radiant fire, and then again covered with black
darkness, sometimes thunder and lightning, sometimes frightful noises and
bellowings, sometimes terrible apparitions astonished the trembling
spectators." Then, at last, the great god, the central object of their
worship, Osiris, Tammuz, Nimrod or Adonis, was revealed to them in the way most
fitted to soothe their feelings and engage their blind affections. An account
of such a manifestation is thus given by an ancient Pagan, cautiously indeed,
but yet in such a way as shows the nature of the magic secret by which such an
apparent miracle was accomplished: "In a manifestation which one must not
reveal...there is seen on a wall of the temple a mass of light, which appears
at first at a very great distance. It is transformed, while unfolding itself,
into a visage evidently divine and supernatural, of an aspect severe, but with
a touch of sweetness. Following the teachings of a mysterious religion, the
Alexandrians honour it as Osiris or Adonis." From this statement, there
can hardly be a doubt that the magical art here employed was none other than
that now made use of in the modern phantasmagoria. Such or similar means were
used in the very earliest periods for presenting to the view of the living, in
the secret Mysteries, those who were dead. We have statements in ancient
history referring to the very time of Semiramis, which imply that magic rites
were practised for this very purpose; * and as the magic lantern, or something
akin to it, was manifestly used in later times for such an end, it is
reasonable to conclude that the same means, or similar, were employed in the
most ancient times, when the same effects were produced.
* One of the statements to which I refer is contained in the
following words of Moses of Chorene in his Armenian History, referring to the
answer made by Semiramis to the friends of Araeus, who had been slain in battle
by her: "I have given commands, says Semiramis, to my gods to lick the
wounds of Araeus, and to raise him from the dead. The gods, says she, have
licked Araeus, and recalled him to life." If Semiramis had really done
what she said she had done, it would have been a miracle. The effects of magic
were sham miracles; and Justin and Epiphanius show that sham miracles came in
at the very birth of idolatry. Now, unless the sham miracle of raising the dead
by magical arts had already been known to be practised in the days of
Semiramis, it is not likely that she would have given such an answer to those
whom she wished to propitiate; for, on the one hand, how could she ever have
thought of such an answer, and on the other, how could she expect that it would
have the intended effect, if there was no current belief in the practice of
necromancy? We find that in Egypt, about the same age, such magic arts must
have been practised, if Manetho is to be believed. "Manetho says,"
according to Josephus, "that he [the elder Horus, evidently spoken of as a
human and mortal king] was admitted to the sight of the gods, and that
Amenophis desired the same privilege." This pretended admission to the
right of the gods evidently implied the use of the magic art referred to in the
text.
Now, in the hands of crafty, designing men, this was a
powerful means of imposing upon those who were willing to be imposed upon, who
were averse to the holy spiritual religion of the living God, and who still
hankered after the system that was put down. It was easy for those who
controlled the Mysteries, having discovered secrets that were then unknown to
the mass of mankind, and which they carefully preserved in their own exclusive
keeping, to give them what might seem ocular demonstration, that Tammuz, who
had been slain, and for whom such lamentations had been made, was still alive,
and encompassed with divine and heavenly glory. From the lips of one so
gloriously revealed, or what was practically the same, from the lips of some
unseen priest, speaking in his name from behind the scenes, what could be too
wonderful or incredible to be believed? Thus the whole system of the secret
Mysteries of Babylon was intended to glorify a dead man; and when once the
worship of one dead man was established, the worship of many more was sure to
follow. This casts light upon the language of the 106th Psalm, where the Lord,
upbraiding Israel for their apostacy, says: "They joined themselves to
Baalpeor, and ate the sacrifices of the dead." Thus, too, the way was
paved for bringing in all the abominations and crimes of which the Mysteries
became the scenes; for, to those who liked not to retain God in their
knowledge, who preferred some visible object of worship, suited to the sensuous
feelings of their carnal minds, nothing could seem a more cogent reason for
faith or practice than to hear with their own ears a command given forth amid
so glorious a manifestation apparently by the very divinity they adored.
The scheme, thus skilfully formed, took effect. Semiramis
gained glory from her dead and deified husband; and in course of time both of
them, under the names of Rhea and Nin, or "Goddess-Mother and Son,"
were worshipped with an enthusiasm that was incredible, and their images were
everywhere set up and adored. *
* It would seem that no public idolatry was ventured upon till
the reign of the grandson of Semiramis, Arioch or Arius. (Cedreni Compendium)
Wherever the Negro aspect of Nimrod was found an obstacle to
his worship, this was very easily obviated. According to the Chaldean doctrine
of the transmigration of souls, all that was needful was just to teach that
Ninus had reappeared in the person of a posthumous son, of a fair complexion,
supernaturally borne by his widowed wife after the father had gone to glory. As
the licentious and dissolute life of Semiramis gave her many children, for whom
no ostensible father on earth would be alleged, a plea like this would at once
sanctify sin, and enable her to meet the feelings of those who were disaffected
to the true worship of Jehovah, and yet might have not fancy to bow down before
a Negro divinity. From the light reflected on Babylon by Egypt, as well as from
the form of the extant images of the Babylonian child in the arms of the
goddess-mother, we have every reason to believe that this was actually done. In
Egypt the fair Horus, the son of the black Osiris, who was the favourite object
of worship, in the arms of the goddess Isis, was said to have been miraculously
born in consequence of a connection, on the part of that goddess, with Osiris
after his death, and, in point of fact, to have been a new incarnation of that
god, to avenge his death on his murderers. It is wonderful to find in what
widely-severed countries, and amongst what millions of the human race at this
day, who never saw a Negro, a Negro god is worshipped. But yet, as we shall
afterwards see, among the civilised nations of antiquity, Nimrod almost
everywhere fell into disrepute, and was deposed from his original pre-eminence,
expressly ob deformitatem, "on account of his ugliness." Even in
Babylon itself, the posthumous child, as identified with his father, and
inheriting all his father's glory, yet possessing more of his mother's
complexion, came to be the favourite type of the Madonna's divine son.
This son, thus worshipped in his mother's arms, was looked
upon as invested with all the attributes, and called by almost all the names of
the promised Messiah. As Christ, in the Hebrew of the Old Testament, was called
Adonai, The Lord, so Tammuz was called Adon or Adonis. Under the name of
Mithras, he was worshipped as the "Mediator." As Mediator and head of
the covenant of grace, he was styled Baal-berith, Lord of the Covenant (Judges
8:33). In this character he is represented in Persian monuments as seated on
the rainbow, the well known symbol of the covenant. In India, under the name of
Vishnu, the Preserver or Saviour of men, though a god, he was worshipped as the
great "Victim-Man," who before the worlds were, because there was
nothing else to offer, offered himself as a sacrifice. The Hindoo sacred
writings teach that this mysterious offering before all creation is the
foundation of all the sacrifices that have ever been offered since. *
* In the exercise of his office as the Remedial god, Vishnu is
said to "extract the thorns of the three worlds." (MOOR'S Pantheon)
"Thorns" were a symbol of the curse--Genesis 3:18.
Do any marvel at such a statement being found in the sacred
books of a Pagan mythology? Why should they? Since sin entered the world there
has been only one way of salvation, and that through the blood of the
everlasting covenant--a way that all mankind once knew, from the days of
righteous Abel downwards. When Abel, "by faith," offered unto God his
more excellent sacrifice than that of Cain, it was his faith "in the blood
of the Lamb slain," in the purpose of God "from the foundation of the
world," and in due time to be actually offered up on Calvary, that gave
all the "excellence" to his offering. If Abel knew of "the blood
of the Lamb," why should Hindoos not have known of it? One little word
shows that even in Greece the virtue of "the blood of God" had once
been known, though that virtue, as exhibited in its poets, was utterly obscured
and degraded. That word is Ichor. Every reader of the bards of classic Greece
knows that Ichor is the term peculiarly appropriated to the blood of a
divinity. Thus Homer refers to it:
"From the clear vein the immortal Ichor flowed,
Such stream as issues from a wounded god,
Pure emanation, uncorrupted flood,
Unlike our gross, diseased terrestrial blood."
Now, what is the proper meaning of the term Ichor? In Greek it
has no etymological meaning whatever; but, in Chaldee, Ichor signifies
"The precious thing." Such a name, applied to the blood of a
divinity, could have only one origin. It bears its evidence on the very face of
it, as coming from that grand patriarchal tradition, that led Abel to look
forward to the "precious blood" of Christ, the most
"precious" gift that love Divine could give to a guilty world, and
which, while the blood of the only genuine "Victim-Man," is at the
same time, in deed and in truth, "The blood of God" (Acts 20:28).
Even in Greece itself, though the doctrine was utterly perverted, it was not
entirely lost. It was mingled with falsehood and fable, it was hid from the
multitude; but yet, in the secret mystic system it necessarily occupied an
important place. As Servius tells us that the grand purpose of the Bacchic
orgies "was the purification of souls," and as in these orgies there
was regularly the tearing asunder and the shedding of the blood of an animal,
in memory of the shedding of the life's blood of the great divinity
commemorated in them, could this symbolical shedding of the blood of that
divinity have no bearing on the "purification" from sin, these mystic
rites were intended to effect? We have seen that the sufferings of the
Babylonian Zoroaster and Belus were expressly represented as voluntary, and as
submitted to for the benefit of the world, and that in connection with crushing
the great serpent's head, which implied the removal of sin and the curse. If
the Grecian Bacchus was just another form of the Babylonian divinity, then his
sufferings and blood-shedding must have been represented as having been
undergone for the same purpose--viz., for the "purification of
souls." From this point of view, let the well known name of Bacchus in
Greece be looked at. The name was Dionysus or Dionusos. What is the meaning of
that name? Hitherto it has defied all interpretation. But deal with it as
belonging to the language of that land from which the god himself originally
came, and the meaning is very plain. D'ion-nuso-s signifies "THE
SIN-BEARER," * a name entirely appropriate to the character of him whose
sufferings were represented as so mysterious, and who was looked up to as the
great "purifier of souls."
* The expression used in Exodus 28:38, for "bearing
iniquity" or in a vicarious manner is "nsha eon" (the first
letter eon being ayn). A synonym for eon, "iniquity," is aon (the
first letter being aleph). In Chaldee the first letter a becomes i, and
therefore aon, "iniquity," is ion. Then nsha "to bear," in
the participle active is "nusha." As the Greeks had no sh, that
became nusa. De, or Da, is the demonstrative pronoun signifying
"That" or "The great." And thus "D'ion-nusa" is
exactly "The great sin-bearer." That the classic Pagans had the very
idea of the imputation of sin, and of vicarious suffering, is proved by what
Ovid says in regard to Olenos. Olenos is said to have taken upon him and willingly
to have borne the blame of guilt of which he was innocent. Under the load of
this imputed guilt, voluntarily taken upon himself, Olenos is represented as
having suffered such horror as to have perished, being petrified or turned into
stone. As the stone into which Olenos was changed was erected on the holy
mountain of Ida, that shows that Olenos must have been regarded as a sacred
person. The real character of Olenos, as the "sin-bearer," can be
very fully established. (see note below)
Now, this Babylonian god, known in Greece as "The
sin-bearer," and in India as the "Victim-Man," among the
Buddhists of the East, the original elements of whose system are clearly Babylonian,
was commonly addressed as the "Saviour of the world." It has been all
along well enough known that the Greeks occasionally worshipped the supreme god
under the title of "Zeus the Saviour"; but this title was thought to
have reference only to deliverance in battle, or some suck-like temporal
deliverance. But when it is known that "Zeus the Saviour" was only a
title of Dionysus, the "sin-bearing Bacchus," his character, as
"The Saviour," appears in quite a different light. In Egypt, the
Chaldean god was held up as the great object of love and adoration, as the god
through whom "goodness and truth were revealed to mankind." He was
regarded as the predestined heir of all things; and, on the day of his birth,
it was believed that a voice was heard to proclaim, "The Lord of all the
earth is born." In this character he was styled "King of kings, and
Lord of lords," it being as a professed representative of this hero-god
that the celebrated Sesostris caused this very title to be added to his name on
the monuments which he erected to perpetuate the fame of his victories. Not
only was he honoured as the great "World King," he was regarded as
Lord of the invisible world, and "Judge of the dead"; and it was
taught that, in the world of spirits, all must appear before his dread
tribunal, to have their destiny assigned them. As the true Messiah was
prophesied of under the title of the "Man whose name was the branch,"
he was celebrated not only as the "Branch of Cush," but as the
"Branch of God," graciously given to the earth for healing all the
ills that flesh is heir to. * He was worshipped in Babylon under the name of
El-Bar, or "God the Son." Under this very name he is introduced by
Berosus, the Chaldean historian, as the second in the list of Babylonian sovereigns.
**
* This is the esoteric meaning of Virgil's "Golden
Branch," and of the Mistletoe Branch of the Druids. The proof of this must
be reserved to the Apocalypse of the Past. I may remark, however, in passing,
on the wide extent of the worship of a sacred branch. Not only do the Negroes
in Africa in the worship of the Fetiche, on certain occasions, make use of a
sacred branch (HURD'S Rites and Ceremonies), but even in India there are traces
of the same practice. My brother, S. Hislop, Free Church Missionary at Nagpore,
informs me that the late Rajah of Nagpore used every year, on a certain day, to
go in state to worship the branch of a particular species of tree, called Apta,
which had been planted for the occasion, and which, after receiving divine honours,
was plucked up, and its leaves distributed by the native Prince among his
nobles. In the streets of the city numerous boughs of the same kind of tree
were sold, and the leaves presented to friends under the name of sona, or
"gold."
** BEROSUS, in BUNSEN'S Egypt. The name "El-Bar" is
given above in the Hebrew form, as being more familiar to the common reader of
the English Bible. The Chaldee form of the name is Ala-Bar, which in the Greek
of Berosus, is Ala-Par, with the ordinary Greek termination os affixed to it.
The change of Bar into Par in Greek is just on the same principle as Ab,
"father," in Greek becomes Appa, and Bard, the "spotted
one," becomes Pardos, &c. This name, Ala-Bar, was probably given by
Berosus to Ninyas as the legitimate son and successor of Nimrod. That
Ala-Par-os was really intended to designate the sovereign referred to, as
"God the Son," or "the Son of God," is confirmed by another
reading of the same name as given in Greek. There the name is Alasparos. Now Pyrsiporus,
as applied to Bacchus, means Ignigena, or the "Seed of Fire"; and
Ala-sporos, the "Seed of God," is just a similar expression formed in
the same way, the name being Grecised.
Under this name he has been found in the sculptures of Nineveh
by Layard, the name Bar "the Son," having the sign denoting El or
"God" prefixed to it. Under the same name he has been found by Sir H.
Rawlinson, the names "Beltis" and the "Shining Bar" being
in immediate juxtaposition. Under the name of Bar he was worshipped in Egypt in
the earliest times, though in later times the god Bar was degraded in the
popular Pantheon, to make way for another more popular divinity. In Pagan Rome
itself, as Ovid testifies, he was worshipped under the name of the
"Eternal Boy." * Thus daringly and directly was a mere mortal set up
in Babylon in opposition to the "Son of the Blessed."
* To understand the true meaning of the above expression,
reference must be had to a remarkable form of oath among the Romans. In Rome
the most sacred form of an oath was (as we learn from AULUS GELLIUS), "By
Jupiter the STONE." This, as it stands, is nonsense. But translate
"lapidem" [stone] back into the sacred tongue, or Chaldee, and the
oath stands, "By Jove, the Son," or "By the son of Jove."
Ben, which in Hebrew is Son, in Chaldee becomes Eben, which also signifies a
stone, as may be seen in "Eben-ezer," "The stone of help."
Now as the most learned inquirers into antiquity have admitted that the Roman
Jovis, which was anciently the nominative, is just a form of the Hebrew Jehovah,
it is evident that the oath had originally been, "by the son of
Jehovah." This explains how the most solemn and binding oath had been
taken in the form above referred to; and,it shows, also, what was really meant
when Bacchus, "the son of Jovis," was called "the Eternal
Boy." (OVID, Metam.)
Note
Olenos, the Sin-Bearer
In different portions of this work evidence has been brought
to show that Saturn, "the father of gods and men," was in one aspect
just our first parent Adam. Now, of Saturn it is said that he devoured all his
children. *
* Sometimes he is said to have devoured only his male
children; but see SMITH'S (Larger) Classical Dictionary, "Hera,"
where it will be found that the female as well as the male were devoured.
In the exoteric story, among those who knew not the actual
fact referred to, this naturally appeared in the myth, in the shape in which we
commonly find it--viz., that he devoured them all as soon as they were born.
But that which was really couched under the statement, in regard to his
devouring his children, was just the Scriptural fact of the Fall--viz., that he
destroyed them by eating--not by eating them, but by eating the forbidden
fruit. When this was the sad and dismal state of matters, the Pagan story goes
on to say that the destruction of the children of the father of gods and men
was arrested by means of his wife, Rhea. Rhea, as we have already seen, had
really as much to do with the devouring of Saturn's children, as Saturn
himself; but, in the progress of idolatry and apostacy, Rhea, or Eve, came to
get glory at Saturn's expense. Saturn, or Adam, was represented as a morose
divinity; Rhea, or Eve, exceedingly benignant; and, in her benignity, she
presented to her husband a stone bound in swaddling bands, which he greedily
devoured, and henceforth the children of the cannibal father were safe. The
stone bound in swaddling bands is, in the sacred language, "Ebn
Hatul"; but Ebn-Hat-tul * also signifies "A sin-bearing son."
* Hata, "sin," is found also in Chaldee, Hat. Tul is
from Ntl, "to support." If the reader will look at Horus with his
swathes (BRYANT); Diana with the bandages round her legs; the symbolic bull of
the Persian swathed in like manner, and even the shapeless log of the
Tahitians, used as a god and bound about with ropes (WILLIAMS); he will see, I
think, that there must be some important mystery in this swathing.
This does not necessarily mean that Eve, or the mother of
mankind, herself actually brought forth the promised seed (although there are
many myths also to that effect), but that, having received the glad tidings
herself, and embraced it, she presented it to her husband, who received it by
faith from her, and that this laid the foundation of his own salvation and that
of his posterity. The devouring on the part of Saturn of the swaddled stone is
just the symbolical expression of the eagerness with which Adam by faith
received the good news of the woman's seed; for the act of faith, both in the
Old Testament and in the New, is symbolised by eating. Thus Jeremiah says,
"Thy words were found of me, and I did eat them, and thy word was unto me
the joy and rejoicing of my heart" (Jer 15:16). This also is strongly
shown by our Lord Jesus Christ Himself, who, while setting before the Jews the
indispensable necessity of eating His flesh, and feeding on Him, did at the
same time say: "It is the Spirit that quickeneth; the flesh profiteth
nothing: the words that I speak unto you, they are spirit, and they are
life" (John 6:63). That Adam eagerly received the good news about the
promised seed, and treasured it up in his heart as the life of his soul, is
evident from the name which he gave to his wife immediately after hearing it:
"And Adam called his wife's name Eve, because she was the mother of all living
ones" (Gen 3:20).
The story of the swaddled stone does not end with the
swallowing of it, and the arresting of the ruin of the children of Saturn. This
swaddled stone was said to be "preserved near the temple of Delphi, where
care was taken to anoint it daily with oil, and to cover it with wool"
(MAURICE'S Indian Antiquities). If this stone symbolised the "sin-bearing
son," it of course symbolised also the Lamb of God, slain from the
foundation of the world, in whose symbolic covering our first parents were invested
when God clothed them in the coats of skins. Therefore, though represented to
the eye as a stone, he must have the appropriate covering of wool. When
represented as a branch, the branch of God, the branch also was wrapped in wool
(POTTER, Religion of Greece). The daily anointing with oil is very significant.
If the stone represented the "sin-bearing son," what could the
anointing of that "sin-bearing son" daily with oil mean, but just to
point him out as the "Lord's Anointed," or the "Messiah,"
whom the idolatrous worshipped in opposition to the true Messiah yet to be
revealed?
One of the names by which this swaddled and anointed stone was
called is very strikingly confirmatory of the above conclusion. That name is
Baitulos. This we find from Priscian, who, speaking of "that stone which
Saturn is said to have devoured for Jupiter," adds, whom the Greeks called
"Baitulos." Now, "B'hai-tuloh" signifies the
"Life-restoring child." *
* From Tli, Tleh, or Tloh, "Infans puer" (CLAVIS
STOCKII, Chald.), and Hia, or Haya, "to live, to restore life."
(GESENIUS) From Hia, "to live," with digamma prefixed, comes the
Greek "life." That Hia, when adopted into Greek, was also pronounced
Haya, we have evidence in he noun Hiim, "life," pronounced Hayyim,
which in Greek is represented by "blood." The Mosaic principle, that
"the blood was the life," is thus proved to have been known by others
besides the Jews. Now Haya, "to live or restore life," with the
digamma prefixed, becomes B'haya: and so in Egypt, we find that Bai signified
"soul," or "spirit" (BUNSEN), which is the living
principle. B'haitulos, then, is the "Life-restoring child." P'haya-n
is the same god.
The father of gods and men had destroyed his children by
eating; but the reception of "the swaddled stone" is said to have
"restored them to life" (HESIOD, Theogon.). Hence the name Baitulos;
and this meaning of the name is entirely in accordance with what is said in
Sanchuniathon about the Baithulia made by the Phoenician god Ouranos: "It
was the god Ouranos who devised Baithulia, contriving stones that moved as
having life." If the stone Baitulos represented the "life-restoring
child," it was natural that that stone should be made, if possible, to
appear as having "life" in itself.
Now, there is a great analogy between this swaddled stone that
represented the "sin-bearing son," and that Olenos mentioned by Ovid,
who took on him guilt not his own, and in consequence was changed into a stone.
We have seen already that Olenos, when changed into a stone, was set up in
Phrygia on the holy mountain of Ida. We have reason to believe that the stone which
was fabled to have done so much for the children of Saturn, and was set up near
the temple of Delphi, was just a representation of this same Olenos. We find
that Olen was the first prophet at Delphi, who founded the first temple there
(PAUSA Phocica). As the prophets and priests generally bore the names of the
gods whom they represented (Hesychius expressly tells us that the priest who
represented the great god under the name of the branch in the mysteries was
himself called by the name of Bacchus), this indicates one of the ancient names
of the god of Delphi. If, then, there was a sacred stone on Mount Ida called
the stone of Olenos, and a sacred stone in the precincts of the temple of
Delphi, which Olen founded, can there be a doubt that the sacred stone of
Delphi represented the same as was represented by the sacred stone of Ida? The
swaddled stone set up at Delphi is expressly called by Priscian, in the place
already cited, "a god." This god, then, that in symbol was divinely
anointed, and was celebrated as having restored to life the children of Saturn,
father of gods and men, as identified with the Idaean Olenos, is proved to have
been regarded as occupying the very place of the Messiah, the great Sin-bearer,
who came to bear the sins of men, and took their place and suffered in their
room and stead; for Olenos, as we have seen, voluntarily took on him guilt of
which he was personally free.
While thus we have seen how much of the patriarchal faith was
hid under the mystical symbols of Paganism, there is yet a circumstance to be
noted in regard to the swaddled stone, that shows how the Mystery of Iniquity
in Rome has contrived to import this swaddled stone of Paganism into what is
called Christian symbolism. The Baitulos, or swaddled stone, was a round or
globular stone. This globular stone is frequently represented swathed and
bound, sometimes with more, sometimes with fewer bandages. In BRYANT, where the
goddess Cybele is represented as "Spes Divina," or Divine hope, we
see the foundation of this divine hope held out to the world in the
representation of the swaddled stone at her right hand, bound with four
different swathes. In DAVID'S Antiquites Etrusques, we find a goddess
represented with Pandora's box, the source of all ill, in her extended hand, and
the swaddled globe depending from it; and in this case that globe has only two
bandages, the one crossing the other. And what is this bandage globe of
Paganism but just the counterpart of that globe, with a band around it, and the
mystic Tau, or cross, on the top of it, that is called "the type of
dominion," and is frequently represented in the hands of the profane
representations of God the Father. The reader does not now need to be told that
the cross is the chosen sign and mark of that very God whom the swaddled stone
represented; and that when that God was born, it was said, "The Lord of
all the earth is born" (WILKINSON). As the god symbolised by the swaddled
stone not only restored the children of Saturn to life, but restored the lordship
of the earth to Saturn himself, which by transgression he had lost, it is not
to be wondered at that it is said of "these consecrated stones," that
while "some were dedicated to Jupiter, and others to the sun,"
"they were considered in a more particular manner sacred to Saturn,"
the Father of the gods (MAURICE), and that Rome, in consequence, has put the
round stone into the hand of the image, bearing the profaned name of God the
Father attached to it, and that from his source the bandaged globe, surmounted
with the mark of Tammuz, has become the symbol of dominion throughout all Papal
Europe.
The Two Babylons
Alexander Hislop
Chapter II
Section III
The Mother of the Child
Now while the mother derived her glory in the first instance
from the divine character attributed to the child in her arms, the mother in
the long-run practically eclipsed the son. At first, in all likelihood, there
would be no thought whatever of ascribing divinity to the mother. There was an
express promise that necessarily led mankind to expect that, at some time or
other, the Son of God, in amazing condescension, should appear in this world as
the Son of man. But there was no promise whatever, or the least shadow of a
promise, to lead any one to anticipate that a woman should ever be invested
with attributes that should raise her to a level with Divinity. It is in the
last degree improbable, therefore, that when the mother was first exhibited
with the child in her arms, it should be intended to give divine honours to
her. She was doubtless used chiefly as a pedestal for the upholding of the
divine Son, and holding him forth to the adoration of mankind; and glory enough
it would be counted for her, alone of all the daughters of Eve, to have given
birth to the promised seed, the world's only hope. But while this, no doubt,
was the design, it is a plain principle in all idolatries that that which most
appeals to the senses must make the most powerful impression. Now the Son, even
in his new incarnation, when Nimrod was believed to have reappeared in a fairer
form, was exhibited merely as a child, without any very particular attraction;
while the mother in whose arms he was, was set off with all the art of painting
and sculpture, as invested with much of that extraordinary beauty which in
reality belonged to her. The beauty of Semiramis is said on one occasion to
have quelled a rising rebellion among her subjects on her sudden appearance
among them; and it is recorded that the memory of the admiration excited in
their minds by her appearance on that occasion was perpetuated by a statue
erected in Babylon, representing her in the guise in which she had fascinated
them so much. *
* VALERIUS MAXIMUS. Valerius Maximus does not mention anything
about the representation of Semiramis with the child in her arms; but as
Semiramis was deified as Rhea, whose distinguishing character was that of
goddess Mother, and as we have evidence that the name, "Seed of the Woman,"
or Zoroaster, goes back to the earliest times--viz., her own day (CLERICUS, De
Chaldoeis), this implies that if there was any image-worship in these times,
that "Seed of the Woman" must have occupied a prominent place in it.
As over all the world the Mother and the child appear in some shape or other,
and are found on the early Egyptian monuments, that shows that this worship
must have had its roots in the primeval ages of the world. If, therefore, the
mother was represented in so fascinating a form when singly represented, we may
be sure that the same beauty for which she was celebrated would be given to her
when exhibited with the child in her arms.
This Babylonian queen was not merely in character coincident
with the Aphrodite of Greece and the Venus of Rome, but was, in point of fact,
the historical original of that goddess that by the ancient world was regarded
as the very embodiment of everything attractive in female form, and the
perfection of female beauty; for Sanchuniathon assures us that Aphrodite or Venus
was identical with Astarte, and Astarte being interpreted, is none other than
"The woman that made towers or encompassing walls"--i.e., Semiramis.
The Roman Venus, as is well known, was the Cyprian Venus, and the Venus of
Cyprus is historically proved to have been derived from Babylon. Now, what in
these circumstances might have been expected actually took place. If the child
was to be adored, much more the mother. The mother, in point of fact, became
the favourite object of worship. *
* How extraordinary, yea, frantic, was the devotion in the
minds of the Babylonians to this goddess queen, is sufficiently proved by the
statement of Herodotus, as to the way in which she required to be propitiated.
That a whole people should ever have consented to such a custom as is there
described, shows the amazing hold her worship must have gained over them.
Nonnus, speaking of the same goddess, calls her "The hope of the whole
world." (DIONUSIACA in BRYANT) It was the same goddess, as we have seen,
who was worshipped at Ephesus, whom Demetrius the silversmith characterised as
the goddess "whom all Asia and the world worshipped" (Acts 19:27). So
great was the devotion to this goddess queen, not of the Babylonians only, but
of the ancient world in general, that the fame of the exploits of Semiramis
has, in history, cast the exploits of her husband Ninus or Nimrod, entirely
into the shade.
In regard to the identification of Rhea or Cybele and Venus,
see note below.
To justify this worship, the mother was raised to divinity as
well as her son, and she was looked upon as destined to complete that bruising
of the serpent's head, which it was easy, if such a thing was needed, to find
abundant and plausible reasons for alleging that Ninus or Nimrod, the great
Son, in his mortal life had only begun.
The Roman Church maintains that it was not so much the seed of
the woman, as the woman herself, that was to bruise the head of the serpent. In
defiance of all grammar, she renders the Divine denunciation against the
serpent thus: "She shall bruise thy head, and thou shalt bruise her
heel." The same was held by the ancient Babylonians, and symbolically
represented in their temples. In the uppermost story of the tower of Babel, or
temple of Belus, Diodorus Siculus tells us there stood three images of the
great divinities of Babylon; and one of these was of a woman grasping a
serpent's head. Among the Greeks the same thing was symbolised; for Diana,
whose real character was originally the same as that of the great Babylonian
goddess, was represented as bearing in one of her hands a serpent deprived of
its head. As time wore away, and the facts of Semiramis' history became
obscured, her son's birth was boldly declared to be miraculous: and therefore
she was called "Alma Mater," * "the Virgin Mother."
* The term Alma is the precise term used by Isaiah in the
Hebrew of the Old Testament, when announcing, 700 years before the event, that
Christ should be born of a Virgin. If the question should be asked, how this
Hebrew term Alma (not in a Roman, but a Hebrew sense) could find its way to
Rome, the answer is, Through Etruria, which had an intimate connection with
Assyria. The word "mater" itself, from which comes our own
"mother," is originally Hebrew. It comes from Heb. Msh, "to draw
forth," in Egyptian Ms, "to bring forth" (BUNSEN), which in the
Chaldee form becomes Mt, whence the Egyptian Maut, "mother." Erh or
Er, as in English (and a similar form is found in Sanscrit), is, "The
doer." So that Mater or Mother signifies "The bringer forth."
It may be thought an objection to the above account of the
epithet Alma, that this term is often applied to Venus, who certainly was no
virgin. But this objection is more apparent than real. On the testimony of
Augustine, himself an eye-witness, we know that the rites of Vesta,
emphatically "the virgin goddess of Rome," under the name of Terra,
were exactly the same as those of Venus, the goddess of impurity and
licentiousness (AUGUSTINE, De Civitate Dei). Augustine elsewhere says that
Vesta, the virgin goddess, "was by some called Venus."
Even in the mythology of our own Scandinavian ancestors, we
have a remarkable evidence that Alma Mater, or the Virgin Mother, had been
originally known to them. One of their gods called Heimdal, who is described in
the most exalted terms, as having such quick perceptions as that he could hear
the grass growing on the ground, or the wool on the sheep's back, and whose
trumpet, when it blew, could be heard through all the worlds, is called by the
paradoxical name, "the son of nine virgins." (MALLET) Now this
obviously contains an enigma. Let the language in which the religion of Odin
was originally delivered--viz., the Chaldee, be brought to bear upon it, and
the enigma is solved at once. In Chaldee "the son of nine virgins" is
Ben-Almut-Teshaah. But in pronunciation this is identical with
"Ben-Almet-Ishaa," "the son of the virgin of salvation."
That son was everywhere known as the "saviour seed."
"Zera-hosha" and his virgin mother consequently claimed to be
"the virgin of salvation." Even in the very heavens the God of
Providence has constrained His enemies to inscribe a testimony to the great
Scriptural truth proclaimed by the Hebrew prophet, that a "virgin should
bring forth a son, whose name should be called Immanuel." The constellation
Virgo, as admitted by the most learned astronomers, was dedicated to Ceres (Dr.
JOHN HILL, in his Urania, and Mr. A. JAMIESON, in his Celestial Atlas), who is
the same as the great goddess of Babylon, for Ceres was worshipped with the
babe at her breast (SOPHOCLES, Antigone), even as the Babylonian goddess was.
Virgo was originally the Assyrian Venus, the mother of Bacchus or Tammuz. Virgo
then, was the Virgin Mother. Isaiah's prophecy was carried by the Jewish
captives to Babylon, and hence the new title bestowed upon the Babylonian
goddess.
That the birth of the Great Deliverer was to be miraculous,
was widely known long before the Christian era. For centuries, some say for
thousands of years before that event, the Buddhist priests had a tradition that
a Virgin was to bring forth a child to bless the world. That this tradition
came from no Popish or Christian source, is evident from the surprise felt and
expressed by the Jesuit missionaries, when they first entered Thibet and China,
and not only found a mother and a child worshipped as at home, but that mother
worshipped under a character exactly corresponding with that of their own
Madonna, "Virgo Deipara," "The Virgin mother of God," * and
that, too, in regions where they could not find the least trace of either the
name or history of our Lord Jesus Christ having ever been known.
* See Sir J. F. DAVIS'S China, and LAFITAN, who says that the
accounts sent home by the Popish missionaries bore that the sacred books of the
Chinese spoke not merely of a Holy Mother, but of a Virgin Mother. For further
evidence on this subject, see note below.
The primeval promise that the "seed of the woman should
bruise the serpent's head," naturally suggested the idea of a miraculous
birth. Priestcraft and human presumption set themselves wickedly to anticipate
the fulfilment of that promise; and the Babylonian queen seems to have been the
first to whom that honour was given. The highest titles were accordingly
bestowed upon her. She was called the "queen of heaven." (Jer
44:17,18,19,25) *
* When Ashta, or "the woman," came to be called the
"queen of heaven," the name "woman" became the highest
title of honour applied to a female. This accounts for what we find so common
among the ancient nations of the East, that queens and the most exalted
personages were addressed by the name of "woman." "Woman"
is not a complimentary title in our language; but formerly it had been applied
by our ancestors in the very same way as among the Orientals; for our word
"Queen" is derived from Cwino, which in the ancient Gothic just
signified a woman.
In Egypt she was styled Athor--i.e., "the Habitation of
God," (BUNSEN) to signify that in her dwelt all the "fulness of the
Godhead." To point out the great goddess-mother, in a Pantheistic sense,
as at once the Infinite and Almighty one, and the Virgin mother, this
inscription was engraven upon one of her temples in Egypt: "I am all that
has been, or that is, or that shall be. No mortal has removed my veil. The
fruit which I have brought forth is the Sun." (Ibid.) In Greece she had
the name of Hesita, and amongst the Romans, Vesta, which is just a modification
of the same name--a name which, though it has been commonly understood in a
different sense, really meant "The Dwelling-place." *
* Hestia, in Greek, signifies "a house" or
"dwelling." This is usually thought to be a secondary meaning of the
word, its proper meaning being believed to be "fire." But the
statements made in regard to Hestia, show that the name is derived from Hes or
Hese, "to cover, to shelter," which is the very idea of a house,
which "covers" or "shelters" from the inclemency of the
weather. The verb "Hes" also signifies "to protect," to
"show mercy," and from this evidently comes the character of Hestia
as "the protectress of suppliants." Taking Hestia as derived from
Hes, "to cover," or "shelter," the following statement of
Smith is easily accounted for: "Hestia was the goddess of domestic life,
and the giver of all domestic happiness; as such she was believed to dwell in
the inner part of every house, and to have invented the art of building
houses." If "fire" be supposed to be the original idea of
Hestia, how could "fire" ever have been supposed to be "the builder
of houses"! But taking Hestia in the sense of the Habitation or
Dwelling-place, though derived from Hes, "to shelter," or
"cover," it is easy to see how Hestia would come to be identified
with "fire." The goddess who was regarded as the "Habitation of
God" was known by the name of Ashta, "The Woman"; while
"Ashta" also signified "The fire"; and thus Hestia or
Vesta, as the Babylonian system was developed, would easily come to be regarded
as "Fire," or "the goddess of fire." For the reason that
suggested the idea of the Goddess-mother being a Habitation, see note below.
As the Dwelling-place of Deity, thus is Hestia or Vesta
addressed in the Orphic Hymns:
"Daughter of Saturn, venerable dame,
Who dwell'st amid great fire's eternal flame,
In thee the gods have fix'd their DWELLING-PLACE,
Strong stable basis of the mortal race." *
* TAYLOR'S Orphic Hymns: Hymn to Vesta. Though Vesta is here
called the daughter of Saturn, she is also identified in all the Pantheons with
Cybele or Rhea, the wife of Saturn.
Even when Vesta is identified with fire, this same character
of Vesta as "The Dwelling-place" still distinctly appears. Thus
Philolaus, speaking of a fire in the middle of the centre of the world, calls
it "The Vesta of the universe, The HOUSE of Jupiter, The mother of the
gods." In Babylon, the title of the goddess-mother as the Dwelling-place
of God was Sacca, or in the emphatic form, Sacta, that is, "The Tabernacle."
Hence, at this day, the great goddesses in India, as wielding all the power of
the god whom they represent, are called "Sacti," or the
"Tabernacle." *
* KENNEDY and MOOR. A synonym for Sacca, "a
tabernacle," is "Ahel," which, with the points, is pronounced
"Ohel." From the first form of the word, the name of the wife of the
god Buddha seems to be derived, which, in KENNEDY, is Ahalya, and in MOOR'S
Pantheon, Ahilya. From the second form, in like manner, seems to be derived the
name of the wife of the Patriarch of the Peruvians, "Mama Oello."
(PRESCOTT'S Peru) Mama was by the Peruvians used in the Oriental sense: Oello,
in all likelihood, was used in the same sense.
Now in her, as the Tabernacle or Temple of God, not only all
power, but all grace and goodness were believed to dwell. Every quality of
gentleness and mercy was regarded as centred in her; and when death had closed
her career, while she was fabled to have been deified and changed into a
pigeon, * to express the celestial benignity of her nature, she was called by
the name of "D'Iune," ** or "The Dove," or without the
article, "Juno"--the name of the Roman "queen of heaven,"
which has the very same meaning; and under the form of a dove as well as her own,
she was worshipped by the Babylonians.
* DIODORUS SIC. In connection with this the classical reader
will remember the title of one of the fables in OVID'S Metamorphoses.
"Semiramis into a pigeon."
** Dione, the name of the mother of Venus, and frequently
applied to Venus herself, is evidently the same name as the above. Dione, as
meaning Venus, is clearly applied by Ovid to the Babylonian goddess. (Fasti)
The dove, the chosen symbol of this deified queen, is commonly
represented with an olive branch in her mouth, as she herself in her human form
also is seen bearing the olive branch in her hand; and from this form of
representing her, it is highly probable that she has derived the name by which
she is commonly known, for "Z'emir-amit" means "The
branch-bearer." *
* From Ze, "the" or "that," emir,
"branch," and amit, "bearer," in the feminine. HESYCHIUS
says that Semiramis is a name for a "wild pigeon." The above
explanation of the original meaning of the name Semiramis, as referring to
Noah's wild pigeon (for it was evidently a wild one, as the tame one would not
have suited the experiment), may account for its application by the Greeks to
any wild pigeon.
When the goddess was thus represented as the Dove with the
olive branch, there can be no doubt that the symbol had partly reference to the
story of the flood; but there was much more in the symbol than a mere memorial
of that great event. "A branch," as has been already proved, was the
symbol of the deified son, and when the deified mother was represented as a
Dove, what could the meaning of this representation be but just to identify her
with the Spirit of all grace, that brooded, dove-like, over the deep at the
creation; for in the sculptures at Nineveh, as we have seen, the wings and tail
of the dove represented the third member of the idolatrous Assyrian trinity. In
confirmation of this view, it must be stated that the Assyrian
"Juno," or "The Virgin Venus," as she was called, was
identified with the air. Thus Julius Firmicus says: "The Assyrians and
part of the Africans wish the air to have the supremacy of the elements, for
they have consecrated this same [element] under the name of Juno, or the Virgin
Venus." Why was air thus identified with Juno, whose symbol was that of
the third person of the Assyrian trinity? Why, but because in Chaldee the same
word which signifies the air signifies also the "Holy Ghost." The
knowledge of this entirely accounts for the statement of Proclus, that
"Juno imports the generation of soul." Whence could the soul--the
spirit of man--be supposed to have its origin, but from the Spirit of God. In
accordance with this character of Juno as the incarnation of the Divine Spirit,
the source of life, and also as the goddess of the air, thus is she invoked in
the "Orphic Hymns":
"O royal Juno, of majestic mien,
Aerial formed, divine, Jove's blessed queen,
Throned in the bosom of caerulean air,
The race of mortals is thy constant care;
The cooling gales, thy power alone inspires,
Which nourish life, which every life desires;
Mother of showers and winds, from thee alone
Producing all things, mortal life is known;
All natures show thy temperament divine,
And universal sway alone is thine,
With sounding blasts of wind, the swelling sea
And rolling rivers roar when shook by thee." *
* TAYLOR'S Orphic Hymns. Every classical reader must be aware
of the identification of Juno with the air. The following, however, as still
further illustrative of the subject from Proclus, may not be out of place:
"The series of our sovereign mistress Juno, beginning from on high,
pervades the last of things, and her allotment in the sublunary region is the
air; for air is a symbol of soul, according to which also soul is called a
spirit."
Thus, then, the deified queen, when in all respects regarded
as a veritable woman, was at the same time adored as the incarnation of the
Holy Ghost, the Spirit of peace and love. In the temple of Hierapolis in Syria,
there was a famous statue of the goddess Juno, to which crowds from all
quarters flocked to worship. The image of the goddess was richly habited, on her
head was a golden dove, and she was called by a name peculiar to the country,
"Semeion." (BRYANT) What is the meaning of Semeion? It is evidently
"The Habitation"; * and the "golden dove" on her head shows
plainly who it was that was supposed to dwell in her--even the Spirit of God.
* From Ze, "that," or "the great," and
"Maaon," or Maion, "a habitation," which, in the Ionic
dialect, in which Lucian, the describer of the goddess, wrote, would naturally
become Meion.
When such transcendent dignity was bestowed on her, when such
winning characters were attributed to her, and when, over and above all, her
images presented her to the eyes of men as Venus Urania, "the heavenly
Venus," the queen of beauty, who assured her worshippers of salvation,
while giving loose reins to every unholy passion, and every depraved and
sensual appetite--no wonder that everywhere she was enthusiastically adored.
Under the name of the "Mother of the gods," the goddess queen of
Babylon became an object of almost universal worship. "The Mother of the
gods," says Clericus, "was worshipped by the Persians, the Syrians,
and all the kings of Europe and Asia, with the most profound religious
veneration." Tacitus gives evidence that the Babylonian goddess was
worshipped in the heart of Germany, and Caesar, when he invaded Britain, found
that the priests of this same goddess, known by the name of Druids, had been
there before him. *
* CAESAR, De Bello Gallico. The name Druid has been thought to
be derived from the Greek Drus, an oak tree, or the Celtic Deru, which has the
same meaning; but this is obviously a mistake. In Ireland, the name for a Druid
is Droi, and in Wales Dryw; and it will be found that the connection of the
Druids with the oak was more from the mere similarity of their name to that of
the oak, than because they derived their name from it. The Druidic system in
all its parts was evidently the Babylonian system. Dionysius informs us, that
the rites of Bacchus were duly celebrated in the British Islands and Strabo
cites Artemidorus to show that, in an island close to Britain, Ceres and
Proserpine were venerated with rites similar to the orgies of Samothrace. It
will be seen from the account of the Druidic Ceridwen and her child, afterwards
to be noticed (see Chapter IV, Section III), that there was a great analogy
between her character and that of the great goddess-mother of Babylon. Such was
the system; and the name Dryw, or Droi, applied to the priests, is in exact
accordance with that system. The name Zero, given in Hebrew or the early
Chaldee, to the son of the great goddess queen, in later Chaldee became
"Dero." The priest of Dero, "the seed," was called, as is
the case in almost all religions, by the name of his god; and hence the
familiar name "Druid" is thus proved to signify the priest of
"Dero"--the woman's promised "seed." The classical
Hamadryads were evidently in like manner priestesses of
"Hamed-dero,"--"the desired seed"--i.e., "the desire
of all nations."
Herodotus, from personal knowledge, testifies, that in Egypt
this "queen of heaven" was "the greatest and most worshipped of
all the divinities." Wherever her worship was introduced, it is amazing
what fascinating power it exerted. Truly, the nations might be said to be
"made drunk" with the wine of her fornications. So deeply, in
particular, did the Jews in the days of Jeremiah drink of her wine cup, so
bewitched were they with her idolatrous worship, that even after Jerusalem had
been burnt, and the land desolated for this very thing, they could not be
prevailed on to give it up. While dwelling in Egypt as forlorn exiles, instead
of being witnesses for God against the heathenism around them, they were as
much devoted to this form of idolatry as the Egyptians themselves. Jeremiah was
sent of God to denounce wrath against them, if they continued to worship the
queen of heaven; but his warnings were in vain. "Then," saith the
prophet, "all the men which knew that their wives had burnt incense unto
other gods, and all the women that stood by, a great multitude, even all the people
that dwelt in the land of Egypt, in Pathros, answered Jeremiah, saying, As for
the word that thou hast spoken unto us in the name of the Lord, we will not
hearken unto thee; but we will certainly do whatsoever thing goeth forth out of
our own mouth, to burn incense unto the queen of heaven, and to pour out
drink-offerings unto her, as we have done, we, and our fathers, our kings, and
our princes, in the cities of Judah, and in the streets of Jerusalem; for then
had we plenty of victuals, and were well, and saw no evil" (Jer 44:15-17).
Thus did the Jews, God's own peculiar people, emulate the Egyptians in their
devotion to the queen of heaven.
The worship of the goddess-mother with the child in her arms
continued to be observed in Egypt till Christianity entered. If the Gospel had
come in power among the mass of the people, the worship of this goddess-queen
would have been overthrown. With the generality it came only in name. Instead,
therefore, of the Babylonian goddess being cast out, in too many cases her name
only was changed. She was called the Virgin Mary, and, with her child, was
worshipped with the same idolatrous feeling by professing Christians, as
formerly by open and avowed Pagans. The consequence was, that when, in AD 325,
the Nicene Council was summoned to condemn the heresy of Arius, who denied the
true divinity of Christ, that heresy indeed was condemned, but not without the
help of men who gave distinct indications of a desire to put the creature on a
level with the Creator, to set the Virgin-mother side by side with her Son. At
the Council of Nice, says the author of "Nimrod," "The Melchite
section"--that is, the representatives of the so-called Christianity of
Egypt--"held that there were three persons in the Trinity--the Father, the
Virgin Mary, and Messiah their Son." In reference to this astounding fact,
elicited by the Nicene Council, Father Newman speaks exultingly of these
discussions as tending to the glorification of Mary. "Thus," says he,
"the controversy opened a question which it did not settle. It discovered
a new sphere, if we may so speak, in the realms of light, to which the Church
had not yet assigned its inhabitant. Thus, there was a wonder in Heaven; a
throne was seen far above all created powers, mediatorial, intercessory, a
title archetypal, a crown bright as the morning star, a glory issuing from the
eternal throne, robes pure as the heavens, and a sceptre over all. And who was
the predestined heir of that majesty? Who was that wisdom, and what was her
name, the mother of fair love, and far, and holy hope, exalted like a palm-tree
in Engaddi, and a rose-plant in Jericho, created from the beginning before the
world, in God's counsels, and in Jerusalem was her power? The vision is found
in the Apocalypse 'a Woman clothed with the sun, and the moon under her feet,
and upon her head a crown of twelve stars.'" *
* NEWMAN'S Development. The intelligent reader will see at a
glance the absurdity of applying this vision of the "woman" of the
Apocalypse to the Virgin Mary. John expressly declares that what he saw was a
"sign" or "symbol" (semeion). If the woman here is a
literal woman, the woman that sits on the seven hills must be the same.
"The woman" in both cases is a "symbol." "The
woman" on the seven hills is the symbol of the false church; the woman
clothed with the sun, of the true church--the Bride, the Lamb's wife.
"The votaries of Mary," adds he, "do not exceed
the true faith, unless the blasphemers of her Son came up to it. The Church of
Rome is not idolatrous, unless Arianism is orthodoxy." This is the very
poetry of blasphemy. It contains an argument too; but what does that argument
amount to? It just amounts to this, that if Christ be admitted to be truly and
properly God, and worthy of Divine honours, His mother, from whom He derived
merely His humanity, must be admitted to be the same, must be raised far above
the level of all creatures, and be worshipped as a partaker of the Godhead. The
divinity of Christ is made to stand or fall with the divinity of His mother. Such
is Popery in the nineteenth century; yea, such is Popery in England. It was
known already that Popery abroad was bold and unblushing in its blasphemies;
that in Lisbon a church was to be seen with these words engraven on its front,
"To the virgin goddess of Loretto, the Italian race, devoted to her
DIVINITY, have dedicated this temple." (Journal of Professor GIBSON, in
Scottish Protestant) But when till now was such language ever heard in Britain
before? This, however, is just the exact reproduction of the doctrine of
ancient Babylon in regard to the great goddess-mother. The Madonna of Rome,
then, is just the Madonna of Babylon. The "Queen of Heaven" in the
one system is the same as the "Queen of Heaven" in the other. The
goddess worshipped in Babylon and Egypt as the Tabernacle or Habitation of God,
is identical with her who, under the name of Mary, is called by Rome "The
HOUSE consecrated to God," "the awful Dwelling-place," *
"the Mansion of God" (Pancarpium Marioe), the "Tabernacle of the
Holy Ghost" (Garden of the Soul), the "Temple of the Trinity"
(Golden Manual in Scottish Protestant).
* The Golden Manual in Scottish Protestant. The word here used
for "Dwelling-place" in the Latin of this work is a pure Chaldee
word--"Zabulo," and is from the same verb as Zebulun (Gen 30:20), the
name which was given by Leah to her son, when she said "Now will my
husband dwell with me."
Some may possibly be inclined to defend such language, by
saying that the Scripture makes every believer to be a temple of the Holy Ghost,
and, therefore, what harm can there be in speaking of the Virgin Mary, who was
unquestionably a saint of God, under that name, or names of a similar import?
Now, no doubt it is true that Paul says (1 Cor 3:16), "Know ye not that ye
are the temple of God, and that the Spirit of God dwelleth in you?" It is
not only true, but it is a great truth, and a blessed one--a truth that
enhances every comfort when enjoyed, and takes the sting out of every trouble
when it comes, that every genuine Christian has less or more experience of what
is contained in these words of the same apostle (2 Cor 6:16), "Ye are the
temple of the living God; as God hath said, I will dwell in them and walk in
them, and I will be their God, and they shall be my people." It must also
be admitted, and gladly admitted, that this implies the indwelling of all the
Persons of the glorious Godhead; for the Lord Jesus hath said (John 14:23),
"If a man love me, he will keep my words; and my Father will love him, and
WE will come unto him, and make our abode with him." But while admitting
all this, on examination it will be found that the Popish and the Scriptural
ideas conveyed by these expressions, however apparently similar, are
essentially different. When it is said that a believer is "a temple of
God," or a temple of the Holy Ghost, the meaning is (Eph 3:17) that
"Christ dwells in the heart by faith." But when Rome says that Mary
is "The Temple" or "Tabernacle of God," the meaning is the
exact Pagan meaning of the term--viz., that the union between her and the
Godhead is a union akin to the hypostatical union between the divine and human
nature of Christ. The human nature of Christ is the "Tabernacle of
God," inasmuch as the Divine nature has veiled its glory in such a way, by
assuming our nature, that we can come near without overwhelming dread to the
Holy God. To this glorious truth John refers when he says (John 1:14),
"The Word was made flesh, and dwelt (literally tabernacled) among us, and
we beheld His glory, the glory as of the only begotten of the Father, full of
grace and truth." In this sense, Christ, the God-man, is the only
"Tabernacle of God." Now, it is precisely in this sense that Rome
calls Mary the "Tabernacle of God," or of the "Holy Ghost."
Thus speaks the author of a Popish work devoted to the exaltation of the
Virgin, in which all the peculiar titles and prerogatives of Christ are given
to Mary: "Behold the tabernacle of God, the mansion of God, the
habitation, the city of God is with men, and in men and for men, for their salvation,
and exaltation, and eternal glorification...Is it most clear that this is true
of the holy church? and in like manner also equally true of the most holy
sacrament of the Lord's body? Is it (true) of every one of us in as far as we
are truly Christians? Undoubtedly; but we have to contemplate this mystery (as
existing) in a peculiar manner in the most holy Mother of our Lord."
(Pancarpium Marioe) Then the author, after endeavouring to show that "Mary
is rightly considered as the Tabernacle of God with men," and that in a
peculiar sense, a sense different from that in which all Christians are the
"temple of God," thus proceeds with express reference to her in this
character of the Tabernacle: "Great truly is the benefit, singular is the
privilege, that the Tabernacle of God should be with men, IN WHICH men may
safely come near to God become man." (Ibid.) Here the whole mediatorial
glory of Christ, as the God-man in whom dwelleth all the fullness of the
Godhead bodily, is given to Mary, or at least is shared with her. The above
extracts are taken from a work published upwards of two hundred years ago. Has
the Papacy improved since then? Has it repented of its blasphemies? No, the
very reverse. The quotation already given from Father Newman proves this; but
there is still stronger proof. In a recently published work, the same
blasphemous idea is even more clearly unfolded. While Mary is called "The
HOUSE consecrated to God," and the "TEMPLE of the Trinity," the
following versicle and response will show in what sense she is regarded as the
temple of the Holy Ghost: "V. The Lord himself created HER in the Holy
Ghost, and POURED HER out among all his works. V. O Lady, hear," &c.
This astounding language manifestly implies that Mary is identified with the
Holy Ghost, when it speaks of her "being poured out" on "all the
works of God"; and that, as we have seen, was just the very way in which
the Woman, regarded as the "Tabernacle" or House of God by the
Pagans, was looked upon. Where is such language used in regard to the Virgin?
Not in Spain; not in Austria; not in the dark places of Continental Europe; but
in London, the seat and centre of the world's enlightenment.
The names of blasphemy bestowed by the Papacy on Mary have not
one shadow of foundation in the Bible, but are all to be found in the
Babylonian idolatry. Yea, the very features and complexions of the Roman and
Babylonian Madonnas are the same. Till recent times, when Raphael somewhat
departed from the beaten track, there was nothing either Jewish or even Italian
in the Romish Madonnas. Had these pictures or images of the Virgin Mother been
intended to represent the mother of our Lord, naturally they would have been
cast either in the one mould or the other. But it was not so. In a land of
dark-eyed beauties, with raven locks, the Madonna was always represented with
blue eyes and golden hair, a complexion entirely different form the Jewish
complexion, which naturally would have been supposed to belong to the mother of
our Lord, but which precisely agrees with that which all antiquity attributes
to the goddess queen of Babylon. In almost all lands the great goddess has been
described with golden or yellow hair, showing that there must have been one
grand prototype, to which they were all made to correspond. The
"yellow-haired Ceres," might not have been accounted of any weight in
this argument if she had stood alone, for it might have been supposed in that
case that the epithet "yellow-haired" was borrowed from the corn that
was supposed to be under her guardian care. But many other goddesses have the
very same epithet applied to them. Europa, whom Jupiter carried away in the
form of a bull, is called "The yellow-haired Europa." (OVID, Fasti)
Minerva is called by Homer "the blue-eyed Minerva," and by Ovid
"the yellow-haired"; the huntress Diana, who is commonly identified
with the moon, is addressed by Anacreon as "the yellow-haired daughter of
Jupiter," a title which the pale face of the silver moon could surely
never have suggested. Dione, the mother of Venus, is described by Theocritus as
"yellow-haired." Venus herself is frequently called "Aurea
Venus," the "golden Venus." (HOMER'S Iliad) The Indian goddess
Lakshmi, the "Mother of the Universe," is described as of "a
golden complexion." (Asiatic Researches) Ariadne, the wife of Bacchus, was
called "the yellow-haired Ariadne." (HESIOD, Theogonia) Thus does
Dryden refer to her golden or yellow hair:
"Where the rude waves in Dian's harbour play,
The fair forsaken Ariadne lay;
There, sick with grief and frantic with despair,
Her dress she rent, and tore her golden hair."
The Gorgon Medusa before her transformation, while celebrated
for her beauty, was equally celebrated for her golden hair:
"Medusa once had charms: to gain her love
A rival crowd of anxious lovers strove.
They who have seen her, own they ne'er did trace
More moving features in a sweeter face;
But above all, her length of hair they own
In golden ringlets waves, and graceful shone."
The mermaid that figured so much in the romantic tales of the
north, which was evidently borrowed from the story of Atergatis, the fish
goddess of Syria, who was called the mother of Semiramis, and was sometimes
identified with Semiramis herself, was described with hair of the same kind.
"The Ellewoman," such is the Scandinavian name for the mermaid,
"is fair," says the introduction to the "Danish Tales" of
Hans Andersen, "and gold-haired, and plays most sweetly on a stringed
instrument." "She is frequently seen sitting on the surface of the
waters, and combing her long golden hair with a golden comb." Even when
Athor, the Venus of Egypt, was represented as a cow, doubtless to indicate the
complexion of the goddess that cow represented, the cow's head and neck were
gilded. (HERODOTUS and WILKINSON) When, therefore, it is known that the most
famed pictures of the Virgin Mother in Italy represented her as of a fair
complexion and with golden hair, and when over all Ireland the Virgin is almost
invariably represented at this day in the very same manner, who can resist the
conclusion that she must have been thus represented, only because she had been
copied form the same prototype as the Pagan divinities?
Nor is this agreement in complexion only, but also in features.
Jewish features are everywhere marked, and have a character peculiarly their
own. But the original Madonnas have nothing at all of Jewish form or feature;
but are declared by those who have personally compared both, entirely to agree
in this respect, as well as in complexion, with the Babylonian Madonnas found
by Sir Robert Ker Porter among the ruins of Babylon.
There is yet another remarkable characteristic of these
pictures worthy of notice, and that is the nimbus or peculiar circle of light
that frequently encompasses the head of the Roman Madonna. With this circle the
heads of the so-called figures of Christ are also frequently surrounded. Whence
could such a device have originated? In the case of our Lord, if His head had
been merely surrounded with rays, there might have been some pretence for
saying that that was borrowed from the Evangelic narrative, where it is stated,
that on the holy mount His face became resplendent with light. But where, in
the whole compass of Scripture, do we ever read that His head was surrounded
with a disk, or a circle of light? But what will be searched for in vain in the
Word of God, is found in he artistic representations of the great gods and
goddesses of Babylon. The disk, and particularly the circle, were the well known
symbols of the Sun-divinity, and figured largely in the symbolism of the East.
With the circle or the disk the head of the Sun-divinity was encompassed. The
same was the case in Pagan Rome. Apollo, as the child of the Sun, was often
thus represented. The goddesses that claimed kindred with the Sun were equally
entitled to be adorned with the nimbus or luminous circle. From Pompeii there
is a representation of Circe, "the daughter of the Sun" with her head
surrounded with a circle, in the very same way as the head of the Roman Madonna
is at this day surrounded. Let any one compare the nimbus around the head of
Circe, with that around the head of the Popish Virgin, and he will see how
exactly they correspond. *
* The explanation of the figure is thus given in Pompeii:
"One of them [the paintings] is taken from the Odyssey, and represents
Ulysses and Circe, at the moment when the hero, having drunk the charmed cup
with impunity, by virtue of the antidote given him by Mercury [it is well known
that Circe had a 'golden cup,' even as the Venus of Babylon had], draws his
sword, and advances to avenge his companions," who, having drunk of her
cup, had been changed into swine. The goddess, terrified, makes her submission
at once, as described by Homer; Ulysses himself being the narrator:
"Hence, seek the sty, there wallow with thy friends,
She spake, I drawing from beside my thigh
My Falchion keen, with death-denouncing looks,
Rushed on her; she, with a shrill scream of fear,
Ran under my raised arm, seized fast my knees,
And in winged accents plaintive, thus began:
'Say, who art thou,'" &c.--COWPER'S Odyssey
"This picture," adds the author of Pompeii, "is
remarkable, as teaching us the origin of that ugly and unmeaning glory by which
the heads of saints are often surrounded...This glory was called nimbus, or
aureola, and is defined by Servius to be 'the luminous fluid which encircles
the heads of the gods.' It belongs with peculiar propriety to Circe, as the
daughter of the Sun. The emperors, with their usual modesty, assumed it as the
mark of their divinity; and under this respectable patronage it passed, like
many other Pagan superstitions and customs, into the use of the Church."
The emperors here get rather more than a fair share of the blame due to them.
It was not the emperors that brought "Pagan superstition" into the
Church, so much as the Bishop of Rome. See Chapter VII, Section II.
Now, could any one possibly believe that all this coincidence
could be accidental. Of course, if the Madonna had ever so exactly resembled
the Virgin Mary, that would never have excused idolatry. But when it is evident
that the goddess enshrined in the Papal Church for the supreme worship of its
votaries, is that very Babylonian queen who set up Nimrod, or Ninus "the
Son," as the rival of Christ, and who in her own person was the
incarnation of every kind of licentiousness, how dark a character does that
stamp on the Roman idolatry. What will it avail to mitigate the heinous
character of that idolatry, to say that the child she holds forth to adoration
is called by the name of Jesus? When she was worshipped with her child in
Babylon of old, that child was called by a name as peculiar to Christ, as
distinctive of His glorious character, as the name of Jesus. He was called
"Zoro-ashta," "the seed of the woman." But that did not
hinder the hot anger of God from being directed against those in the days of
old who worshipped that "image of jealousy, provoking to jealousy." *
* Ezekiel 8:3. There have been many speculations about what
this "image of jealousy" could be. But when it is known that the
grand feature of ancient idolatry was just the worship of the Mother and the
child, and that child as the Son of God incarnate, all is plain. Compare verses
3 and 5 with verse 14, and it will be seen that the "women weeping for
Tammuz" were weeping close beside the image of jealousy.
Neither can the giving of the name of Christ to the infant in
the arms of the Romish Madonna, make it less the "image of jealousy,"
less offensive to the Most High, less fitted to provoke His high displeasure,
when it is evident that that infant is worshipped as the child of her who was
adored as Queen of Heaven, with all the attributes of divinity, and was at the
same time the "Mother of harlots and abominations of the earth."
Image-worship in every case the Lord abhors; but image-worship of such a kind
as this must be peculiarly abhorrent to His holy soul. Now, if the facts I have
adduced be true, is it wonderful that such dreadful threatenings should be
directed in the Word of God against the Romish apostacy, and that the vials of
this tremendous wrath are destined to be outpoured upon its guilty head? If
these things be true (and gainsay them who can), who will venture now to plead
for Papal Rome, or to call her a Christian Church? Is there one, who fears God,
and who reads these lines, who would not admit that Paganism alone could ever
have inspired such a doctrine as that avowed by the Melchites at the Nicene
Council, that the Holy Trinity consisted of "the Father, the Virgin Mary,
and the Messiah their Son"? (Quarterly Journal of Prophecy, July, 1852) Is
there one who would not shrink with horror from such a thought? What, then,
would the reader say of a Church that teaches its children to adore such a
Trinity as that contained in the following lines?
"Heart of Jesus, I adore thee;
Heart of Mary, I implore thee;
Heart of Joseph, pure and just;
IN THESE THREE HEARTS I PUT MY TRUST." *
* What every Christian must Know and Do. By the Rev. J.
FURNISS. Published by James Duffy, Dublin. The edition of this Manual of Popery
quoted above, besides the blasphemy it contains, contains most immoral
principles, teaching distinctly the harmlessness of fraud, if only kept within
due bounds. On this account, a great outcry having been raised against it, I
believe this edition has been withdrawn from general circulation. The
genuineness of the passage above given is, however, beyond all dispute. I
received myself from a fried in Liverpool a copy of the edition containing
these words, which is now in my possession, having previously seen them in a
copy in the possession of the Rev. Richard Smyth of Armagh. It is not in
Ireland, however, only, that such a trinity is exhibited for the worship of
Romanists. In a Card, or Fly-leaf, issued by the Popish priests of Sunderland,
now lying before me, with the heading "Paschal Duty, St. Mary's Church,
Bishopwearmouth, 1859," the following is the 4th admonition given to the "Dear
Christians" to whom it is addressed:
"4. And never forget the acts of a good Christian,
recommended to you so often during the renewal of the Mission.
Blessed be Jesus, Mary, and Joseph.
Jesus, Mary, and Joseph, I give you my heart, my life, and my soul.
Jesus, Mary, and Joseph, assist me always; and in my last agony,
Jesus, Mary, and Joseph, receive my last breath. Amen."
To induce the adherents of Rome to perform this "act of a
good Christian," a considerable bribe is held out. In p. 30 of Furniss'
Manual above referred to, under the head "Rule of Life," the
following passage occurs: "In the morning, before you get up, make the
sign of the cross, and say, Jesus, Mary, and Joseph, I give you my heart and my
soul. (Each time you say this prayer, you get an indulgence of 100 days, which
you can give to the souls in Purgatory)!" I must add that the title of
Furniss' book, as given above, is the title of Mr. Smyth's copy. The title of
the copy in my possession is "What every Christian must Know." London:
Richardson & Son, 147 Strand. Both copies alike have the blasphemous words
given in the text, and both have the "Imprimatur" of "Paulus
Cullen."
If this is not Paganism, what is there that can be called by
such a name? Yet this is the Trinity which now the Roman Catholics of Ireland
from tender infancy are taught to adore. This is the Trinity which, in the
latest books of catechetical instruction is presented as the grand object of
devotion to the adherents of the Papacy. The manual that contains this
blasphemy comes forth with the express "Imprimatur" of "Paulus
Cullen," Popish Archbishop of Dublin. Will any one after this say that the
Roman Catholic Church must still be called Christian, because it holds the
doctrine of the Trinity? So did the Pagan Babylonians, so did the Egyptians, so
do the Hindoos at this hour, in the very same sense in which Rome does. They
all admitted A trinity, but did they worship THE Triune Jehovah, the King
Eternal, Immortal, and Invisible? And will any one say with such evidence
before him, that Rome does so? Away then, with the deadly delusion that
Rome is Christian! There might once have been some palliation for
entertaining such a supposition; but every day the "Grand Mystery" is
revealing itself more and more in its true character. There is not, and there
cannot be, any safety for the souls of men in "Babylon." "Come
out of her, my people," is the loud and express command of God. Those who
disobey that command, do it at their peril.
Notes
The Identification of Rhea or Cybele and Venus
In the exoteric doctrine of Greece and Rome, the characters of
Cybele, the mother of the gods, and of Venus, the goddess of love, are
generally very distinct, insomuch that some minds may perhaps find no slight
difficulty in regard to the identification of these two divinities. But that
difficulty will disappear, if the fundamental principle of the Mysteries be
borne in mind--viz., that at bottom they recognised only Adad, "The One
God." Adad being Triune, this left room, when the Babylonian Mystery of
Iniquity took shape, for three different FORMS of divinity--the father, the
mother, and the son; but all the multiform divinities with which the Pagan
world abounded, whatever diversities there were among them, were resolved
substantially into so many manifestations of one or other of these divine
persons, or rather of two, for the first person was generally in the
background. We have distinct evidence that this was the case. Apuleius tells
us, that when he was initiated, the goddess Isis revealed herself to him as
"The first of the celestials, and the uniform manifestation of the gods
and goddesses...WHOSE ONE SOLE DIVINITY the whole orb of the earth venerated,
and under a manifold form, with different rites, and under a variety of
appellations"; and going over many of these appellations, she declares
herself to be at once "Pessinuntica, the mother of the gods [i.e. Cybele],
and Paphian Venus." Now, as this was the case in the later ages of the
Mysteries, so it must have been the case from the very beginning; because they
SET OUT, and necessarily set out, with the doctrine of the UNITY of the
Godhead. This, of course, would give rise to no little absurdity and
inconsistency in the very nature of the case. Both Wilkinson and Bunsen, to get
rid of the inconsistencies they have met with in the Egyptian system, have
found it necessary to have recourse to substantially the same explanation as I
have done. Thus we find Wilkinson saying: "I have stated that Amun-re and
other gods took the form of different deities, which, though it appears at
first sight to present some difficulty, may readily be accounted for when we
consider that each of those whose figures or emblem were adopted, was only an
EMANATION, or deified attribute of the SAME GREAT BEING to whom they ascribed
various characters, according to the several offices he was supposed to
perform." The statement of Bunsen is to the same effect, and it is this:
"Upon these premises, we think ourselves justified in concluding that the
two series of gods were originally identical, and that, in the GREAT PAIR of
gods, all those attributes were concentrated, from the development of which, in
various personifications, that mythological system sprang up which we have been
already considering."
The bearing of all this upon the question of the
identification of Cybele and Astarte, or Venus, is important. Fundamentally,
there was but one goddess--the Holy Spirit, represented as female, when the
distinction of sex was wickedly ascribed to the Godhead, through a perversion
of the great Scripture idea, that all the children of God are at once begotten
of the Father, and born of the Spirit; and under this idea, the Spirit of God,
as Mother, was represented under the form of a dove, in memory of the fact that
that Spirit, at the creation, "fluttered"--for so, as I have
observed, is the exact meaning of the term in Genesis 1:2--"on the face of
the waters." This goddess, then, was called Ops, "the
flutterer," or Juno, "The Dove," or Khubele, "The binder
with cords," which last title had reference to "the bands of love,
the cords of a man" (called in Hosea 11:4, "Khubeli Adam"), with
which not only does God @mL3 continually, by His providential goodness, draw
men unto Himself, but with which our first parent Adam, through the Spirit's indwelling,
while the covenant of Eden was unbroken, was sweetly bound to God. This theme
is minutely dwelt on in Pagan story, and the evidence is very abundant; but I
cannot enter upon it here. Let this only be noticed, however, that the Romans
joined the two terms Juno and Khubele--or, as it is commonly pronounced,
Cybele--together; and on certain occasions invoked their supreme goddess, under
the name of Juno Covella--that is, "The dove that binds with cords."
If the reader looks, in Layard, at the triune emblem of the
supreme Assyrian divinity, he will see this very idea visibly embodied. There
the wings and tail of the dove have two bands associated with them instead of
feet (LAYARD'S Nineveh and its Remains).
In reference to events after the Fall, Cybele got a new idea
attached to her name. Khubel signifies not only to "bind with cords,"
but also "to travail in birth"; and therefore Cybele appeared as the
"Mother of the gods," by whom all God's children must be born anew or
regenerated. But, for this purpose, it was held indispensable that there should
be a union in the first instance with Rhea, "The gazer," the human
"mother of gods and men," that the ruin she had introduced might be
remedied. Hence the identification of Cybele and Rhea, which in all the
Pantheons are declared to be only two different names of the same goddess,
though, as we have seen, these goddesses were in reality entirely distinct.
This same principle was applied to all the other deified mothers. They were
deified only through the supposed miraculous identification with them of Juno
or Cybele--in other words, of the Holy Spirit of God. Each of these mothers had
her own legend, and had special worship suited thereto; but, as in all cases,
she was held to be an incarnation of the one spirit of God, as the great Mother
of all, the attributes of that one Spirit were always pre-supposed as belonging
to her. This, then, was the case with the goddess recognised as Astarte or
Venus, as well as with Rhea. Though there were points of difference between
Cybele, or Rhea, and Astarte or Mylitta, the Assyrian Venus, Layard shows that
there were also distinct points of contact between them. Cybele or Rhea was
remarkable for her turreted crown. Mylitta, or Astarte, was represented with a
similar crown. Cybele, or Rhea, was drawn by lions; Mylitta, or Astarte, was
represented as standing on a lion. The worship of Mylitta, or Astarte, was a
mass of moral pollution (HERODOTUS). The worship of Cybele, under the name of
Terra, was the same (AUGUSTINE, De Civitate).
The first deified woman was no doubt Semiramis, as the first
deified man was her husband. But it is evident that it was some time after the
Mysteries began that this deification took place; for it was not till after
Semiramis was dead that she was exalted to divinity, and worshipped under the
form of a dove. When, however, the Mysteries were originally concocted, the
deeds of Eve, who, through her connection with the serpent, brought forth
death, must necessarily have occupied a place; for the Mystery of sin and death
lies at the very foundation of all religion, and in the age of Semiramis and
Nimrod, and Shem and Ham, all men must have been well acquainted with the facts
of the Fall. At first the sin of Eve may have been admitted in all its
sinfulness (otherwise men generally would have been shocked, especially when
the general conscience had been quickened through the zeal of Shem); but when a
woman was to be deified, the shape that the mystic story came to assume shows
that that sin was softened, yea, that it changed its very character, and that
by a perversion of the name given to Eve, as "the mother of all living
ones," that is, all the regenerate, she was glorified as the authoress of
spiritual life, and, under the very name Rhea, was recognised as the mother of
the gods. Now, those who had the working of the Mystery of Iniquity did not
find it very difficult to show that this name Rhea, originally appropriate to
the mother of mankind, was hardly less appropriate for her who was the actual
mother of the gods, that is, of all the deified mortals. Rhea, in the active
sense, signifies "the Gazing woman," but in the passive it signifies
"The woman gazed at," that is, "The beauty," and thus,
under one and the same term, the mother of mankind and the mother of the Pagan
gods, that is, Semiramis, were amalgamated; insomcuh, that now, as is well
known, Rhea is currently recognised as the "Mother of gods and men"
(HESIOD, Theogon). It is not wonderful, therefore that the name Rhea is found
applied to her, who, by the Assyrians, was worshipped in the very character of
Astarte or Venus.
____________________
"Almost all the Tartar princes," says SALVERTE (Des
Sciences Occultes), "trace their genealogy to a celestial virgin,
impregnated by a sun-beam, or some equally miraculous means." In India,
the mother of Surya, the sun-god, who was born to destroy the enemies of the
gods, is said to have become pregnant in this way, a beam of the sun having
entered her womb, in consequence of which she brought forth the sun-god. Now
the knowledge of this widely diffused myth casts light on the secret meaning of
the name Aurora, given to the wife of Orion, to whose marriage with that
"mighty hunter" Homer refers (Odyssey). While the name Aur-ora, in
the physical sense, signifies also "pregnant with light"; and from
"ohra," "to conceive" or be "pregnant," we have
in Greek, the word for a wife. As Orion, according to Persian accounts, was
Nimrod; and Nimrod, under the name of Ninus, was worshipped as the son of his
wife, when he came to be deified as the sun-god, that name Aurora, as applied
to his wife, is evidently intended to convey the very same idea as prevails in
Tartary and India. These myths of the Tartars and Hindoos clearly prove that
the Pagan idea of the miraculous conception had not come from any intermixture
of Christianity with that superstition, but directly from the promise of
"the seed of the woman." But how, it may be asked, could the idea of
being pregnant with a sunbeam arise? There is reason to believe that it came
from one of the natural names of the sun. From the Chaldean zhr, "to
shine," comes, in the participle active, zuhro or zuhre, "the
Shiner"; and hence, no doubt, from zuhro, "the Shiner," under
the prompting of a designing priesthood, men would slide into the idea of zuro,
"the seed,"--"the Shiner" and "the seed,"
according to the genius of Paganism, being thus identified. This was manifestly
the case in Persia, where the sun as the great divinity; for the
"Persians," says Maurice, "called God Sure" (Antiquities).
____________________
The Goddess Mother as a Habitation
What could ever have induced mankind to think of calling the
great Goddess-mother, or mother of gods and men, a House or Habitation? The
answer is evidently to be found in a statement made in Genesis 2:21, in regard
to the formation of the mother of mankind: "And the Lord caused a deep
sleep to fall upon Adam, and he slept, and he took one of his ribs, and closed
up the flesh instead thereof. And the rib which the Lord God had taken from
man, made (margin, literally BUILDED) he into a woman." That this history
of the rib was well known to the Babylonians, is manifest from one of the names
given to their primeval goddess, as found in Berosus. That name is Thalatth.
But Thalatth is just the Chaldean form of the Hebrew Tzalaa, in the
feminine,--the very word used in Genesis for the rib, of which Eve was formed;
and the other name which Berosus couples with Thalatth, does much to confirm
this; for that name, which is Omorka, * just signifies "The Mother of the
world."
* From "Am," "mother," and
"arka," "earth." The first letter aleph in both of these
words is often pronounced as o. Thus the pronunciation of a in Am,
"mother," is seen in the Greek a "shoulder." Am,
"mother," comes from am, "to support," and from am,
pronounced om, comes the shoulder that bears burdens. Hence also the name Oma,
as one of the names of Bona Des. Oma is evidently the "Mother."
When we have thus deciphered the meaning of the name Thalatth,
as applied to the "mother of the world," that leads us at once to the
understanding, of the name Thalasius, applied by the Romans to the god of
marriage, the origin of which name has hitherto been sought in vain. Thalatthi
signifies "belonging to the rib," and, with the Roman termination,
becomes Thalatthius or "Thalasius, the man of the rib." And what name
more appropriate than this for Adam, as the god of marriage, who, when the rib
was brought to him, said, "This is now bone of my bones, and flesh of my
flesh: she shall be called Woman, because she was taken out of man." At
first, when Thalatth, the rib, was builded into a woman, that "woman"
was, in a very important sense, the "Habitation" or "Temple of
God"; and had not the Fall intervened, all her children would, in
consequence of mere natural generation, have been the children of God. The
entrance of sin into the world subverted the original constitution of things.
Still, when the promise of a Saviour was given and embraced, the renewed
indwelling of the Holy Spirit was given too, not that she might thereby have
any power in herself to bring forth children unto God, but only that she might
duly act the part of a mother to a spiritually living offspring--to those whom
God of his free grace should quicken, and bring from death unto life. Now,
Paganism willingly overlooked all this; and taught, as soon as its votaries
were prepared for receiving it, that this renewed indwelling of the spirit of
God in the woman, was identification, and so it deified her. Then Rhea, "the
gazer," the mother of mankind, was identified with Cybele "the binder
with cords," or Juno, "the Dove," that is, the Holy Spirit.
Then, in the blasphemous Pagan sense, she became Athor, "the Habitation of
God," or Sacca, or Sacta, "the tabernacle" or "temple,"
in whom dwelt "all the fulness of the Godhead bodily." Thus she
became Heva, "The Living One"; not in the sense in which Adam gave
that name to his wife after the Fall, when the hope of life out of the midst of
death was so unexpectedly presented to her as well as to himself; but in the
sense of the communicator of spiritual and eternal life to men; for Rhea was
called the "fountain of the blessed ones." The agency, then, of this
deified woman was held to be indispensable for the begetting of spiritual
children to God, in this, as it was admitted, fallen world. Looked at from this
point of view, the meaning of the name given to the Babylonian goddess in 2
Kings 17:30, will be at once apparent. The name Succoth-benoth has very
frequently been supposed to be a plural word, and to refer to booths or
tabernacles used in Babylon for infamous purposes. But, as observed by Clericus
(De Chaldoeis), who refers to the Rabbins as being of the same opinion, the
context clearly shows that the name must be the name of an idol: (vv 29,30),
"Howbeit every nation made gods of their own, and put them in the houses
of the high places which the Samaritans had made, every nation in their cities
wherein they dwelt. And the men of Babylon made Succoth-benoth." It is
here evidently an idol that is spoken of; and as the name is feminine, that
idol must have been the image of a goddess. Taken in this sense, then, and in
the light of the Chaldean system as now unfolded, the meaning of
"Succoth-benoth," as applied to the Babylonian goddess, is just
"The tabernacle of child-bearing." *
* That is, the Habitation in which the Spirit of God dwelt,
for the purpose of begetting spiritual children.
When the Babylonian system was developed, Eve was represented
as the first that occupied this place, and the very name Benoth, that signifies
"child-bearing," explains also how it came about that the Woman, who,
as Hestia or Vesta, was herself called the "Habitation," got the
credit of "having invented the art of building houses" (SMITH,
"Hestia"). Benah, the verb, from which Benoth comes, signifies at
once to "bring forth children" and "to build houses"; the
bringing forth of children being metaphorically regarded as the "building
up of the house," that is, of the family.
While the Pagan system, so far as a Goddess-mother was
concerned, was founded on this identification of the Celestial and Terrestrial
mothers of the "blessed" immortals, each of these two divinities was
still celebrated as having, in some sense, a distinct individuality; and, in
consequence, all the different incarnations of the Saviour-seed were
represented as born of two mothers. It is well known that Bimater, or
Two-mothered, is one of the distinguishing epithets applied to Bacchus. Ovid
makes the reason of the application of this epithet to him to have arisen from
the myth, that when in embryo, he was rescued from the flames in which is
mother died, was sewed up in Jupiter's thigh, and then brought forth at the due
time. Without inquiring into the secret meaning of this, it is sufficient to
state that Bacchus had two goddess-mothers; for, not only was he conceived by
Semele, but he was brought into the world by the goddess Ippa (PROCLUS in
Timoeum). This is the very same thing, no doubt, that is referred to, when it
is said that after his mother Semele's death, his aunt Ino acted the part of a
mother and nurse unto him. The same thing appears in the mythology of Egypt,
for there we read that Osiris, under the form of Anubis, having been brought
forth by Nepthys, was adopted and brought up by the goddess Isis as her own
son. In consequence of this, the favourite Triad came everywhere to be the two
mothers and the son. In WILKINSON, the reader will find a divine Triad,
consisting of Isis and Nepthys, and the child of Horus between them. In
Babylon, the statement of Diodorus shows that the Triad there at one period was
two goddesses and the son--Hera, Rhea, and Zeus; and in the Capitol at Rome, in
like manner, the Triad was Juno, Minerva, and Jupiter; while, when Jupiter was
worshipped by the Roman matrons as "Jupiter puer," or "Jupiter
the child," it was in company with Juno and the goddess Fortuna (CICERO,
De Divinatione). This kind of divine Triad seems to be traced up to very
ancient times among the Romans; for it is stated both by Dionysius
Halicarnassius and by Livy, that soon after the expulsion of the Tarquins,
there was at Rome a temple in which were worshipped Ceres, Liber, and Libera
(DION. HALICARN and LIVY).
The Two Babylons
Alexander Hislop
Chapter III
Festivals
Section I. Christmas and Lady-day
If Rome be indeed the Babylon of the Apocalypse, and the
Madonna enshrined in her sanctuaries be the very queen of heaven, for the
worshipping of whom the fierce anger of God was provoked against the Jews in
the days of Jeremiah, it is of the last consequence that the fact should be
established beyond all possibility of doubt; for that being once established,
every one who trembles at the Word of God must shudder at the very thought of
giving such a system, either individually or nationally, the least countenance
or support. Something has been said already that goes far to prove the identity
of the Roman and Babylonian systems; but at every step the evidence becomes
still more overwhelming. That which arises from comparing the different
festivals is peculiarly so.
The festivals of Rome are innumerable; but five of the most
important may be singled out for elucidation--viz., Christmas-day, Lady-day,
Easter, the Nativity of St. John, and the Feast of the Assumption. Each and all
of these can be proved to be Babylonian. And first, as to the festival in
honour of the birth of Christ, or Christmas. How comes it that that festival
was connected with the 25th of December? There is not a word in the Scriptures
about the precise day of His birth, or the time of the year when He was born.
What is recorded there, implies that at what time soever His birth took place,
it could not have been on the 25th of December. At the time that the angel
announced His birth to the shepherds of Bethlehem, they were feeding their
flocks by night in the open fields. Now, no doubt, the climate of Palestine is
not so severe as the climate of this country; but even there, though the heat
of the day be considerable, the cold of the night, from December to February,
is very piercing, and it was not the custom for the shepherds of Judea to watch
their flocks in the open fields later than about the end of October. *
* GILL, in his Commentary on Luke 2:8, has the following:
"There are two sorts of cattle with the Jews...there are the cattle of the
house that lie in the city; the cattle of the wilderness are they that lie in
the pastures. On which one of the commentators (MAIMONIDES, in Misn. Betza),
observes, 'These lie in the pastures, which are in the villages, all the days
of the cold and heat, and do not go into the cities until the rains descend.'
The first rain falls in the month Marchesvan, which answers to the latter part
of our October and the former part of November...From whence it appears that
Christ must be born before the middle of October, since the first rain was not
yet come." KITTO, on Deuteronomy 11:14 (Illustrated Commentary), says that
the "first rain," is in "autumn," "that is, in
September or October." This would make the time of the removal of the
flocks from the fields somewhat earlier than I have stated in the text; but
there is no doubt that it could not be later than there stated, according to
the testimony of Maimonides, whose acquaintance with all that concerns Jewish
customs is well known.
It is in the last degree incredible, then, that the birth of
Christ could have taken place at the end of December. There is great unanimity
among commentators on this point. Besides Barnes, Doddridge, Lightfoot, Joseph
Scaliger, and Jennings, in his "Jewish Antiquities," who are all of
opinion that December 25th could not be the right time of our Lord's nativity,
the celebrated Joseph Mede pronounces a very decisive opinion to the same
effect. After a long and careful disquisition on the subject, among other
arguments he adduces the following;--"At the birth of Christ every woman
and child was to go to be taxed at the city whereto they belonged, whither some
had long journeys; but the middle of winter was not fitting for such a business,
especially for women with child, and children to travel in. Therefore, Christ
could not be born in the depth of winter. Again, at the time of Christ's birth,
the shepherds lay abroad watching with their flocks in the night time; but this
was not likely to be in the middle of winter. And if any shall think the winter
wind was not so extreme in these parts, let him remember the words of Christ in
the gospel, 'Pray that your flight be not in the winter.' If the winter was so
bad a time to flee in, it seems no fit time for shepherds to lie in the fields
in, and women and children to travel in." Indeed, it is admitted by the
most learned and candid writers of all parties * that the day of our Lord's
birth cannot be determined, ** and that within the Christian Church no such
festival as Christmas was ever heard of till the third century, and that not
till the fourth century was far advanced did it gain much observance.
* Archdeacon WOOD, in Christian Annotator, LORIMER's Manual of
Presbytery. Lorimer quotes Sir Peter King, who, in his Enquiry into the Worship
of the Primitive Church, &c., infers that no such festival was observed in
that Church, and adds--"It seems improbably that they should celebrate
Christ's nativity when they disagreed about the month and the day when Christ
was born." See also Rev. J. RYLE, in his Commentary on Luke, who admits
that the time of Christ's birth is uncertain, although he opposes the idea that
the flocks could not have been in the open fields in December, by an appeal to
Jacob's complaint to Laban, "By day the drought consumed me, and the frost
by night." Now the whole force of Jacob's complaint against his churlish
kinsman lay in this, that Laban made him do what no other man would have done,
and, therefore, if he refers to the cold nights of winter (which, however, is
not the common understanding of the expression), it proves just the opposite of
what it is brought by Mr. Ryle to prove--viz., that it was not the custom for
shepherds to tend their flocks in the fields by night in winter.
** GIESELER, CHRYSOSTOM (Monitum in Hom. de Natal. Christi),
writing in Antioch about AD 380, says: "It is not yet ten years since this
day was made known to us". "What follows," adds Gieseler,
"furnishes a remarkable illustration of the ease with which customs of
recent date could assume the character of apostolic institutions." Thus
proceeds Chrysostom: "Among those inhabiting the west, it was known before
from ancient and primitive times, and to the dwellers from Thrace to Gadeira [Cadiz]
it was previously familiar and well-known," that is, the birth-day of our
Lord, which was unknown at Antioch in the east, on the very borders of the Holy
Land, where He was born, was perfectly well-known in all the European region of
the west, from Thrace even to Spain!
How, then, did the Romish Church fix on December the 25th as
Christmas-day? Why, thus: Long before the fourth century, and long before the
Christian era itself, a festival was celebrated among the heathen, at that
precise time of the year, in honour of the birth of the son of the Babylonian
queen of heaven; and it may fairly be presumed that, in order to conciliate the
heathen, and to swell the number of the nominal adherents of Christianity, the
same festival was adopted by the Roman Church, giving it only the name of
Christ. This tendency on the part of Christians to meet Paganism half-way was
very early developed; and we find Tertullian, even in his day, about the year
230, bitterly lamenting the inconsistency of the disciples of Christ in this respect,
and contrasting it with the strict fidelity of the Pagans to their own
superstition. "By us," says he, "who are strangers to Sabbaths,
and new moons, and festivals, once acceptable to God, the Saturnalia, the
feasts of January, the Brumalia, and Matronalia, are now frequented; gifts are
carried to and fro, new year's day presents are made with din, and sports and
banquets are celebrated with uproar; oh, how much more faithful are the heathen
to their religion, who take special care to adopt no solemnity from the
Christians." Upright men strive to stem the tide, but in spite of all
their efforts, the apostacy went on, till the Church, with the exception of a
small remnant, was submerged under Pagan superstition. That Christmas was
originally a Pagan festival, is beyond all doubt. The time of the year, and the
ceremonies with which it is still celebrated, prove its origin. In Egypt, the
son of Isis, the Egyptian title for the queen of heaven, was born at this very
time, "about the time of the winter solstice." The very name by which
Christmas is popularly known among ourselves--Yule-day --proves at once its
Pagan and Babylonian origin. "Yule" is the Chaldee name for an
"infant" or "little child"; * and as the 25th of December
was called by our Pagan Anglo-Saxon ancestors, "Yule-day," or the
"Child's day," and the night that preceded it,
"Mother-night," long before they came in contact with Christianity,
that sufficiently proves its real character.
* From Eol, an "infant." In Scotland, at least in
the Lowlands, the Yule-cakes are also called Nur-cakes. Now in Chaldee Nour
signifies "birth." Therefore, Nur-cakes are "birth-cakes."
The Scandinavian goddesses, called "norns," who appointed children
their destinies at their birth, evidently derived their name from the cognate
Chaldee word "Nor," a child.
Far and wide, in the realms of Paganism, was this birth-day
observed. This festival has been commonly believed to have had only an
astronomical character, referring simply to the completion of the sun's yearly
course, and the commencement of a new cycle. But there is indubitably evidence
that the festival in question had a much higher reference than this--that it
commemorated not merely the figurative birth-day of the sun in the renewal of
its course, but the birth-day of the grand Deliverer. Among the Sabeans of
Arabia, who regarded the moon, and not the sun, as the visible symbol of the
favourite object of their idolatry, the same period was observed as the birth
festival. Thus we read in Stanley's Sabean Philosophy: "On the 24th of the
tenth month," that is December, according to our reckoning, "the
Arabians celebrated the BIRTHDAY OF THE LORD--that is the Moon." The Lord
Moon was the great object of Arabian worship, and that Lord Moon, according to
them, was born on the 24th of December, which clearly shows that the birth
which they celebrated had no necessary connection with the course of the sun.
It is worthy of special note, too, that if Christmas-day among the ancient
Saxons of this island, was observed to celebrate the birth of any Lord of the
host of heaven, the case must have been precisely the same here as it was in
Arabia. The Saxons, as is well known, regarded the Sun as a female divinity,
and the Moon as a male. *
* SHARON TURNER. Turner cites an Arabic poem which proves that
a female sun and a masculine moon were recognised in Arabia as well as by the
Anglo-Saxons.
It must have been the birth-day of the Lord Moon, therefore,
and not of the Sun, that was celebrated by them on the 25th of December, even
as the birth-day of the same Lord Moon was observed by the Arabians on the 24th
of December. The name of the Lord Moon in the East seems to have been Meni, for
this appears the most natural interpretation of the Divine statement in Isaiah
lxv. 11, "But ye are they that forsake my holy mountain, that prepare a
temple for Gad, and that furnish the drink-offering unto Meni." There is
reason to believe that Gad refers to the sun-god, and that Meni in like manner
designates the moon-divinity. *
*See KITTO, vol. iv. p. 66, end of Note. The name Gad evidently
refers, in the first instance, to the war-god, for it signifies to assault; but
it also signifies "the assembler"; and under both ideas it is
applicable to Nimrod, whose general character was that of the sun-god, for he
was the first grand warrior; and, under the name Phoroneus, he was celebrated
for having first gathered mankind into social communities. The name Meni,
"the numberer," on the other hand, seems just a synonym for the name
of Cush or Chus, which, while it signifies "to cover" or
"hide," signifies also "to count or number." The true
proper meaning of the name Cush is, I have no doubt, "The numberer"
or "Arithmetician"; for while Nimrod his son, as the
"mighty" one, was the grand propagator of the Babylonian system of
idolatry, by force and power, he, as Hermes, was the real concocter of that
system, for he is said to have "taught men the proper mode of approaching
the Deity with prayers and sacrifice" (WILKINSON); and seeing idolatry and
astronomy were intimately combined, to enable him to do so with effect, it was
indispensable that he should be pre-eminently skilled in the science of
numbers. Now, Hermes (that is Cush) is said to have "first discovered
numbers, and the art of reckoning, geometry, and astronomy, the games of chess
and hazard" (Ibid.); and it is in all probability from reference to the
meaning of the name of Cush, that some called "NUMBER the father of gods
and men" (Ibid.). The name Meni is just the Chaldee form of the Hebrew
"Mene," the "numberer" for in Chaldee i often takes the
place of the final e. As we have seen reason to conclude with Gesenius, that
Nebo, the great prophetic god of Babylon, was just the same god as Hermes, this
shows the peculiar emphasis of the first words in the Divine sentence that
sealed the doom of Belshazzar, as representing the primeval god--"MENE,
MENE, Tekel, Upharsin," which is as much as covertly to say, "The
numberer is numbered." As the cup was peculiarly the symbol of Cush, hence
the pouring out of the drink-offering to him as the god of the cup; and as he
was the great Diviner, hence the divinations as to the future year, which
Jerome connects with the divinity referred to by Isaiah. Now Hermes, in Egypt
as the "numberer," was identified with the moon that numbers the
months. He was called "Lord of the moon" (BUNSEN); and as the
"dispenser of time" (WILKINSON), he held a "palm branch,
emblematic of a year" (Ibid.). Thus, then, if Gad was the
"sun-divinity," Meni was very naturally regarded as "The Lord Moon."
Meni, or Manai, signifies "The Numberer." And it is
by the changes of the moon that the months are numbered: Psalm civ. 19,
"He appointed the moon for seasons: the sun knoweth the time of its going
down." The name of the "Man of the Moon," or the god who
presided over that luminary among the Saxons, was Mane, as given in the
"Edda," and Mani, in the "Voluspa." That it was the birth
of the "Lord Moon" that was celebrated among our ancestors at
Christmas, we have remarkable evidence in the name that is still given in the
lowlands of Scotland to the feast on the last day of the year, which seems to
be a remnant of the old birth festival for the cakes then made are called
Nur-Cakes, or Birth-cakes. That name is Hogmanay. Now, "Hog-Manai" in
Chaldee signifies "The feast of the Numberer"; in other words, the
festival of Deus Lunus, or of the Man of the Moon. To show the connection
between country and country, and the inveterate endurance of old customs, it is
worthy of remark, that Jerome, commenting on the very words of Isaiah already
quoted, about spreading "a table for Gad," and "pouring out a
drink-offering to Meni," observes that it "was the custom so late as
his time [in the fourth century], in all cities especially in Egypt and at
Alexandria, to set tables, and furnish them with various luxurious articles of
food, and with goblets containing a mixture of new wine, on the last day of the
month and the year, and that the people drew omens from them in respect of the
fruitfulness of the year." The Egyptian year began at a different time from
ours; but this is a near as possible (only substituting whisky for wine), the
way in which Hogmanay is still observed on the last day of the last month of
our year in Scotland. I do not know that any omens are drawn from anything that
takes place at that time, but everybody in the south of Scotland is personally
cognisant of the fact, that, on Hogmanay, or the evening before New Year's day,
among those who observe old customs, a table is spread, and that while buns and
other dainties are provided by those who can afford them, oat cakes and cheese
are brought forth among those who never see oat cakes but on this occasion, and
that strong drink forms an essential article of the provision.
Even where the sun was the favourite object of worship, as in
Babylon itself and elsewhere, at this festival he was worshipped not merely as
the orb of day, but as God incarnate. It was an essential principle of the
Babylonian system, that the Sun or Baal was the one only God. When, therefore,
Tammuz was worshipped as God incarnate, that implied also that he was an
incarnation of the Sun. In the Hindoo Mythology, which is admitted to be
essentially Babylonian, this comes out very distinctly. There, Surya, or the
sun, is represented as being incarnate, and born for the purpose of subduing
the enemies of the gods, who, without such a birth, could not have been
subdued. *
* See the Sanscrit Researches of Col. VANS KENNEDY. Col. K., a
most distinguished Sanscrit scholar, brings the Brahmins from Babylon (Ibid.).
Be it observed the very name Surya, given to the sun over all India, is
connected with this birth. Though the word had originally a different meaning,
it was evidently identified by the priests with the Chaldee "Zero,"
and made to countenance the idea of the birth of the "Sun-god." The
Pracrit name is still nearer the Scriptural name of the promised
"seed." It is "Suro." It has been seen, in a previous
chapter, that in Egypt also the Sun was represented as born of a goddess.
It was no mere astronomic festival, then, that the Pagans
celebrated at the winter solstice. That festival at Rome was called the feast
of Saturn, and the mode in which it was celebrated there, showed whence it had
been derived. The feast, as regulated by Caligula, lasted five days; * loose
reins were given to drunkenness and revelry, slaves had a temporary
emancipation, ** and used all manner of freedoms with their masters.
* Subsequently the number of the days of the Saturnalia was
increased to seven.
** If Saturn, or Kronos, was, as we have seen reason to believe,
Phoroneus, "The emancipator," the "temporary emancipation"
of the slaves at his festival was exactly in keeping with his supposed
character.
This was precisely the way in which, according to Berosus, the
drunken festival of the month Thebeth, answering to our December, in other
words, the festival of Bacchus, was celebrated in Babylon. "It was the
custom," says he, "during the five days it lasted, for masters to be
in subjection to their servants, and one of them ruled the house, clothed in a
purple garment like a king." This "purple-robed" servant was
called "Zoganes," the "Man of sport and wantonness," and
answered exactly to the "Lord of Misrule," that in the dark ages, was
chosen in all Popish countries to head the revels of Christmas. The wassailling
bowl of Christmas had its precise counterpart in the "Drunken
festival" of Babylon; and many of the other observances still kept up
among ourselves at Christmas came from the very same quarter. The candles, in
some parts of England, lighted on Christmas-eve, and used so long as the
festive season lasts, were equally lighted by the Pagans on the eve of the
festival of the Babylonian god, to do honour to him: for it was one of the
distinguishing peculiarities of his worship to have lighted wax-candles on his
altars. The Christmas tree, now so common among us, was equally common in Pagan
Rome and Pagan Egypt. In Egypt that tree was the palm-tree; in Rome it was the
fir; the palm-tree denoting the Pagan Messiah, as Baal-Tamar, the fir referring
to him as Baal-Berith. The mother of Adonis, the Sun-God and great mediatorial
divinity, was mystically said to have been changed into a tree, and when in
that state to have brought forth her divine son. If the mother was a tree, the
son must have been recognised as the "Man the branch." And this
entirely accounts for the putting of the Yule Log into the fire on
Christmas-eve, and the appearance of the Christmas-tree the next morning. As
Zero-Ashta, "The seed of the woman," which name also signified
Ignigena, or "born of the fire," he has to enter the fire on
"Mother-night," that he may be born the next day out of it, as the
"Branch of God," or the Tree that brings all divine gifts to men. But
why, it may be asked, does he enter the fire under the symbol of a Log? To understand
this, it must be remembered that the divine child born at the winter solstice
was born as a new incarnation of the great god (after that god had been cut in
pieces), on purpose to revenge his death upon his murderers. Now the great god,
cut off in the midst of his power and glory, was symbolised as a huge tree,
stripped of all its branches, and cut down almost to the ground. But the great
serpent, the symbol of the life restoring Aesculapius, twists itself around the
dead stock, and lo, at its side up sprouts a young tree--a tree of an entirely
different kind, that is destined never to be cut down by hostile power--even
the palm-tree, the well-known symbol of victory. The Christmas-tree, as has
been stated, was generally at Rome a different tree, even the fir; but the very
same idea as was implied in the palm-tree was implied in the Christmas-fir; for
that covertly symbolised the new-born God as Baal-berith, * "Lord of the
Covenant," and thus shadowed forth the perpetuity and everlasting nature
of his power, not that after having fallen before his enemies, he had risen
triumphant over them all.
* Baal-bereth, which differs only in one letter from
Baal-berith, "Lord of the Covenant," signifies "Lord of the
fir-tree."
Therefore, the 25th of December, the day that was observed at
Rome as the day when the victorious god reappeared on earth, was held at the
Natalis invicti solis, "The birth-day of the unconquered Sun." Now
the Yule Log is the dead stock of Nimrod, deified as the sun-god, but cut down
by his enemies; the Christmas-tree is Nimrod redivivus--the slain god come to
life again. In the light reflected by the above statement on customs that still
linger among us, the origin of which has been lost in the midst of hoar
antiquity, let the reader look at the singular practice still kept up in the
South on Christmas-eve, of kissing under the mistletoe bough. That mistletoe
bough in the Druidic superstition, which, as we have seen, was derived from
Babylon, was a representation of the Messiah, "The man the branch."
The mistletoe was regarded as a divine branch *--a branch that came from
heaven, and grew upon a tree that sprung out of the earth.
* In the Scandinavian story of Balder, the mistletoe branch is
distinguished from the lamented god. The Druidic and Scandinavian myths
somewhat differed; but yet, even in the Scandinavian story, it is evident that
some marvellous power was attributed to the mistletoe branch; for it was able
to do what nothing else in the compass of creation could accomplish; it slew the
divinity on whom the Anglo-Saxons regarded "the empire" of their
"heaven" as "depending." Now, all that is neceesary to
unravel this apparent inconsistency, is just to understand "the
branch" that had such power, as a symbolical expression for the true Messiah.
The Bacchus of the Greeks came evidently to be recognised as the "seed of
the serpent"; for he is said to have been brought forth by his mother in
consequence of intercourse with Jupiter, when that god had appeared in the form
of a serpent. If the character of Balder was the same, the story of his death
just amounted to this, that the "seed of the serpent" had been slain
by the "seed of the woman." This story, of course, must have
originated with his enemies. But the idolators took up what they could not
altogether deny, evidently with the view of explaining it away.
Thus by the engrafting of the celestial branch into the
earthly tree, heaven and earth, that sin had severed, were joined together, and
thus the mistletoe bough became the token of Divine reconciliation to man, the
kiss being the well-known token of pardon and reconciliation. Whence could such
an idea have come? May it not have come from the eighty-fifth Psalm, ver.
10,11, "Mercy and truth are met together; righteousness and peace have KISSED
each other. Truth shall spring out of the earth [in consequence of the coming
of the promised Saviour], and righteousness shall look down from heaven"?
Certain it is that that Psalm was written soon after the Babylonish captivity;
and as multitudes of the Jews, after that event, still remained in Babylon
under the guidance of inspired men, such as Daniel, as a part of the Divine
word it must have been communicated to them, as well as to their kinsmen in
Palestine. Babylon was, at that time, the centre of the civilised world; and
thus Paganism, corrupting the Divine symbol as it ever has done, had
opportunities of sending forth its debased counterfeit of the truth to all the
ends of the earth, through the Mysteries that were affiliated with the great central
system in Babylon. Thus the very customs of Christmas still existent cast
surprising light at once on the revelations of grace made to all the earth, and
the efforts made by Satan and his emissaries to materialise, carnalise, and
degrade them.
In many countries the boar was sacrificed to the god, for the
injury a boar was fabled to have done him. According to one version of the
story of the death of Adonis, or Tammuz, it was, as we have seen, in
consequence of a wound from the tusk of a boar that he died. The Phrygian
Attes, the beloved of Cybele, whose story was identified with that of Adonis,
was fabled to have perished in like manner, by the tusk of a boar. Therefore,
Diana, who though commonly represented in popular myths only as the huntress
Diana, was in reality the great mother of the gods, has frequently the boar's
head as her accompaniment, in token not of any mere success in the chase, but
of her triumph over the grand enemy of the idolatrous system, in which she
occupied so conspicuous a place. According to Theocritus, Venus was reconciled
to the boar that killed Adonis, because when brought in chains before her, it
pleaded so pathetically that it had not killed her husband of malice prepense,
but only through accident. But yet, in memory of the deed that the mystic boar
had done, many a boar lost its head or was offered in sacrifice to the offended
goddess. In Smith, Diana is represented with a boar's head lying beside her, on
the top of a heap of stones in which the Roman Emperor Trajan is represented
burning incense to the same goddess, the boar's head forms a very prominent
figure. On Christmas-day the Continental Saxons offered a boar in sacrifice to
the Sun, to propitiate her * for the loss of her beloved Adonis.
* The reader will remember the Sun was a goddess. Mallet says,
"They offered the largest hog they could get to Frigga"--i.e., the
mother of Balder the lamented one. In Egypt swine were offered once a year, at
the feast of the Moon, to the Moon, and Bacchus or Osiris; and to them only it
was lawful to make such an offering. (AELIAN)
In Rome a similar observance had evidently existed; for a boar
formed the great article at the feast of Saturn, as appears from the following
words of Martial:--
"That boar will make you a good Saturnalia."
Hence the boar's head is still a standing dish in England at
the Christmas dinner, when the reason of it is long since forgotten. Yea, the
"Christmas goose" and "Yule cakes" were essential articles
in the worship of the Babylonian Messiah, as that worship was practised both in
Egypt and at Rome. Wilkinson, in reference to Egypt, shows that "the
favourite offering" of Osiris was "a goose," and moreover, that
the "goose could not be eaten except in the depth of winter." As to Rome,
Juvenal says, "that Osiris, if offended, could be pacified only by a large
goose and a thin cake." In many countries we have evidence of a sacred
character attached to the goose. It is well known that the capitol of Rome was
on one occasion saved when on the point of being surprised by the Gauls in the
dead of night, by the cackling of the geese sacred to Juno, kept in the temple
of Jupiter. In India, the goose occupied a similar position; for in that land
we read of the sacred "Brahmany goose," or goose sacred to Brahma.
Finally, the monuments of Babylon show that the goose possessed a like mystic
character in Chaldea, and that it was offered in sacrifice there, as well as in
Rome or Egypt, for there the priest is seen with the goose in the one hand, and
his sacrificing knife in the other. *
* The symbolic meaning of the offering of the goose is worthy
of notice. "The goose," says Wilkinson, "signified in
hieroglyphics a child or son"; and Horapolo says, "It was chosen to
denote a son, from its love to its young, being always ready to give itself up
to the chasseur, in order that they might be preserved; for which reason the
Egyptians thought it right to revere this animal." (WILKINSON's Egyptians)
Here, then, the true meaning of the symbol is a son, who voluntarily gives
himself up as a sacrifice for those whom he loves--viz., the Pagan Messiah.
There can be no doubt, then, that the Pagan festival at the
winter solstice--in other words, Christmas--was held in honour of the birth of
the Babylonian Messiah.
The consideration of the next great festival in the Popish
calendar gives the very strongest confirmation to what has now been said. That
festival, called Lady-day, is celebrated at Rome on the 25th of March, in
alleged commemoration of the miraculous conception of our Lord in the womb of
the Virgin, on the day when the angel was sent to announce to her the
distinguished honour that was to be bestowed upon her as the mother of the
Messiah. But who could tell when this annunciation was made? The Scripture
gives no clue at all in regard to the time. But it mattered not. But our Lord
was either conceived or born, that very day now set down in the Popish calendar
for the "Annunciation of the Virgin" was observed in Pagan Rome in
honour of Cybele, the Mother of the Babylonian Messiah. *
* AMMIANUS MARCELLINUS, and MACROB., Sat. The fact stated in
the paragraph above casts light on a festival held in Egypt, of which no
satisfactory account has yet been given. That festival was held in
commemoration of "the entrance of Osiris into the moon." Now, Osiris,
like Surya in India, was just the Sun. (PLUTARCH, De Iside et Osiride) The
moon, on the other hand, though most frequently the symbol of the god Hermes or
Thoth, was also the symbol of the goddess Isis, the queen of heaven. The
learned Bunsen seems to dispute this; but his own admissions show that he does
so without reason. And Jeremiah 44:17 seems decisive on the subject. The
entrance of Osiris into the moon, then, was just the sun's being conceived by
Isis, the queen of heaven, that, like the Indian Surya, he might in due time be
born as the grand deliverer. Hence the very name Osiris; for, as Isis is the
Greek form of H'isha, "the woman," so Osiris, as read at this day on
the Egyptian monuments, is He-siri, "the seed." It is no objection to
this to say that Osiris is commonly represented as the husband of Isis; for, as
we have seen already, Osiris is at once the son and husband of his mother. Now,
this festival took place in Egypt generally in March, just as Lady-day, or the
first great festival of Cybele, was held in the same month in Pagan Rome. We
have seen that the common title of Cybele at Rome was Domina, or "the
lady" (OVID, Fasti), as in Babylon it was Beltis (EUSEB. Praep. Evang.),
and from this, no doubt, comes the name "Lady-day" as it has
descended to us.
Now, it is manifest that Lady-day and Christmas-day stand in
intimate relation to one another. Between the 25th of March and the 25th of
December there are exactly nine months. If, then, the false Messiah was
conceived in March and born in December, can any one for a moment believe that
the conception and birth of the true Messiah can have so exactly synchronised,
not only to the month, but to the day? The thing is incredible. Lady-day and
Christmas-day, then, are purely Babylonian.
The Two Babylons
Alexander Hislop
Chapter III
Section II
Easter
Then look at Easter. What means the term Easter itself? It is
not a Christian name. It bears its Chaldean origin on its very forehead. Easter
is nothing else than Astarte, one of the titles of Beltis, the queen of heaven,
whose name, as pronounced by the people Nineveh, was evidently identical with
that now in common use in this country. That name, aas found by Layard on the
Assyrian monuments, is Ishtar. The worship of Bel and Astarte was very early
introduced into Britain, along with the Druids, "the priests of the
groves." Some have imagined that the Druidical worship was first
introduced by the Phoenicians, who, centuries before the Christian era, traded
to the tin-mines of Cornwall. But the unequivocal traces of that worship are
found in regions of the British islands where the Phoenicians never penetrated,
and it has everywhere left indelible marks of the strong hold which it must
have had on the early British mind. From Bel, the 1st of May is still called
Beltane in the Almanac; and we have customs still lingering at this day among
us, which prove how exactly the worship of Bel or Moloch (for both titles
belonged to the same god) had been observed even in the northern parts of this
island. "The late Lady Baird, of Fern Tower, in Perthshire," says a
writer in "Notes and Queries," thoroughly versed in British
antiquities, "told me, that every year, at Beltane (or the 1st of May), a
number of men and women assemble at an ancient Druidical circle of stones on
her property near Crieff. They light a fire in the centre, each person puts a
bit of oat-cake in a shepherd's bonnet; they all sit down, and draw blindfold a
piece from the bonnet. One piece has been previously blackened, and whoever
gets that piece has to jump through the fire in the centre of the circle, and
pay a forfeit. This is, in fact, a part of the ancient worship of Baal, and the
person on whom the lot fell was previously burnt as a sacrifice. Now, the
passing through the fire represents that, and the payment of the forfeit
redeems the victim." If Baal was thus worshipped in Britain, it will not
be difficult to believe that his consort Astarte was also adored by our
ancestors, and that from Astarte, whose name in Nineveh was Ishtar, the
religious solemnities of April, as now practised, are called by the name of
Easter--that month, among our Pagan ancestors, having been called
Easter-monath. The festival, of which we read in Church history, under the name
of Easter, in the third or fourth centuries, was quite a different festival
from that now observed in the Romish Church, and at that time was not known by
any such name as Easter. It was called Pasch, or the Passover, and though not
of Apostolic institution, * was very early observed by many professing
Christians, in commemoration of the death and resurrection of Christ.
* Socrates, the ancient ecclesiastical historian, after a
lengthened account of the different ways in which Easter was observed in
different countries in his time--i.e., the fifth century--sums up in these
words: "Thus much already laid down may seem a sufficient treatise to
prove that the celebration of the feast of Easter began everywhere more of
custom than by any commandment either of Christ or any Apostle." (Hist.
Ecclesiast.) Every one knows that the name "Easter," used in our translation
of Acts 12:4, refers not to any Christian festival, but to the Jewish Passover.
This is one of the few places in our version where the translators show an
undue bias.
That festival agreed originally with the time of the Jewish
Passover, when Christ was crucified, a period which, in the days of Tertullian,
at the end of the second century, was believed to have been the 23rd of March.
That festival was not idolatrous, and it was preceded by no Lent. "It
ought to be known," said Cassianus, the monk of Marseilles, writing in the
fifth century, and contrasting the primitive Church with the Church in his day,
"that the observance of the forty days had no existence, so long as the
perfection of that primitive Church remained inviolate." Whence, then,
came this observance? The forty days' abstinence of Lent was directly borrowed
from the worshippers of the Babylonian goddess. Such a Lent of forty days,
"in the spring of the year," is still observed by the Yezidis or
Pagan Devil-worshippers of Koordistan, who have inherited it from their early
masters, the Babylonians. Such a Lent of forty days was held in spring by the
Pagan Mexicans, for thus we read in Humboldt, where he gives account of Mexican
observances: "Three days after the vernal equinox...began a solemn fast of
forty days in honour of the sun." Such a Lent of forty days was observed
in Egypt, as may be seen on consulting Wilkinson's Egyptians. This Egyptian Lent
of forty days, we are informed by Landseer, in his Sabean Researches, was held
expressly in commemoration of Adonis or Osiris, the great mediatorial god. At
the same time, the rape of Proserpine seems to have been commemorated, and in a
similar manner; for Julius Firmicus informs us that, for "forty
nights" the "wailing for Proserpine" continued; and from
Arnobius we learn that the fast which the Pagans observed, called
"Castus" or the "sacred" fast, was, by the Christians in
his time, believed to have been primarily in imitation of the long fast of
Ceres, when for many days she determinedly refused to eat on account of her
"excess of sorrow," that is, on account of the loss of her daughter
Proserpine, when carried away by Pluto, the god of hell. As the stories of Bacchus,
or Adonis and Proserpine, though originally distinct, were made to join on and
fit in to one another, so that Bacchus was called Liber, and his wife Ariadne,
Libera (which was one of the names of Proserpine), it is highly probable that
the forty days' fast of Lent was made in later times to have reference to both.
Among the Pagans this Lent seems to have been an indispensable preliminary to
the great annual festival in commemoration of the death and resurrection of
Tammuz, which was celebrated by alternate weeping and rejoicing, and which, in
many countries, was considerably later than the Christian festival, being
observed in Palestine and Assyria in June, therefore called the "month of
Tammuz"; in Egypt, about the middle of May, and in Britain, some time in
April. To conciliate the Pagans to nominal Christianity, Rome, pursuing its
usual policy, took measures to get the Christian and Pagan festivals
amalgamated, and, by a complicated but skilful adjustment of the calendar, it
was found no difficult matter, in general, to get Paganism and
Christianity--now far sunk in idolatry--in this as in so many other things, to
shake hands. The instrument in accomplishing this amalgamation was the abbot
Dionysius the Little, to whom also we owe it, as modern chronologers have
demonstrated, that the date of the Christian era, or of the birth of Christ
Himself, was moved FOUR YEARS from the true time. Whether this was done through
ignorance or design may be matter of question; but there seems to be no doubt
of the fact, that the birth of the Lord Jesus was made full four years later
than the truth. This change of the calendar in regard to Easter was attended
with momentous consequences. It brought into the Church the grossest corruption
and the rankest superstition in connection with the abstinence of Lent. Let any
one only read the atrocities that were commemorated during the "sacred
fast" or Pagan Lent, as described by Arnobius and Clemens Alexandrinus,
and surely he must blush for the Christianity of those who, with the full
knowledge of all these abominations, "went down to Egypt for help" to
stir up the languid devotion of the degenerate Church, and who could find no
more excellent way to "revive" it, than by borrowing from so polluted
a source; the absurdities and abominations connected with which the early
Christian writers had held up to scorn. That Christians should ever think of
introducing the Pagan abstinence of Lent was a sign of evil; it showed how low
they had sunk, and it was also a cause of evil; it inevitably led to deeper
degradation. Originally, even in Rome, Lent, with the preceding revelries of
the Carnival, was entirely unknown; and even when fasting before the Christian
Pasch was held to be necessary, it was by slow steps that, in this respect, it came
to conform with the ritual of Paganism. What may have been the period of
fasting in the Roman Church before sitting of the Nicene Council does not very
clearly appear, but for a considerable period after that Council, we have
distinct evidence that it did not exceed three weeks. *
* GIESELER, speaking of the Eastern Church in the second
century, in regard to Paschal observances, says: "In it [the Paschal
festival in commemoration of the death of Christ] they [the Eastern Christians]
eat unleavened bread, probably like the Jews, eight days throughout...There is
no trace of a yearly festival of a resurrection among them, for this was kept
every Sunday" (Catholic Church). In regard to the Western Church, at a
somewhat later period--the age of Constantine--fifteen days seems to have been
observed to religious exercises in connection with the Christian Paschal feast,
as appears from the following extracts from Bingham, kindly furnished to me by
a friend, although the period of fasting is not stated. Bingham (Origin) says:
"The solemnities of Pasch [are] the week before and the week after Easter
Sunday--one week of the Cross, the other of the resurrection. The ancients
speak of the Passion and Resurrection Pasch as a fifteen days' solemnity.
Fifteen days was enforced by law by the Empire, and commanded to the universal
Church...Scaliger mentions a law of Constantine, ordering two weeks for Easter,
and a vacation of all legal processes."
The words of Socrates, writing on this very subject, about AD
450, are these: "Those who inhabit the princely city of Rome fast together
before Easter three weeks, excepting the Saturday and Lord's-day." But at
last, when the worship of Astarte was rising into the ascendant, steps were
taken to get the whole Chaldean Lent of six weeks, or forty days, made
imperative on all within the Roman empire of the West. The way was prepared for
this by a Council held at Aurelia in the time of Hormisdas, Bishop of Rome,
about the year 519, which decreed that Lent should be solemnly kept before
Easter. It was with the view, no doubt, of carrying out this decree that the
calendar was, a few days after, readjusted by Dionysius. This decree could not
be carried out all at once. About the end of the sixth century, the first
decisive attempt was made to enforce the observance of the new calendar. It was
in Britain that the first attempt was made in this way; and here the attempt
met with vigorous resistance. The difference, in point of time, betwixt the
Christian Pasch, as observed in Britain by the native Christians, and the Pagan
Easter enforced by Rome, at the time of its enforcement, was a whole month; *
and it was only by violence and bloodshed, at last, that the Festival of the
Anglo-Saxon or Chaldean goddess came to supersede that which had been held in
honour of Christ.
* CUMMIANUS, quoted by Archbishop USSHER, Sylloge Those who
have been brought up in the observance of Christmas and Easter, and who yet
abhor from their hearts all Papal and Pagan idolatry alike, may perhaps feel as
if there were something "untoward" in the revelations given above in
regard to the origin of these festivals. But a moment's reflection will suffice
entirely to banish such a feeling. They will see, that if the account I have
given be true, it is of no use to ignore it. A few of the facts stated in these
pages are already known to Infidel and Socinian writers of no mean mark, both
in this country and on the Continent, and these are using them in such a way as
to undermine the faith of the young and uninformed in regard to the very vitals
of the Christian faith. Surely, then, it must be of the last consequence, that
the truth should be set forth in its own native light, even though it may
somewhat run counter to preconceived opinions, especially when that truth,
justly considered, tends so much at once to strengthen the rising youth against
the seductions of Popery, and to confirm them in the faith once delivered to
the Saints. If a heathen could say, "Socrates I love, and Plato I love,
but I love truth more," surely a truly Christian mind will not display
less magnanimity. Is there not much, even in the aspect of the times, that
ought to prompt the earnest inquiry, if the occasion has not arisen, when
efforts, and strenuous efforts, should be made to purge out of the National
Establishment in the south those observances, and everything else that has
flowed in upon it from Babylon's golden cup? There are men of noble minds in
the Church of Cranmer, Latimer, and Ridley, who love our Lord Jesus Christ in
sincerity, who have felt the power of His blood, and known the comfort of His
Spirit. Let them, in their closets, and on their knees, ask the question, at
their God and at their own consciences, if they ought not to bestir themselves
in right earnest, and labour with all their might till such a consummation be
effected. Then, indeed, would England's Church be the grand bulwark of the
Reformation--then would her sons speak with her enemies in the gate--then would
she appear in the face of all Christendom, "clear as the sun, fair as the
moon, and terrible as an army with banners." If, however, nothing
effectual shall be done to stay the plague that is spreading in her, the result
must be disastrous, not only to herself, but to the whole empire.
Such is the history of Easter. The popular observances that
still attend the period of its celebration amply confirm the testimony of
history as to its Babylonian character. The hot cross buns of Good Friday, and
the dyed eggs of Pasch or Easter Sunday, figured in the Chaldean rites just as
they do now. The "buns," known too by that identical name, were used
in the worship of the queen of heaven, the goddess Easter, as early as the days
of Cecrops, the founder of Athens--that is, 1500 years before the Christian
era. "One species of sacred bread," says Bryant, "which used to
be offered to the gods, was of great antiquity, and called Boun." Diogenes
Laertius, speaking of this offering being made by Empedocles, describes the
chief ingredients of which it was composed, saying, "He offered one of the
sacred cakes called Boun, which was made of fine flour and honey." The
prophet Jeremiah takes notice of this kind of offering when he says, "The
children gather wood, the fathers kindle the fire, and the women knead their
dough, to make cakes to the queen of heaven." *
* Jeremiah 7:18. It is from the very word here used by the
prophet that the word "bun" seems to be derived. The Hebrew word,
with the points, was pronounced Khavan, which in Greek became sometimes
Kapan-os (PHOTIUS, Lexicon Syttoge); and, at other times, Khabon (NEANDER, in
KITTO'S Biblical Cyclopoedia). The first shows how Khvan, pronounced as one
syllable, would pass into the Latin panis, "bread," and the second
how, in like manner, Khvon would become Bon or Bun. It is not to be overlooked
that our common English word Loa has passed through a similar process of
formation. In Anglo-Saxon it was Hlaf.
The hot cross buns are not now offered, but eaten, on the
festival of Astarte; but this leaves no doubt as to whence they have been
derived. The origin of the Pasch eggs is just as clear. The ancient Druids bore
an egg, as the sacred emblem of their order. In the Dionysiaca, or mysteries of
Bacchus, as celebrated in Athens, one part of the nocturnal ceremony consisted
in the consecration of an egg. The Hindoo fables celebrate their mundane egg as
of a golden colour. The people of Japan make their sacred egg to have been
brazen. In China, at this hour, dyed or painted eggs are used on sacred
festivals, even as in this country. In ancient times eggs were used in the
religious rites of the Egyptians and the Greeks, and were hung up for mystic
purposes in their temples. From Egypt these sacred eggs can be distinctly
traced to the banks of the Euphrates. The classic poets are full of the fable
of the mystic egg of the Babylonians; and thus its tale is told by Hyginus, the
Egyptian, the learned keeper of the Palatine library at Rome, in the time of
Augustus, who was skilled in all the wisdom of his native country: "An egg
of wondrous size is said to have fallen from heaven into the river Euphrates.
The fishes rolled it to the bank, where the doves having settled upon it, and
hatched it, out came Venus, who afterwards was called the Syrian
Goddess"--that is, Astarte. Hence the egg became one of the symbols of
Astarte or Easter; and accordingly, in Cyprus, one of the chosen seats of the
worship of Venus, or Astarte, the egg of wondrous size was represented on a
grand scale.
The occult meaning of this mystic egg of Astarte, in one of
its aspects (for it had a twofold significance), had reference to the ark
during the time of the flood, in which the whole human race were shut up, as
the chick is enclosed in the egg before it is hatched. If any be inclined to
ask, how could it ever enter the minds of men to employ such an extraordinary
symbol for such a purpose, the answer is, first, The sacred egg of Paganism, as
already indicated, is well known as the "mundane egg," that is, the
egg in which the world was shut up. Now the world has two distinct meanings--it
means either the material earth, or the inhabitants of the earth. The latter
meaning of the term is seen in Genesis 11:1, "The whole earth was of one
language and of one speech," where the meaning is that the whole people of
the world were so. If then the world is seen shut up in an egg, and floating on
the waters, it may not be difficult to believe, however the idea of the egg may
have come, that the egg thus floating on the wide universal sea might be Noah's
family that contained the whole world in its bosom. Then the application of the
word egg to the ark comes thus: The Hebrew name for an egg is Baitz, or in the
feminine (for there are both genders), Baitza. This, in Chaldee and Phoenician,
becomes Baith or Baitha, which in these languages is also the usual way in
which the name of a house is pronounced. *
* The common word "Beth," "house," in the
Bible without the points, is "Baith," as may be seen in the name of
Bethel, as given in Genesis 35:1, of the Greek Septuagint, where it is
"Baith-el."
The egg floating on the waters that contained the world, was
the house floating on the waters of the deluge, with the elements of the new
world in its bosom. The coming of the egg from heaven evidently refers to the
preparation of the ark by express appointment of God; and the same thing seems
clearly implied in the Egyptian story of the mundane egg which was said to have
come out of the mouth of the great god. The doves resting on the egg need no
explanation. This, then, was the meaning of the mystic egg in one aspect. As,
however, everything that was good or beneficial to mankind was represented in
the Chaldean mysteries, as in some way connected with the Babylonian goddess,
so the greatest blessing to the human race, which the ark contained in its
bosom, was held to be Astarte, who was the great civiliser and benefactor of
the world. Though the deified queen, whom Astarte represented, had no actual
existence till some centuries after the flood, yet through the doctrine of
metempsychosis, which was firmly established in Babylon, it was easy for her
worshippers to be made to believe that, in a previous incarnation, she had
lived in the Antediluvian world, and passed in safety through the waters of the
flood. Now the Romish Church adopted this mystic egg of Astarte, and consecrated
it as a symbol of Christ's resurrection. A form of prayer was even appointed to
be used in connection with it, Pope Paul V teaching his superstitious votaries
thus to pray at Easter: "Bless, O Lord, we beseech thee, this thy creature
of eggs, that it may become a wholesome sustenance unto thy servants, eating it
in remembrance of our Lord Jesus Christ, &c" (Scottish Guardian,
April, 1844). Besides the mystic egg, there was also another emblem of Easter,
the goddess queen of Babylon, and that was the Rimmon or
"pomegranate." With the Rimmon or "pomegranate" in her
hand, she is frequently represented in ancient medals, and the house of Rimmon,
in which the King of Damascus, the Master of Naaman, the Syrian, worshipped,
was in all likelihood a temple of Astarte, where that goddess with the Rimmon
was publicly adored. The pomegranate is a fruit that is full of seeds; and on
that account it has been supposed that it was employed as an emblem of that
vessel in which the germs of the new creation were preserved, wherewith the
world was to be sown anew with man and with beast, when the desolation of the
deluge had passed away. But upon more searching inquiry, it turns out that the
Rimmon or "pomegranate" had reference to an entirely different thing.
Astarte, or Cybele, was called also Idaia Mater, and the sacred mount in
Phrygia, most famed for the celebration of her mysteries, was named Mount
Ida--that is, in Chaldee, the sacred language of these mysteries, the Mount of
Knowledge. "Idaia Mater," then, signifies "the Mother of
Knowledge"--in other words, our Mother Eve, who first coveted the
"knowledge of good and evil," and actually purchased it at so dire a
price to herself and to all her children. Astarte, as can be abundantly shown,
was worshipped not only as an incarnation of the Spirit of God, but also of the
mother of mankind. (see note below) When, therefore, the mother of the gods, and the mother of
knowledge, was represented with the fruit of the pomegranate in her extended
hand, inviting those who ascended the sacred mount to initiation in her
mysteries, can there be a doubt what that fruit was intended to signify?
Evidently, it must accord with her assumed character; it must be the fruit of
the "Tree of Knowledge"--the fruit of that very
"Tree, whose mortal taste.
Brought death into the world, and all our woe."
The knowledge to which the votaries of the Idaean goddess were
admitted, was precisely of the same kind as that which Eve derived from the
eating of the forbidden fruit, the practical knowledge of all that was morally
evil and base. Yet to Astarte, in this character, men were taught to look at
their grand benefactress, as gaining for them knowledge, and blessings connected
with that knowledge, which otherwise they might in vain have sought from Him,
who is the Father of lights, from whom cometh down every good and perfect gift.
Popery inspires the same feeling in regard to the Romish queen of heaven, and
leads its devotees to view the sin of Eve in much the same light as that in
which Paganism regarded it. In the Canon of the Mass, the most solemn service
in the Romish Missal, the following expression occurs, where the sin of our
first parent is apostrophised: "Oh blessed fault, which didst procure such
a Redeemer!" The idea contained in these words is purely Pagan. They just
amount to this: "Thanks be to Eve, to whose sin we are indebted for the
glorious Saviour." It is true the idea contained in them is found in the
same words in the writings of Augustine; but it is an idea utterly opposed to
the spirit of the Gospel, which only makes sin the more exceeding sinful, from
the consideration that it needed such a ransom to deliver from its awful curse.
Augustine had imbibed many Pagan sentiments, and never got entirely delivered
from them.
As Rome cherishes the same feelings as Paganism did, so it has
adopted also the very same symbols, so far as it has the opportunity. In this
country, and most of the countries of Europe, no pomegranates grow; and yet,
even here, the superstition of the Rimmon must, as far as possible, be kept up.
Instead of the pomegranate, therefore, the orange is employed; and so the
Papists of Scotland join oranges with their eggs at Easter; and so also, when
Bishop Gillis of Edinburgh went through the vain-glorious ceremony of washing
the feet of twelve ragged Irishmen a few years ago at Easter, he concluded by
presenting each of them with two eggs and an orange.
Now, this use of the orange as the representative of the fruit
of Eden's "dread probationary tree," be it observed, is no modern
invention; it goes back to the distant times of classic antiquity. The gardens
of the Hesperides in the West, are admitted by all who have studied the subject,
just to have been the counterpart of the paradise of Eden in the East. The
description of the sacred gardens, as situated in the Isles of the Atlantic,
over against the coast of Africa, shows that their legendary site exactly
agrees with the Cape Verd or Canary Isles, or some of that group; and, of
course, that the "golden fruit" on the sacred tree, so jealously
guarded, was none other than the orange. Now, let the reader mark well:
According to the classic Pagan story, there was no serpent in that garden of
delight in the "islands of the blest," to TEMPT mankind to violate
their duty to their great benefactor, by eating of the sacred tree which he had
reserved as the test of their allegiance. No; on the contrary, it was the
Serpent, the symbol of the Devil, the Principle of evil, the Enemy of man, that
prohibited them from eating the precious fruit--that strictly watched it--that
would not allow it to be touched. Hercules, one form of the Pagan Messiah--not
the primitive, but the Grecian Hercules--pitying man's unhappy state, slew or
subdued the serpent, the envious being that grudged mankind the use of that
which was so necessary to make them at once perfectly happy and wise, and
bestowed upon them what otherwise would have been hopelessly beyond their
reach. Here, then, God and the devil are exactly made to change places.
Jehovah, who prohibited man from eating of the tree of knowledge, is symbolised
by the serpent, and held up as an ungenerous and malignant being, while he who
emancipated man from Jehovah's yoke, and gave him of the fruit of the forbidden
tree--in other words, Satan under the name of Hercules--is celebrated as the
good and gracious Deliverer of the human race. What a mystery of iniquity is
here! Now all this is wrapped up in the sacred orange of Easter.
Note
The Meaning of the Name Astarte
That Semiramis, under the name of Astarte, was worshipped not
only as an incarnation of the Spirit of God, but as the mother of mankind, we
have very clear and satisfactory evidence. There is no doubt that "the
Syrian goddess" was Astarte (LAYARD'S Nineveh and its Remains). Now, the
Assyrian goddess, or Astarte, is identified with Semiramis by Athenagoras
(Legatio), and by Lucian (De Dea Syria). These testimonies in regard to
Astarte, or the Syrian goddess, being, in one aspect, Semiramis, are quite
decisive. 1. The name Astarte, as applied to her, has reference to her as being
Rhea or Cybele, the tower-bearing goddess, the first as Ovid says (Opera), that
"made (towers) in cities"; for we find from Layard that in the Syrian
temple of Hierapolis, "she [Dea Syria or Astarte] was represented standing
on a lion crowned with towers." Now, no name could more exactly picture
forth the character of Semiramis, as queen of Babylon, than the name of
"Ash-tart," for that just means "The woman that made
towers." It is admitted on all hands that the last syllable
"tart" comes from the Hebrew verb "Tr." It has been always
taken for granted, however, that "Tr" signifies only "to go
round." But we have evidence that, in nouns derived from it, it also
signifies "to be round," "to surround," or
"encompass." In the masculine, we find "Tor" used for
"a border or row of jewels round the head" (see PARKHURST and also
GESENIUS). And in the feminine, as given in Hesychius (Lexicon), we find the
meaning much more decisively brought out. Turis is just the Greek form of
Turit, the final t, according to the genius of the Greek language, being
converted into s. Ash-turit, then, which is obviously the same as the Hebrew
"Ashtoreth," is just "The woman that made the encompassing
wall." Considering how commonly the glory of that achievement, as regards
Babylon, was given to Semiramis, not only by Ovid, but by Justin, Dionysius,
Afer, and others, both the name and mural crown on the head of that goddess
were surely very appropriate. In confirmation of this interpretation of the
meaning of the name Astarte, I may adduce an epithet applied to the Greek
Diana, who at Ephesus bore a turreted crown on her head, and was identified
with Semiramis, which is not a little striking. It is contained in the following
extract from Livy: "When the news of the battle [near Pydna] reached
Amphipolis, the matrons ran together to the temple of Diana, whom they style
Tauropolos, to implore her aid." Tauropolos, from Tor, "a
tower," or "surrounding fortification," and Pol, "to
make," plainly means the "tower-maker," or "maker of
surrounding fortifications"; and P53 to her as the goddess of
fortifications, they would naturally apply when they dreaded an attack upon
their city.
Semiramis, being deified as Astarte, came to be raised to the
highest honours; and her change into a dove, as has been already shown, was
evidently intended, when the distinction of sex had been blasphemously
attributed to the Godhead, to identify her, under the name of the Mother of the
gods, with that Divine Spirit, without whose agency no one can be born a child
of God, and whose emblem, in the symbolical language of Scripture, was the
Dove, as that of the Messiah was the Lamb. Since the Spirit of God is the
source of all wisdom, natural as well as spiritual, arts and inventions and
skill of every kind being attributed to Him (Exo 31:3; 35:31), so the Mother of
the gods, in whom that Spirit was feigned to be incarnate, was celebrated as
the originator of some of the useful arts and sciences (DIODORUS SICULUS).
Hence, also, the character attributed to the Grecian Minerva, whose name
Athena, as we have seen reason to conclude, is only a synonym for Beltis, the
well known name of the Assyrian goddess. Athena, the Minerva of Athens, is
universally known as the "goddess of wisdom," the inventress of arts
and sciences. 2. The name Astarte signifies also the "Maker of
investigations"; and in this respect was applicable to Cybele or
Semiramis, as symbolised by the Dove. That this is one of the meanings of the
name Astarte may be seen from comparing it with the cognate names Asterie and
Astraea (in Greek Astraia), which are formed by taking the last member of the
compound word in the masculine, instead of the feminine, Teri, or Tri (the
latter being pronounced Trai or Trae), being the same in sense as Tart. Now,
Asterie was the wife of Perseus, the Assyrian (HERODOTUS), and who was the
founder of Mysteries (BRYANT). As Asterie was further represented as the
daughter of Bel, this implies a position similar to that of Semiramis. Astraea,
again, was the goddess of justice, who is identified with the heavenly virgin
Themis, the name Themis signifying "the perfect one," who gave
oracles (OVID, Metam.), and who, having lived on earth before the Flood, forsook
it just before that catastrophe came on. Themis and Astraea are sometimes
distinguished and sometimes identified; but both have the same character as
goddesses of justice. The explanation of the discrepancy obviously is, that the
Spirit has sometimes been viewed as incarnate and sometimes not. When
incarnate, Astraea is daughter of Themis. What name could more exactly agree
with the character of a goddess of justice, than Ash-trai-a, "The maker of
investigations," and what name could more appropriately shadow forth one
of the characters of that Divine Spirit, who "searcheth all things, yea,
the deep things of God"? As Astraea, or Themis, was "Fatidica
Themis," "Themis the prophetic," this also was another
characteristic of the Spirit; for whence can any true oracle, or prophetic
inspiration, come, but from the inspiring Spirit of God? Then, lastly, what can
more exactly agree with the Divine statement in Genesis in regard to the Spirit
of God, than the statement of Ovid, that Astraea was the last of the celestials
who remained on earth, and that her forsaking it was the signal for the
downpouring of the destroying deluge? The announcement of the coming Flood is
in Scripture ushered in with these words (Gen 6:3): "And the Lord said, My
Spirit shall not always strive with man, for that he also is flesh: yet his
days shall be an hundred and twenty years." All these 120 years, the
Spirit was striving; when they came to an end, the Spirit strove no longer,
forsook the earth, and left the world to its fate. But though the Spirit of God
forsook the earth, it did not forsake the family of righteous Noah. It entered
with the patriarch into the ark; and when that patriarch came forth from his
long imprisonment, it came forth along with him. Thus the Pagans had an
historical foundation for their myth of the dove resting on the symbol of the
ark in the Babylonian waters, and the Syrian goddess, or Astarte--the same as
Astraea--coming forth from it. Semiramis, then, as Astarte, worshipped as the
dove, was regarded as the incarnation of the Spirit of God. 3. As Baal, Lord of
Heaven, had his visible emblem, the sun, so she, as Beltis, Queen of Heaven,
must have hers also--the moon, which in another sense was Asht-tart-e,
"The maker of revolutions"; for there is no doubt that Tart very commonly
signifies "going round." But, 4th, the whole system must be
dovetailed together. As the mother of the gods was equally the mother of
mankind, Semiramis, or Astarte, must also be identified with Eve; and the name
Rhea, which, according to the Paschal Chronicle was given to her, sufficiently
proves her identification with Eve. As applied to the common mother of the
human race, the name Astarte is singularly appropriate; for, as she was Idaia
mater, "The mother of knowledge," the question is, "How did she
come by that knowledge?" To this the answer can only be: "by the
fatal investigations she made." It was a tremendous experiment she made,
when, in opposition to the Divine command, and in spite of the threatened
penalty, she ventured to "search" into that forbidden knowledge which
her Maker in his goodness had kept from her. Thus she took the lead in that
unhappy course of which the Scripture speaks--"God made man upright, but
they have SOUGHT out many inventions" (Eccl7:29). Now Semiramis, deified
as the Dove, was Astarte in the most gracious and benignant form. Lucius
Ampelius calls her "the goddess benignant and merciful to me"
(bringing them) "to a good and happy life." In reference to this
benignity of her character, both the titles, Aphrodite and Mylitta, are
evidently attributed to her. The first I have elsewhere explained as "The
wrath-subduer," and the second is in exact accordance with it. Mylitta,
or, as it is in Greek, Mulitta, signifies "The Mediatrix." The Hebrew
Melitz, which in Chaldee becomes Melitt, is evidently used in Job 33:23, in the
sense of a Mediator; "the messenger, the interpreter" (Melitz), who
is "gracious" to a man, and saith, "Deliver from going down to
the pit: I have found a ransom," being really "The Messenger, the
MEDIATOR." Parkhurst takes the word in this sense, and derives it from
"Mltz," "to be sweet." Now, the feminine of Melitz is
Melitza, from which comes Melissa, a "bee" (the sweetener, or
producer of sweetness), and Melissa, a common name of the priestesses of Cybele,
and as we may infer of Cybele, as Astarte, or Queen of Heaven, herself; for,
after Porphyry, has stated that "the ancients called the priestesses of
Demeter, Melissae," he adds, that they also "called the Moon
Melissa." We have evidence, further, that goes far to identify this title
as a title of Semiramis. Melissa or Melitta (APPOLODORUS)--for the name is
given in both ways--is said to have been the mother of Phoroneus, the first
that reigned, in whose days the dispersion of mankind occurred, divisions
having come in among them, whereas before, all had been in harmony and spoke
one language (Hyginus). There is no other to whom this can be applied but
Nimrod; and as Nimrod came to be worshipped as Nin, the son of his own wife,
the identification is exact. Melitta, then, the mother of Phoroneus, is the
same as Mylitta, the well known name of the Babylonian Venus; and the name, as
being the feminine of Melitz, the Mediator, consequently signifies the
Mediatrix. Another name also given to the mother of Phoroneus, "the first
that reigned," is Archia (LEMPRIERE; SMITH). Now Archia signifies
"Spiritual" (from "Rkh," Heb. "Spirit," which in
Egyptian also is "Rkh" [BUNSEN]; and in Chaldee, with the prosthetic
a prefixed becomes Arkh). * From the same root also evidently comes the epithet
Architis, as applied to the Venus that wept for Adonis. Venus Architis is the
spiritual Venus. **
* The Hebrew Dem, blood, in Chaldee becomes Adem; and, in like
manner, Rkh becomes Arkh.
** From OUVAROFF we learn that the mother of the third Bacchus
was Aura, and Phaethon is said by Orpheus to have been the son of the
"wide extended air" (LACTANTIUS). The connection in the sacred
language between the wind, the air, and the spirit, sufficiently accounts for
these statements, and shows their real meaning.
Thus, then, the mother-wife of the first king that reigned was
known as Archia and Melitta, in other words, as the woman in whom the
"Spirit of God" was incarnate; and thus appeared as the "Dea
Benigna," "The Mediatrix" for sinful mortals. The first form of
Astarte, as Eve, brought sin into the world; the second form before the Flood,
was avenging as the goddess of justice. This form was "Benignant and
Merciful." Thus, also, Semiramis, or Astarte, as Venus the goddess of love
and beauty, became "The HOPE of the whole world," and men gladly had
recourse to the "mediation" of one so tolerant of sin.
The Two Babylons
Alexander Hislop
Chapter III
Section III
The Nativity of St. John
The Feast of the Nativity of St. John is set down in the Papal
calendar for the 24th of June, or Midsummer-day. The very same period was
equally memorable in the Babylonian calendar as that of one of its most
celebrated festivals. It was at Midsummer, or the summer solstice, that the
month called in Chaldea, Syria, and Phoenicia by the name of "Tammuz"
began; and on the first day--that is, on or about the 24th of June--one of the
grand original festivals of Tammuz was celebrated. *
* STANLEY'S Saboean Philosophy. In Egypt the month
corresponding to Tammuz--viz., Epep--began June 25 (WILKINSON)
For different reasons, in different countries, other periods
had been devoted to commemorate the death and reviving of the Babylonian god;
but this, as may be inferred from the name of the month, appears to have been
the real time when his festival was primitively observed in the land where
idolatry had its birth. And so strong was the hold that this festival, with its
peculiar rites, had taken of the minds of men, that even when other days were
devoted to the great events connected with the Babylonian Messiah, as was the
case in some parts of our own land, this sacred season could not be allowed to
pass without the due observance of some, at least, of its peculiar rites. When
the Papacy sent its emissaries over Europe, towards the end of the sixth
century, to gather in the Pagans into its fold, this festival was found in high
favour in many countries. What was to be done with it? Were they to wage war
with it? No. This would have been contrary to the famous advice of Pope Gregory
I, that, by all means they should meet the Pagans half-way, and so bring them
into the Roman Church. The Gregorian policy was carefully observed; and so
Midsummer-day, that had been hallowed by Paganism to the worship of Tammuz, was
incorporated as a sacred Christian festival in the Roman calendar.
But still a question was to be determined, What was to be the
name of this Pagan festival, when it was baptised, and admitted into the ritual
of Roman Christianity? To call it by its old name of Bel or Tammuz, at the
early period when it seems to have been adopted, would have been too bold. To call
it by the name of Christ was difficult, inasmuch as there was nothing special
in His history at that period to commemorate. But the subtlety of the agents of
the Mystery of Iniquity was not to be baffled. If the name of Christ could not
be conveniently tacked to it, what should hinder its being called by the name
of His forerunner, John the Baptist? John the Baptist was born six months
before our Lord. When, therefore, the Pagan festival of the winter solstice had
once been consecrated as the birthday of the Saviour, it followed, as a matter
of course, that if His forerunner was to have a festival at all, his festival
must be at this very season; for between the 24th of June and the 25th of
December--that is, between the summer and the winter solstice--there are just
six months. Now, for the purposes of the Papacy, nothing could be more
opportune than this. One of the many sacred names by which Tammuz or Nimrod was
called, when he reappeared in the Mysteries, after being slain, was Oannes. *
* BEROSUS, BUNSEN'S Egypt. To identify Nimrod with Oannes,
mentioned by Berosus as appearing out of the sea, it will be remembered that
Nimrod has been proved to be Bacchus. Then, for proof that Nimrod or Bacchus,
on being overcome by his enemies, was fabled to have taken refuge in the sea,
see chapter 4, section i. When, therefore, he was represented as reappearing,
it was natural that he should reappear in the very character of Oannes as a
Fish-god. Now, Jerome calls Dagon, the well known Fish-god Piscem moeroris (BRYANT),
"the fish of sorrow," which goes far to identify that Fish-god with
Bacchus, the "Lamented one"; and the identification is complete when
Hesychius tells us that some called Bacchus Ichthys, or "The fish."
The name of John the Baptist, on the other hand, in the sacred
language adopted by the Roman Church, was Joannes. To make the festival of the
24th of June, then, suit Christians and Pagans alike, all that was needful was
just to call it the festival of Joannes; and thus the Christians would suppose
that they were honouring John the Baptist, while the Pagans were still
worshipping their old god Oannes, or Tammuz. Thus, the very period at which the
great summer festival of Tammuz was celebrated in ancient Babylon, is at this
very hour observed in the Papal Church as the Feast of the Nativity of St.
John. And the fete of St. John begins exactly as the festal day began in
Chaldea. It is well known that, in the East, the day began in the evening. So,
though the 24th be set down as the nativity, yet it is on St. John's EVE--that
is, on the evening of the 23rd--that the festivities and solemnities of that
period begin.
Now, if we examine the festivities themselves, we shall see
how purely Pagan they are, and how decisively they prove their real descent.
The grand distinguishing solemnities of St. John's Eve are the Midsummer fires.
These are lighted in France, in Switzerland, in Roman Catholic Ireland, and in
some of the Scottish isles of the West, where Popery still lingers. They are
kindled throughout all the grounds of the adherents of Rome, and flaming brands
are carried about their corn-fields. Thus does Bell, in his Wayside Pictures,
describe the St. John's fires of Brittany, in France: "Every fete is
marked by distinct features peculiar to itself. That of St. John is perhaps, on
the whole, the most striking. Throughout the day the poor children go about
begging contributions for lighting the fires of Monsieur St. Jean, and towards
evening one fire is gradually followed by two, three, four; then a thousand gleam
out from the hill-tops, till the whole country glows under the conflagration.
Sometimes the priests light the first fire in the market place; and sometimes
it is lighted by an angel, who is made to descend by a mechanical device from
the top of the church, with a flambeau in her hand, setting the pile in a
blaze, and flying back again. The young people dance with a bewildering
activity about the fires; for there is a superstition among them that, if they
dance round nine fires before midnight, they will be married in the ensuing
year. Seats are placed close to the flaming piles for the dead, whose spirits
are supposed to come there for the melancholy pleasure of listening once more
to their native songs, and contemplating the lively measures of their youth.
Fragments of the torches on those occasions are preserved as spells against
thunder and nervous diseases; and the crown of flowers which surmounted the
principal fire is in such request as to produce tumultuous jealousy for its
possession." Thus is it in France. Turn now to Ireland. "On that
great festival of the Irish peasantry, St. John's Eve," says Charlotte
Elizabeth, describing a particular festival which she had witnessed, "it
is the custom, at sunset on that evening, to kindle immense fires throughout
the country, built, like our bonfires, to a great height, the pile being
composed of turf, bogwood, and such other combustible substances as they can
gather. The turf yields a steady, substantial body of fire, the bogwood a most
brilliant flame, and the effect of these great beacons blazing on every hill,
sending up volumes of smoke from every point of the horizon, is very
remarkable. Early in the evening the peasants began to assemble, all habited in
their best array, glowing with health, every countenance full of that sparkling
animation and excess of enjoyment that characterise the enthusiastic people of
the land. I had never seen anything resembling it; and was exceedingly
delighted with their handsome, intelligent, merry faces; the bold bearing of
the men, and the playful but really modest deportment of the maidens; the
vivacity of the aged people, and the wild glee of the children. The fire being
kindled, a splendid blaze shot up; and for a while they stood contemplating it
with faces strangely disfigured by the peculiar light first emitted when the
bogwood was thrown on it. After a short pause, the ground was cleared in front
of an old blind piper, the very beau ideal of energy, drollery, and shrewdness,
who, seated on a low chair, with a well-plenished jug within his reach, screwed
his pipes to the liveliest tunes, and the endless jig began. But something was
to follow that puzzled me not a little. When the fire burned for some hours and
got low, an indispensable part of the ceremony commenced. Every one present of
the peasantry passed through it, and several children were thrown across the
sparkling embers; while a wooden frame of some eight feet long, with a horse's
head fixed to one end, and a large white sheet thrown over it, concealing the wood
and the man on whose head it was carried, made its appearance. This was greeted
with loud shouts as the 'white horse'; and having been safely carried, by the
skill of its bearer, several times through the fire with a bold leap, it
pursued the people, who ran screaming in every direction. I asked what the
horse was meant for, and was told it represented 'all cattle.' Here," adds
the authoress, "was the old Pagan worship of Baal, if not of Moloch too,
carried on openly and universally in the heart of a nominally Christian
country, and by millions professing the Christian name! I was confounded, for I
did not then know that Popery is only a crafty adaptation of Pagan idolatries
to its own scheme."
Such is the festival of St. John's Eve, as celebrated at this
day in France and in Popish Ireland. Such is the way in which the votaries of
Rome pretend to commemorate the birth of him who came to prepare the way of the
Lord, by turning away His ancient people from all their refuges of lies, and
shutting them up to the necessity of embracing that kingdom of God that
consists not in any mere external thing, but in "righteousness, and peace,
and joy in the Holy Ghost." We have seen that the very sight of the rites
with which that festival is celebrated, led the authoress just quoted at once
to the conclusion that what she saw before her was truly a relic of the Pagan
worship of Baal. The history of the festival, and the way in which it is
observed, reflect mutual light upon each other. Before Christianity entered the
British Isles, the Pagan festival of the 24th of June was celebrated among the
Druids by blazing fires in honour of their great divinity, who, as we have
already seen, was Baal. "These Midsummer fires and sacrifices," says
Toland, in his Account of the Druids, "were [intended] to obtain a
blessing on the fruits of the earth, now becoming ready for gathering; as those
of the first of May, that they might prosperously grow; and those of the last
of October were a thanksgiving for finishing the harvest." Again, speaking
of the Druidical fires at Midsummer, he thus proceeds: "To return to our
carn-fires, it was customary for the lord of the place, or his son, or some
other person of distinction, to take the entrails of the sacrificed animals in
his hands, and, walking barefoot over the coals thrice after the flames had
ceased, to carry them straight to the Druid, who waited in a whole skin at the
altar. If the nobleman escaped harmless, it was reckoned a good omen, welcomed
with loud acclamations; but if he received any hurt, it was deemed unlucky both
to the community and himself." "Thus, I have seen," adds Toland,
"the people running and leaping through the St. John's fires in Ireland;
and not only proud of passing unsinged, but, as if it were some kind of lustration,
thinking themselves in an especial manner blest by the ceremony, of whose
original, nevertheless, they were wholly ignorant, in their imperfect imitation
of it." We have seen reason already to conclude that Phoroneus, "the
first of mortals that reigned"--i.e., Nimrod and the Roman goddess
Feronia--bore a relation to one another. In connection with the firs of
"St. John," that relation is still further established by what has
been handed down from antiquity in regard to these two divinities; and, at the
same time, the origin of these fires is elucidated. Phoroneus is described in
such a way as shows that he was known as having been connected with the origin
of fire-worship. Thus does Pausanias refer to him: "Near this image [the
image of Biton] they [the Argives] enkindle a fire, for they do not admit that
fire was given by Prometheus, to men, but ascribe the invention of it to
Phoroneus." There must have been something tragic about the death of this
fire-inventing Phoroneus, who "first gathered mankind into
communities"; for, after describing the position of his sepulchre,
Pausanias adds: "Indeed, even at present they perform funeral obsequies to
Phoroneus"; language which shows that his death must have been celebrated
in some such way as that of Bacchus. Then the character of the worship of
Feronia, as coincident with fire-worship, is evident from the rites practised
by the priests at the city lying at the foot of Mount Socracte, called by her
name. "The priests," says Bryant, referring both to Pliny and Strabo
as his authorities, "with their feet naked, walked over a large quantity
of live coals and cinders." To this same practice we find Aruns in Virgil
referring, when addressing Apollo, the sun-god, who had his shrine at Soracte,
where Feronia was worshipped, and who therefore must have been the same as
Jupiter Anxur, her contemplar divinity, who was regarded as a "youthful
Jupiter," even as Apollo was often called the "young Apollo":
"O patron of Soracte's high abodes,
Phoebus, the ruling power among the gods,
Whom first we serve; whole woods of unctuous pine
Are felled for thee, and to thy glory shine.
By thee protected, with our naked soles,
Through flames unsinged we march and tread the kindled coals." *
* DRYDEN'S Virgil Aeneid. "The young Apollo," when
"born to introduce law and order among the Greeks," was said to have
made his appearance at Delphi "exactly in the middle of summer."
(MULLER'S Dorians)
Thus the St. John's fires, over whose cinders old and young
are made to pass, are traced up to "the first of mortals that
reigned."
It is remarkable, that a festival attended with all the
essential rites of the fire-worship of Baal, is found among Pagan nations, in
regions most remote from one another, about the very period of the month of
Tammuz, when the Babylonian god was anciently celebrated. Among the Turks, the
fast of Ramazan, which, says Hurd, begins on the 12th of June, is attended by
an illumination of burning lamps. *
* HURD'S Rites and Ceremonies. The time here given by Hurd
would not in itself be decisive as a proof of agreement with the period of the
original festival of Tammuz; for a friend who has lived for three years in
Constantinople informs me that, in consequence of the disagreement between the
Turkish and the solar year, the fast of Ramazan ranges in succession through
all the different months in the year. The fact of a yearly illumination in
connection with religious observances, however, is undoubted.
In China where the Dragon-boat festival is celebrated in such
a way as vividly to recall to those who have witnessed it, the weeping for
Adonis, the solemnity begins at Midsummer. In Peru, during the reign of the
Incas, the feast of Raymi, the most magnificent feast of the Peruvians, when
the sacred fire every year used to be kindled anew from the sun, by means of a
concave mirror of polished metal, took place at the very same period. Regularly
as Midsummer came round, there was first, in token of mourning, "for three
days, a general fast, and no fire was allowed to be lighted in their
dwellings," and then, on the fourth day, the mourning was turned into joy,
when the Inca, and his court, followed by the whole population of Cuzco,
assembled at early dawn in the great square to greet the rising of the sun.
"Eagerly," says Prescott, "they watched the coming of the deity,
and no sooner did his first yellow rays strike the turrets and loftiest
buildings of the capital, than a shout of gratulation broke forth from the
assembled multitude, accompanied by songs of triumph, and the wild melody of
barbaric instruments, that swelled louder and louder as his bright orb, rising
above the mountain range towards the east, shone in full splendour on his
votaries." Could this alternate mourning and rejoicing, at the very time
when the Babylonians mourned and rejoiced over Tammuz, be accidental? As Tammuz
was the Sun-divinity incarnate, it is easy to see how such mourning and
rejoicing should be connected with the worship of the sun. In Egypt, the
festival of the burning lamps, in which many have already been constrained to
see the counterpart of the festival of St. John, was avowedly connected with
the mourning and rejoicing for Osiris. "At Sais," says Herodotus,
"they show the sepulchre of him whom I do not think it right to mention on
this occasion." This is the invariable way in which the historian refers
to Osiris, into whose mysteries he had been initiated, when giving accounts of
any of the rites of his worship. "It is in the sacred enclosure behind the
temple of Minerva, and close to the wall of this temple, whose whole length it
occupies. They also meet at Sais, to offer sacrifice during a certain night,
when every one lights, in the open air, a number of lamps around his house. The
lamps consist of small cups filled with salt and oil, having a wick floating in
it which burns all night. This festival is called the festival of burning
lamps. The Egyptians who are unable to attend also observe the sacrifice, and
burn lamps at home, so that not only at Sais, but throughout Egypt, the same
illumination takes place. They assign a sacred reason for the festival
celebrated on this night, and for the respect they have for it."
Wilkinson, in quoting this passage of Herodotus, expressly identifies this
festival with the lamentation for Osiris, and assures us that "it was
considered of the greatest consequence to do honour to the deity by the proper
performance of this rite."
Among the Yezidis, or Devil-worshippers of Modern Chaldea, the
same festival is celebrated at this day, with rites probably almost the same,
so far as circumstances will allow, as thousands of years ago, when in the same
regions the worship of Tammuz was in all its glory. Thus graphically does Mr.
Layard describe a festival of this kind at which he himself had been present:
"As the twilight faded, the Fakirs, or lower orders of priests, dressed in
brown garments of coarse cloth, closely fitting to their bodies, and wearing
black turbans on their heads, issued from the tomb, each bearing a light in one
hand, and a pot of oil, with a bundle of cotton wick in the other. They filled
and trimmed lamps placed in niches in the walls of the courtyard and scattered
over the buildings on the sides of the valley, and even on isolated rocks, and
in the hollow trunks of trees. Innumerable stars appeared to glitter on the
black sides of the mountain and in the dark recesses of the forest. As the
priests made their way through the crowd to perform their task, men and women
passed their right hands through the flame; and after rubbing the right eyebrow
with the part which had been purified by the sacred element, they devoutly
carried it to their lips. Some who bore children in their arms anointed them in
like manner, whilst others held out their hands to be touched by those who,
less fortunate than themselves, could not reach the flame...As night advanced,
those who had assembled--they must now have amounted to nearly five thousand
persons--lighted torches, which they carried with them as they wandered through
the forest. The effect was magical: the varied groups could be faintly
distinguished through the darkness--men hurrying to and fro--women with their
children seated on the house-tops--and crowds gathering round the pedlars, who
exposed their wares for sale in the courtyard. Thousands of lights were reflected
in the fountains and streams, glimmered amongst the foliage of the trees, and
danced in the distance. As I was gazing on this extraordinary scene, the hum of
human voices was suddenly hushed, and a strain, solemn and melancholy, arose
from the valley. It resembled some majestic chant which years before I had
listened to in the cathedral of a distant land. Music so pathetic and so sweet
I never before heard in the East. The voices of men and women were blended in
harmony with the soft notes of many flutes. At measured intervals the song was
broken by the loud clash of cymbals and tambourines; and those who were within
the precincts of the tomb then joined in the melody...The tambourines, which
were struck simultaneously, only interrupted at intervals the song of the
priests. As the time quickened they broke in more frequently. The chant
gradually gave way to a lively melody, which, increasing in measure, was
finally lost in a confusion of sounds. The tambourines were beaten with
extraordinary energy--the flutes poured forth a rapid flood of notes--the
voices were raised to the highest pitch--the men outside joined in the
cry--whilst the women made the rocks resound with the shrilltahlehl.
"The musicians, giving way to the excitement, threw their
instruments into the air, and strained their limbs into every contortion, until
they fell exhausted to the ground. I never heard a more frightful yell than
that which rose in the valley. It was midnight. I gazed with wonder upon the
extraordinary scene around me. Thus were probably celebrated ages ago the
mysterious rites of the Corybantes, when they met in some consecrated
grove." Layard does not state at what period of the year this festival
occurred; but his language leaves little doubt that he regarded it as a festival
of Bacchus; in other words, of the Babylonian Messiah, whose tragic death, and
subsequent restoration to life and glory, formed the cornerstone of ancient
Paganism. The festival was avowedly held in honour at once of Sheikh Shems, or
the Sun, and of the Sheik Adi, or "Prince of Eternity," around whose
tomb nevertheless the solemnity took place, just as the lamp festival in Egypt,
in honour of the sun-god Osiris, was celebrated in the precincts of the tomb of
that god at Sais.
Now, the reader cannot fail to have observed that in this
Yezidi festival, men, women, and children were "PURIFIED" by coming
in contact with "the sacred element" of fire. In the rites of
Zoroaster, the great Chaldean god, fire occupied precisely the same place. It
was laid down as an essential principle in his system, that "he who
approached to fire would receive a light from divinity," (TAYLOR'S
Jamblichus) and that "through divine fire all the stains produced by
generation would be purged away" (PROCLUS, Timaeo). Therefore it was that
"children were made to pass through the fire to Moloch" (Jer 32:35),
to purge them from original sin, and through this purgation many a helpless
babe became a victim to the bloody divinity. Among the Pagan Romans, this
purifying by passing through the fire was equally observed; "for,"
says Ovid, enforcing the practice, "Fire purifies both the shepherd and
the sheep." Among the Hindoos, from time immemorial, fire has been
worshipped for its purifying efficacy. Thus a worshipper is represented by
Colebrooke, according to the sacred books, as addressing the fire:
"Salutation to thee [O fire!], who dost seize oblations, to thee who dost
shine, to thee who dost scintillate, may thy auspicious flame burn our foes;
mayest thou, the PURIFIER, be auspicious unto us." There are some who
maintain a "perpetual fire," and perform daily devotions to it, and
in "concluding the sacraments of the gods," thus every day present
their supplications to it: "Fire, thou dost expiate a sin against the
gods; may this oblation be efficacious. Thou dost expiate a sin against man;
thou dost expiate a sin against the manes [departed spirits]; thou dost expiate
a sin against my own soul; thou dost expiate repeated sins; thou dost expiate
every sin which I have committed, whether wilfully or unintentionally; may this
oblation be efficacious." Among the Druids, also, fire was celebrated as
the purifier. Thus, in a Druidic song, we read, "They celebrated the
praise of the holy ones in the presence of the purifying fire, which was made
to ascend on high" (DAVIES'S Druids, "Song to the Sun"). If,
indeed, a blessing was expected in Druidical times from lighting the
carn-fires, and making either young or old, either human beings or cattle, pass
through the fire, it was simply in consequence of the purgation from sin that
attached to human beings and all things connected with them, that was believed
to be derived from this passing through the fire. It is evident that this very
same belief about the "purifying" efficacy of fire is held by the Roman
Catholics of Ireland, when they are so zealous to pass both themselves and
their children through the fires of St. John. * Toland testifies that it is as
a "lustration" that these fires are kindled; and all who have
carefully examined the subject must come to the same conclusion.
* "I have seen parents," said the late Lord J. Scott
in a letter to me, "force their children to go through the
Baal-fires."
Now, if Tammuz was, as we have seen,the same as Zoroaster, the
god of the ancient "fire-worshippers," and if his festival in Babylon
so exactly synchronised with the feast of the Nativity of St. John, what wonder
that that feast is still celebrated by the blazing "Baal-fires," and
that it presents so faithful a copy of what was condemned by Jehovah of old in
His ancient people when they "made their children pass through the fire to
Moloch"? But who that knows anything of the Gospel would call such a
festival as this a Christian festival? The Popish priests, if they do not
openly teach, at least allow their deluded votaries to believe, as firmly s
ever ancient fire worshipper did, that material fire can purge away the guilt
and stain of sin. How that tends to rivet upon the minds of their benighted
vassals one of the most monstrous but profitable fables of their system, will
come to be afterwards considered.
The name Oannes could be known only to the initiated as the
name of the Pagan Messiah; and at first, some measure of circumspection was
necessary in introducing Paganism into the Church. But, as time went on, as the
Gospel became obscured, and the darkness became more intense, the same caution
was by no means so necessary. Accordingly, we find that, in the dark ages, the
Pagan Messiah has not been brought into the Church in a mere clandestine
manner. Openly and avowedly under his well known classic names of Bacchus and Dionysus,
has he been canonised, and set up for the worship of the "faithful."
Yes, Rome, that professes to be pre-eminently the Bride of Christ, the only
Church in which salvation is to be found, has had the unblushing effrontery to
give the grand Pagan adversary of the Son of God, UNDER HIS OWN PROPER NAME, a
place in her calendar. The reader has only to turn to the Roman calendar, and
he will find that this is a literal fact; he will find that October the 7th is
set apart to be observed in honour of "St. Bacchus the Martyr." Now,
no doubt, Bacchus was a "martyr"; he died a violent death; he lost
his life for religion; but the religion for which he died was the religion of
the fire-worshippers; for he was put to death, as we have seen from Maimonides,
for maintaining the worship of the host of heaven. This patron of the heavenly
host, and of fire worship (for the two went always hand in hand together), has
Rome canonised; for that this "St. Bacchus the Martyr" was the
identical Bacchus of the Pagans, the god of drunkenness and debauchery, is
evident from the time of his festival; for October the 7th follows soon after
the end of the vintage. At the end of the vintage in autumn, the old Pagan
Romans used to celebrate what was called the "Rustic Festival" of Bacchus;
and about that very time does the Papal festival of "St Bacchus the
Martyr" occur.
As the Chalden god has been admitted into the Roman calendar
under the name of Bacchus, so also is he canonised under his other name of
Dionysus. The Pagans were in the habit of worshipping the same god under
different names; and, accordingly, not content with the festival to Bacchus,
under the name by which he was most commonly known at Rome, the Romans, no
doubt to please the Greeks, celebrated a rustic festival to him, two days
afterwards, under the name of Dionysus Eleuthereus, the name by which he was
worshipped in Greece. That "rustic" festival was briefly called by
the name of Dionysia; or, expressing its object more fully, the name became
"Festum Dionysi Eleutherei rusticum"--i.e., the "rustic festival
of Dionysus Eleuthereus." (BEGG'S Handbook of Popery) Now, the Papacy in
its excess of zeal for saints and saint-worship, has actually split Dionysus
Eleuthereus into two, has made two several saints out of the double name of one
Pagan divinity; and more than that, has made the innocent epithet
"Rusticum," which, even among the heathen, had no pretension to
divinity at all, a third; and so it comes to pass that, under date of October
the 9th, we read this entry in the calendar: "The festival of St.
Dionysius, * and of his companions, St. Eleuther and St. Rustic."
* Though Dionysus was the proper classic name of the god, yet
in Post-classical, or Low Latin, his name is found Dionysius, just as in the
case of the Romish saint.
Now this Dionysius, whom Popery has so marvellously furnished
with two companions, is the famed St. Denys, the patron saint of Paris; and a
comparison of the history of the Popish saint and the Pagan god will cast no
little light on the subject. St. Denys, on being beheaded and cast into the
Seine, so runs the legend, after floating a space on its waters, to the
amazement of the spectators, took up his head in his hand, and so marched away
with it to the place of burial. In commemoration of so stupendous a miracle, a
hymn was duly chanted for many a century in the Cathedral of St. Denys, at
Paris, containing the following verse:
"The corpse immediately arose;
The trunk bore away the dissevered head,
Guided on its way by a legion of angels."
(SALVERTE, Des Sciences Occultes
At last, even Papists began to be ashamed of such an absurdity
being celebrated in the name of religion; and in 1789, "the office of St.
Denys" was abolished. Behold, however, the march of events. The world has
for some time past been progressing back again to the dark ages. The Romish
Breviary, which had been given up in France, has, within the last six years,
been reimposed by Papal authority on the Gallican Church, with all its lying
legends, and this among the rest of them; the Cathedral of St. Denys is again
being rebuilt, and the old worship bids fair to be restored in all its
grossness. Now, how could it ever enter the minds of men to invent so monstrous
a fable? The origin of it is not far to seek. The Church of Rome represented
her canonised saints, who were said to have suffered martyrdom by the sword, as
headless images or statues with the severed head borne in the hand. "I
have seen," says Eusebe Salverte, "in a church of Normandy, St.
Clair; St. Mithra, at Arles, in Switzerland, all the soldiers of the Theban
legion represented with their heads in their hands. St. Valerius is thus
figured at Limoges, on the gates of the cathedral, and other monuments. The
grand seal of the canton of Zurich represents, in the same attitude, St. Felix,
St. Regula, and St. Exsuperantius. There certainly is the origin of the pious
fable which is told of these martyrs, such as St. Denys and many others
besides." This was the immediate origin of the story of the dead saint
rising up and marching away with his head in his hand. But it turns out that
this very mode of representation was borrowed from Paganism, and borrowed in
such a way as identifies the Papal St. Denys of Paris with the Pagan Dionysus,
not only of Rome but of Babylon. Dionysus or Bacchus, in one of his
transformations, was represented as Capricorn, the "goat-horned
fish"; and there is reason to believe that it was in this very form that
he had the name of Oannes. In this form in India, under the name
"Souro," that is evidently "the seed," he is said to have
done many marvellous things. (For Oannes and Souro, see note below) Now, in the Persian Sphere he was not only represented
mystically as Capricorn, but also in the human shape; and then exactly as St.
Denys is represented by the Papacy. The words of the ancient writer who
describes this figure in the Persian Sphere are these: "Capricorn, the
third Decan. The half of the figure without a head, because its head is in its
hand." Nimrod had his head cut off; and in commemoration of that fact,
which his worshippers so piteously bewailed, his image in the Sphere was so
represetned. That dissevered head, in some of the versions of his story, was
fabled to have done as marvellous things as any that were done by the lifeless
trunk of St. Denys. Bryant has proved, in this story of Orpheus, that it is
just a slighty-coloured variety of the story of Osiris. *
* BRYANT. The very name Orpheus is just a synonym for Bel, the
name of the great Babylonian god, which, while originally given to Cush, became
hereditary in the line of his deified descendants. Bel signifies "to
mix," as well as "to confound," and "Orv" in Hebrew,
which in Chaldee becomes Orph, signifies also "to mix." But
"Orv," or "Orph," signifies besides "a
willow-tree"; and therefore, in exact accordance with the mystic system,
we find the symbol of Orpheus among the Greeks to have been a willow-tree.
Thus, Pausanias, after referring to a representation of Actaeon, says, "If
again you look to the lower parts of the picture, you will see after Patroclus,
Orpheus sitting on a hill, with a harp in his left hand, and in his right hand
the leaves of a willow-tree"; and again, a little furthe on, he says: "He
is represented leaning on the trunk of this tree." The willow-leaves in
the right hand of Orpheus, and the willow-tree on which he leans, sufficiently
show the meaning of his name.
As Osiris was cut in pieces in Egypt, so Orpheus was torn in
pieces in Thrace. Now, when the mangled limbs of the latter had been strewn
about the field, his head, floating on the Hebrus, gave proof of the miraculous
character of him that owned it. "Then," says Virgil:
"Then, when his head from his fair shoulders torn,
Washed by the waters, was on Hebrus borne,
Even then his trembling voice invoked his bride,
With his last voice, 'Eurydice,' he creid;
'Eurydice,' the rockes and river banks replied."
There is diversity here, but amidst that diversity there is an
obvious unity. In both cases, thehead dissevered from the lifeless body
occupies the foreground of the picture; in both cases, the miracle is in
connection with a river. Now, when the festivals of "St. Bacchus the
Martyr," and of "St. Dionysius and Eleuther," so remarkably
agree with the time when the festivals of the Pagan god of wine were celbrated,
whether by the name of Bacchus, or Dionysus, or Eleuthereus, and when the mode
of representing the modern Dionysius and the ancient Dionysus are evidently the
very same, while the legends of both so strikiingly harmonise, who can doubt
the real character of those Romish festivals? They are not Christina. They are
Pagan; they are unequivocally Babylonian.
Note
Oannes and Souro
The reason for believing that Oannes, that was said to have
been the first of the fabulous creatures that came up out of the sea and
instructed the Babylonians, was represented as the goat-horned fish, is as
follows: First, the name Oannes, as elsewhere shown, is just the Greek form of
He-annesh, or "The man," which is a synonym for the name of our first
parent, Adam. Now, Adam can be proved to be the original of Pan, who was also
called Inuus, which is just another pronunciation of Anosh without the article,
which, in our translation of Genesis 5:7, is made Enos. This name, as
universally admitted, is the generic name for man after the Fall, as weak and
diseased. The o in Enos is what is called the vau, which sometimes is
pronounced o, sometimes u, and sometimes v or w. A legitimate pronunciation of
Enos, therefore, is just Enus or Enws, the same in sound as Inuus, the Ancient
Roman name of Pan. The name Pan itself signifies "He who turned
aside." As the Hebrew word for "uprightness" signifies
"walking straight in the way," so every deviation from the straight
line of duty was Sin; Hata, the word for sin, signifying generically "to
go aside from the straight line." Pan, it is admitted, was the Head of the
Satyrs--that is, "the first of the Hidden Ones," for Satyr and Satur,
"the Hidden One," are evidently just the same word; and Adam was the
first of mankind that hid himself. Pan is said to have loved a nymph called
Pitho, or, as it is given in another form, Pitys (SMITH, "Pan"); and
what is Pitho or Pitys but just the name of the beguiling woman, who, having
been beguiled herself, acted the part of a beguiler of her husband, and induced
him to take the step, in consequence of which he earned the name Pan, "The
man that turned aside." Pitho or Pitys evidently come from Peth or Pet, "to
beguile," from which verb also the famous serpent Python derived its name.
This conclusion in regard to the personal identity of Pan and Pitho is greatly
confirmed by the titles given to the wife of Faunus. Faunus, says Smith, is
"merely another name for Pan." *
* In Chaldee the same letter that is pronounced P is also
pronounced Ph, that is F, therefore Pan is just Faun.
Now, the wife of Faunus was called Oma, Fauna, and Fatua,
which names plainly mean "The mother that turned aside, being
beguiled." This beguiled mother is also called indifferently "the
sister, wife, or daughter" of her husband; and how this agrees with the
relations of Eve to Adam, the reader does not need to be told.
Now, a title of Pan was Capricornus, or "The
goat-horned" (DYMOCK, "Pan"), and the origin of this title must
be traced to what took place when our first parent became the Head of the
Satyrs--the "first of the Hidden ones." He fled to hide himself; and
Berkha, "a fugitive," signifies also "a he-goat." Hence the
origin of the epithet Capricornus, or "goat-horned," as applied to
Pan. But as Capricornus in the sphere is generally represented as the
"Goat-fish," if Capricornus represents Pan, or Adam, or Oannes, that
shows that it must be Adam, after, through virtue of the metempsychosis, he had
passed through the waters of the deluge: the goat, as the symbol of Pan,
representing Adam, the first father of mankind, combined with the fish, the
symbol of Noah, the second father of the human race; of both whom Nimrod, as at
once Kronos, "the father of the gods," and Souro, "the
seed," was a new incarnation. Among the idols of Babylon, as represented
in KITTO'S Illust. Commentary, we find a representation of this very
Capricornus, or goat-horned fish; and Berosus tells us that the well known
representations of Pan, of which Capricornus is a modification, were found in
Babylon in the most ancient times. A great deal more of evidence might be
adduced on this subject; but I submit to the reader if the above statement does
not sufficiently account for the origin of the remarkable figure in the Zodiac,
"The goat-horned fish."
The Two Babylons
Alexander Hislop
Chapter III
Section IV
The Feast of the Assumption
If what has been already said shows the carnal policy of Rome
at the expense of truth, the circumstances attending the festival of the
Assumption show the daring wickedness and blasphemy of that Church still more;
considering that the doctrine in regard to this festival, so far as the Papacy
is concerned, was not established in the dark ages, but three centuries after
the Reformation, amid all the boasted light of the nineteenth century. The
doctrine on which the festival of the Assumption is founded, is this: that the
Virgin Mary saw no corruption, that in body and in soul she was carried up to heaven,
and now is invested with all power in heaven and in earth. This doctrine has
been unblushingly avowed in the face of the British public, in a recent
pastoral of the Popish Archbishop of Dublin. This doctrine has now received the
stamp of Papal Infallibility, having been embodied in the late blasphemous
decree that proclaims the "Immaculate Conception." Now, it is
impossible for the priests of Rome to find one shred of countenance for such a
doctrine in Scripture. But, in the Babylonian system, the fable was ready made
to their hand. There it was taught that Bacchus went down to hell, rescued his
mother from the infernal powers, and carried her with him in triumph to heaven.
*
* APOLLODORUS. We have seen that the great goddess, who was
worshipped in Babylon as "The Mother," was in reality the wife of
Ninus, the great god, the prototype of Bacchus. In conformity with this, we
find a somewhat similar story told of Ariadne, the wife of Bacchus, as is
fabled of Semele his mother. "The garment of Thetis," says Bryant,
"contained a description of some notable achievements in the first ages;
and a particular account of the apotheosis, of Ariadne, who is described,
whatever may be the meaning of it, as carried by Bacchus to heaven." A
similar story is told of Alcmene, the mother of the Grecian Hercules, who was
quite distinct, as we have seen, from the primitive Hercules, and was just one
of the forms of Bacchus, for he was a "great tippler"; and the
"Herculean goblets" are proverbial. (MULLER'S Dorians) Now the mother
of this Hercules is said to have had a resurrection. "Jupiter" [the
father of Hercules], says Muller, "raised Alcmene from the dead, and
conducted her to the islands of the blest, as the wife of Rhadamanthus."
This fable spread wherever the Babylonian system spread; and,
accordingly, at this day, the Chinese celebrate, as they have done from time
immemorial, a festival in honour of a Mother, who by her son was rescued from
the power of death and the grave. The festival of the Assumption in the Romish
Church is held on the 15th of August. The Chinese festival, founded on a
similar legend, and celebrated with lanterns and chandeliers, as shown by Sir
J. F. Davis in his able and graphic account of China, is equally celebrated in
the month of August. Now, when the mother of the Pagan Messiah came to be
celebrated as having been thus "Assumed," then it was that, under the
name of the "Dove," she was worshipped as the Incarnation of the
Spirit of God, with whom she was identified. As such as she was regarded as the
source of all holiness, and the grand "PURIFIER," and, of course, was
known herself as the "Virgin" mother, "PURE AND UNDEFILED."
(PROCLUS, in TAYLOR'S Note upon Jamblichus) Under the name of Proserpine (with
whom, though the Babylonian goddess was originally distinct, she was
identified), while celebrated, as the mother of the first Bacchus, and known as
"Pluto's honoured wife," she is also addressed, in the "Orphic
Hymns," as
"Associate of the seasons, essence bright,
All-ruling VIRGIN, bearing heavenly light."
Whoever wrote these hymns, the more they are examined the more
does it become evident, when they are compared with the most ancient doctrine
of Classic Greece, that their authors understood and thoroughly adhered to the
genuine theology of Paganism. To the fact that Proserpine was currently
worshipped in Pagan Greece, though well known to be the wife of Pluto, the god
of hell, under the name of "The Holy Virgin," we find Pausanias,
while describing the grove Carnasius, thus bearing testimony: "This grove
contains a statue of Apollo Carneus, of Mercury carrying a ram, and of
Proserpine, the daughter of Ceres, who is called 'The HOLY VIRGIN.'" The
purity of this "Holy Virgin" did not consist merely in freedom from
actual sin, but she was especially distinguished for her "immaculate
conception"; for Proclus says, "She is called Core, through the
purity of her essence, and her UNDEFILED transcendency in her
GENERATIONS." Do men stand amazed at the recent decree? There is no real
reason to wonder. It was only in following out the Pagan doctrine previously
adopted and interwoven with the whole system of Rome to its logical
consequences, that that decree has been issued, and that the Madonna of Rome
has been formally pronounced at last, in every sense of the term, absolutely
"IMMACULATE."
Now, after all this, is it possible to doubt that the Madonna
of Rome, with the child in her arms, and the Madonna of Babylon, are one and
the same goddess? It is notorious that the Roman Madonna is worshipped as a
goddess, yea, is the supreme object of worship. Will not, then, the Christians
of Britain revolt at the idea of longer supporting this monstrous Babylonian
Paganism? What Christian constituency could tolerate that its representative
should vote away the money of this Protestant nation for the support of such
blasphemous idolatry? *
* It is to be lamented that Christians in general seem to have
so little sense either of the gravity of the present crisis of the Church and
the world, or of the duty lying upon them as Christ's witnesses, to testify,
and that practically, against the public sins of the nation. If they would wish
to be stimulated to a more vigorous discharge of duty in this respect, let them
read an excellent and well-timed little work recently issued from the press,
entitled An Original Interpretation of the Apocalypse, where the Apocalyptic
statements in regard to the character, life, death, and resurrection of the Two
Witnesses, are briefly but forcibly handled.
Were not the minds of men judicially blinded, they would
tremble at the very thought of incurring the guilt that this land, by upholding
the corruption and wickedness of Rome, has for years past been contracting. Has
not the Word of God, in the most energetic and awful terms, doomed the New
Testament Babylon? And has it not equally declared, that those who share in
Babylon's sins, shall share in Babylon's plagues? (Rev 18:4)
The guilt of idolatry is by many regarded as comparatively
slight and insignificant guilt. But not so does the God of heaven regard it.
Which is the commandment of all the ten that is fenced about with the most
solemn and awful sanctions? It is the second: "Thou shalt not make unto
thee any graven image, or any likeness of anything that is in the heaven above,
or that is in the earth beneath, or that is in the water under the earth: thou
shalt not bow down thyself to them, nor serve them: for I the Lord thy God am a
jealous God, visiting the iniquity of the fathers upon the children unto the
third and fourth generation of them that hate me." These words were spoken
by God's own lips, they were written by God's own finger on the tables of
stone: not for the instruction of the seed of Abraham only, but of all the
tribes and generations of mankind. No other commandment has such a threatening attached
to it as this. Now, if God has threatened to visit the SIN OF IDOLATRY ABOVE
ALL OTHER SINS, and if we find the heavy judgments of God pressing upon us as a
nation, while this very sin is crying to heaven against us, ought it not to be
a matter of earnest inquiry, if among all our other national sins, which are
both many and great, this may not form "the very head and front of our
offending"? What though we do not ourselves bow down to stocks and stones?
Yet if we, making a profession the very opposite, encourage, and foster, and
maintain that very idolatry which God has so fearfully threatened with His
wrath, our guilt, instead of being the less, is only so much the greater, for
it is a sin against the light. Now, the facts are manifest to all men. It is
notorious, that in 1845 anti-Christian idolatry was incorporated in the British
Constitution, in a way in which for a century and a half it had not been
incorporated before. It is equally notorious, that ever since, the nation has
been visited with one succession of judgments after another. Ought we then to
regard this coincidence as merely accidental? Ought we not rather to see in it
the fulfilment of the threatening pronounced by God in the Apocalypse? This is
at this moment an intensely practical subject. If our sin in this matter is not
nationally recognised, if it is not penitently confessed, if it is not put away
from us; if, on the contrary, we go on increasing it, if now for the first time
since the Revolution, while so manifestly dependent on the God of battles for
the success of our arms, we affront Him to His face by sending idol priests
into our camp, then, though we have national fasts, and days of humiliation
without number, they cannot be accepted; they may procure us a temporary respite,
but we may be certain that "the Lord's anger will not be turned away, His
hand will be stretched out still." *
* The above paragraph first appeared in the spring of 1855,
when the empire had for months been looking on in amazement at the
"horrible and heart-rending" disasters in the Crimea, caused simply
by the fact, that official men in that distant region "could not find
their hands," and when at last a day of humiliation had been appointed.
The reader can judge whether or not the events that have since occurred have
made the above reasoning out of date. The few years of impunity that have
elapsed since the Indian Mutiny, with all its horrors, was suppressed, show the
long-suffering of God. But if that long-suffering is despised (which it
manifestly is, while the guilt is daily increasing), the ultimate issue must
just be so much the more terrible.
The Two Babylons
Alexander Hislop
Chapter IV
Doctrine and Discipline
When Linacer, a distinguished physician, but bigoted Romanist,
in the reign of Henry VIII first fell in with the New Testament, after reading
it for a while, he tossed it from him with impatience and a great oath,
exclaiming, "Either this book is not true, or we are not Christians."
He saw at once that the system of Rome and the system of the New Testament were
directly opposed to one another; and no one who impartially compares the two
systems can come to any other conclusion. In passing from the Bible to the Breviary,
it is like passing from light to darkness. While the one breathes glory to God
in the highest, peace on earth, and good will to men, the other inculcates all
that is dishonouring to the Most High, and ruinous to the moral and spiritual
welfare of mankind. How came it that such pernicious doctrines and practices
were embraced by the Papacy? Was the Bible so obscure or ambiguous that men
naturally fell into the mistake of supposing that it required them to believe
and practise the very opposite of what it did? No; the doctrine and discipline
of the Papacy were never derived from the Bible. The fact that wherever it has
the power, it lays the reading of the Bible under its ban, and either consigns
that choicest gift of heavenly love to the flames, or shuts it up under lock
and key, proves this of itself. But it can be still more conclusively
established. A glance at the main pillars of the Papal system will sufficiently
prove that its doctrine and discipline, in all essential respects, have been
derived from Babylon. Let the reader now scan the evidence.
Section I
Baptismal Regeneration
It is well known that regeneration by baptism is a fundamental
article of Rome, yea, that it stands at the very threshold of the Roman system.
So important, according to Rome, is baptism for this purpose, that, on the one
hand, it is pronounced of "absolute necessity for salvation," *
insomuch that infants dying without it cannot be admitted to glory; and on the
other, its virtues are so great, that it is declared in all cases infallibly to
"regenerate us by a new spiritual birth, making us children of
God":--it is pronounced to be "the first door by which we enter into
the fold of Jesus Christ, the first means by which we receive the grace of
reconciliation with God; therefore the merits of His death are by baptism
applied to our souls in so superabundant a manner, as fully to satisfy Divine
justice for all demands against us, whether for original or actual sin."
* Bishop HAY'S Sincere Christian. There are two exceptions to
this statement; the case of an infidel converted in a heathen land, where it is
impossible to get baptism, and the case of a martyr "baptised," as it
is called, "in his own blood"; but in all other cases, whether of
young or old, the necessity is "absolute."
Now, in both respects this doctrine is absolutely
anti-Scriptural; in both it is purely Pagan. It is anti-Scriptural, for the
Lord Jesus Christ has expressly declared that infants, without the slightest
respect to baptism or any external ordinance whatever, are capable of admission
into all the glory of the heavenly world: "Suffer the little children to
come unto Me, and forbid them not; for of such is the kingdom of heaven."
John the Baptist, while yet in his mother's womb was so filled with joy at the
advent of the Saviour, that, as soon as Mary's salutation sounded in the ears
of his own mother, the unborn babe "leaped in the womb for joy." Had
that child died at the birth, what could have excluded it from "the
inheritance of the saints in light" for which it was so certainly
"made meet"? Yet the Roman Catholic Bishop Hay, in defiance of very
principle of God's Word, does not hesitate to pen the following:
"Question: What becomes of young children who die without baptism? Answer:
If a young child were put to death for the sake of Christ, this would be to it
the baptism of blood, and carry it to heaven; but except in this case, as such
infants are incapable of having the desire of baptism, with the other necessary
dispositions, if they are not actually baptised with water, THEY CANNOT GO TO
HEAVEN." As this doctrine never came from the Bible, whence came it? It
came from heathenism. The classic reader cannot fail to remember where, and in
what melancholy plight, Aeneas, when he visited the infernal regions, found the
souls of unhappy infants who had died before receiving, so to speak, "the
rites of the Church":
"Before the gates the cries of babes new-born,
Whom fate had from their tender mothers torn,
Assault his ears."
These wretched babes, to glorify the virtue and efficacy of
the mystic rites of Paganism, are excluded from the Elysian Fields, the
paradise of the heathen, and have among their nearest associates no better
company than that of guilty suicides:
"The next in place and punishment are they
Who prodigally threw their souls away,
Fools, who, repining at their wretched state,
And loathing anxious life, suborned their fate." *
* Virgil, DRYDEN'S translation. Between the infants and the
suicides one other class is interposed, that is, those who on earth have been
unjustly condemned to die. Hope is held out for these, but no hope is held out
for the babes.
So much for the lack of baptism. Then as to its positive
efficacy when obtained, the Papal doctrine is equally anti-Scriptural. There
are professed Protestants who hold the doctrine of Baptismal Regeneration; but
the Word of God knows nothing of it. The Scriptural account of baptism is, not
that it communicates the new birth, but that it is the appointed means of
signifying and sealing that new birth where it already exists. In this respect
baptism stands on the very same ground as circumcision. Now, what says God's
Word of the efficacy of circumcision? This it says, speaking of Abraham:
"He received the sign of circumcision, a seal of the righteousness of the
faith which he had, yet being uncircumcised" (Rom 4:11). Circumcision was
not intended to make Abraham righteous; he was righteous already before he was
circumcised. But it was intended to declare him righteous, to give him the more
abundant evidence in his own consciousness of his being so. Had Abraham not
been righteous before his circumcision, his circumcision could not have been a
seal, could not have given confirmation to that which did not exist. So with
baptism, it is "a seal of the righteousness of the faith" which the
man "has before he is baptised"; for it is said, "He that
believeth, and is baptised, shall be saved" (Mark 16:16). Where faith
exists, if it be genuine, it is the evidence of a new heart, of a regenerated
nature; and it is only on the profession of that faith and regeneration in the
case of an adult, that he is admitted to baptism. Even in the case of infants,
who can make no profession of faith or holiness, the administration of baptism
is not for the purpose of regenerating them, or making them holy, but of
declaring them "holy," in the sense of being fit for being
consecrated, even in infancy, to the service of Christ, just as the whole
nation of Israel, in consequence of their relation to Abraham, according to the
flesh, were "holy unto the Lord." If they were not, in that
figurative sense, "holy," they would not be fit subjects for baptism,
which is the "seal" of a holy state. But the Bible pronounces them,
in consequence of their descent from believing parents, to be "holy,"
and that even where only one of the parents is a believer: "The
unbelieving husband is sanctified by the wife, and the unbelieving wife is
sanctified by the husband; else were your children unclean, but now they are
HOLY" (1 Cor 7:14). It is in consequence of, and solemnly to declare, that
"holiness," with all the responsibilities attaching to it, that they
are baptised. That "holiness," however, is very different from the
"holiness" of the new nature; and although the very fact of baptism,
if Scripturally viewed and duly improved, is, in the hand of the good Spirit of
God, an important means of making that "holiness" a glorious reality,
in the highest sense of the term, yet it does not in all cases necessarily
secure their spiritual regeneration. God may, or may not, as He sees fit, give
the new heart, before, or at, or after baptism; but manifest it is, that
thousands who have been duly baptised are still unregenerate, are still in
precisely the same position as Simon Magus, who, after being canonically baptised
by Philip, was declared to be "in the gall of bitterness and the bond of
iniquity" (Acts 7:23). The doctrine of Rome, however, is, that all who are
canonically baptised, however ignorant, however immoral, if they only give
implicit faith to the Church, and surrender their consciences to the priests,
are as much regenerated as ever they can be, and that children coming from the
waters of baptism are entirely purged from the stain of original sin. Hence we
find the Jesuit missionaries in India boasting of making converts by thousands,
by the mere fact of baptising them, without the least previous instruction, in
the most complete ignorance of the truths of Christianity, on their mere
profession of submission to Rome. This doctrine of Baptismal Regeneration also
is essentially Babylonian. Some may perhaps stumble at the idea of regeneration
at all having been known in the Pagan world; but if they only go to India, they
will find at this day, the bigoted Hindoos, who have never opened their ears to
Christian instruction, as familiar with the term and the idea as ourselves. The
Brahmins make it their distinguishing boast that they are
"twice-born" men, and that, as such, they are sure of eternal
happiness. Now, the same was the case in Babylon, and there the new birth was
conferred by baptism. In the Chaldean mysteries, before any instruction could
be received, it was required first of all, that the person to be initiated
submit to baptism in token of blind and implicit obedience. We find different
ancient authors bearing direct testimony both to the fact of this baptism and
the intention of it. "In certain sacred rites of the heathen," says
Tertullian, especially referring to the worship of Isis and Mithra, "the
mode of initiation is by baptism." The term "initiation" clearly
shows that it was to the Mysteries of these divinities he referred. This
baptism was by immersion, and seems to have been rather a rough and formidable
process; for we find that he who passed through the purifying waters, and other
necessary penances, "if he survived, was then admitted to the knowledge of
the Mysteries." (Elliae Comment. in S. GREG. NAZ.) To face this ordeal
required no little courage on the part of those who were initiated. There was
this grand inducement, however, to submit, that they who were thus baptised
were, as Tertullian assures us, promised, as the consequence,
"REGENERATION, and the pardon of all their perjuries." Our own Pagan
ancestors, the worshippers of Odin, are known to have practised baptismal rites,
which, taken in connection with their avowed object in practising them, show
that, originally, at least, they must have believed that the natural guilt and
corruption of their new-born children could be washed away by sprinkling them
with water, or by plunging them, as soon as born, into lakes or rivers. Yea, on
the other side of the Atlantic, in Mexico, the same doctrine of baptismal
regeneration was found in full vigour among the natives, when Cortez and his
warriors landed on their shores. The ceremony of Mexican baptism, which was
beheld with astonishment by the Spanish Roman Catholic missionaries, is thus
strikingly described in Prescott's Conquest of Mexico: "When everything
necessary for the baptism had been made ready, all the relations of the child
were assembled, and the midwife, who was the person that performed the rite of
baptism, * was summoned. At early dawn, they met together in the courtyard of
the house. When the sun had risen, the midwife, taking the child in her arms,
called for a little earthen vessel of water, while those about her placed the
ornaments, which had been prepared for baptism, in the midst of the court. To
perform the rite of baptism, she placed herself with her face toward the west,
and immediately began to go through certain ceremonies...After this she
sprinkled water on the head of the infant, saying, 'O my child, take and
receive the water of the Lord of the world, which is our life, which is given
for the increasing and renewing of our body. It is to wash and to purify. I
pray that these heavenly drops may enter into your body, and dwell there; that
they may destroy and remove from you all the evil and sin which was given you
before the beginning of the world, since all of us are under its power'...She
then washed the body of the child with water, and spoke in this manner:
'Whencesoever thou comest, thou that art hurtful to this child, leave him and
depart from him, for he now liveth anew, and is BORN ANEW; now he is purified
and cleansed afresh, and our mother Chalchivitylcue [the goddess of water]
bringeth him into the world.' Having thus prayed, the midwife took the child in
both hands, and, lifting him towards heaven, said, 'O Lord, thou seest here thy
creature, whom thou hast sent into the world, this place of sorrow, suffering, and
penitence. Grant him, O Lord, thy gifts and inspiration, for thou art the Great
God, and with thee is the great goddess.'"
* As baptism is absolutely necessary to salvation, Rome also
authorises midwives to administer baptism. In Mexico the midwife seems to have
been a "priestess."
Here is the opus operatum without mistake. Here is baptismal
regeneration and exorcism too, * as thorough and complete as any Romish priest
or lover of Tractarianism could desire.
* In the Romish ceremony of baptism, the first thing the
priest does is to exorcise the devil out of the child to be baptised in these
words, "Depart from him, thou unclean spirit, and give place to the Holy
Ghost the Comforter." (Sincere Christian) In the New Testament there is
not the slightest hint of any such exorcism accompanying Christian Baptism. It
is purely Pagan.
Does the reader ask what evidence is there that Mexico had
derived this doctrine from Chaldea? The evidence is decisive. From the
researches of Humboldt we find that the Mexicans celebrated Wodan as the
founder of their race, just as our own ancestors did. The Wodan or Odin of
Scandinavia can be proved to be the Adon of Babylon. (see note below) The Wodan of Mexico, from the following quotation, will be
seen to be the very same: "According to the ancient traditions collected
by the Bishop Francis Nunez de la Vega," says Humboldt, "the Wodan of
the Chiapanese [of Mexico] was grandson of that illustrious old man, who at the
time of the great deluge, in which the greater part of the human race perished,
was saved on a raft, together with his family. Wodan co-operated in the
construction of the great edifice which had been undertaken by men to reach the
skies; the execution of this rash project was interrupted; each family received
from that time a different language; and the great spirit Teotl ordered Wodan
to go and people the country of Anahuac." This surely proves to
demonstration whence originally came the Mexican mythology and whence also that
doctrine of baptismal regeneration which the Mexicans held in common with
Egyptian and Persian worshippers of the Chaldean Queen of Heaven. Prestcott,
indeed, has cast doubts on the genuiness of this tradition, as being too
exactly coincident with the Scriptural history to be easily believed. But the
distinguished Humboldt, who had carefully examined the matter, and who had no
prejudice to warp him, expresses his full belief in its correctness; and even
from Prestcott's own interesting pages, it may be proved in every essential
particular, with the single exception of the name of Wodan, to which he makes
no reference. But, happily, the fact that that name had been borne by some
illustrious hero among the supposed ancestors of the Mexican race, is put
beyond all doubt by the singular circumstance that the Mexicans had one of
their days called Wodansday, exactly as we ourselves have. This, taken in
connection with all the circumstances, is a very striking proof, at once of the
unity of the human race, and of the wide-spread diffusion of the system that
began at Babel.
If the question arise, How came it that the Bayblonians
themselves adopted such a doctrine as regeneration by baptism, we have light
also on that. In the Babylonian Mysteries, the commemoration of the flood, of
the ark, and the grand events in the life of Noah, was mingled with the worship
of the Queen of Heaven and her son. Noah, as having lived in two worlds, both
before the flood and after it, was called "Dipheus," or
"twice-born," and was represented as a god with two heads looking in
opposite directions, the one old, and the other young. Though we have seen that
the two-headed Janus in one aspect had reference to Cush and his son, Nimrod, viewed
as one god, in a two-fold capacity, as the Supreme, and Father of all the
deified "mighty ones," yet, in order to gain for him the very
authority and respect essential to constitute him properly the head of the
great system of idolatry that the apostates inaugurated, it was necessary to
represent him as in some way or other identified with the great patriarch, who
was the Father of all, and who had so miraculous a history. Therefore in the
legends of Janus, we find mixed up with other things derived from an entirely
different source, statements not only in regard to his being the "Father
of the world," but also his being "the inventor of ships," which
plainly have been borrowed from the history of Noah; and therefore, the
remarkable way in which he is represented in the figure here presented to the
reader may confidently be concluded to have been primarily suggested by the
history of the great Diluvian patriarch, whose integrity in his two-fold life
is so particularly referred to in the Scripture, where it is said (Gen 6:9),
"Noah was just a man, and perfect in his generations," that is, in
his life before the flood, and in his life after it. The whole mythology of
Greece and Rome, as well as Asia, is full of the history and deeds of Noah, which
it is impossible to misunderstand. In India, the god Vishnu, "the
Preserver," who is celebrated as having miraculously preserved one
righteous family at the time when the world was drowned, not only has the story
of Noah wrought up with his legend, but is called by his very name. Vishnu is
just the Sanscrit form of the Chaldee "Ish-nuh," "the man
Noah," or the "Man of rest." In the case of Indra, the
"king of the gods," and god of rain, which is evidently only another
form of the same god, the name is found in the precise form of Ishnu. Now, the
very legend of Vishnu, that pretends to make him no mere creature, but the
supreme and "eternal god," shows that this interpretation of the name
is no mere unfounded imagination. Thus is he celebrated in the "Matsya
Puran": "The sun, the wind, the ether, all things incorporeal, were
absorbed into his Divine essence; and the universe being consumed, the eternal
and omnipotent god, having assumed an ancient form, REPOSED mysteriously upon
the surface of that (universal) ocean. But no one is capable of knowing whether
that being was then visible or invisible, or what the holy name of that person
was, or what the cause of his mysterious SLUMBER. Nor can any one tell how long
he thus REPOSED until he conceived the thought of acting; for no one saw him,
no one approached him, and none can penetrate the mystery of his real
essence." (Col. KENNEDY'S Hindoo Mythology) In conformity with this
ancient legend, Vishnu is still represented as sleeping four months every year.
Now, connect this story with the name of Noah, the man of "Rest," and
with his personal history during the period of the flood, when the world was
destroyed, when for forty days and forty nights all was chaos, when neither sun
nor moon nor twinkling star appeared, when sea and sky were mingled, and all
was one wide universal "ocean," on the bosom of which the patriarch
floated, when there was no human being to "approach" him but those
who were with him in the ark, and "the mystery of his real essence is
penetrated" at once, "the holy name of that person" is
ascertained, and his "mysterious slumber" fully accounted for. Now,
wherever Noah is celebrated, whether by the name of Saturn, "the hidden
one,"--for that name was applied to him as well as to Nimrod, on account
of his having been "hidden" in the ark, in the "day of the
Lord's fierce anger,"--or, "Oannes," or "Janus," the
"Man of the Sea," he is generally described in such a way as shows
that he was looked upon as Diphues, "twice-born," or
"regenerate." The "twice-born" Brahmins, who are all so
many gods upon earth, by the very title they take to themselves, show that the
god whom they represent, and to whose prerogatives they lay claim, had been
known as the "twice-born" god. The connection of "regeneration"
with the history of Noah, comes out with special evidence in the accounts
handed down to us of the Mysteries as celebrated in Egypt. The most learned
explorers of Egyptian antiquities, including Sir Gardiner Wilkinson, admit that
the story of Noah was mixed up with the story of Osiris. The ship of Isis, and
the coffin of Osiris, floating on the waters, point distinctly to that
remarkable event. There were different periods, in different places in Egypt,
when the fate of Osiris was lamented; and at one time there was more special
reference to the personal history of "the mighty hunter before the
Lord," and at another to the awful catastrophe through which Noah passed.
In the great and solemn festival called "The Disappearance of
Osiris," it is evident that it is Noah himself who was then supposed to
have been lost. The time when Osiris was "shut up in his coffin," and
when that coffin was set afloat on the waters, as stated by Plutarch, agrees
exactly with the period when Noah entered the ark. That time was "the 17th
day of the month Athyr, when the overflowing of the Nile had ceased, when the
nights were growing long and the days decreasing." The month Athyr was the
second month after the autumnal equinox, at which time the civil year of the
Jews and the patriarchs began. According to this statement, then, Osiris was
"shut up in his coffin" on the 17th day of the second month of the
patriarchal year. Compare this with the Scriptural account of Noah's entering
into the ark, and it will be seen how remarkably they agree (Gen 7:11),
"In the six hundredth year of Noah's life, in the SECOND MONTH, in the
SEVENTEENTH DAY of the month, were all the fountains of the great deep broken
up; in the self-same day entered Noah into the ark." The period, too, that
Osiris (otherwise Adonis) was believed to have been shut up in his coffin, was
precisely the same as Noah was confined in the ark, a whole year. *
* APOLLODORUS. THEOCRITUS, Idyll. Theocritus is speaking of
Adonis as delivered by Venus from Acheron, or the infernal regions, after being
there for a year; but as the scene is laid in Egypt, it is evident that it is
Osiris he refers to, as he was the Adonis of the Egyptians.
Now, the statements of Plutarch demonstrate that, as Osiris at
this festival was looked upon as dead and buried when put into his ark or
coffin, and committed to the deep, so, when at length he came out of it again,
that new state was regarded as a state of "new life," or
"REGENERATION." *
* PLUTARCH, De Iside et Osiride. It was in the character of
Pthah-Sokari-Osiris that he was represented as having been thus
"buried" in the waters. In his own character, simply as Osiris, he
had another burial altogether.
There seems every reason to believe that by the ark and the
flood God actually gave to the patriarchal saints, and especially to righteous
Noah, a vivid typical representation of the power of the blood and Spirit of
Christ, at once in saving from wrath, and cleansing from all sin--a
representation which was a most cheering "seal" and confirmation to
the faith of those who really believed. To this Peter seems distinctly to
allude, when he says, speaking of this very event, "The like figure
whereunto baptism doth also now save us." Whatever primitive truth the
Chaldean priests held, they utterly perverted and corrupted it. They willingly
overlooked the fact, that it was "the righteousness of the faith"
which Noah "had before" the flood, that carried him safely through
the avenging waters of that dread catastrophe, and ushered him, as it were, from
the womb of the ark, by a new birth, into a new world, when on the ark resting
on Mount Ararat, he was released from his long confinement. They led their
votaries to believe that, if they only passed through the baptismal waters, and
the penances therewith connected, that of itself would make them like the
second father of mankind, "Diphueis," "twice-born," or
"regenerate," would entitle them to all the privileges of
"righteous" Noah, and give them that "new birth" (palingenesia)
which their consciences told them they so much needed. The Papacy acts on
precisely the same principle; and from this very source has its doctrine of
baptismal regeneration been derived, about which so much has been written and
so many controversies been waged. Let men contend as they may, this, and this
only, will be found to be the real origin of the anti-Scriptural dogma. *
* There have been considerable speculations about the meaning
of the name Shinar, as applied to the region of which Babylon was the capital.
Do not the facts above stated cast light on it? What so likely a derivation of
this name as to derive it from "shene," "to repeat," and
"naar," "childhood." The land of "Shinar," then,
according to this view, is just the land of the "Regenerator."
The reader has seen already how faithfully Rome has copied the
Pagan exorcism in connection with baptism. All the other peculiarities
attending the Romish baptism, such as the use of salt, spittle, chrism, or
anointing with oil, and marking the forehead with the sign of the cross, are
equally Pagan. Some of the continental advocates of Rome have admitted that
some of these at least have not been derived from Scripture. Thus Jodocus
Tiletanus of Louvaine, defending the doctrine of "Unwritten
Tradition," does not hesitate to say, "We are not satisfied with that
which the apostles or the Gospel do declare, but we say that, as well before as
after, there are divers matters of importance and weight accepted and received
out of a doctrine which is nowhere set forth in writing. For we do blesse the
water wherewith we baptize, and the oyle wherewith we annoynt; yea, and besides
that, him that is christened. And (I pray you) out of what Scripture have we
learned the same? Have we it not of a secret and unwritten ordinance? And
further, what Scripture hath taught us to grease with oyle? Yea, I pray you,
whence cometh it, that we do dype the childe three times in the water? Doth it
not come out of this hidden and undisclosed doctrine, which our forefathers
have received closely without any curiosity, and do observe it still."
This learned divine of Louvaine, of course, maintains that "the hidden and
undisclosed doctrine" of which he speaks, was the "unwritten
word" handed down through the channel of infallibility, from the Apostles
of Christ to his own time. But, after what we have already seen, the reader
will probably entertain a different opinion of the source from which the hidden
and undisclosed doctrine must have come. And, indeed, Father Newman himself
admits, in regard to "holy water" (that is, water impregnated with
"salt," and consecrated), and many other things that were, as he
says, "the very instruments and appendages of demon-worship"--that
they were all of "Pagan" origin, and "sanctified by adoption
into the Church." What plea, then, what palliation can he offer, for so
extraordinary an adoption? Why, this: that the Church had "confidence in
the power of Christianity to resist the infection of evil," and to
transmute them to "an evangelical use." What right had the Church to
entertain any such "confidence"? What fellowship could light have
with darkness? what concord between Christ and Belial? Let the history of the
Church bear testimony to the vanity, yea, impiety of such a hope. Let the
progress of our inquiries shed light upon the same. At the present stage, there
is only one of the concomitant rites of baptism to which I will refer--viz.,
the use of "spittle" in that ordinance; and an examination of the
very words of the Roman ritual, in applying it, will prove that its use in
baptism must have come from the Mysteries. The following is the account of its
application, as given by Bishop Hay: "The priest recites another exorcism,
and at the end of it touches the ear and nostrils of the person to be baptised
with a little spittle, saying, 'Ephpheta, that is, Be thou opened into an odour
of sweetness; but be thou put to flight, O Devil, for the judgment of God will
be at hand.'" Now, surely the reader will at once ask, what possible, what
conceivable connection can there be between spittle, and an "odour of sweetness"?
If the secret doctrine of the Chaldean mysteries be set side by side with this
statement, it will be seen that, absurd and nonsensical as this collocation of
terms may appear, it was not at random that "spittle" and an
"odour of sweetness" were brought together. We have seen already how
thoroughly Paganism was acquainted with the attributes and work of the promised
Messiah, though all that acquaintance with these grand themes was used for the
purpose of corrupting the minds of mankind, and keeping them in spiritual
bondage. We have now to see that, as they were well aware of the existence of
the Holy Spirit, so, intellectually, they were just as well acquainted with His
work, though their knowledge on that subject was equally debased and degraded.
Servius, in his comments upon Virgil's First Georgic, after quoting the well
known expression, "Mystica vannus Iacchi," "the mystic fan of
Bacchus," says that that "mystic fan" symbolised the
"purifying of souls." Now, how could the fan be a symbol of the
purification of souls? The answer is, The fan is an instrument for producing
"wind"; * and in Chaldee, as has been already observed, it is one and
the same word which signifies "wind" and the "Holy Spirit."
* There is an evident allusion to the "mystic fan"
of the Babylonian god, in the doom of Babylon, as pronounced by Jeremiah 51:1,
2: "Thus saith the Lord, Behold, I will raise up against Babylon, and
against them that dwell in the midst of them that rise up against me, a
destroying wind; and will send unto Babylon fanners, that shall fan her, and
shall empty her land."
There can be no doubt, that, from the very beginning, the
"wind" was one of the Divine patriarchal emblems by which the power
of the Holy Ghost was shadowed forth, even as our Lord Jesus Christ said to
Nicodemus, "The wind bloweth where it listeth, and thou hearest the sound
thereof, but canst not tell whence it cometh or whither it goeth: so is every
one that is born of the Spirit." Hence, when Bacchus was represented with "the
mystic fan," that was to declare him to be the mighty One with whom was
"the residue of the Spirit." Hence came the idea of purifying the
soul by means of the wind, according to the description of Virgil, who
represents the stain and pollution of sin as being removed in this very way:
"For this are various penances enjoined,
And some are hung to bleach upon the WIND."
Hence the priests of Jupiter (who was originally just another
form of Bacchus), were called Flamens, * -- that is Breathers, or bestowers of
the Holy Ghost, by breathing upon their votaries.
* From "Flo," "I breathe."
Now, in the Mysteries, the "spittle" was just
another symbol for the same thing. In Egypt, through which the Babylonian
system passed to Western Europe, the name of the "Pure or Purifying Spirit"
was "Rekh" (BUNSEN). But "Rekh" also signified
"spittle" (PARKHURST'S Lexicon); so that to anoint the nose and ears
of the initiated with "spittle," according to the mystic system, was
held to be anointing them with the "Purifying Spirit." That Rome in
adopting the "spittle" actually copied from some Chaldean ritual in
which "spittle" was the appointed emblem of the "Spirit,"
is plain from the account which she gives in her own recognised formularies of
the reason for anointing the ears with it. The reason for anointing the ears
with "spittle" says Bishop Hay, is because "by the grace of
baptism, the ears of our soul are opened to hear the Word of God, and the
inspirations of His Holy Spirit." But what, it may be asked, has the "spittle"
to do with the "odour of sweetness"? I answer, The very word
"Rekh," which signified the "Holy Spirit," and was visibly
represented by the "spittle," was intimately connected with
"Rikh," which signifies a "fragrant smell," or "odour
of sweetness." Thus, a knowledge of the Mysteries gives sense and a
consistent meaning to the cabalistic saying addressed by the Papal baptiser to
the person about to be baptised, when the "spittle" is daubed on his
nose and ears, which otherwise would have no meaning at all--"Ephpheta, Be
thou opened into an odour of sweetness." While this was the primitive
truth concealed under the "spittle," yet the whole spirit of Paganism
was so opposed to the spirituality of the patriarchal religion, and indeed
intended to make it void, and to draw men utterly away from it, while
pretending to do homage to it, that among the multitude in general the magic
use of "spittle" became the symbol of the grossest superstition.
Theocritus shows with what debasing rites it was mixed up in Sicily and Greece;
and Persius thus holds up to scorn the people of Rome in his day for their
reliance on it to avert the influence of the "evil eye":
"Our superstitions with our life begin;
The obscene old grandam, or the next of kin,
The new-born infant from the cradle takes,
And first of spittle a lustration makes;
Then in the spawl her middle finger dips,
Anoints the temples, forehead, and the lips,
Pretending force of magic to prevent
By virtue of her nasty excrement."--DRYDEN
While thus far we have seen how the Papal baptism is just a
reproduction of the Chaldean, there is still one other point to be noticed,
which makes the demonstration complete. That point is contained in the
following tremendous curse fulminated against a man who committed the
unpardonable offence of leaving the Church of Rome, and published grave and
weighty reasons for so doing: "May the Father, who creates man, curse him!
May the Son, who suffered for us, curse him! May the Holy Ghost who suffered
for us in baptism, curse him!" I do not stop to show how absolutely and
utterly opposed such a curse as this is to the whole spirit of the Gospel. But
what I call the reader's attention to is the astounding statement that
"the Holy Ghost suffered for us in baptism." Where in the whole
compass of Scripture could warrant be found for such an assertion as this, or
anything that could even suggest it? But let the reader revert to the
Babylonian account of the personality of the Holy Ghost, and the amount of
blasphemy contained in this language will be apparent. According to the
Chaldean doctrine, Semiramis, the wife of Ninus or Nimrod, when exalted to
divinity under the name of the Queen of Heaven, came, as we have seen, to be
worshipped as Juno, the "Dove"--in other words, the Holy Spirit
incarnate. Now, when her husband, for his blasphemous rebellion against the
majesty of heaven, was cut off, for a season it was a time of tribulation also
for her. The fragments of ancient history that have come down to us give an
account of her trepidation and flight, to save herself from her adversaries. In
the fables of the mythology, this flight was mystically represented in
accordance with what was attributed to her husband. The bards of Greece
represented Bacchus, when overcome by his enemies, as taking refuge in the
depths of the ocean. Thus, Homer:
"In a mad mood, while Bacchus blindly raged,
Lycurgus drove his trembling bands, confused,
O'er the vast plains of Nusa. They in haste
Threw down their sacred implements, and fled
In fearful dissipation. Bacchus saw
Rout upon rout, and, lost in wild dismay,
Plunged in the deep. Here Thetis in her arms
Received him shuddering at the dire event."
In Egypt, as we have seen, Osiris, as identified with Noah,
was represented, when overcome by his grand enemy Typhon, or the "Evil
One," as passing through the waters. The poets represented Semiramis as
sharing in his distress, and likewise seeking safety in the same way. We have
seen already, that, under the name of Astarte, she was said to have come forth
from the wondrous egg that was found floating on the waters of the Euphrates.
Now Manilius tells, in his Astronomical Poetics, what induced her to take
refuge in these waters. "Venus plunged into the Babylonia waters,"
says he, "to shun the fury of the snake-footed Typhon." When Venus
Urania, or Dione, the "Heavenly Dove," plunged in deep distress into
these waters of Babylon, be it observed what, according to the Chaldean
doctrine, this amounted to. It was neither more nor less than saying that the
Holy Ghost incarnate in deep tribulation entered these waters, and that on
purpose that these waters might be fit, not only by the temporary abode of the
Messiah in the midst of them, but by the Spirit's efficacy thus imparted to
them, for giving new life and regeneration, by baptism, to the worshippers of
the Chaldean Madonna. We have evidence that the purifying virtue of the waters,
which in Pagan esteem had such efficacy in cleansing from guilt and
regenerating the soul, was derived in part from the passing of the Mediatorial
god, the sun-god and god of fire, through these waters during his humiliation
and sojourn in the midst of them; and that the Papacy at this day retains the
very custom which had sprung up from that persuasion. So far as heathenism is
concerned, the following extracts from Potter and Athenaeus speak distinctly
enough: "Every person," says the former, "who came to the solemn
sacrifices [of the Greeks] was purified by water. To which end, at the entrance
of the temples there was commonly placed a vessel full of holy water." How
did this water get its holiness? This water "was consecrated," says
Athenaeus, "by putting into it a BURNING TORCH taken from the altar."
The burning torch was the express symbol of the god of fire; and by the light
of this torch, so indispensable for consecrating "the holy water," we
may easily see whence came one great part of the purifying virtue of "the
water of the loud resounding sea," which was held to be so efficacious in
purging away the guilt and stain of sin, *--even from the sun-god having taken
refuge in its waters.
* "All human ills," says Euripides, in a well known
passage, "are washed away by the sea."
Now this very same method is used in the Romish Church for
consecrating the water for baptism. The unsuspicious testimony of Bishop Hay
leaves no doubt on this point: "It" [the water kept in the baptismal
font], says he, "is blessed on the eve of Pentecost, because it is the
Holy Ghost who gives to the waters of baptism the power and efficacy of
sanctifying our souls, and because the baptism of Christ is 'with the Holy
Ghost, and with fire' (Matt 3:11). In blessing the waters a LIGHTED TORCH is
put into the font." Here, then, it is manifest that the baptismal
regenerating water of Rome is consecrated just as the regenerating and
purifying water of the Pagans was. Of what avail is it for Bishop Hay to say,
with the view of sanctifying superstition and "making apostacy
plausible," that this is done "to represent the fire of Divine love,
which is communicated to the soul by baptism, and the light of good example,
which all who are baptised ought to give." This is the fair face put on
the matter; but the fact still remains that while the Romish doctrine in regard
to baptism is purely Pagan, in the ceremonies connected with the Papal baptism
one of the essential rites of the ancient fire-worship is still practised at
this day, just as it was practised by the worshippers of Bacchus, the
Babylonian Messiah. As Rome keeps up the remembrance of the fire-god passing
through the waters and giving virtue to them, so when it speaks of the
"Holy Ghost suffering for us in baptism," it in like manner
commemorates the part which Paganism assigned to the Babylonian goddess when
she plunged into the waters. The sorrows of Nimrod, or Bacchus, when in the
waters were meritorious sorrows. The sorrows of his wife, in whom the Holy
Ghost miraculously dwelt, were the same. The sorrows of the Madonna, then, when
in these waters, fleeing from Typhon's rage, were the birth-throes by which
children were born to God. And thus, even in the Far West, Chalchivitlycue, the
Mexican "goddess of the waters," and "mother" of all the
regenerate, was represented as purging the new-born infant from original sin,
and "bringing it anew into the world." Now, the Holy Ghost was
idolatrously worshipped in Babylon under the form of a "Dove." Under
the same form, and with equal idolatry, the Holy Ghost is worshipped in Rome.
When, therefore, we read, in opposition to every Scripture principle, that
"the Holy Ghost suffered for us in baptism," surely it must now be
manifest who is that Holy Ghost that is really intended. It is no other than
Semiramis, the very incarnation of lust and all uncleanness.
Note
The Identity of the Scandinavian Odin and Adon of Babylon
1. Nimrod, or Adon, or Adonis, of Babylon, was the great
war-god. Odin, as is well known, was the same. 2 Nimrod, in the character of
Bacchus, was regarded as the god of wine; Odin is represented as taking no food
but wine. For thus we read in the Edda: "As to himself he [Odin] stands in
no need of food; wine is to him instead of every other aliment, according to
what is said in these verses: The illustrious father of armies, with his own
hand, fattens his two wolves; but the victorious Odin takes no other
nourishment to himself than what arises from the unintermitted quaffing of
wine" (MALLET, 20th Fable). 3. The name of one of Odin's sons indicates
the meaning of Odin's own name. Balder, for whose death such lamentations were
made, seems evidently just the Chaldee form of Baal-zer, "The seed of
Baal"; for the Hebrew z, as is well known, frequently, in the later
Chaldee, becomes d. Now, Baal and Adon both alike signify "Lord";
and, therefore, if Balder be admitted to be the seed or son of Baal, that is as
much as to say that he is the son of Adon; and, consequently, Adon and Odin
must be the same. This, of course, puts Odin a step back; makes his son to be
the object of lamentation and not himself; but the same was the case also in
Egypt; for there Horus the child was sometimes represented as torn in pieces,
as Osiris had been. Clemens Alexandrinus says (Cohortatio), "they 03
lament an infant torn in pieces by the Titans." The lamentations for
Balder are very plainly the counterpart of the lamentations for Adonis; and, of
course, if Balder was, as the lamentations prove him to have been, the
favourite form of the Scandinavian Messiah, he was Adon, or "Lord,"
as well as his father. 4. Then, lastly, the name of the other son of Odin, the
mighty and warlike Thor, strengthens all the foregoing conclusions. Ninyas, the
son of Ninus or Nimrod, on his father's death, when idolatry rose again, was,
of course, from the nature of the mystic system, set up as Adon, "the
Lord." Now, as Odin had a son called Thor, so the second Assyrian Adon had
a son called Thouros. The name Thouros seems just to be another form of Zoro,
or Doro, "the seed"; for Photius tells us that among the Greeks
Thoros signified "Seed." The D is often pronounced as Th,--Adon, in
the pointed Hebrew, being pronounced Athon.
The Two Babylons
Alexander Hislop
Chapter IV
Section II
Justification by Works
The worshippers of Nimrod and his queen were looked upon as
regenerated and purged from sin by baptism, which baptism received its virtue
from the sufferings of these two great Babylonian divinities. But yet in regard
to justification, the Chaldean doctrine was that it was by works and merits of
men themselves that they must be justified and accepted of God. The following
remarks of Christie in his observations appended to Ouvaroff's Eleusinian
Mysteries, show that such was the case: "Mr. Ouvaroff has suggested
that one of the great objects of the Mysteries was the presenting to fallen man
the means of his return to God. These means were the cathartic virtues--(i.e.,
the virtues by which sin is removed), by the exercise of which a corporeal life
was to be vanquished. Accordingly the Mysteries were termed Teletae,
'perfections,' because they were supposed to induce a perfectness of life.
Those who were purified by them were styled Teloumenoi and Tetelesmenoi, that
is, 'brought...to perfection,' which depended on the exertions of the
individual." In the Metamorphosis of Apuleius, who was
himself initiated in the mysteries of Isis, we find this same doctrine of human
merits distinctly set forth. Thus the goddess is herself represented as
addressing the hero of his tale: "If you shall be found to DESERVE the
protection of my divinity by sedulous obedience, religious devotion and inviolable
chastity, you shall be sensible that it is possible for me, and me alone,
to extend your life beyond the limits that have been appointed to it by your
destiny." When the same individual has received a proof of the supposed
favour of the divinity, thus do the onlookers express their congratulations:
"Happy, by Hercules! and thrice blessed he to have MERITED, by the innocence
and probity of his past life, such special patronage of heaven." Thus was
it in life. At death, also, the grand passport into the unseen world was still
through the merits of men themselves, although the name of Osiris was, as we
shall by-and-by see, given to those who departed in the faith. "When the
bodies of persons of distinction" [in Egypt], says Wilkinson, quoting
Porphyry, "were embalmed, they took out the intestines and put them into a
vessel, over which (after some other rites had been performed for the dead) one
of the embalmers pronounced an invocation to the sun in behalf of the
deceased." The formula, according to Euphantus, who translated it from the
original into Greek, was as follows: "O thou Sun, our sovereign lord! and
all ye Deities who have given life to man, receive me, and grant me an abode
with the eternal gods. During the whole course of my life I have scrupulously
worshipped the gods my father taught me to adore; I have ever honoured my
parents, who begat this body; I have killed no one; I have not defrauded any,
nor have I done any injury to any man." Thus the merits, the obedience, or
the innocence of man was the grand plea. The doctrine of Rome in regard to the
vital article of a sinner's justification is the very same. Of course this of itself
would prove little in regard to the affiliation of the two systems, the
Babylonian and the Roman; for, from the days of Cain downward, the doctrine of
human merit and of self-justification has everywhere been indigenous in the
heart of depraved humanity. But, what is worthy of notice in regard to this
subject is, that in the two systems, it was symbolised in
precisely the same way. In the Papal legends it is taught that St. Michael the
Archangel has committed to him the balance of God's justice, and that in the
two opposite scales of that balance the merits and the demerits of the departed
are put that they may be fairly weighed, the one over against the other, and
that as the scale turns to the favourable or unfavourable side they may be
justified or condemned as the case may be. Now, the Chaldean doctrine of
justification, as we get light on it from the monuments of Egypt, is symbolised
in precisely the same way, except that in the land of Ham the scales of justice
were committed to the charge of the god Anubis instead of St. Michael the
Archangel, and that the good deeds and the bad seem to have been weighed
separately, and a distinct record made of each, so that when both were summed
up and the balance struck, judgment was pronounced accordingly. Wilkinson
states that Anubis and his scales are often represented; and that in some cases
there is some difference in the details. But it is evident from his
statements, that the principle in all is the same. The
following is the account which he gives of one of these judgment scenes,
previous to the admission of the dead to Paradise: "Cerberus is present as
the guardian of the gates, near which the scales of justice are erected; and
Anubis, the director of the weight, having placed a vase representing the good
actions of the deceased in one scale, and the figure or emblem of truth in the
other, proceeds to ascertain his claims for admission. If, on being weighed, he
is found wanting, he is rejected, and Osiris, the judge of the dead, inclining
his sceptre in token of condemnation, pronounces judgment upon him, and
condemns his soul to return to earth under the form of a pig or some unclean
animal...But if, when the SUM of his deeds are recorded by Thoth [who stands by
to mark the results of the different weighings of Anubis], his virtues so far
PREDOMINATE as to entitle him to admission to the mansions of the blessed,
Horus, taking in his hand the tablet of Thoth, introduces him to the presence
of Osiris, who, in his palace, attended by Isis and Nepthys, sits on his throne
in the midst of the waters, from which rises the lotus, bearing upon its
expanded flowers the four Genii of Amenti." The same mode of symbolising
the justification by works had evidently been in use in Babylon itself; and,
therefore, there was great force in the Divine handwriting on the wall, when
the doom of Belshazzar went forth: "Tekel," "Thou art weighed in
the balances, and art found wanting." In the Parsee system, which has
largely borrowed from Chaldea, the principle of weighing the good deeds over
against the bad deeds is fully developed. "For three days after
dissolution," says Vaux, in his Nineveh and Persepolis, giving
an account of Parsee doctrines in regard to the dead, "the soul is
supposed to flit round its tenement of clay, in hopes of reunion; on the
fourth, the Angel Seroch appears, and conducts it to the bridge of Chinevad. On
this structure, which they assert connects heaven and earth, sits the Angel of
Justice, to weigh the actions of mortals; when the good deeds prevail, the soul
is met on the bridge by a dazzling figure, which says, 'I am thy good angel, I
was pure originally, but thy good deeds have rendered me purer'; and passing
his hand over the neck of the blessed soul, leads it to Paradise. If iniquities
preponderate, the soul is meet by a hideous spectre, which howls out, 'I am thy
evil genius; I was impure from the first, but thy misdeeds have made me fouler;
through thee we shall remain miserable until the resurrection'; the sinning
soul is then dragged away to hell, where Ahriman sits to taunt it with its
crimes." Such is the doctrine of Parseeism. The same is the case in China,
where Bishop Hurd, giving an account of the Chinese descriptions of the
infernal regions, and of the figures that refer to them, says, "One of
them always represents a sinner in a pair of scales, with his iniquities in the
one, and his good works in another." "We meet with several such
representations," he adds, "in the Grecian mythology." Thus does
Sir J. F. Davis describe the operation of the principle in China: "In a
work of some note on morals, called Merits and Demerits Examined, a
man is directed to keep a debtor and creditor account with himself of the acts
of each day, and at the end of the year to wind it up. If the balance is in his
favour, it serves as the foundation of a stock of merits for the ensuing year:
and if against him, it must be liquidated by future good deeds. Various lists
and comparative tables are given of both good and bad actions in the several
relations of life; and benevolence is strongly inculcated in regard first to
man, and, secondly, to the brute creation. To cause another's death is reckoned
at one hundred on the side of demerit; while a single act of charitable relief
counts as one on the other side...To save a person's life ranks in the above
work as an exact set-off to the opposite act of taking it away; and it is said
that this deed of merit will prolong a person's life twelve years."
While such a mode of justification is, on the one hand, in the
very nature of the case, utterly demoralising, there never could by means of
it, on the other, be in the bosom of any man whose conscience is aroused, any
solid feeling of comfort, or assurance as to his prospects in the eternal
world. Who could ever tell, however good he might suppose himself to be,
whether the "sum of his good actions" would or would not
counterbalance the amount of sins and transgressions that his conscience might
charge against him. How very different the Scriptural, the god-like plan of
"justification by faith," and "faith alone, without the deeds of
the law," absolutely irrespective of human merits, simply and solely
through the "righteousness of Christ, that is unto all and upon all them
that believe," that delivers at once and for ever "from all
condemnation," those who accept of the offered Saviour, and by faith are
vitally united to Him. It is not the will of our Father in heaven, that His
children in this world should be ever in doubt and darkness as to the vital
point of their eternal salvation. Even a genuine saint, no doubt, may for a
season, if need be, be in heaviness through manifold temptations, but such is
not the natural, the normal state of a healthful Christian, of one who knows
the fulness and the freeness of the blessings of the Gospel of peace. God has
laid the most solid foundation for all His people to say, with John, "We
have KNOWN and believed the love which God hath to us" (1 John 4:16); or
with Paul, "I am PERSUADED that neither death, nor life, nor angels, nor
principalities, nor powers, nor things present, nor things to come, nor height,
nor depth, nor any other creature, shall be able to separate us from the love
of God, which is in Christ Jesus" (Rom 8:38,39). But this no man can every
say, who "goes about to establish his own righteousness" (Rom 10:3),
who seeks, in any shape, to be justified by works. Such assurance, such
comfort, can come only from a simple and believing reliance on the free,
unmerited grace of God, given in and along with Christ, the
unspeakable gift of the Father's love. It was this that made Luther's spirit to
be, as he himself declared, "as free as a flower of the field," when,
single and alone, he went up to the Diet of Worms, to confront all the prelates
and potentates there convened to condemn the doctrine which he held. It was
this that in every age made the martyrs go with such sublime heroism not only
to prison but to death. It is this that emancipates the soul, restores the true
dignity of humanity, and cuts up by the roots all the imposing pretensions of
priestcraft. It is this only that can produce a life of loving, filial, hearty
obedience to the law and commandments of God; and that, when nature fails, and
when the king of terrors is at hand, can enable poor, guilty sons of men, with
the deepest sense of unworthiness, yet to say, "O death, where is thy
sting? O grave, where is thy victory? Thanks be unto God, who giveth us the
victory through Jesus Christ our Lord" (1 Cor 15:55,57).
Now, to all such confidence in God, such assurance of salvation,
spiritual despotism in every age, both Pagan and Papal, has ever shown itself
unfriendly. Its grand object has always been to keep the souls of its votaries
away from direct and immediate intercourse with a living and merciful Saviour,
and consequently from assurance of His favour, to inspire a sense of the
necessity of human mediation, and so to establish itself on the ruins of the
hopes and the happiness of the world. Considering the pretensions which the
Papacy makes to absolute infallibility, and the supernatural powers which it
attributes to the functions of its priests, in regard to regeneration and the
forgiveness of sins, it might have been supposed, as a matter of course, that
all its adherents would have been encouraged to rejoice in the continual
assurance of their personal salvation. But the very contrary is the fact. After
all its boastings and high pretensions, perpetual doubt on the subject of a
man's salvation, to his life's end, is inculcated as a duty; it being
peremptorily decreed as an article of faith by the Council of Trent,
"That no man can know with infallible assurance of faith
that he HAS OBTAINED the grace of God." This very decree of Rome, while
directly opposed to the Word of God, stamps its own lofty claims with the brand
of imposture; for if no man who has been regenerated by its baptism, and who
has received its absolution from sin, can yet have any certain
assurance after all that "the grace of God" has been conferred upon
him, what can be the worth of its opus operatum? Yet, in seeking to
keep its devotees in continual doubt and uncertainty as to their final state,
it is "wise after its generation." In the Pagan system, it was the
priest alone who could at all pretend to anticipate the operation of the scales
of Anubis; and, in the confessional, there was from time to time, after a sort,
a mimic rehearsal of the dread weighing that was to take place at last in the
judgment scene before the tribunal of Osiris. There the priest sat in judgment
on the good deeds and bad deeds of his penitents; and, as his power and
influence were founded to a large extent on the mere principle of slavish
dread, he took care that the scale should generally turn in the wrong
direction, that they might be more subservient to his will in casting in a due
amount of good works into the opposite scale. As he was the grand judge of what
these works should be, it was his interest to appoint what should be most for
the selfish aggrandisement of himself, or the glory of his order; and yet so to
weigh and counterweigh merits and demerits, that there should always be left a
large balance to be settled, not only by the man himself, but by his heirs. If
any man had been allowed to believe himself beforehand absolutely sure of
glory, the priests might have been in danger of being robbed of their dues
after death--an issue by all means to be guarded against. Now, the priests of
Rome have in every respect copied after the priests of Anubis, the god of the
scales. In the confessional, when they have an object to gain, they make the
sins and transgressions good weight; and then, when they have a man of
influence, or power, or wealth to deal with, they will not give him the
slightest hope till round sums of money, or the founding of an abbey, or some
other object on which they have set their heart, be cast into the other scale.
In the famous letter of Pere La Chaise, the confessor of Louis XIV of France,
giving an account of the method which he adopted to gain the consent of that
licentious monarch to the revocation of the Edict of Nantes, by which such
cruelties were inflicted on his innocent Huguenot subjects, we see how the fear
of the scales of St. Michael operated in bringing about the desired result:
"Many a time since," says the accomplished Jesuit, referring to an
atrocious sin of which the king had been guilty, "many a time since, when
I have had him at confession, I have shook hell about his ears, and
made him sigh, fear and tremble, before I would give him absolution. By
this I saw that he had still an inclination to me, and was willing to be under
my government; so I set the baseness of the action before him by telling the
whole story, and how wicked it was, and that it could not be forgiven till he
had done some good action to BALANCE that, and expiate the crime. Whereupon he
at last asked me what he must do. I told him that he must root out all heretics
from his kingdom." This was the "good action" to be cast into
the scale of St. Michael the Archangel, to "BALANCE"
his crime. The king, wicked as he was--sore against his will-consented; the
"good action" was cast in, the "heretics" were extirpated;
and the king was absolved. But yet the absolution was not such but that, when
he went the way of all the earth, there was still much to be cast in before the
scales could be fairly adjusted. Thus Paganism and Popery alike "make
merchandise of the souls of men" (Rev 18:13). Thus the one with the scales
of Anubis, the other with the scales of St. Michael, exactly answer to the
Divine description of Ephraim in his apostacy: "Ephraim is a merchant, the
balances of deceit are in his hand" (Hosea 12:7). The Anubis of the
Egyptians was precisely the same as the Mercury of the Greeks--the "god of
thieves." St. Michael, in the hands of Rome, answers exactly to the same
character. By means of him and his scales, and their doctrine of human merits,
they have made what they call the house of God to be nothing else than a
"den of thieves." To rob men of their money is bad, but infinitely
worse to cheat them also of their souls.
Into the scales of Anubis, the ancient Pagans, by way of
securing their justification, were required to put not merely good deeds,
properly so called, but deeds of austerity and self-mortification inflicted on
their own persons, for averting the wrath of the gods. The scales of St.
Michael inflexibly required to be balanced in the very same way. The priests of
Rome teach that when sin is forgiven, the punishment is not
thereby fully taken away. However perfect may be the pardon that God, through
the priests, may bestow, yet punishment, greater or less, still remains behind,
which men must endure, and that to "satisfy the justice of God."
Again and again has it been shown that man cannot do anything to satisfy the
justice of God, that to that justice he is hopelessly indebted, that he
"has" absolutely "nothing to pay"; and more than that, that
there is no need that he should attempt to pay one farthing; for that, in
behalf of all who believe, Christ has finished transgression, made an end of sin,
and made all the satisfaction to the broken law that that law
could possibly demand. Still Rome insists that every man must be punished for
his own sins, and that God cannot be satisfied * without
groans and sighs, lacerations of the flesh, tortures of the body, and penances
without number, on the part of the offender, however broken in heart, however
contrite that offender may be.
* Bishop HAY'S Sincere Christian. The words of
Bishop Hay are: "But He absolutely demands that, by penitential works, we
PUNISH ourselves for our shocking ingratitude, and satisfy the Divine justice
for the abuse of His mercy." The established modes of
"punishment," as is well known, are just such as are described in the
text.
Now, looking simply at the Scripture, this perverse demand for
self-torture on the part of those for whom Christ has made a complete and perfect atonement,
might seem exceedingly strange; but, looking at the real character of the god
whom the Papacy has set up for the worship of its deluded devotees, there is nothing
in the least strange about it. That god is Moloch, the god of barbarity and
blood. Moloch signifies "king"; and Nimrod was the first after the
flood that violated the patriarchal system, and set up as "king" over
his fellows. At first he was worshipped as the "revealer of goodness and
truth," but by-and-by his worship was made to correspond with his dark and
forbidding countenance and complexion. The name Moloch originally suggested
nothing of cruelty or terror; but now the well known rites associated with that
name have made it for ages a synonym for all that is most revolting to the
heart of humanity, and amply justify the description of Milton (Paradise
Lost):
"First Moloch, horrid king, besmeared with blood
Of human sacrifice, and parents' tears,
Though, for the noise of drums and timbrels loud,
Their children's cries unheard, that passed through fire
To his grim idol."
In almost every land the bloody worship prevailed;
"horrid cruelty," hand in hand with abject superstition, filled not
only "the dark places of the earth," but also regions that boasted of
their enlightenment. Greece, Rome, Egypt, Phoenicia, Assyria, and our own land
under the savage Druids, at one period or other in their history, worshipped
the same god and in the same way. Human victims were his most acceptable
offerings; human groans and wailings were the sweetest music in his ears; human
tortures were believed to delight his heart. His image bore, as the symbol of
"majesty," a whip, and with whips his worshippers, at
some of his festivals, were required unmercifully to scourge themselves.
"After the ceremonies of sacrifice," says Herodotus, speaking of the
feast of Isis at Busiris, "the whole assembly, to the amount of many
thousands, scourge themselves; but in whose honour they do this I am not at
liberty to disclose." This reserve Herodotus generally uses, out of
respect to his oath as an initiated man; but subsequent researches leave no
doubt as to the god "in whose honour" the scourgings took place. In
Pagan Rome the worshippers of Isis observed the same practice in honour of
Osiris. In Greece, Apollo, the Delian god, who was identical with Osiris, * was
propitiated with similar penances by the sailors who visited his shrine, as we
learn from the following lines of Callimachus in his hymn to Delos:
"Soon as they reach thy soundings, down at once
They drop slack sails and all the naval gear.
The ship is moored; nor do the crew presume
To quit thy sacred limits, till they've passed
A fearful penance; with the galling whip
Lashed thrice around thine altar."
* We have seen already, that the Egyptian Horus was just a new
incarnation of Osiris or Nimrod. Now, Herodotus calls Horus by the name of
Apollo. Diodorus Siculus, also, says that "Horus, the son of Isis, is
interpreted to be Apollo." Wilkinson seems, on one occasion, to call this
identity of Horus and Apollo in question; but he elsewhere admits that the
story of Apollo's "combat with the serpent Pytho is evidently derived from
the Egyptian mythology," where the allusion is to the representation of
Horus piercing the snake with a spear. From divers considerations, it may be
shown that this conclusion is correct: 1. Horus, or Osiris, was the sun-god, so
was Apollo. 2. Osiris, whom Horus represented, was the great Revealer; the Pythian
Apollo was the god of oracles. 3. Osiris, in the character of Horus, was born
when his mother was said to be persecuted by the malice of her enemies. Latona,
the mother of Apollo, was a fugitive for a similar reason when Apollo was born.
4. Horus, according to one version of the myth, was said, like Osiris, to have
been cut in pieces (PLUTARCH, De Iside). In the classic story of
Greece, this part of the myth of Apollo was generally kept in the background;
and he was represented as victor in the conflict with the serpent; but even
there it was sometimes admitted that he had suffered a violent death, for by
Porphyry he is said to have been slain by the serpent, and Pythagoras affirmed
that he had seen his tomb at Tripos in Delphi (BRYANT). 5. Horus was the war-god.
Apollo was represented in the same way as the great god represented in Layard,
with the bow and arrow, who was evidently the Babylonian war-god, Apollo's well
known title of "Arcitenens,"--"the bearer of the bow,"
having evidently been borrowed from that source. Fuss tells us that Apollo was
regarded as the inventor of the art of shooting with the bow, which identifies
him with Sagittarius, whose origin we have already seen. 6. Lastly, from Ovid (Metam.)
we learn that, before engaging with Python, Apollo had used his arrows only on
fallow-deer, stags, &c. All which sufficiently proves his substantial
identification with the mighty Hunter of Babel.
Over and above the scourgings, there were also slashings and
cuttings of the flesh required as propitiatory rites on the part of his
worshippers. "In the solemn celebration of the Mysteries," says
Julius Firmicus, "all things in order had to be done, which the youth
either did or suffered at his death." Osiris was cut in
pieces; therefore, to imitate his fate, so far as living men might do so, they
were required to cut and wound their own bodies. Therefore, when the priests of
Baal contended with Elijah, to gain the favour of their god, and induce him to
work the desired miracle in their behalf, "they cried aloud and cut
themselves, after their manner, with knives and with lancets, till the blood
gushed out upon them" (1 Kings 18:28). In Egypt, the natives in general,
though liberal in the use of the whip, seem to have been sparing of the knife;
but even there, there were men also who mimicked on their own persons the
dismemberment of Osiris. "The Carians of Egypt," says Herodotus, in
the place already quoted, "treat themselves at this solemnity with still
more severity, for they cut themselves in the face with swords"
(HERODOTUS). To this practice, there can be no doubt, there is a direct
allusion in the command in the Mosaic law, "Ye shall make no cuttings in
your flesh for the dead" (Lev 19:28). * These cuttings in the flesh are
largely practised in the worship of the Hindoo divinities, as propitiatory
rites or meritorious penances. They are well known to have been practised in
the rites of Bellona, ** the "sister" or "wife of the Roman
war-god Mars," whose name, "The lamenter of Bel," clearly proves
the original of her husband to whom the Romans were so fond of tracing back
their pedigree.
* Every person who died in the faith was believed to be
identified with Osiris, and called by his name. (WILKINSON)
** "The priests of Bellona," says Lactantius,
"sacrificed not with any other men's blood but their own, their shoulders
being lanced, and with both hands brandishing naked swords, they ran and leaped
up and down like mad men."
They were practised also in the most savage form in the
gladiatorial shows, in which the Roman people, with all their boasted
civilisation, so much delighted. The miserable men who were doomed to engage in
these bloody exhibitions did not do so generally of their own free will. But
yet, the principle on which these shows were conducted was the very same as
that which influenced the priests of Baal. They were celebrated as propitiatory
sacrifices. From Fuss we learn that "gladiatorial shows were sacred"
to Saturn; and in Ausonius we read that "the amphitheatre claims its gladiators
for itself, when at the end of December they PROPITIATE with their blood the
sickle-bearing Son of Heaven." On this passage, Justus Lipsius, who quotes
it, thus comments: "Where you will observe two things, both, that the
gladiators fought on the Saturnalia, and that they did so for the purpose of
appeasing and PROPITIATING Saturn." "The reason of this," he
adds, "I should suppose to be, that Saturn is not among the celestial but
the infernal gods. Plutarch, in his book of 'Summaries,' says that 'the Romans
looked upon Kronos as a subterranean and infernal God.'" There can be no
doubt that this is so far true, for the name of Pluto is only a synonym for
Saturn, "The Hidden One." *
* The name Pluto is evidently from "Lut," to hide,
which with the Egyptian definite article prefixed, becomes "P'Lut."
The Greek "wealth," "the hidden thing," is
obviously formed in the same way. Hades is just another synonym of the same
name.
But yet, in the light of the real history of the historical
Saturn, we find a more satisfactory reason for the barbarous custom that so
much disgraced the escutcheon of Rome in all its glory, when mistress of the
world, when such multitudes of men were
"Butchered to make a Roman holiday."
When it is remembered that Saturn himself was cut in pieces,
it is easy to see how the idea would arise of offering a welcome sacrifice to
him by setting men to cut one another in pieces on his birthday, by way of
propitiating his favour.
The practice of such penances, then, on the part of those of
the Pagans who cut and slashed themselves, was intended to propitiate and
please their god, and so to lay up a stock of merit that might tell in their
behalf in the scales of Anubis. In the Papacy, the penances are not only
intended to answer the same end, but, to a large extent,they are identical. I
do not know, indeed, that they use the knife as the priests of
Baal did; but it is certain that they look upon the shedding of their own blood as
a most meritorious penance, that gains them high favour with God, and wipes
away many sins. Let the reader look at the pilgrims at Lough Dergh, in Ireland,
crawling on their bare knees over the sharp rocks, and leaving the bloody
tracks behind them, and say what substantial difference there is between that
and cutting themselves with knives. In the matter of scourging themselves,
however, the adherents of the Papacy have literally borrowed the lash of
Osiris. Everyone has heard of the Flagellants, who publicly scourge themselves
on the festivals of the Roman Church, and who are regarded as saints of the
first water. In the early ages of Christianity such flagellations were regarded
as purely and entirely Pagan. Athenagoras, one of the early Christian Apologists,
holds up the Pagans to ridicule for thinking that sin could be atoned for, or
God propitiated, by any such means. But now, in the high places of the Papal
Church, such practices are regarded as the grand means of gaining the favour of
God. On Good Friday, at Rome and Madrid, and other chief seats of Roman
idolatry, multitudes flock together to witness the performances of the saintly
whippers, who lash themselves till the blood gushes in streams from every part
of their body. They pretend to do this in honour of Christ, on the festival set
apart professedly to commemorate His death, just as the worshippers of Osiris
did the same on the festival when they lamented for his loss. *
* The priests of Cybele at Rome observed the same practice.
But can any man of the least Christian enlightenment believe
that the exalted Saviour can look on such rites as doing honour to Him, which
pour contempt on His all-perfect atonement, and represent His most
"precious blood" as needing to have its virtue supplemented by
that of blood drawn from the backs of wretched and misguided sinners? Such
offerings were altogether fit for the worship of Moloch; but they are the very
opposite of being fit for the service of Christ.
It is not in one point only, but in manifold respects, that
the ceremonies of "Holy Week" at Rome, as it is termed, recall to
memory the rites of the great Babylonian god. The more we look at these rites,
the more we shall be struck with the wonderful resemblance that subsists
between them and those observed at the Egyptian festival of burning lamps and
the other ceremonies of the fire-worshippers in different countries. In Egypt
the grand illumination took place beside the sepulchre of
Osiris at Sais. In Rome in "Holy Week," a sepulchre of Christ also
figures in connection with a brilliant illumination of burning tapers. In
Crete, where the tomb of Jupiter was exhibited, that tomb was an object of
worship to the Cretans. In Rome, if the devotees do not worship the so-called
sepulchre of Christ, they worship what is entombed within it. As there is
reason to believe that the Pagan festival of burning lamps was observed in
commemoration of the ancient fire-worship, so there is a ceremony at Rome in
the Easter week, which is an unmistakable act of fire-worship, when a cross
of fire is the grand object of worship. This ceremony is thus
graphically described by the authoress of Rome in the 19th Century:
"The effect of the blazing cross of fire suspended from the dome above the
confession or tomb of St. Peter's, was strikingly brilliant at night. It is
covered with innumerable lamps, which have the effect of one blaze of
fire...The whole church was thronged with a vast multitude of all classes and
countries, from royalty to the meanest beggar, all gazing upon this one object.
In a few minutes the Pope and all his Cardinals descended into St. Peter's, and
room being kept for them by the Swiss guards, the aged Pontiff...prostrated
himself in silent adoration before the CROSS OF FIRE. A long train of Cardinals
knelt before him, whose splendid robes and attendant train-bearers, formed a
striking contrast to the humility of their attitude." What could be a more
clear and unequivocal act of fire-worship than this? Now, view this in
connection with the fact stated in the following extract from the same work,
and how does the one cast light on the other: "With Holy Thursday our
miseries began [that is, from crowding]. On this disastrous day we went before
nine to the Sistine chapel...and beheld a procession led by the inferior orders
of clergy, followed up by the Cardinals in superb dresses, bearing long wax
tapers in their hands, and ending with the Pope himself, who walked beneath a
crimson canopy, with his head uncovered, bearing the Host in a box; and this
being, as you know, the real flesh and blood of Christ, was carried from the
Sistine chapel through the intermediate hall to the Paulina chapel, where it
was deposited in the sepulchre prepared to receive it beneath the altar...I
never could learn why Christ was to be buried before He was dead, for, as the
crucifixion did not take place till Good Friday, it seems odd to inter Him on
Thursday. His body, however, is laid in the sepulchre, in all the churches of
Rome, where this rite is practised, on Thursday forenoon, and it remains there
till Saturday at mid-day, when, for some reason best known to themselves, He is
supposed to rise from the grave amidst the firing of cannon, and blowing of
trumpets, and jingling of bells, which have been carefully tied up ever since
the dawn of Holy Thursday, lest the devil should get into them." The
worship of the cross of fire on Good Friday explains at once the anomaly
otherwise so perplexing, that Christ should be buried on Thursday, and rise
from the dead on Saturday. If the festival of Holy Week be really, as its rites
declare, one of the old festivals of Saturn, the Babylonian fire-god, who,
though an infernal god, was yet Phoroneus, the great "Deliverer," it
is altogether natural that the god of the Papal idolatry, though called by
Christ's name, should rise from the dead on his own day--the Dies
Saturni, or "Saturn's day." *
* The above account referred to the ceremonies as witnessed by
the authoress in 1817 and 1818. It would seem that some change has taken place
since then, caused probably by the very attention called by her to the gross
anomaly mentioned above; for Count Vlodaisky, formerly a Roman Catholic priest,
who visited Rome in 1845, has informed me that in that year the resurrection
took place, not at mid-day, but at nine o'clock on the evening of Saturday.
This may have been intended to make the inconsistency between Roman practice
and Scriptural fact appear somewhat less glaring. Still the fact remains, that
the resurrection of Christ, as celebrated at Rome, takes place, not on His own
day--"The Lord's day"--but--on the day of Saturn, the god of fire!
On the day before the Miserere is sung with
such overwhelming pathos, that few can listen to it unmoved, and many even
swoon with the emotions that are excited. What if this be at bottom only the
old song of Linus, of whose very touching and melancholy character Herodotus
speaks so strikingly? Certain it is, that much of the pathos of that Miserere depends
on the part borne in singing it by the sopranos; and equally
certain it is that Semiramis, the wife of him who, historically, was the
original of that god whose tragic death was so pathetically celebrated in many
countries, enjoys the fame, such as it is, of having been the inventress of the
practice from which soprano singing took its rise.
Now, the flagellations which form an important part of the
penances that take place at Rome on the evening of Good Friday, formed an
equally important part in the rites of that fire-god, from which, as we have
seen, the Papacy has borrowed so much. These flagellations, then, of
"Passion Week," taken in connection with the other ceremonies of that
period, bear their additional testimony to the real character of that god whose
death and resurrection Rome then celebrates. Wonderful it is to consider that,
in the very high place of what is called Catholic Christendom, the essential
rites at this day are seen to be the very rites of the old Chaldean
fire-worshippers.
The Two Babylons
Alexander Hislop
Chapter IV
Section III
The Sacrifice of the Mass
If baptismal regeneration, the initiating ordinance of Rome,
and justification by works, be both Chaldean, the principle embodied in the
"unbloody sacrifice" of the mass is not less so. We have evidence
that goes to show the Babylonian origin of the idea of that "unbloody
sacrifice" very distinctly. From Tacitus we learn that no blood was
allowed to be offered on the altars of Paphian Venus. Victims were used for the
purposes of the Haruspex, that presages of the issues of events might be drawn
from the inspection of the entrails of these victims; but the altars of the
Paphian goddess were required to be kept pure from blood. Tacitus shows that
the Haruspex of the temple of the Paphian Venus was brought from Cilicia,
for his knowledge of her rites, that they might be duly performed according to
the supposed will of the goddess, the Cilicians having peculiar knowledge of
her rites. Now, Tarsus, the capital of Cilicia, was built by Sennacerib, the
Assyrian king, in express imitation of Babylon. Its religion would naturally
correspond; and when we find "unbloody sacrifice" in Cyprus, whose
priest came from Cilicia, that, in the circumstances, is itself a strong
presumption that the "unbloody sacrifice" came to it through Cilicia
from Babylon. This presumption is greatly strengthened when we find from
Herodotus that the peculiar and abominable institution of Babylon in
prostituting virgins in honour of Mylitta, was observed also in Cyprus in
honour of Venus. But the positive testimony of Pausanias brings this presumption
to a certainty. "Near this," says that historian, speaking of the
temple of Vulcan at Athens, "is the temple of Celestial Venus, who was
first worshipped by the Assyrians, and after these by the Paphians in Cyprus,
and the Phoenicians who inhabited the city of Ascalon in Palestine. But the
Cythereans venerated this goddess in consequence of learning her sacred rites
from the Phoenicians." The Assyrian Venus, then--that is, the great
goddess of Babylon--and the Cyprian Venus were one and the same, and consequently
the "bloodless" altars of the Paphian goddess show the character of
the worship peculiar to the Babylonian goddess, from whom she was derived. In
this respect the goddess-queen of Chaldea differed from her son, who was
worshipped in her arms. He was, as we have seen, represented
as delighting in blood. But she, as the mother of grace and mercy,
as the celestial "Dove," as "the hope of the whole world,"
(BRYANT) was averse to blood, and was represented in a benign and gentle
character. Accordingly, in Babylon she bore the name of Mylitta--that is,
"The Mediatrix." *
* Mylitta is the same as Melitta, the feminine of Melitz,
"a mediator," which in Chaldee becomes Melitt. Melitz is the word
used in Job 33:23, 24: "If there be a messenger with him, an interpreter (Heb.
Melitz, "a mediator"), one among a thousand, to show unto man
his uprightness, then he is gracious unto him, and saith, Deliver him from
going down to the pit; I have found a ransom."
Every one who reads the Bible, and sees how expressly it
declares that, as there is only "one God," so there is only "one
Mediator between God and man" (1 Tim 2:5), must marvel how it could ever
have entered the mind of any one to bestow on Mary, as is done by the Church of
Rome, the character of the "Mediatrix." But the character ascribed to
the Babylonian goddess as Mylitta sufficiently accounts for this. In accordance
with this character of Mediatrix, she was called Aphrodite--that is, "the
wrath-subduer" *--who by her charms could soothe the breast of angry Jove,
and soften the most rugged spirits of gods or mortal-men. In Athens she was
called Amarusia (PAUSANIAS)--that is, "The Mother of gracious
acceptance." **
* From Chaldee "aph," "wrath," and
"radah," "to subdue"; "radite" is the feminine emphatic.
** From "Ama," "mother," and
"Retza," "to accept graciously," which in the participle
active is "Rutza." Pausanias expresses his perplexity as to the
meaning of the name Amarusia as applied to Diana, saying, "Concerning
which appellation I never could find any one able to give a satisfactory
account." The sacred tongue plainly shows the meaning of it.
In Rome she was called "Bona Dea," "the good
goddess," the mysteries of this goddess being celebrated by women with
peculiar secrecy. In India the goddess Lakshmi, "the Mother of the
Universe," the consort of Vishnu, is represented also as possessing the
most gracious and genial disposition; and that disposition is indicated in the
same way as in the case of the Babylonian goddess. "In the festivals of
Lakshmi," says Coleman, "no sanguinary sacrifices are offered."
In China, the great gods, on whom the final destinies of mankind depend, are
held up to the popular mind as objects of dread; but the goddess Kuanyin,
"the goddess of mercy," whom the Chinese of Canton recognise as
bearing an analogy to the Virgin or Rome, is described as looking with an eye
of compassion on the guilty, and interposing to save miserable souls even from
torments to which in the world of spirits they have been doomed. Therefore she
is regarded with peculiar favour by the Chinese. This character of the
goddess-mother has evidently radiated in all directions from Chaldea. Now, thus
we see how it comes that Rome represents Christ, the "Lamb of God,"
meek and lowly in heart, who never brake the bruised reed, nor quenched the
smoking flax--who spake words of sweetest encouragement to every mourning
penitent--who wept over Jerusalem--who prayed for His murderers--as a stern and
inexorable judge, before whom the sinner "might grovel in the dust, and
still never be sure that his prayers would be heard," while Mary is set
off in the most winning and engaging light, as the hope of the guilty, as the
grand refuge of sinners; how it is that the former is said to have
"reserved justice and judgment to Himself," but to have committed the
exercise of all mercy to His Mother! The most standard devotional works of Rome
are pervaded by this very principle, exalting the compassion and gentleness of
the mother at the expense of the loving character of the Son. Thus, St.
Alphonsus Liguori tells his readers that the sinner that ventures to come
directly to Christ may come with dread and apprehension of His wrath; but let
him only employ the mediation of the Virgin with her Son, and she has only to "show"
that Son "the breasts that gave him suck," (Catholic Layman,
July, 1856) and His wrath will immediately be appeased. But where in the Word
of God could such an idea have been found? Not surely in the answer of the Lord
Jesus to the woman who exclaimed, "Blessed is the womb that bare thee, and
the paps that thou hast sucked!" Jesus answered and said unto her, "Yea,
rather, blessed are they that hear the Word of God and keep it" (Luke
11:27,28). There cannot be a doubt that this answer was given by the prescient
Saviour, to check in the very bud every idea akin to that expressed by Liguori.
Yet this idea, which is not to be found in Scripture, which the Scripture
expressly repudiates, was widely diffused in the realms of Paganism. Thus we
find an exactly parallel representation in the Hindoo mythology in regard to
the god Siva and his wife Kali, when that god appeared as a little child.
"Siva," says the Lainga Puran, "appeared as an infant in a
cemetery, surrounded by ghosts, and on beholding him, Kali (his wife) took him
up, and, caressing him, gave him her breast. He sucked the
nectareous fluid; but becoming ANGRY, in order to divert and PACIFY him,
Kali clasping him to her bosom, danced with her attendant goblins
and demons amongst the dead, until he was pleased and delighted;
while Vishnu, Brahma, Indra, and all the gods, bowing themselves, praised with
laudatory strains the god of gods, Kal and Parvati." Kali, in India, is
the goddess of destruction; but even into the myth that concerns this goddess
of destruction, the power of the goddess mother, in appeasing an
offended god, by means only suited to PACIFY a peevish child, has found an
introduction. If the Hindoo story exhibits its "god of gods" in such
a degrading light, how much more honouring is the Papal story to the Son of the
Blessed, when it represents Him as needing to be pacified by
His mother exposing to Him "the breasts that He has sucked." All this
is done only to exalt the Mother, as more gracious and more compassionate
than her glorious Son. Now, this was the very case in Babylon: and to this
character of the goddess queen her favourite offerings exactly corresponded.
Therefore, we find the women of Judah represented as simply "burning
incense, pouring out drink-offerings, and offering cakes to the
queen of heaven" (Jer 44:19). The cakes were "the unbloody
sacrifice" she required. That "unbloody sacrifice" her votaries
not only offered, but when admitted to the higher mysteries, they partook of,
swearing anew fidelity to her. In the fourth century, when the queen of heaven,
under the name of Mary, was beginning to be worshipped in the Christian Church,
this "unbloody sacrifice" also was brought in. Epiphanius states that
the practice of offering and eating it began among the women of Arabia; and at
that time it was well known to have been adopted from the Pagans. The very
shape of the unbloody sacrifice of Rome may indicate whence it came. It is a
small thin, round wafer; and on its roundness the
Church of Rome lays so much stress, to use the pithy language of John Knox in
regard to the wafer-god, "If, in making the roundness the
ring be broken, then must another of his fellow-cakes receive that honour to be
made a god, and the crazed or cracked miserable cake, that once was in hope to
be made a god, must be given to a baby to play withal." What could have
induced the Papacy to insist so much on the "roundness" of its
"unbloody sacrifice"? Clearly not any reference to the Divine
institution of the Supper of our Lord; for in all the accounts that are given
of it, no reference whatever is made to the form of the bread
which our Lord took, when He blessed and break it, and gave it to His
disciples, saying, "Take, eat; this is My body: this do in remembrance of
Me." As little can it be taken from any regard to injunctions about the
form of the Jewish Paschal bread; for no injunctions on that subject are given
in the books of Moses. The importance, however, which Rome attaches to
the roundness of the wafer, must have a reason; and that
reason will be found, if we look at the altars of Egypt. "The thin, round cake,"
says Wilkinson, "occurs on all altars." Almost every jot or tittle in
the Egyptian worship had a symbolical meaning. The round disk, so
frequent in the sacred emblems of Egypt, symbolised the sun. Now,
when Osiris, the sun-divinity, became incarnate, and was born, it was not
merely that he should give his life as a sacrifice for men,
but that he might also be the life and nourishment of the
souls of men. It is universally admitted that Isis was the original of the
Greek and Roman Ceres. But Ceres, be it observed, was worshipped not simply as
the discoverer of corn; she was worshipped as "the MOTHER
of Corn." The child she brought forth was He-Siri, "the Seed,"
or, as he was most frequently called in Assyria, "Bar," which
signifies at once "the Son" and "the Corn."
The uninitiated might reverence Ceres for the gift of material corn to nourish
their bodies, but the initiated adored her for a higher gift--for
food to nourish their souls--for giving them that bread of God that cometh down
from heaven--for the life of the world, of which, "if a man eat, he shall
never die." Does any one imagine that it is a mere New Testament doctrine,
that Christ is the "bread of life"? There never was,
there never could be, spiritual life in any soul, since the
world began, at least since the expulsion from Eden, that was not nourished and
supported by a continual feeding by faith on the Son of God, "in whom it
hath pleased the Father that all fulness should dwell" (Col 1:19),
"that out of His fulness we might receive, and grace for grace" (John
1:16). Paul tells us that the manna of which the Israelites ate in the
wilderness was to them a type and lively symbol of "the bread of
life"; (1 Cor 10:3), "They did all eat the same spiritual meat"--i.e.,
meat which was intended not only to support their natural lives, but to point
them to Him who was the life of their souls. Now, Clement of Alexandria, to
whom we are largely indebted for all the discoveries that, in modern times,
have been made in Egypt, expressly assures us that, "in their hidden
character, the enigmas of the Egyptians were VERY SIMILAR TO THOSE OF THE
JEWS." That the initiated Pagans actually believed that the
"Corn" which Ceres bestowed on the world was not the "Corn"
of this earth, but the Divine "Son," through whom alone spiritual and
eternal life could be enjoyed, we have clear and decisive proof. The Druids
were devoted worshippers of Ceres, and as such they were celebrated in their
mystic poems as "bearers of the ears of corn." Now, the following is
the account which the Druids give of their great divinity, under the form of
"Corn." That divinity was represented as having, in the first
instance, incurred, for some reason or other, the displeasure of Ceres, and was
fleeing in terror from her. In his terror, "he took the form of a bird,
and mounted into the air. That element afforded him no refuge: for The
Lady, in the form of a sparrow-hawk, was gaining upon him--she was just in
the act of pouncing upon him. Shuddering with dread, he perceived a heap of
clean wheat upon a floor, dropped into the midst of it, and assumed the form of
a single grain. Ceridwen [i.e., the British Ceres] took the form of
a black high-crested hen, descended into the wheat, scratched him out,
distinguished, and swallowed him. And, as the history relates, she was pregnant
of him nine months, and when delivered of him, she found him so lovely
a babe, that she had not resolution to put him to death" ("Song
of Taliesin," DAVIES'S British Druids). Here it is evident
that the grain of corn, is expressly identified with "the
lovely babe"; from which it is still further evident that Ceres, who,
to the profane vulgar was known only as the Mother of "Bar,"
"the Corn," was known to the initiated as the Mother of
"Bar," "the Son." And now, the reader will be prepared to
understand the full significance of the representation in the Celestial sphere
of "the Virgin with the ear of wheat in her hand." That ear
of wheat in the Virgin's hand is just another symbol
for the child in the arms of the Virgin
Mother.
Now, this Son, who was symbolised as "Corn," was the
SUN-divinity incarnate, according to the sacred oracle of the great goddess of
Egypt: "No mortal hath lifted my veil. The fruit which I have brought
forth is the SUN" (BUNSEN'S Egypt). What more natural then, if
this incarnate divinity is symbolised as the "bread of
God," than that he should be represented as a "round wafer,"
to identify him with the Sun? Is this a mere fancy? Let the reader peruse the
following extract from Hurd, in which he describes the embellishments of the
Romish altar, on which the sacrament or consecrated wafer is deposited, and
then he will be able to judge: "A plate of silver, in the form of a SUN,
is fixed opposite to the SACRAMENT on the altar; which, with the light of the
tapers, makes a most brilliant appearance." What has that
"brilliant" "Sun" to do there, on the altar, over
against the "sacrament," or round wafer? In
Egypt, the disk of the Sun was represented in the temples, and
the sovereign and his wife and children were represented as adoring it. Near
the small town of Babin, in Upper Egypt, there still exists in a grotto, a
representation of a sacrifice to the sun, where two priests are seen
worshipping the sun's image. In the great temple of Babylon, the golden image
of the Sun was exhibited for the worship of the Babylonians. In the temple of
Cuzco, in Peru, the disk of the sun was fixed up in flaming gold upon the wall,
that all who entered might bow down before it. The Paeonians of Thrace were
sun-worshippers; and in their worship they adored an image of the sun in the
form of a disk at the top of a long pole. In the worship of Baal, as practised
by the idolatrous Israelites in the days of their apostacy, the worship of the
sun's image was equally observed; and it is striking to find that the image of
the sun, which apostate Israel worshipped, was erected above the altar.
When the good king Josiah set about the work of reformation, we read that his
servants in carrying out the work, proceeded thus (2 Chron 34:4): "And
they brake down the altars of Baalim in his presence, and the
images (margin, SUN-IMAGES) that were on high above them, he cut down."
Benjamin of Tudela, the great Jewish traveller, gives a striking account of
sun-worship even in comparatively modern times, as subsisting among the
Cushites of the East, from which we find that the image of the sun was, even in
his day, worshipped on the altar. "There is a temple," says he,
"of the posterity of Chus, addicted to the contemplation of the stars.
They worship the sun as a god, and the whole country, for half-a-mile round
their town, is filled with great altars dedicated to him. By the dawn of morn
they get up and run out of town, to wait the rising sun, to whom, on
every altar, there is a consecrated image, not in the likeness
of a man, but of the solar orb, framed by magic art. These orbs, as
soon as the sun rises, take fire, and resound with a great noise, while
everybody there, men and women, hold censers in their hands, and all burn
incense to the sun." From all this, it is manifest that the image of the
sun above, or on the altar, was one of the recognised symbols of those who
worshipped Baal or the sun. And here, in a so-called Christian Church, a
brilliant plate of silver, "in the form of a SUN," is so placed on
the altar, that every one who adores at that altar must bow down in lowly
reverence before that image of the "Sun." Whence, I ask, could
that have come, but from the ancient sun-worship, or the worship of Baal? And
when the wafer is so placed that the silver "SUN" is fronting the
"round" wafer, whose "roundness" is so
important an element in the Romish Mystery, what can be the meaning of it, but
just to show to those who have eyes to see, that the "Wafer" itself
is only another symbol of Baal, or the Sun. If the sun-divinity was worshipped
in Egypt as "the Seed," or in Babylon as the "Corn,"
precisely so is the wafer adored in Rome. "Bread-corn of the
elect, have mercy upon us," is one of the appointed prayers of the Roman
Litany, addressed to the wafer, in the celebration of the mass. And one at
least of the imperative requirements as to the way in which that wafer is to be
partaken of, is the very same as was enforced in the old worship of the
Babylonian divinity. Those who partake of it are required to partake absolutely
fasting. This is very stringently laid down. Bishop Hay, laying down the law on
the subject, says that it is indispensable, "that we be fasting from
midnight, so as to have taken nothing into our stomach from twelve o'clock at
night before we receive, neither food, nor drink, nor medicine."
Considering that our Lord Jesus Christ instituted the Holy Communion
immediately after His disciples had partaken of the paschal feast, such a
strict requirement of fasting might seem very unaccountable. But look at this
provision in regard to the "unbloody sacrifice" of the mass in the
light of the Eleusinian Mysteries, and it is accounted for at once; for there
the first question put to those who sought initiation was, "Are you
fasting?" (POTTER, Eleusiania) and unless that question was
answered in the affirmative, no initiation could take place. There is no
question that fasting is in certain circumstances a Christian duty; but while
neither the letter nor the spirit of the Divine institution requires any such
stringent regulation as the above, the regulations in regard to the Babylonian
Mysteries make it evident whence this requirement has really come.
Although the god whom Isis or Ceres brought forth, and who was
offered to her under the symbol of the wafer or thin round cake, as "the
bread of life," was in reality the fierce, scorching Sun, or terrible
Moloch, yet in that offering all his terror was veiled, and everything
repulsive was cast into the shade. In the appointed symbol he is offered up to
the benignant Mother, who tempers judgment with mercy, and to whom all
spiritual blessings are ultimately referred; and blessed by that mother, he is
given back to be feasted upon, as the staff of life, as the nourishment of her
worshippers' souls. Thus the Mother was held up as the favourite divinity. And
thus, also, and for an entirely similar reason, does the Madonna of Rome
entirely eclipse her son as the "Mother of grace and mercy."
In regard to the Pagan character of the "unbloody
sacrifice" of the mass, we have seen not little already. But there is
something yet to be considered, in which the working of the mystery of iniquity
will still further appear. There are letters on the wafer that are worth
reading. These letters are I. H. S. What mean these mystical letters? To a
Christian these letters are represented as signifying, "Iesus Hominum
Salvator," "Jesus the Saviour of men." But let a Roman
worshipper of Isis (for in the age of the emperors there were innumerable
worshippers of Isis in Rome) cast his eyes upon them, and how will he read
them? He will read them, of course, according to his own well known system of
idolatry: "Isis, Horus, Seb," that is, "The Mother, the
Child, and the Father of the gods,"--in other words, "The Egyptian
Trinity." Can the reader imagine that this double sense is accidental?
Surely not. The very same spirit that converted the festival of the Pagan
Oannes into the feast of the Christian Joannes, retaining at the same time all
its ancient Paganism, has skilfully planned the initials I. H. S. to pay
the semblance of a tribute to Christianity, while Paganism in
reality has all the substance of the homage bestowed upon it.
When the women of Arabia began to adopt this wafer and offer
the "unbloody sacrifice," all genuine Christians saw at once the real
character of their sacrifice. They were treated as heretics, and branded with
the name of Collyridians, from the Greek name for the cake which they employed.
But Rome saw that the heresy might be turned to account; and therefore, though
condemned by the sound portion of the Church, the practice of offering and
eating this "unbloody sacrifice" was patronised by the Papacy; and now,
throughout the whole bounds of the Romish communion, it has superseded the
simple but most precious sacrament of the Supper instituted by our Lord
Himself.
Intimately connected with the sacrifice of the mass is the
subject of transubstantiation; but the consideration of it will come more
conveniently at a subsequent stage of this inquiry.
The Two Babylons
Alexander Hislop
Chapter IV
Section IV
Extreme Unction
The last office which Popery performs for living men is to
give them "extreme unction," to anoint them in the name of the Lord,
after they have been shriven and absolved, and thus to prepare them for their
last and unseen journey. The pretence for this "unction" of dying men
is professedly taken from a command of James in regard to the visitation of the
sick; but when the passage in question is fairly quoted it will be seen that
such a practice could never have arisen from the apostolic direction--that it
must have come from an entirely different source. "Is any sick among
you?" says James (v 14,15), "let him call for the elders of the
church; and let them pray over him, anointing him with oil in the name of the
Lord: and the prayer of faith shall save the sick, and the Lord shall RAISE HIM
UP." Now, it is evident that this prayer and anointing were intended for
the recovery of the sick. Apostolic men, for the laying of the foundations of
the Christian Church, were, by their great King and Head, invested with
miraculous powers--powers which were intended only for a time, and were
destined, as the apostles themselves declared, while exercising them, to
"vanish away" (1 Cor 13:8). These powers were every day exercised by
the "elders of the Church," when James wrote his epistle, and that
for healing the bodies of men, even as our Lord Himself did. The "extreme
unction" of Rome, as the very expression itself declares, is not intended
for any such purpose. It is not intended for healing the sick, or "raising
them up"; for it is not on any account to be administered till all hope of
recovery is gone, and death is visibly at the very doors. As the object of this
anointing is the very opposite of the Scriptural anointing, it must have come
from a quite different quarter. That quarter is the very same from which the
Papacy has imported so much heathenism, as we have seen already, into its own
foul bosom. From the Chaldean Mysteries, extreme unction has obviously come.
Among the many names of the Babylonian god was the name "Beel-samen,"
"Lord of Heaven," which is the name of the sun, but also of course of
the sun-god. But Beel-samen also properly signifies "Lord of Oil,"
and was evidently intended as a synonym of the Divine name, "The
Messiah." In Herodotus we find a statement made which this name alone can
fully explain. There an individual is represented as having dreamt that the sun
had anointed her father. That the sun should anoint any one is certainly not an
idea that could naturally have presented itself; but when the name
"Beel-samen," "Lord of Heaven," is seen also to signify
"Lord of Oil," it is easy to see how that idea would be suggested.
This also accounts for the fact that the body of the Babylonian Belus was
represented as having been preserved in his sepulchre in Babylon till the time
of Xerxes, floating in oil (CLERICUS, Philosoph. Orient.). And for the same reason,
no doubt, it was that at Rome the "statue of Saturn" was "made
hollow, and filled with oil" (SMITH'S Classical Dictionary).
The olive branch, which we have already seen to have been one
of the symbols of the Chaldean god, had evidently the same hieroglyphical
meaning; for, as the olive was the oil-tree, so an olive branch emblematically
signified a "son of oil," or an "anointed one" (Zech
4:12-14). Hence the reason that the Greeks, in coming before their gods in the
attitude of suppliants deprecating their wrath and entreating their favour,
came to the temple on many occasions bearing an olive branch in their hands. As
the olive branch was one of the recognised symbols of their Messiah, whose
great mission it was to make peace between God and man, so, in bearing this
branch of the anointed one, they thereby testified that in the name of that
anointed one they came seeking peace. Now, the worshippers of this Beel-samen,
"Lord of Heaven," and "Lord of Oil," were anointed in the
name of their god. It was not enough that they were anointed with
"spittle"; they were also anointed with "magical ointments"
of the most powerful kind; and these ointments were the means of introducing
into their bodily systems such drugs as tended to excite their imaginations and
add to the power of the magical drinks they received, that they might be
prepared for the visions and revelations that were to be made to them in the
Mysteries. These "unctions," says Salverte, "were exceedingly
frequent in the ancient ceremonies...Before consulting the oracle of
Trophonius, they were rubbed with oil over the whole body. This preparation
certainly concurred to produce the desired vision. Before being admitted to the
Mysteries of the Indian sages, Apollonius and his companion were rubbed with an
oil so powerful that they felt as if bathed with fire." This was
professedly an unction in the name of the "Lord of Heaven," to fit
and prepare them for being admitted in vision into his awful presence. The very
same reason that suggested such an unction before initiation on this present
scene of things, would naturally plead more powerfully still for a special
"unction" when the individual was called, not in vision, but in
reality, to face the "Mystery of mysteries," his personal introduction
into the world unseen and eternal. Thus the Pagan system naturally developed
itself into "extreme unction" (Quarterly Journal of Prophecy,
January, 1853). Its votaries were anointed for their last journey, that by the
double influence of superstition and powerful stimulants introduced into the
frame by the only way in which it might then be possible, their minds might be
fortified at once against the sense of guilt and the assaults of the king of
terrors. From this source, and this alone, there can be no doubt came the
"extreme unction" of the Papacy, which was entirely unknown among
Christians till corruption was far advanced in the Church. *
* Bishop GIBSON says that it was not known in the Church for a
thousand years. (Preservative against Popery)
The Two Babylons
Alexander Hislop
Chapter IV
Section V
Purgatory and Prayers for the Dead
"Extreme unction," however, to a burdened soul, was
but a miserable resource, after all, in the prospect of death. No wonder,
therefore, that something else was found to be needed by those who had received
all that priestly assumption could pretend to confer, to comfort them in the
prospect of eternity. In every system, therefore, except that of the Bible, the
doctrine of a purgatory after death, and prayers for the dead, has always been
found to occupy a place. Go wherever we may, in ancient or modern times, we
shall find that Paganism leaves hope after death for sinners, who, at the time
of their departure, were consciously unfit for the abodes of the blest. For
this purpose a middle state has been feigned, in which, by means of purgatorial
pains, guilt unremoved in time may in a future world be purged away, and the
soul be made meet for final beatitude. In Greece the doctrine of a purgatory
was inculcated by the very chief of the philosophers. Thus Plato, speaking of
the future judgment of the dead, holds out the hope of final deliverance for
all, but maintains that, of "those who are judged," "some"
must first "proceed to a subterranean place of judgment, where they shall
sustain the punishment they have deserved"; while others, in consequence
of a favourable judgment, being elevated at once into a certain celestial
place, "shall pass their time in a manner becoming the life they have
lived in a human shape." In Pagan Rome, purgatory was equally held up
before the minds of men; but there, there seems to have been no hope held out
to any of exemption from its pains. Therefore, Virgil, describing its different
tortures, thus speaks:
"Nor can the grovelling mind,
In the dark dungeon of the limbs confined,
Assert the native skies, or own its heavenly kind.
Nor death itself can wholly wash their stains;
But long-contracted filth, even in the soul, remains
The relics of inveterate vice they wear,
And spots of sin obscene in every face appear.
For this are various penances enjoined;
And some are hung to bleach upon the wind,
Some plunged in water, others purged in fires,
Till all the dregs are drained, and all the rust expires.
All have their Manes, and those Manes bear.
The few so cleansed to these abodes repair,
And breathe in ample fields the soft Elysian air,
Then are they happy, when by length of time
The scurf is worn away of each committed crime.
No speck is left of their habitual stains,
But the pure ether of the soul remains."
In Egypt, substantially the same doctrine of purgatory was
inculcated. But when once this doctrine of purgatory was admitted into the
popular mind, then the door was opened for all manner of priestly extortions.
Prayers for the dead ever go hand in hand with purgatory; but no prayers can be
completely efficacious without the interposition of the priests; and no
priestly functions can be rendered unless there be special pay for them.
Therefore, in every land we find the Pagan priesthood "devouring widows'
houses," and making merchandise of the tender feelings of sorrowing
relatives, sensitively alive to the immortal happiness of the beloved dead.
From all quarters there is one universal testimony as to the burdensome
character and the expense of these posthumous devotions. One of the oppressions
under which the poor Romanists in Ireland groan, is the periodical special
devotions, for which they are required to pay, when death has carried away one
of the inmates of their dwelling. Not only are there funeral services and
funeral dues for the repose of the departed, at the time of burial, but the
priest pays repeated visits to the family for the same purpose, which entail
heavy expense, beginning with what is called "the month's mind," that
is, a service in behalf of the deceased when a month after death has elapsed.
Something entirely similar to this had evidently been the case in ancient
Greece; for, says Muller in his History of the Dorians, "the Argives
sacrificed on the thirtieth day [after death] to Mercury as the conductor of
the dead." In India many and burdensome are the services of the Sradd'ha,
or funeral obsequies for the repose of the dead; and for securing the due
efficacy of these, it is inculcated that "donations of cattle, land, gold,
silver, and other things," should be made by the man himself at the
approach of death; or, "if he be too weak, by another in his name"
(Asiatic Researches). Wherever we look, the case is nearly the same. In
Tartary, "The Gurjumi, or prayers for the dead," says the Asiatic
Journal, "are very expensive." In Greece, says Suidas, "the
greatest and most expensive sacrifice was the mysterious sacrifice called the
Telete," a sacrifice which, according to Plato, "was offered for the
living and the dead, and was supposed to free them from all the evils to which
the wicked are liable when they have left this world." In Egypt the
exactions of the priests for funeral dues and masses for the dead were far from
being trifling. "The priests," says Wilkinson, "induced the
people to expend large sums on the celebration of funeral rites; and many who
had barely sufficient to obtain the necessaries of life were anxious to save
something for the expenses of their death. For, beside the embalming process,
which sometimes cost a talent of silver, or about 250 pounds English money, the
tomb itself was purchased at an immense expense; and numerous demands were made
upon the estate of the deceased, for the celebration of prayer and other
services for the soul." "The ceremonies," we find him elsewhere
saying, "consisted of a sacrifice similar to those offered in the temples,
vowed for the deceased to one or more gods (as Osisris, Anubis, and others
connected with Amenti); incense and libation were also presented; and a prayer
was sometimes read, the relations and friends being present as mourners. They
even joined their prayers to those of the priest. The priest who officiated at
the burial service was selected from the grade of Pontiffs, who wore the
leopard skin; but various other rites were performed by one of the minor
priests to the mummies, previous to their being lowered into the pit of the
tomb after that ceremony. Indeed, they continued to be administered at
intervals, as long as the family paid for their performance." Such was the
operation of the doctrine of purgatory and prayers for the dead among avowed
and acknowledged Pagans; and in what essential respect does it differ from the
operation of the same doctrine in Papal Rome? There are the same extortions in
the one as there were in the other. The doctrine of purgatory is purely Pagan,
and cannot for a moment stand in the light of Scripture. For those who die in
Christ no purgatory is, or can be, needed; for "the blood of Jesus Christ,
God's Son, cleanseth from ALL sin." If this be true, where can there be
the need for any other cleansing? On the other hand, for those who die without
personal union to Christ, and consequently unwashed, unjustified, unsaved,
there can be no other cleansing; for, while "he that hath the son hath
life, he that hath not the Son hath not life," and never can have it.
Search the Scripture through, and it will be found that, in regard to all who
"die in their sins," the decree of God is irreversible: "Let him
that is unjust be unjust still, and let him that is filthy be filthy
still." Thus the whole doctrine of purgatory is a system of pure
bare-faced Pagan imposture, dishonouring to God, deluding men who live in sin
with the hope of atoning for it after death, and cheating them at once out of
their property and their salvation. In the Pagan purgatory, fire, water, wind,
were represented (as may be seen from the lines of Virgil) as combining to
purge away the stain of sin. In the purgatory of the Papacy, ever since the
days of Pope Gregory, FIRE itself has been the grand means of purgation
(Catechismus Romanus). Thus, while the purgatorial fires of the future world
are just the carrying out of the principle embodied in the blazing and
purifying Baal-fires of the eve of St. John, they form another link in
identifying the system of Rome with the system of Tammuz or Zoroaster, the
great God of the ancient fire-worshippers.
Now, if baptismal regeneration, justification by works,
penance as a satisfaction to God's justice, the unbloody sacrifice of the mass,
extreme unction, purgatory, and prayers for the dead, were all derived from
Babylon, how justly may the general system of Rome be styled Babylonian? And if the account already given be true, what thanks
ought we to render to God, that, from a system such as this, we were set free
at the blessed Reformation! How great a boon is it to be delivered from
trusting in such refuges of lies as could no more take away sin than the blood
of bulls or of goats! How blessed to feel that the blood of the Lamb, applied
by the Spirit of God to the most defiled conscience, completely purges it from
dead works and from sin! How fervent ought our gratitude to be, when we know
that, in all our trials and distresses, we may come boldly unto the throne of
grace, in the name of no creature, but of God's eternal and well-beloved Son;
and that that Son is exhibited as a most tender and compassionate high priest,
who is TOUCHED with a feeling of our infirmities, having been in all points
tempted like as we are, yet without sin. Surely the thought of all this, while
inspiring tender compassion for the deluded slaves of Papal tyranny, ought to
make us ourselves stand fast in the liberty wherewith Christ has made us free,
and quit ourselves like men, that neither we nor our children may ever again be
entangled in the yoke of bondage.
The Two Babylons
Alexander Hislop
Chapter 5
Rites and Ceremonies
Section I
Idol Processions
Those who have read the account of the last idol procession in
the capital of Scotland, in John Knox's History of the Reformation,
cannot easily have forgot the tragi-comedy with which it ended. The light of
the Gospel had widely spread, the Popish idols had lost their fascination, and
popular antipathy was everywhere rising against them. "The images,"
says the historian, "were stolen away in all parts of the country; and in
Edinburgh was that great idol called Sanct Geyle [the patron saint of the
capital], first drowned in the North Loch, after burnt, which raised no small
trouble in the town." The bishops demanded of the Town Council either
"to get them again the old Sanct Geyle, or else, upon their (own)
expenses, to make a new image." The Town Council could not
do the one, and the other they absolutely refused to do; for
they were now convinced of the sin of idolatry. The bishops and priests,
however, were still made upon their idols; and, as the anniversary of the feast
of St. Giles was approaching, when the saint used to be carried in procession
through the town, they determined to do their best, that the accustomed procession
should take place with as much pomp as possible. For this purpose, "a
marmouset idole" was borrowed from the Grey friars, which the people, in
derision, called "Young Sanct Geyle," and which was made to do
service instead of the old one. On the appointed day, says Know, "there
assembled priests, friars, canons...with taborns and trumpets, banners, and
bagpipes; and who was there to lead the ring but the Queen Regent herself, with
all her shavelings, for honour of that feast. West about goes it, and comes
down the High Street, and down to the Canno Cross." As long as the Queen
was present, all went to the heart's content of the priests and their
partisans. But no sooner had majesty retired to dine, than some in the crowd,
who had viewed the whole concern with an evil eye, "drew nigh to the idol,
as willing to help to bear him, and getting the fertour (or barrow) on their
shoulders, began to shudder, thinking that thereby the idol should have fallen.
But that was provided and prevented by the iron nails [with which it was
fastened to the fertour]; and so began one to cry, 'Down with the idol, down
with it'; and so without delay it was pulled down. Some brag made the priests'
patrons at the first; but when they saw the feebleness of their god, for one took
him by the heels, and dadding [knocking] his head to the calsay [pavement],
left Dagon without head or hands, and said, 'Fye upon thee, thou young Sanct
Geyle, thy father would have tarried [withstood] four such [blows]'; this
considered, we say, the priests and friars fled faster than they did at Pinkey
Cleuch. There might have been seen so sudden a fray as seldom has been seen
amongst that sort of men within this realm; for down goes the crosses, off goes
the surplice, round caps corner with the crowns. The Grey friars gaped, the
Black friars blew, the priests panted and fled, and happy was he that first gat
the house; for such ane sudden fray came never amongst the generation of
Antichrist within this realm before."
Such an idol procession among a people who had begun to study
and relish the Word of God, elicited nothing but indignation and scorn. But in
Popish lands, among a people studiously kept in the dark, such processions are
among the favourite means which the Romish Church employs to bind its votaries
to itself. The long processions with images borne on men's shoulders, with the
gorgeous dresses of the priests, and the various habits of different orders of
monks and nuns, with the aids of flying banners and the thrilling strains of
instrumental music, if not too closely scanned, are well fitted "plausibly
to amuse" the worldly mind, to gratify the love for the picturesque, and
when the emotions thereby called forth are dignified with the names of piety
and religion, to minister to the purposes of spiritual despotism. Accordingly,
Popery has ever largely availed itself of such pageants. On joyous occasions,
it has sought to consecrate the hilarity and excitement created by such
processions to the service of its idols; and in seasons of sorrow, it has made
use of the same means to draw forth the deeper wail of distress from the
multitudes that throng the procession, as if the mere loudness of the cry would
avert the displeasure of a justly offended God. Gregory, commonly called the
Great, seems to have been the first who, on a large scale,
introduced those religious processions into the Roman Church. In 590, when Rome
was suffering under the heavy hand of God from the pestilence, he exhorted the
people to unite publicly in supplication to God, appointing that they should
meet at daybreak in SEVEN DIFFERENT COMPANIES, according to their respective
ages, SEXES, and stations, and walk in seven different processions, reciting
litanies or supplications, till they all met at one place. They did so, and
proceeded singing and uttering the words, "Lord, have mercy upon us,"
carrying along with them, as Baronius relates, by Gregory's express command, an
image of the Virgin. The very idea of such processions was an affront to the
majesty of heaven; it implied that God who is a Spirit "saw with eyes of
flesh," and might be moved by the imposing picturesqueness of such a
spectacle, just as sensuous mortals might. As an experiment it had but slender
success. In the space of one hour, while thus engaged, eighty persons fell to
the ground, and breathed their last. Yet this is now held up to Britons as
"the more excellent way" for deprecating the wrath of God in a season
of national distress. "Had this calamity," says Dr. Wiseman,
referring to the Indian disasters, "had this calamity fallen upon our
forefathers in Catholic days, one would have seen the streets of this city
[London] trodden in every direction by penitential processions, crying out,
like David, when pestilence had struck the people." If this allusion to
David has any pertinence or meaning, it must imply that David, in the time of
pestilence, headed some such "penitential procession." But Dr.
Wiseman knows, or ought to know, that David did nothing of the sort, that his
penitence was expressed in no such way as by processions, and far less by idol
processions, as "in the Catholic days of our forefathers," to which
we are invited to turn back. This reference to David, then, is a mere blind,
intended to mislead those who are not given to Bible reading, as if such "penitential
processions" had something of Scripture warrant to rest upon. The Times,
commenting on this recommendation of the Papal dignitary, has hit the nail on
the head. "The historic idea," says that journal, "is simple
enough, and as old as old can be. We have it in Homer--the procession of Hecuba
and the ladies of Troy to the shrine of Minerva, in the Acropolis of that
city." It was a time of terror and dismay in Troy, when Diomede, with
resistless might, was driving everything before him, and the overthrow of the
proud city seemed at hand. To avert the apparently inevitable doom, the Trojan
Queen was divinely directed.
"To lead the assembled train
Of Troy's chief matron's to Minerva's fane."
And she did so:--
"Herself...the long procession leads;
The train majestically slow proceeds.
Soon as to Ilion's topmost tower they come,
And awful reach the high Palladian dome,
Antenor's consort, fair Theano, waits
As Pallas' priestess, and unbars the gates.
With hands uplifted and imploring eyes,
They fill the dome with supplicating cries."
Here is a precedent for "penitential processions" in
connection with idolatry entirely to the point, such as will be sought for in
vain in the history of David, or any of the Old Testament saints. Religious
processions, and especially processions with images, whether of a jubilant or
sorrowful description, are purely Pagan. In the Word of God we find two
instances in which there were processions practised with Divine sanction; but
when the object of these processions is compared with the avowed object and
character of Romish processions, it will be seen that there is no analogy
between them and the processions of Rome. The two cases to which I refer are
the seven days' encompassing of Jericho, and the procession at the bringing up
of the ark of God from Kirjath-jearim to the city of David. The processions, in
the first case, though attended with the symbols of Divine worship, were not
intended as acts of religious worship, but were a miraculous mode of conducting
war, when a signal interposition of Divine power was to be vouchsafed. In the
other, there was simply the removing of the ark, the symbol of Jehovah's
presence, from the place where, for a long period, it had been allowed to lie
in obscurity, to the place which the Lord Himself had chosen for its abode; and
on such an occasion it was entirely fitting and proper that the transference
should be made with all religious solemnity. But these were simply occasional
things, and have nothing at all in common with Romish processions, which form a
regular part of the Papal ceremonial. But, though Scripture speaks nothing of
religious processions in the approved worship of God, it refers once and again
to Pagan processions, and these, too, accompanied with images; and it vividly
exposes the folly of those who can expect any good from gods that cannot move
from one place to another, unless they are carried. Speaking of the gods of
Babylon, thus saith the prophet Isaiah (46:6), "They lavish gold out of
the bag, and weigh silver in the balance, and hire a goldsmith; and he maketh
it a god: they fall down, yea, they worship. They bear him upon the
shoulder, they carry him, and set him in his place, and he standeth; from
his place he shall not remove." In the sculptures of Nineveh these processions
of idols, borne on men's shoulders, are forcibly represented, and form at once
a striking illustration of the prophetic language, and of the real origin of
the Popish processions. In Egypt, the same practice was observed. In "the
procession of shrines," says Wilkinson, "it was usual to carry the
statue of the principal deity, in whose honour the procession took place,
together with that of the king, and the figures of his ancestors, borne in the
same manner, on men's shoulders." But not only are the processions in
general identified with the Babylonian system. We have evidence that these
processions trace their origin to that very disastrous event in the history of
Nimrod, which has already occupied so much of our attention. Wilkinson says
"that Diodorus speaks of an Ethiopian festival of Jupiter, when his statue
was carried in procession, probably to commemorate the supposed refuge of the
gods in that country, which," says he, "may have been a memorial of
the flight of the Egyptians with their gods." The passage of Diodorus, to
which Wilkinson refers, is not very decisive as to the object for which the
statues of Jupiter and Juno (for Diodorus mentions the shrine of Juno as well
as of Jupiter) were annually carried into the land of Ethiopia, and then, after
a certain period of sojourn there, were brought back to Egypt again. But, on
comparing it with other passages of antiquity, its object very clearly appears.
Eustathius says, that at the festival in question, "according to some,
the Ethiopians used to fetch the images of Zeus, and other
gods from the great temple of Zeus at Thebes. With these images they went about
at a certain period in Libya, and celebrated a splendid festival for twelve
gods." As the festival was called an Ethiopian festival; and as it was
Ethiopians that both carried away the idols and brought them back again, this
indicates that the idols must have been Ethiopian idols; and as we have seen
that Egypt was under the power of Nimrod, and consequently of the Cushites or
Ethiopians, when idolatry was for a time put down in Egypt, what would this
carrying of the idols into Ethiopia, the land of the Cushites, that was
solemnly commemorated every year, be, but just the natural result of the
temporary suppression of the idol-worship inaugurated by Nimrod. In Mexico, we
have an account of an exact counterpart of this Ethiopian festival. There, at a
certain period, the images of the gods were carried out of the country in a
mourning procession, as if taking their leave of it, and then, after a time,
they were brought back to it again with every demonstration of joy. In Greece,
we find a festival of an entirely similar kind, which, while it connects itself
with the Ethiopian festival of Egypt on the one hand, brings that festival, on
the other, into the closest relation to the penitential procession of Pope
Gregory. Thus we find Potter referring first to a "Delphian festival in
memory of a JOURNEY of Apollo"; and then under the head of the festival
called Apollonia, we thus read: "To Apollo, at Aegialea on this account:
Apollo having obtained a victory over Python, went to Aegialea, accompanied
with his sister Diana; but, being frightened from thence, fled into
Crete. After this, the Aegialeans were infected with an epidemical
distemper; and, being advised by the prophets to appease the two offended
deities, sent SEVEN boys and as many virgins to entreat them to return. [Here
is the typical germ of 'The Sevenfold Litany' of Pope Gregory.] Apollo and
Diana accepted their piety,...and it became a custom to
appoint chosen boys and virgins, to make a solemn procession, in show, as if
they designed to bring back Apollo and Diana, which continued till Pausanias'
time." The contest between Python and Apollo, in Greece, is just the
counterpart of that between Typho and Osiris in Egypt; in other words, between
Shem and Nimrod. Thus we see the real meaning and origin of the Ethiopian
festival, when the Ethiopians carried away the gods from the Egyptian temples.
That festival evidently goes back to the time when Nimrod being cut off,
idolatry durst not show itself except among the devoted adherents of the
"Mighty hunter" (who were found in his own family--the family of
Cush), when, with great weepings and lamentations, the idolaters fled with
their gods on their shoulders, to hide themselves where they might. In
commemoration of the suppression of idolatry, and the unhappy consequences that
were supposed to flow from that suppression, the first part of the festival, as
we get light upon it both from Mexico and Greece, had consisted of a procession
of mourners; and then the mourning was turned into joy, in memory of the happy
return of these banished gods to their former exaltation. Truly a worthy origin
for Pope Gregory's "Sevenfold Litany" and the Popish processions.
The Two Babylons
Alexander Hislop
Chapter V
Section II
Relic Worship
Nothing is more characteristic of Rome than the worship of
relics. Wherever a chapel is opened, or a temple consecrated, it cannot be
thoroughly complete without some relic or other of he-saint or she-saint to
give sanctity to it. The relics of the saints and rotten bones of the martyrs
form a great part of the wealth of the Church. The grossest impostures have
been practised in regard to such relics; and the most drivelling tales have
been told of their wonder-working powers, and that too by Fathers of high name
in the records of Christendom. Even Augustine, with all his philosophical
acuteness and zeal against some forms of false doctrine, was deeply infected
with the grovelling spirit that led to relic worship. Let any one read the
stuff with which he concludes his famous "City of God," and he will
in no wise wonder that Rome has made a saint of him, and set him up for the
worship of her devotees. Take only a specimen or two of the stories with which
he bolsters up the prevalent delusions of his day: "When the Bishop
Projectius brought the relics of St. Stephen to the town called Aquae
Tibiltinae, the people came in great crowds to honour them. Amongst these was a
blind woman, who entreated the people to lead her to the bishop who had the
HOLY RELICS. They did so, and the bishop gave her some flowers which he had in
his hand. She took them, and put them to her eyes, and immediately her sight
was restored, so that she passed speedily on before all the others, no longer
requiring to be guided." In Augustine's day, the formal
"worship" of the relics was not yet established; but the martyrs to
whom they were supposed to have belonged were already invoked with prayers and
supplications, and that with the high approval of the Bishop of Hippo, as the
following story will abundantly show: Here, in Hippo, says he, there was a poor
and holy old man, by name Florentius, who obtained a living by tailoring. This
man once lost his coat, and not being able to purchase another to replace it,
he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to
them, beseeching that they would enable him to get another garment. A crowd of
silly boys who overheard him, followed him at his departure, scoffing at him,
and asking him whether he had begged fifty pence from the martyrs to buy a
coat. The poor man went silently on towards home, and as he passed near the
sea, he saw a large fish which had been cast up on the sand, and was still
panting. The other persons who were present allowed him to take up this fish,
which he brought to one Catosus, a cook, and a good Christian, who bought it
from him for three hundred pence. With this he meant to purchase wool, which
his wife might spin, and make into a garment for him. When the cook cut up the
fish, he found within its belly a ring of gold, which his conscience persuaded
him to give to the poor man from whom he bought the fish. He did so, saying, at
the same time, "Behold how the Twenty Martyrs have clothed you!" *
* De Civitate. The story of the fish and the ring is an old
Egyptian story. (WILKINSON) Catosus, "the good Christian," was
evidently a tool of the priests, who could afford to give him a ring to put
into the fish's belly. The miracle would draw worshippers to the shrine of the
Twenty Martyrs, and thus bring grist to their mill, and amply repay them.
Thus did the great Augustine inculcate the worship of dead
men, and the honouring of their wonder-working relics. The "silly
children" who "scoffed" at the tailor's prayer seem to have had
more sense than either the "holy old tailor" or the bishop. Now, if
men professing Christianity were thus, in the fifth century, paving the way for
the worship of all manner of rags and rotten bones; in the realms of Heathendom
the same worship had flourished for ages before Christian saints or martyrs had
appeared in the world. In Greece, the superstitious regard to relics, and
especially to the bones of the deified heroes, was a conspicuous part of the
popular idolatry. The work of Pausanias, the learned Grecian antiquary, is full
of reference to this superstition. Thus, of the shoulder-blade of Pelops, we
read that, after passing through divers adventures, being appointed by the
oracle of Delphi, as a divine means of delivering the Eleans from a pestilence
under which they suffered, it "was committed," as a sacred relic,
"to the custody" of the man who had fished it out of the sea, and of
his posterity after him. The bones of the Trojan Hector were preserved as a
precious deposit at Thebes. "They" [the Thebans], says Pausanias,
"say that his [Hector's] bones were brought hither from Troy, in
consequence of the following oracle: 'Thebans, who inhabit the city of Cadmus,
if you wish to reside in your country, blest with the possession of blameless
wealth, bring the bones of Hector, the son of Priam, into your dominions from Asia,
and reverence the hero agreeably to the mandate of Jupiter.'" Many other
similar instances from the same author might be adduced. The bones thus
carefully kept and reverenced were all believed to be miracle-working bones.
From the earliest periods, the system of Buddhism has been propped up by
relics, that have wrought miracles at least as well vouched as those wrought by
the relics of St. Stephen, or by the "Twenty Martyrs." In the
"Mahawanso," one of the great standards of the Buddhist faith, reference
is thus made to the enshrining of the relics of Buddha: "The vanquisher of
foes having perfected the works to be executed within the relic receptacle,
convening an assembly of the priesthood, thus addressed them: 'The works that
were to be executed by me, in the relic receptacle, are completed. Tomorrow, I
shall enshrine the relics. Lords, bear in mind the relics.'" Who has not
heard of the Holy Coat of Treves, and its exhibition to the people? From the
following, the reader will see that there was an exactly similar exhibition of
the Holy Coat of Buddha: "Thereupon (the nephew of the Naga Rajah) by his
supernatural gift, springing up into the air to the height of seven palmyra
trees, and stretching out his arm brought to the spot where he was poised, the
Dupathupo (or shrine) in which the DRESS laid aside by Buddho, as Prince
Siddhatto, on his entering the priesthood, was enshrined...and EXHIBITED IT TO
THE PEOPLE." This "Holy Coat" of Buddha was no doubt as genuine,
and as well entitled to worship, as the "Holy Coat" of Treves. The
resemblance does not stop here. It is only a year or two ago since the Pope
presented to his beloved son, Francis Joseph of Austria, a "TOOTH" of
"St. Peter," as a mark of his special favour and regard. The teeth of
Buddha are in equal request among his worshippers. "King of Devas,"
said a Buddhist missionary, who was sent to one of the principal courts of
Ceylon to demand a relic or two from the Rajah, "King of Devas, thou
possessest the right canine tooth relic (of Buddha), as well as the right
collar bone of the divine teacher. Lord of Devas, demur not in matter involving
the salvation of the land of Lanka." Then the miraculous efficacy of these
relics is shown in the following: "The Saviour of the world (Buddha) even
after he had attained to Parinibanan or final emancipation (i.e., after his
death), by means of a corporeal relic, performed infinite acts to the utmost
perfection, for the spiritual comfort and mundane prosperity of mankind. While
the Vanquisher (Jeyus) yet lived, what must he not have done?" Now, in the
Asiatic Researches, a statement is made in regard to these relics of Buddha,
which marvellously reveals to us the real origin of this Buddhist relic
worship. The statement is this: "The bones or limbs of Buddha were
scattered all over the world, like those of Osiris and Jupiter Zagreus. To
collect them was the first duty of his descendants and followers, and then to
entomb them. Out of filial piety, the remembrance of this mournful search was
yearly kept up by a fictitious one, with all possible marks of grief and sorrow
till a priest announced that the sacred relics were at last found. This is
practised to this day by several Tartarian tribes of the religion of Buddha;
and the expression of the bones of the Son of the Spirit of heaven is peculiar
to the Chinese and some tribes in Tartary." Here, then, it is evident that
the worship of relics is just a part of those ceremonies instituted to
commemorate the tragic death of Osiris or Nimrod, who, as the reader may remember,
was divided into fourteen pieces, which were sent into so many different
regions infected by his apostacy and false worship, to operate in terrorem upon
all who might seek to follow his example. When the apostates regained their
power, the very first thing they did was to seek for these dismembered relics
of the great ringleader in idolatry, and to entomb them with every mark of
devotion. Thus does Plutarch describe the search: "Being acquainted with
this even [viz., the dismemberment of Osiris], Isis set out once more in search
of the scattered members of her husband's body, using a boat made of the
papyrus rush in order more easily to pass through the lower and fenny parts of
the country...And one reason assigned for the different sepulchres of Osiris
shown in Egypt is, that wherever any one of his scattered limbs was discovered
she buried it on the spot; though others suppose that it was owing to an
artifice of the queen, who presented each of those cities with an image of her
husband, in order that, if Typho should overcome Horus in the approaching
contest, he might be unable to find the real sepulchre. Isis succeeded in
recovering all the different members, with the exception of one, which had been
devoured by the Lepidotus, the Phagrus, and the Oxyrhynchus, for which reason
these fish are held in abhorrence by the Egyptians. To make amends, she
consecrated the Phallus, and instituted a solemn festival to its memory."
Not only does this show the real origin of relic worship it shows also that the
multiplication of relics can pretend to the most venerable antiquity. If,
therefore, Rome can boast that she has sixteen or twenty holy coats, seven or
eight arms of St. Matthew, two or three heads of St. Peter, this is nothing
more than Egypt could do in regard to the relics of Osiris. Egypt was covered
with sepulchres of its martyred god; and many a leg and arm and skull, all
vouched to be genuine, were exhibited in the rival burying-places for the
adoration of the Egyptian faithful. Nay, not only were these Egyptian relics
sacred themselves, they CONSECRATED THE VERY GROUND in which they were
entombed. This fact is brought out by Wilkinson, from a statement of Plutarch:
"The Temple of this deity at Abydos," says he, "was also
particularly honoured, and so holy was the place considered by the Egyptians,
that persons living at some distance from it sought, and perhaps with
difficulty obtained, permission to possess a sepulchre within its Necropolis,
in order that, after death, they might repose in GROUND HALLOWED BY THE TOMB of
this great and mysterious deity." If the places where the relics of Osiris
were buried were accounted peculiarly holy, it is easy to see how naturally
this would give rise to the pilgrimages so frequent among the heathen. The reader
does not need to be told what merit Rome attaches to such pilgrimages to the
tombs of saints, and how, in the Middle Ages, one of the most favourite ways of
washing away sin was to undertake a pilgrimage to the shrine of St. Jago di
Compostella in Spain, or the Holy Sepulchre in Jerusalem. Now, in the Scripture
there is not the slightest trace of any such thing as a pilgrimage to the tomb
of saint, martyr, prophet, or apostle. The very way in which the Lord saw fit
to dispose of the body of Moses in burying it Himself in the plains of Moab, so
that no man should ever known where his sepulchre was, was evidently designed
to rebuke every such feeling as that from which such pilgrimages arise. And
considering whence Israel had come, the Egyptian ideas with which they were
infected, as shown in the matter of the golden calf, and the high reverence
they must have entertained for Moses, the wisdom of God in so disposing of his
body must be apparent. In the land where Israel had so long sojourned, there
were great and pompous pilgrimages at certain season of the year, and these
often attended with gross excesses. Herodotus tells us, that in his time the
multitude who went annually on pilgrimage to Bubastis amounted to 700,000
individuals, and that then more wine was drunk than at any other time in the
year. Wilkinson thus refers to a similar pilgrimage to Philae: "Besides
the celebration of the great mysteries which took place at Philae, a grand
ceremony was performed at a particular time, when the priests, in solemn procession,
visited his tomb, and crowned it with flowers. Plutarch even pretends that all
access to the island was forbidden at every other period, and that no bird
would fly over it, or fish swim near this CONSECRATED GROUND." This seems
not to have been a procession merely of the priests in the immediate
neighbourhood of the tomb, but a truly national pilgrimage; for, says Diodorus,
"the sepulchre of Osiris at Philae is revered by all the priests
throughout Egypt." We have not the same minute information about the relic
worship in Assyria or Babylon; but we have enough to show that, as it was the
Babylonian god that was worshipped in Egypt under the name of Osiris, so in his
own country there was the same superstitious reverence paid to his relics. We
have seen already, that when the Babylonian Zoroaster died, he was said
voluntarily to have given his life as a sacrifice, and to have "charged
his countrymen to preserve his remains," assuring them that on the
observance or neglect of this dying command, the fate of their empire would
hinge. And, accordingly, we learn from Ovid, that the "Busta Nini,"
or "Tomb of Ninus," long ages thereafter, was one of the monuments of
Babylon. Now, in comparing the death and fabled resurrection of the false
Messiah with the death and resurrection of the true, when he actually appeared,
it will be found that there is a very remarkable contrast. When the false
Messiah died, limb was severed from limb, and his bones were scattered over the
country. When the death of the true Messiah took place, Providence so arranged
it that the body should be kept entire, and that the prophetic word should be
exactly fulfilled--"a bone of Him shall not be broken." When, again,
the false Messiah was pretended to have had a resurrection, that resurrection
was in a new body, while the old body, with all its members, was left behind,
thereby showing that the resurrection was nothing but a pretence and a sham.
When, however, the true Messiah was "declared to be the Son of God with
power, by the resurrection from the dead," the tomb, though jealously
watched by the armed unbelieving soldiery of Rome, was found to be absolutely
empty, and no dead body of the Lord was ever afterwards found, or even
pretended to have been found. The resurrection of Christ, therefore, stands on
a very different footing from the resurrection of Osiris. Of the body of
Christ, of course, in the nature of the case, there could be no relics. Rome,
however to carry out the Babylonian system, has supplied the deficiency by
means of the relics of the saints; and now the relics of St. Peter and St.
Paul, of St. Thomas A' Beckett and St. Lawrence O'Toole, occupy the very same
place in the worship of the Papacy as the relics of Osiris in Egypt, or of
Zoroaster in Babylon.
The Two Babylons
Alexander Hislop
Chapter V
Section III
The Clothing and Crowning of Images
In the Church of Rome, the clothing and crowning of images
form no insignificant part of the ceremonial. The sacred images are not
represented, like ordinary statues, with the garments formed of the same
material as themselves, but they have garments put on them from time to time,
like ordinary mortals of living flesh and blood. Great expense is often
lavished on their drapery; and those who present to them splendid robes are
believed thereby to gain their signal favour, and to lay up a large stock of
merit for themselves. Thus, in September, 1852, we find the duke and Duchess of
Montpensier celebrated in the Tablet, not only for their charity in
"giving 3000 reals in alms to the poor," but especially, and above
all, for their piety in "presenting the Virgin with a magnificent dress of
tissue of gold, with white lace and a silver crown." Somewhat about the
same time the piety of the dissolute Queen of Spain was testified by a similar
benefaction, when she deposited at the feet of the Queen of Heaven the homage
of the dress and jewels she wore on a previous occasion of solemn thanksgiving,
as well as the dress in which she was attired when she was stabbed by the
assassin Merino. "The mantle," says the Spanish journal Espana,
"exhibited the marks of the wound, and its ermine lining was stained with
the precious blood of Her Majesty. In the basket (that bore the dresses) were
likewise the jewels which adorned Her Majesty's head and breast. Among them was
a diamond stomacher, so exquisitely wrought, and so dazzling, that it appeared
to be wrought of a single stone." This is all sufficiently childish, and
presents human nature in a most humiliating aspect; but it is just copied from
the old Pagan worship. The same clothing and adorning of the gods went on in Egypt,
and there were sacred persons who alone could be permitted to interfere with so
high a function. Thus, in the Rosetta Stone we find these sacred functionaries
distinctly referred to: "The chief priests and prophets, and those who
have access to the adytum to clothe the gods, ... assembled in the temple at
Memphis, established the following decree." The "clothing of the
gods" occupied an equally important place in the sacred ceremonial of
ancient Greece. Thus, we find Pausanias referring to a present made to Minerva:
"In after times Laodice, the daughter of Agapenor, sent a veil to Tegea,
to Minerva Alea." The epigram [inscription] on this offering indicates, at
the same time, the origin of Laodice:--
"Laodice, from Cyprus, the divine,
To her paternal wide-extended land,
This veil--an offering to Minerva--sent."
Thus, also, when Hecuba, the Trojan queen, in the instance
already referred to, was directed to lead the penitential procession through
the streets of Troy to Minverva's temple, she was commanded not to go
empty-handed, but to carry along with her, as her most acceptable offering:--
"The largest mantle your full wardrobes hold,
Most prized for art, and laboured o'er with gold."
The royal lady punctually obeyed:--
"The Phrygian queen to her rich wardrobe went,
Where treasured odours breathed a costly scent;
There lay the vestures of no vulgar art;
Sidonian maids embroidered every part,
Whom from soft Sydon youthful Paris bore,
With Helen touching on the Tyrian shore.
Here, as the Queen revolved with careful eyes
The various textures and the various dyes,
She chose a veil that shone superior far,
And glowed refulgent as the morning star."
There is surely a wonderful resemblance here between the piety
of the Queen of Troy and that of the Queen of Spain. Now, in ancient Paganism
there was a mystery couched under the clothing of the gods. If gods and
goddesses were so much pleased by being clothed, it was because there had once
been a time in their history when they stood greatly in need of clothing. Yes,
it can be distinctly established, as has been already hinted, that ultimately
the great god and great goddess of Heathenism, while the facts of their own
history were interwoven with their idolatrous system, were worshipped also as
incarnations of our great progenitors, whose disastrous fall stripped them of
their primeval glory, and made it needful that the hand Divine should cover
their nakedness with clothing specially prepared for them. I cannot enter here
into an elaborate proof of this point; but let the statement of Herodotus be
pondered in regard to the annual ceremony, observed in Egypt, of slaying a ram,
and clothing the FATHER OF THE GODS with its skin. Compare this statement with
the Divine record in Genesis about the clothing of the "Father of
Mankind" in a coat of sheepskin; and after all that we have seen of the
deification of dead men, can there be a doubt what it was that was thus
annually commemorated? Nimrod himself, when he was cut in pieces, was
necessarily stripped. That exposure was identified with the nakedness of Noah,
and ultimately with that of Adam. His sufferings were represented as
voluntarily undergone for the good of mankind. His nakedness, therefore, and
the nakedness of the "Father of the gods," of whom he was an
incarnation, was held to be a voluntary humiliation too. When, therefore, his
suffering was over, and his humiliation past, the clothing in which he was
invested was regarded as a meritorious clothing, available not only for
himself, but for all who were initiated in his mysteries. In the sacred rites
of the Babylonian god, both the exposure and the clothing that were represented
as having taken place, in his own history, were repeated on all his
worshippers, in accordance with the statement of Firmicus, that the initiated
underwent what their god had undergone. First, after being duly prepared by
magic rites and ceremonies, they were ushered, in a state of absolute nudity,
into the innermost recesses of the temple. This appears from the following
statement of Proclus: "In the most holy of the mysteries, they say that
the mystics at first meet with the many-shaped genera [i.e., with evil demons],
which are hurled forth before the gods: but on entering the interior parts of
the temple, unmoved and guarded by the mystic rites, they genuinely receive in
their bosom divine illumination, and, DIVESTED OF THEIR GARMENTS, participate,
as they would say, of a divine nature." When the initiated, thus
"illuminated" and made partakers of a "divine nature,"
after being "divested of their garments," were clothed anew, the
garments with which they were invested were looked upon as "sacred
garments," and possessing distinguished virtues. "The coat of
skin" with which the Father of mankind was divinely invested after he was
made so painfully sensible of his nakedness, was, as all intelligent
theologians admit, a typical emblem of the glorious righteousness of
Christ--"the garment of salvation," which is "unto all and upon
all them that believe." The garments put upon the initiated after their
disrobing of their former clothes, were evidently intended as a counterfeit of
the same. "The garments of those initiated in the Eleusinian
Mysteries," says Potter, "were accounted sacred, and of no less
efficacy to avert evils than charms and incantations. They were never cast off
till completely worn out." And of course, if possible, in these
"sacred garments" they were buried; for Herodotus, speaking of Egypt,
whence these mysteries were derived, tells us that "religion" prescribed
the garments of the dead. The efficacy of "sacred garments" as a
means of salvation and delivering from evil in the unseen and eternal world,
occupies a foremost place in many religions. Thus the Parsees, the fundamental
elements of whose system came from the Chaldean Zoroaster, believe that
"the sadra or sacred vest" tends essentially to "preserve the
departed soul from the calamities accruing from Ahriman," or the Devil;
and they represent those who neglect the use of this "sacred vest" as
suffering in their souls, and "uttering the most dreadful and appalling
cries," on account of the torments inflicted on them "by all kinds of
reptiles and noxious animals, who assail them with their teeth and stings, and
give them not a moment's respite." What could have ever led mankind to
attribute such virtue to a "sacred vest"? If it be admitted that it
is just a perversion of the "sacred garment" put on our first
parents, all is clear. This, too, accounts for the superstitious feeling in the
Papacy, otherwise so unaccountable, that led so many in the dark ages to
fortify themselves against the fears of the judgment to come, by seeking to be
buried in a monk's dress. "To be buried in a friar's cast-off habit,
accompanied by letters enrolling the deceased in a monastic order, was accounted
a sure deliverance from eternal condemnation! In 'Piers the Ploughman's Creed,'
a friar is described as wheedling a poor man out of his money by assuring him
that, if he will only contribute to his monastery,
'St. Francis himself shall fold thee in his cope,
And present thee to the Trinity, and pray for thy sins.'"
In virtue of the same superstitious belief, King John of
England was buried in a monk's cowl; and many a royal and noble personage
besides, "before life and immortality" were anew "brought to
light" at the Reformation, could think of no better way to cover their
naked and polluted souls in prospect of death, than by wrapping themselves in
the garment of some monk or friar as unholy as themselves. Now, all these
refuges of lies, in Popery as well as Paganism, taken in connection with the
clothing of the saints of the one system, and of the gods of the other, when
traced to their source, show that since sin entered the world, man has ever
felt the need of a better righteousness than his own to cover him, and that the
time was when all the tribes of the earth knew that the only righteousness that
could avail for such a purpose was "the righteousness of God," and
that of "God manifest in the flesh."
Intimately connected with the "clothing of the images of
the saints" is also the "crowning" of them. For the last two
centuries, in the Popish communion, the festivals for crowning the "sacred
images" have been more and more celebrated. In Florence, a few years ago,
the image of the Madonna with the child in her arms was "crowned"
with unusual pomp and solemnity. Now, this too arose out of the facts
commemorated in the history of Bacchus or Osiris. As Nimrod was the first king
after the Flood, so Bacchus was celebrated as the first who wore a crown. *
* PLINY, Hist. Nat. Under the name of Saturn, also, the same
thing was attributed to Nimrod.
When, however, he fell into the hands of his enemies, as he
was stripped of all his glory and power, he was stripped also of his crown. The
"Falling of the crown from the head of Osiris" was specially
commemorated in Egypt. That crown at different times was represented in
different ways, but in the most famous myth of Osiris it was represented as a
"Melilot garland." Melilot is a species of trefoil; and trefoil in
the Pagan system was one of the emblems of the Trinity. Among the Tractarians
at this day, trefoil is used in the same symbolical sense as it has long been
in the Papacy, from which Puseyism has borrowed it. Thus, in a blasphemous
Popish representation of what is called God the Father (of the fourteenth
century), we find him represented as wearing a crown with three points, each of
which is surmounted with a leaf of white clover. But long before Tractarianism
or Romanism was known, trefoil was a sacred symbol. The clover leaf was
evidently a symbol of high import among the ancient Persians; for thus we find
Herodotus referring to it, in describing the rites of the Persian
Magi--"If any (Persian) intends to offer to a god, he leads the animal to
a consecrated spot. Then, dividing the victim into parts, he boils the flesh,
and lays it upon the most tender herbs, especially TREFOIL. This done, a
magus--without a magus no sacrifice can be performed--sings a sacred
hymn." In Greece, the clover, or trefoil, in some form or other, had also
occupied an important place; for the rod of Mercury, the conductor of souls, to
which such potency was ascribed, was called "Rabdos Tripetelos," or
"the three-leaved rod." Among the British Druids the white clover leaf
was held in high esteem as an emblem of their Triune God, and was borrowed from
the same Babylonian source as the rest of their religion. The Melilot, or
trefoil garland, then, with which the head of Osiris was bound, was the crown
of the Trinity--the crown set on his head as the representative of the
Eternal--"The crown of all the earth," in accordance with the voice
divine at his birth, "The Lord of all the earth is born." Now, as
that "Melilot garland," that crown of universal dominion, fell
"from his head" before his death, so, when he rose to new life, the
crown must be again set upon his head, and his universal dominion solemnly
avouched. Hence, therefore, came the solemn crowning of the statues of the
great god, and also the laying of the "chaplet" on his altar, as a trophy
of his recovered "dominion." But if the great god was crowned, it was
needful also that the great goddess should receive a similar honour. Therefore
it was fabled that when Bacchus carried his wife Ariadne to heaven, in token of
the high dignity bestowed upon her, he set a crown upon her head; and the
remembrance of this crowning of the wife of the Babylonian god is perpetuated
to this hour by the well-known figure in the sphere called Ariadnoea corona, or
"Ariadne's crown." This is, beyond question, the real source of the
Popish rite of crowning the image of the Virgin.
From the fact that the Melilot garland occupied so conspicuous
a place in the myth of Osiris, and that the "chaplet" was laid on his
altar, and his tomb was "crowned" with flowers, arose the custom, so
prevalent in heathenism, of adorning the altars of the gods with
"chaplets" of all sorts, and with a gay profusion of flowers. Side by
side with this reason for decorating the altars with flowers, there was also
another. When in
"That fair field
Of Enna, Proserpine gathering flowers,
Herself, a fairer flower, by gloom Dis,
Was gathered;"
and all the flowers she had stored up in her lap were lost,
the loss thereby sustained by the world not only drew forth her own tears, but
was lamented in the Mysteries as a loss of no ordinary kind, a loss which not
only stripped her of her own spiritual glory, but blasted the fertility and
beauty of the earth itself. *
* OVID, Metamorphoses. Ovid speaks of the tears which
Proserpine shed when, on her robe being torn from top to bottom, all the
flowers which she had been gathering up in it fell to the ground, as showing
only the simplicity of a girlish mind. But this is evidently only for the
uninitiated. The lamentations of Ceres, which were intimately connected with
the fall of these flowers, and the curse upon the ground that immediately
followed, indicated something entirely different. But on that I cannot enter
here.
That loss, however, the wife of Nimrod, under the name of
Astarte, or Venus, was believed to have more than repaired. Therefore, while
the sacred "chaplet" of the discrowned god was placed in triumph anew
on his head and on his altars, the recovered flowers which Proserpine had lost
were also laid on these altars along with it, in token of gratitude to that
mother of grace and goodness, for the beauty and temporal blessings that the
earth owed to her interposition and love. In Pagan Rome especially this was the
case. The altars were profusely adorned with flowers. From that source directly
the Papacy has borrowed the custom of adorning the altar with flowers; and from
the Papacy, Puseyism, in Protestant England, is labouring to introduce the
custom among ourselves. But, viewing it in connection with its source, surely
men with the slightest spark of Christian feeling may well blush to think of
such a thing. It is not only opposed to the genius of the Gospel dispensation,
which requires that they who worship God, who is a Spirit, "worship Him in
spirit and in truth"; but it is a direct symbolising with those who
rejoiced in the re-establishment of Paganism in opposition to the worship of
the one living and true God.
The Two Babylons
Alexander Hislop
Chapter V
Section IV
The Rosary and the Worship of the Sacred Heart
Every one knows how thoroughly Romanist is the use of the
rosary; and how the devotees of Rome mechanically tell their prayers upon their
beads. The rosary, however, is no invention of the Papacy. It is of the highest
antiquity, and almost universally found among Pagan nations. The rosary was
used as a sacred instrument among the ancient Mexicans. It is commonly employed
among the Brahmins of Hindustan; and in the Hindoo sacred books reference is
made to it again and again. Thus, in an account of the death of Sati, the wife
of Shiva, we find the rosary introduced: "On hearing of this event, Shiva
fainted from grief; then, having recovered, he hastened to the banks of the
river of heaven, where he beheld lying the body of his beloved Sati, arrayed in
white garments, holding a rosary in her hand, and glowing with splendour,
bright as burnished gold." In Thibet it has been used from time
immemorial, and among all the millions in the East that adhere to the Buddhist
faith. The following, from Sir John F. Davis, will show how it is employed in
China: "From the Tartar religion of the Lamas, the rosary of 108 beads has
become a part of the ceremonial dress attached to the nine grades of official
rank. It consists of a necklace of stones and coral, nearly as large as a pigeon's
egg, descending to the waist, and distinguished by various beads, according to
the quality of the wearer. There is a small rosary of eighteen beads, of
inferior size, with which the bonzes count their prayers and ejaculations
exactly as in the Romish ritual. The laity in China sometimes wear this at the
wrist, perfumed with musk, and give it the name of Heang-choo, or fragrant
beads." In Asiatic Greece the rosary was commonly used, as may be seen
from the image of the Ephesian Diana. In Pagan Rome the same appears to have
been the case. The necklaces which the Roman ladies wore were not merely
ornamental bands about the neck, but hung down the breast, just as the modern
rosaries do; and the name by which they were called indicates the use to which
they were applied. "Monile," the ordinary word for a necklace, can
have no other meaning than that of a "Remembrancer." Now, whatever
might be the pretence, in the first instance, for the introduction of such
"Rosaries" or "Remembrancers," the very idea of such a thing
is thoroughly Pagan. * It supposes that a certain number of prayers must be
regularly gone over; it overlooks the grand demand which God makes for the
heart, and leads those who use them to believe that form and routine are
everything, and that "they must be heard for their much speaking."
* "Rosary" itself seems to be from the Chaldee
"Ro," "thought," and "Shareh,"
"director."
In the Church of Rome a new kind of devotion has of late been
largely introduced, in which the beads play an important part, and which shows
what new and additional strides in the direction of the old Babylonian Paganism
the Papacy every day is steadily making. I refer to the "Rosary of the
Sacred Heart." It is not very long since the worship of the "Sacred
Heart" was first introduced; and now, everywhere it is the favourite
worship. It was so in ancient Babylon, as is evident from the Babylonian system
as it appeared in Egypt. There also a "Sacred Heart" was venerated.
The "Heart" was one of the sacred symbols of Osiris when he was born
again, and appeared as Harpocrates, or the infant divinity, * borne in the arms
of his mother Isis.
* The name Harpocrates, as shown by Bunsen, signifies
"Horus, the child."
Therefore, the fruit of the Egyptian Persea was peculiarly
sacred to him, from its resemblance to the "HUMAN HEART." Hence this
infant divinity was frequently represented with a heart, or the heart-shaped
fruit of the Persea, in one of his hands. The following extract, from John
Bell's criticism on the antiques in the Picture Gallery of Florence, will show
that the boyish divinity had been represented elsewhere also in ancient times
in the same manner. Speaking of a statue of Cupid, he says it is "a fair,
full, fleshy, round boy, in fine and sportive action, tossing back a
heart." Thus the boy-god came to be regarded as the "god of the
heart," in other words, as Cupid, or the god of love. To identify this
infant divinity, with his father "the mighty hunter," he was equipped
with "bow and arrows"; and in the hands of the poets, for the
amusement of the profane vulgar, this sportive boy-god was celebrated as taking
aim with his gold-tipped shafts at the hearts of mankind. His real character,
however, as the above statement shows, and as we have seen reason already to
conclude, was far higher and of a very different kind. He was the woman's seed.
Venus and her son Cupid, then, were none other than the Madonna and the child.
Looking at the subject in this light, the real force and meaning of the
language will appear, which Virgil puts into the mouth of Venus, when
addressing the youthful Cupid:--
"My son, my strength, whose mighty power alone
Controls the thunderer on his awful throne,
To thee thy much afflicted mother flies,
And on thy succour and thy faith relies."
From what we have seen already as to the power and glory of
the Goddess Mother being entirely built on the divine character attributed to
her Son, the reader must see how exactly this is brought out, when the Son is
called "THE STRENGTH" of his Mother. As the boy-god, whose symbol was
the heart, was recognised as the god of childhood, this very satisfactorily
accounts for one of the peculiar customs of the Romans. Kennett tells us, in
his Antiquities, that the Roman youths, in their tender years, used to wear a
golden ornament suspended from their necks, called bulla, which was hollow, and
heart-shaped. Barker, in his work on Cilicia, while admitting that the Roman
bulla was heart-shaped, further states, that "it was usual at the birth of
a child to name it after some divine personage, who was supposed to receive it
under his care"; but that the "name was not retained beyond infancy,
when the bulla was given up." Who so likely to be the god under whose
guardianship the Roman children were put, as the god under one or other of his
many names whose express symbol they wore, and who, while he was recognised as
the great and mighty war-god, who also exhibited himself in his favourite form
as a little child?
The veneration of the "sacred heart" seems also to
have extended to India, for there Vishnu, the Mediatorial god, in one of his
forms, with the mark of the wound in his foot, in consequence of which he died,
and for which such lamentation is annually made, is represented as wearing a
heart suspended on his breast. It is asked, How came it that the
"Heart" became the recognised symbol of the Child of the great
Mother? The answer is, "The Heart" in Chaldee is "BEL"; and
as, at first, after the check given to idolatry, almost all the most important
elements of the Chaldean system were introduced under a veil, so under that
veil they continued to be shrouded from the gaze of the uninitiated, after the
first reason--the reason of fear--had long ceased to operate. Now, the worship
of the "Sacred Heart" was just, under a symbol, the worship of the
"Sacred Bel," that mighty one of Babylon, who had died a martyr for
idolatry; for Harpocrates, or Horus, the infant god, was regarded as Bel, born
again. That this was in very deed the case, the following extract from Taylor,
in one of his notes to his translation of the Orphic Hymns, will show.
"While Bacchus," says he, was "beholding himself" with
admiration "in a mirror, he was miserably torn to pieces by the Titans,
who, not content with this cruelty, first boiled his members in water, and
afterwards roasted them in the fire; but while they were tasting his flesh thus
dressed, Jupiter, excited by the steam, and perceiving the cruelty of the deed,
hurled his thunder at the Titans, but committed his members to Apollo, the
brother of Bacchus, that they might be properly interred. And this being
performed, Dionysius [i.e., Bacchus], (whose HEART, during his laceration, was
snatched away by Minerva and preserved) by a new REGENERATION, again emerged,
and he being restored to his pristine life and integrity, afterwards filled up
the number of the gods." This surely shows, in a striking light, the
peculiar sacredness of the heart of Bacchus; and that the regeneration of his
heart has the very meaning I have attached to it--viz., the new birth or new
incarnation of Nimrod or Bel. When Bel, however was born again as a child, he
was, as we have seen, represented as an incarnation of the sun. Therefore, to
indicate his connection with the fiery and burning sun, the "sacred
heart" was frequently represented as a "heart of flame." So the
"Sacred Heart" of Rome is actually worshipped as a flaming heart, as
may be seen on the rosaries devoted to that worship. Of what use, then, is it
to say that the "Sacred Heart" which Rome worships is called by the
name of "Jesus," when not only is the devotion given to a material
image borrowed from the worship of the Babylonian Antichrist, but when the
attributes ascribed to that "Jesus" are not the attributes of the
living and loving Saviour, but the genuine attributes of the ancient Moloch or
Bel?
The Two Babylons
Alexander Hislop
Chapter V
Section V
Lamps and Wax-Candles
Another peculiarity of the Papal worship is the use of lamps
and wax-candles. If the Madonna and child are set up in a niche, they must have
a lamp to burn before them; if mass is to be celebrated, though in broad
daylight, there must be wax-candles lighted on the altar; if a grand procession
is to be formed, it cannot be thorough and complete without lighted tapers to grace
the goodly show. The use of these lamps and tapers comes from the same source
as all the rest of the Papal superstition. That which caused the
"Heart," when it became an emblem of the incarnate Son, to be
represented as a heart on fire, required also that burning lamps and lighted
candles should form part of the worship of that Son; for so, according to the
established rites of Zoroaster, was the sun-god worshipped. When every Egyptian
on the same night was required to light a lamp before his house in the open
air, this was an act of homage to the sun, that had veiled its glory by
enshrouding itself in a human form. When the Yezidis of Koordistan, at this
day, once a year celebrate their festival of "burning lamps," that,
too, is to the honour of Sheikh Shems, or the Sun. Now, what on these high
occasions was done on a grand scale was also done on a smaller scale, in the
individual acts of worship to their god, by the lighting of lamps and tapers
before the favourite divinity. In Babylon, this practice had been exceedingly
prevalent, as we learn from the Apocryphal writer of the Book of Baruch.
"They (the Babylonians)," says he, "light up lamps to their
gods, and that in greater numbers, too, than they do for themselves, although
the gods cannot see one of them, and are senseless as the beams of their
houses." In Pagan Rome, the same practice was observed. Thus we find
Licinius, the Pagan Emperor, before joining battle with Constantine, his rival,
calling a council of his friends in a thick wood, and there offering sacrifices
to his gods, "lighting up wax-tapers" before them, and at the same
time, in his speech, giving his gods a hint, that if they did not give him the
victory against Constantine, his enemy and theirs, he would be under the necessity
of abandoning their worship, and lighting up no more "wax-tapers to their
honour." In the Pagan processions, also, at Rome, the wax-candles largely
figured. "At these solemnities," says Dr. Middleton, referring to
Apuleius as his authority, "at these solemnities, the chief magistrate
used frequently to assist, in robes of ceremony, attended by the priests in
surplices, with wax-candles in their hands, carrying upon a pageant or thensa,
the images of their gods, dressed out in their best clothes; these were usually
followed by the principal youth of the place, in white linen vestments or
surplices, singing hymns in honour of the gods whose festivals they were
celebrating, accompanied by crowds of all sorts that were initiated in the same
religion, all with flambeaux or wax-candles in their hands." Now, so
thoroughly and exclusively Pagan was this custom of lighting up lamps and
candles in daylight, that we find Christian writers, such as Lactantius, in the
fourth century, exposing the absurdity of the practice, and deriding the Romans
"for lighting up candles to God, as if He lived in the dark." Had
such a custom at that time gained the least footing among Christians,
Lactantius could never have ridiculed it as he does, as a practice peculiar to
Paganism. But what was unknown to the Christian Church in the beginning of the
fourth century, soon thereafter began to creep in, and now forms one of the
most marked peculiarities of that community that boasts that it is the
"Mother and mistress of all Churches."
While Rome uses both lamps and wax-candles in her sacred
rites, it is evident, however, that she attributes some pre-eminent virtue to
the latter above all other lights. Up to the time of the Council of Trent, she
thus prayed on Easter Eve, at the blessing of the Easter candles: "Calling
upon thee in thy works, this holy Eve of Easter, we offer most humbly unto thy
Majesty this sacrifice; namely, a fire not defiled with the fat of flesh, nor
polluted with unholy oil or ointment, nor attained with any profane fire; but
we offer unto thee with obedience, proceeding from perfect devotion, a fire of
wrought WAX and wick, kindled and made to burn in honour of thy name. This so
great a MYSTERY therefore, and the marvellous sacrament of this holy eve, must
needs be extolled with due and deserved praises." That there was some
occult "Mystery," as is here declared, couched under the
"wax-candles," in the original system of idolatry, from which Rome
derived its ritual, may be well believed, when it is observed with what
unanimity nations the most remote have agreed to use wax-candles in their
sacred rites. Among the Tungusians, near the Lake Baikal in Siberia,
"wax-tapers are placed before the Burchans," the gods or idols of
that country. In the Molucca Islands, wax-tapers are used in the worship of
Nito, or Devil, whom these islanders adore. "Twenty or thirty persons
having assembled," says Hurd, "they summon the Nito, by beating a
small consecrated drum, whilst two or more of the company light up wax-tapers,
and pronounce several mysterious words, which they consider as able to conjure
him up." In the worship of Ceylon, the use of wax-candles is an
indispensable requisite. "In Ceylon," says the same author,
"some devotees, who are not priests, erect chapels for themselves, but in
each of them they are obliged to have an image of Buddha, and light up tapers
or wax-candles before it, and adorn it with flowers." A practice thus so
general must have come from some primeval source, and must have originally had
some mystic reason at the bottom of it. The wax-candle was, in fact, a
hieroglyphic, like so many other things which we have already seen, and was
intended to exhibit the Babylonian god in one of the essential characters of
the Great Mediator. The classic reader may remember that one of the gods of
primeval antiquity was called Ouranos, * that is, "The Enlightener."
* For Aor or our, "light," and an, "to act
upon" or produce, the same as our English particle en, "to
make." Ouranos, then, is "The Enlightener." This Ouranos is, by
Sanchuniathon, the Phoenician, called the son of Elioun--i.e., as he himself,
or Philo-Byblius, interprets the name, "The Most High." (SANCH)
Ouranos, in the physical sense, is "The Shiner"; and by Hesychius it
is made equivalent to Kronos, which also has the same meaning, for Krn, the
verb from which it comes, signifies either "to put forth horns," or
"to send forth rays of light"; and, therefore, while the epithet
Kronos, or "The Horned One," had primarily reference to the physical
power of Nimrod as a "mighty" king; when that king was deified, and
made "Lord of Heaven," that name, Kronos, was still applied to him in
his new character as "The Shiner or Lightgiver." The distinction made
by Hesiod between Ouranos and Kronos, is no argument against the real substantial
identity of these divinities originally as Pagan divinities; for Herodotus
states that Hesiod had a hand in "inventing a theogony" for the
Greeks, which implies that some at least of the details of that theogony must
have come from his own fancy; and, on examination, it will be found, when the
veil of allegory is removed, that Hesiod's "Ouranos," though
introduced as one of the Pagan gods, was really at bottom the "God of
Heaven," the living and true God.
In this very character was Nimrod worshipped when he was
deified. As the Sun-god he was regarded not only as the illuminator of the
material world, but as the enlightener of the souls of men, for he was
recognised as the revealer of "goodness and truth." It is evident,
from the Old Testament, not less than the New, that the proper and personal
name of our Lord Jesus Christ is, "The Word of God," as the Revealer
of the heart and counsels of the Godhead. Now, to identify the Sun-god with the
Great Revealer of the Godhead, while under the name of Mithra, he was exhibited
in sculpture as a Lion; that Lion had a Bee represented between his lips. The
bee between the lips of the sun-god was intended to point him out as "the
Word"; for Dabar, the expression which signifies in Chaldee a "Bee,"
signifies also a "Word"; and the position of that bee in the mouth
leaves no doubt as to the idea intended to be conveyed. It was intended to
impress the belief that Mithra (who, says Plutarch, was worshipped as Mesites,
"The Mediator"), in his character as Ouranos, "The Enlightener,"
was no other than that glorious one of whom the Evangelist John says, "In
the beginning was the Word, and the Word was with God, and the Word was God.
The same was in the beginning with God...In Him was life; and the life was THE
LIGHT OF MEN." The Lord Jesus Christ ever was the revealer of the Godhead,
and must have been known to the patriarchs as such; for the same Evangelist
says, "No man hath seen God at any time: the only-begotten Son, which is
in the bosom of the Father, He hath declared," that is, He hath revealed
"Him." Before the Saviour came, the ancient Jews commonly spoke of
the Messiah, or the Son of God, under the name of Dabar, or the
"Word." This will appear from a consideration of what is stated in
the 3rd chapter of 1st Samuel. In the first verse of that chapter it is said,
"The WORD of the Lord was precious in those days; there was no open
vision," that is, in consequence of the sin of Eli, the Lord had not, for
a long time, revealed Himself in vision to him, as He did to the prophets. When
the Lord had called Samuel, this "vision" of the God of Israel was
restored (though not to Eli), for it is said in the last verse (v 21),
"And the Lord APPEARED again in Shiloh; for the Lord revealed Himself to
Samuel by the WORD of the Lord." Although the Lord spake to Samuel, this
language implies more than speech, for it is said, "The LORD
appeared"--i.e., was seen. When the Lord revealed Himself, or was seen by
Samuel, it is said that it was "by (Dabar) the Word of the Lord." The
"Word of the Lord" to be visible, must have been the personal
"Word of God," that is, Christ. *
* After the Babylonish captivity, as the Chaldee Targums or
Paraphrases of the Old Testament show, Christ was commonly called by the title
"The Word of the Lord." In these Targums of later Chaldee, the term
for "The Word" is "Mimra"; but this word, though a synonym
for that which is used in the Hebrew Scriptures, is never used there. Dabar is
the word employed. This is so well recognised that, in the Hebrew translation
of John's Gospel in Bagster's Polyglott, the first verse runs thus: "In
the beginning was the Word (Dabar)."
This had evidently been a primitive name by which He was
known; and therefore it is not wonderful that Plato should speak of the second
person of his Trinity under the name of the Logos, which is just a translation
of "Dabar," or "the Word." Now, the light of the
wax-candle, as the light from Dabar, "the Bee," was set up as the
substitute of the light of Dabar, "the Word." Thus the apostates
turned away from the "True Light," and set up a shadow in His stead.
That this was really the case is plain; for, says Crabb, speaking of Saturn,
"on his altars were placed wax-tapers lighted, because by Saturn men were
reduced from the darkness of error to the light of truth." In Asiatic
Greece, the Babylonian god was evidently recognised as the Light-giving
"Word," for there we find the Bee occupying such a position as makes
it very clear that it was a symbol of the great Revealer. Thus we find Muller
referring to the symbols connected with the worship of the Ephesian Diana:
"Her constant symbol is the bee, which is not otherwise attributed to
Diana...The chief priest himself was called Essen, or the king-bee." The
character of the chief priest shows the character of the god he represented.
The contemplar divinity of Diana, the tower-bearing goddess, was of course the
same divinity as invariably accompanied the Babylonian goddess: and this title
of the priest shows that the Bee which appeared on her medals was just another
symbol for her child, as the "Seed of the Woman," in his assumed
character, as Dabar, "The Word" that enlightened the souls of men.
That this is the precise "Mystery" couched under the wax-candles
burning on the altars of the Papacy, we have very remarkable evidence from its
own formularies; for, in the very same place in which the "Mystery"
of the wax-candle is spoken of, thus does Rome refer to the Bee, by which the
wax is produced: "Forasmuch as we do marvellously wonder, in considering
the first beginning of this substance, to wit, wax-tapers, then must we of
necessity greatly extol the original of Bees, for...they gather the flowers
with their feet, yet the flowers are not injured thereby; they bring forth no
young ones, but deliver their young swarms through their mouths, like as Christ
(for a wonderful example) is proceeded from His Father's MOUTH." *
* Review of Epistle of DR. GENTIANUS HARVET of Louvaine. This
work, which is commonly called The Beehive of the Roman Church, contains the
original Latin of the passage translated above. The passage in question is to
be found in at least two Roman Missals, which, however, are now very
rare--viz., one printed at Vienna in 1506, with which the quotation in the text
has been compared and verified; and one printed at Venice in 1522. These dates
are antecedent to the establishment of the Reformation; and it appears that
this passage was expunged from subsequent editions, as being unfit to stand the
searching scrutiny to which everything in regard to religion was subjected in
consequence of that great event. The ceremonial of blessing the candles,
however, which has no place in the Pontificale Romanum in the Edinburgh
Advocates' Library, is to be found in the Pontificale Romanum, Venice, 1542,
and in Pontificale Romanum, Venice, 1572. In the ceremony of blessing the
candles, given in the Roman Missal, printed at Paris, 1677, there is great
praise of the Bee, strongly resembling the passage quoted in the text. The
introduction of such an extraordinary formula into a religious ceremony is of
very ancient date, and is distinctly traced to an Italian source; for, in the
words of the Popish Bishop Ennodius, who occupied an Italian diocese in the
sixth century, we find the counterpart of that under consideration. Thus, in a
prayer in regard to the "Easter Candle," the reason for offering up
the wax-candle is expressly declared to be, because that through means of the
bees that produce the wax of which it is made, "earth has an image of what
is PECULIAR TO HEAVEN," and that in regard to the very subject of
GENERATION; the bees being able, "through the virtue of herbs, to pour
forth their young through their MOUTHS with less waste of time than all other
creatures do in the ordinary way." This prayer contains the precise idea
of the prayer in the text; and there is only one way of accounting for the
origin of such an idea. It must have come from a Chaldean Liturgy.
Here it is evident that Christ is referred to as the
"Word of God"; and how could any imagination ever have conceived such
a parallel as is contained in this passage, had it not been for the equivoque
[wordplay, double meaning] between "Dabar," "the Bee," and
"Dabar," "The Word." In a Popish work already quoted, the
Pancarpium Marianum, I find the Lord Jesus expressly called by the name of the
Bee. Referring to Mary, under the title of "The Paradise of Delight,"
the author thus speaks: "In this Paradise that celestial Bee, that is, the
incarnate Wisdom, did feed. Here it found that dropping honeycomb, with which the
whole bitterness of the corrupted world has been turned into sweetness."
This blasphemously represents the Lord Jesus as having derived everything
necessary to bless the world from His mother! Could this ever have come from
the Bible? No. It must have come only from the source where the writer learned
to call "the incarnate Wisdom" by the name of the Bee. Now, as the
equivoque from which such a name applied to the Lord Jesus springs, is founded
only on the Babylonian tongue, it shows whence his theology has come, and it
proves also to demonstration that this whole prayer about the blessing of
wax-candles must have been drawn from a Babylonian prayer-book. Surely, at
every step, the reader must see more and more the exactitude of the Divine name
given to the woman on the seven mountains, "Mystery, Babylon the
Great"!
The Two Babylons
Alexander Hislop
Chapter V
Section VI
The Sign of the Cross
There is yet one more symbol of the Romish worship to be
noticed, and that is the sign of the cross. In the Papal system as is well
known, the sign of the cross and the image of the cross are all in all. No
prayer can be said, no worship engaged in, no step almost can be taken, without
the frequent use of the sign of the cross. The cross is looked upon as the
grand charm, as the great refuge in every season of danger, in every hour of
temptation as the infallible preservative from all the powers of darkness. The
cross is adored with all the homage due only to the Most High; and for any one
to call it, in the hearing of a genuine Romanist, by the Scriptural term,
"the accursed tree," is a mortal offence. To say that such
superstitious feeling for the sign of the cross, such worship as Rome pays to a
wooden or a metal cross, ever grew out of the saying of Paul, "God forbid
that I should glory, save in the cross of our Lord Jesus Christ"--that is,
in the doctrine of Christ crucified--is a mere absurdity, a shallow subterfuge
and pretence. The magic virtues attributed to the so-called sign of the cross,
the worship bestowed on it, never came from such a source. The same sign of the
cross that Rome now worships was used in the Babylonian Mysteries, was applied
by Paganism to the same magic purposes, was honoured with the same honours.
That which is now called the Christian cross was originally no Christian emblem
at all, but was the mystic Tau of the Chaldeans and Egyptians--the true
original form of the letter T--the initial of the name of Tammuz--which, in
Hebrew, radically the same as ancient Chaldee, was found on coins. That mystic
Tau was marked in baptism on the foreheads of those initiated in the Mysteries,
* and was used in every variety of way as a most sacred symbol.
* TERTULLIAN, De Proescript. Hoeret. The language of
Tertullian implies that those who were initiated by baptism in the Mysteries
were marked on the forehead in the same way, as his Christian countrymen in
Africa, who had begun by this time to be marked in baptism with the sign of the
cross.
To identify Tammuz with the sun it was joined sometimes to the
circle of the sun; sometimes it was inserted in the circle. Whether the Maltese
cross, which the Romish bishops append to their names as a symbol of their
episcopal dignity, is the letter T, may be doubtful; but there seems no reason
to doubt that that Maltese cross is an express symbol of the sun; for Layard
found it as a sacred symbol in Nineveh in such a connection as led him to
identify it with the sun. The mystic Tau, as the symbol of the great divinity,
was called "the sign of life"; it was used as an amulet over the
heart; it was marked on the official garments of the priests, as on the
official garments of the priests of Rome; it was borne by kings in their hand,
as a token of their dignity or divinely-conferred authority. The Vestal virgins
of Pagan Rome wore it suspended from their necklaces, as the nuns do now. The
Egyptians did the same, and many of the barbarous nations with whom they had
intercourse, as the Egyptian monuments bear witness. In reference to the
adorning of some of these tribes, Wilkinson thus writes: "The girdle was
sometimes highly ornamented; men as well as women wore earrings; and they
frequently had a small cross suspended to a necklace, or to the collar of their
dress. The adoption of this last was not peculiar to them; it was also appended
to, or figured upon, the robes of the Rot-n-no; and traces of it may be seen in
the fancy ornaments of the Rebo, showing that it was already in use as early as
the fifteenth century before the Christian era." There is hardly a Pagan
tribe where the cross has not been found. The cross was worshipped by the Pagan
Celts long before the incarnation and death of Christ. "It is a
fact," says Maurice, "not less remarkable than well-attested, that
the Druids in their groves were accustomed to select the most stately and
beautiful tree as an emblem of the Deity they adored, and having cut the side
branches, they affixed two of the largest of them to the highest part of the
trunk, in such a manner that those branches extended on each side like the arms
of a man, and, together with the body, presented the appearance of a HUGE
CROSS, and on the bark, in several places, was also inscribed the letter
Thau." It was worshipped in Mexico for ages before the Roman Catholic
missionaries set foot there, large stone crosses being erected, probably to the
"god of rain." The cross thus widely worshipped, or regarded as a
sacred emblem, was the unequivocal symbol of Bacchus, the Babylonian Messiah,
for he was represented with a head-band covered with crosses. This symbol of
the Babylonian god is reverenced at this day in all the wide wastes of Tartary,
where Buddhism prevails, and the way in which it is represented among them
forms a striking commentary on the language applied by Rome to the Cross.
"The cross," says Colonel Wilford, in the Asiatic Researches,
"though not an object of worship among the Baud'has or Buddhists, is a
favourite emblem and device among them. It is exactly the cross of the
Manicheans, with leaves and flowers springing from it. This cross, putting
forth leaves and flowers (and fruit also, as I am told), is called the divine
tree, the tree of the gods, the tree of life and knowledge, and productive of
whatever is good and desirable, and is placed in the terrestrial
paradise." Compare this with the language of Rome applied to the cross,
and it will be seen how exact is the coincidence. In the Office of the Cross,
it is called the "Tree of life," and the worshippers are taught thus
to address it: "Hail, O Cross, triumphal wood, true salvation of the
world, among trees there is none like thee in leaf, flower, and bud...O Cross,
our only hope, increase righteousness to the godly and pardon the offences of
the guilty." *
* The above was actually versified by the Romanisers in the
Church of England, and published along with much besides from the same source,
some years ago, in a volume entitled Devotions on the Passion. The London
Record, of April, 1842, gave the following as a specimen of the
"Devotions" provided by these "wolves in sheep's clothing"
for members of the Church of England:--
"O faithful cross, thou peerless tree,
No forest yields the like of thee,
Leaf, flower, and bud;
Sweet is the wood, and sweet the weight,
And sweet the nails that penetrate
Thee, thou sweet wood."
Can any one, reading the gospel narrative of the crucifixion,
possibly believe that that narrative of itself could ever germinate into such
extravagance of "leaf, flower, and bud," as thus appears in this
Roman Office? But when it is considered that the Buddhist, like the Babylonian
cross, was the recognised emblem of Tammuz, who was known as the mistletoe
branch, or "All-heal," then it is easy to see how the sacred Initial
should be represented as covered with leaves, and how Rome, in adopting it,
should call it the "Medicine which preserves the healthful, heals the
sick, and does what mere human power alone could never do."
Now, this Pagan symbol seems first to have crept into the
Christian Church in Egypt, and generally into Africa. A statement of
Tertullian, about the middle of the third century, shows how much, by that
time, the Church of Carthage was infected with the old leaven. Egypt
especially, which was never thoroughly evangelised, appears to have taken the
lead in bringing in this Pagan symbol. The first form of that which is called
the Christian Cross, found on Christian monuments there, is the unequivocal
Pagan Tau, or Egyptian "Sign of life." Let the reader peruse the
following statement of Sir G. Wilkinson: "A still more curious fact may be
mentioned respecting this hieroglyphical character [the Tau], that the early
Christians of Egypt adopted it in lieu of the cross, which was afterwards
substituted for it, prefixing it to inscriptions in the same manner as the
cross in later times. For, though Dr. Young had some scruples in believing the
statement of Sir A. Edmonstone, that it holds that position in the sepulchres
of the great Oasis, I can attest that such is the case, and that numerous
inscriptions, headed by the Tau, are preserved to the present day on early
Christian monuments." The drift of this statement is evidently this, that
in Egypt the earliest form of that which has since been called the cross, was
no other than the "Crux Ansata," or "Sign of life," borne
by Osiris and all the Egyptian gods; that the ansa or "handle" was
afterwards dispensed with, and that it became the simple Tau, or ordinary
cross, as it appears at this day, and that the design of its first employment
on the sepulchres, therefore, could have no reference to the crucifixion of the
Nazarene, but was simply the result of the attachment to old and long-cherished
Pagan symbols, which is always strong in those who, with the adoption of the
Christian name and profession, are still, to a large extent, Pagan in heart and
feeling. This, and this only, is the origin of the worship of the
"cross."
This, no doubt, will appear all very strange and very
incredible to those who have read Church history, as most have done to a large
extent, even amongst Protestants, through Romish spectacles; and especially to
those who call to mind the famous story told of the miraculous appearance of
the cross to Constantine on the day before the decisive victory at the Milvian
bridge, that decided the fortunes of avowed Paganism and nominal Christianity.
That story, as commonly told, if true, would certainly give a Divine sanction
to the reverence for the cross. But that story, when sifted to the bottom,
according to the common version of it, will be found to be based on a
delusion--a delusion, however, into which so good a man as Milner has allowed
himself to fall. Milner's account is as follows: "Constantine, marching from
France into Italy against Maxentius, in an expedition which was likely either
to exalt or to ruin him, was oppressed with anxiety. Some god he thought
needful to protect him; the God of the Christians he was most inclined to
respect, but he wanted some satisfactory proof of His real existence and power,
and he neither understood the means of acquiring this, nor could he be content
with the atheistic indifference in which so many generals and heroes since his
time have acquiesced. He prayed, he implored with such vehemence and
importunity, and God left him not unanswered. While he was marching with his
forces in the afternoon, the trophy of the cross appeared very luminous in the
heavens, brighter than the sun, with this inscription, 'Conquer by this.' He
and his soldiers were astonished at the sight; but he continued pondering on
the event till night. And Christ appeared to him when asleep with the same sign
of the cross, and directed him to make use of the symbol as his military
ensign." Such is the statement of Milner. Now, in regard to the
"trophy of the cross," a few words will suffice to show that it is
utterly unfounded. I do not think it necessary to dispute the fact of some
miraculous sign having been given. There may, or there may not, have been on
this occasion a "dignus vindice nodus," a crisis worthy of a Divine
interposition. Whether, however, there was anything out of the ordinary course,
I do not inquire. But this I say, on the supposition that Constantine in this
matter acted in good faith, and that there actually was a miraculous appearance
in the heavens, that it as not the sign of the cross that was seen, but quite a
different thing, the name of Christ. That this was the case, we have at once
the testimony of Lactantius, who was the tutor of Constantine's son
Crispus--the earliest author who gives any account of the matter, and the
indisputable evidence of the standards of Constantine themselves, as handed
down to us on medals struck at the time. The testimony of Lactantius is most
decisive: "Constantine was warned in a dream to make the celestial sign of
God upon his solders' shields, and so to join battle. He did as he was bid, and
with the transverse letter X circumflecting the head of it, he marks Christ on
their shields. Equipped with this sign, his army takes the sword." Now,
the letter X was just the initial of the name of Christ, being equivalent in
Greek to CH. If, therefore, Constantine did as he was bid, when he made
"the celestial sign of God" in the form of "the letter X,"
it was that "letter X," as the symbol of "Christ" and not
the sign of the cross, which he saw in the heavens. When the Labarum, or
far-famed standard of Constantine itself, properly so called, was made, we have
the evidence of Ambrose, the well-known Bishop of Milan, that that standard was
formed on the very principle contained in the statement of Lactantius--viz.,
simply to display the Redeemer's name. He calls it "Labarum, hoc est
Christi sacratum nomine signum."--"The Labarum, that is, the ensign
consecrated by the NAME of Christ." *
* Epistle of Ambrose to the Emperor Theodosius about the
proposal to restore the Pagan altar of Victory in the Roman Senate. The subject
of the Labarum has been much confused through ignorance of the meaning of the
word. Bryant assumes (and I was myself formerly led away by the assumption)
that it was applied to the standard bearing the crescent and the cross, but he
produces no evidence for the assumption; and I am now satisfied that none can
be produced. The name Labarum, which is generally believed to have come from
the East, treated as an Oriental word, gives forth its meaning at once. It
evidently comes from Lab, "to vibrate," or "move to and
fro," and ar "to be active." Interpreted thus, Labarum signifies
simply a banner or flag, "waving to and fro" in the wind, and this
entirely agrees with the language of Ambrose "an ensign consecrated by the
name of Christ," which implies a banner.
There is not the slightest allusion to any cross--to anything
but the simple name of Christ. While we have these testimonies of Lactantius
and Ambrose, when we come to examine the standard of Constantine, we find the
accounts of both authors fully borne out; we find that that standard, bearing
on it these very words, "Hoc signo victor eris," "In this sign
thou shalt be a conqueror," said to have been addressed from heaven to the
emperor, has nothing at all in the shape of a cross, but "the letter
X." In the Roman Catacombs, on a Christian monument to "Sinphonia and
her sons," there is a distinct allusion to the story of the vision; but
that allusion also shows that the X, and not the cross, was regarded as the
"heavenly sign." The words at the head of the inscription are these:
"In Hoc Vinces [In this thou shalt overcome] X." Nothing whatever but
the X is here given as the "Victorious Sign." There are some
examples, no doubt, of Constantine's standard, in which there is a cross-bar,
from which the flag is suspended, that contains that "letter X"; and
Eusebius, who wrote when superstition and apostacy were working, tries hard to
make it appear that that cross-bar was the essential element in the ensign of
Constantine. But this is obviously a mistake; that cross-bar was nothing new,
nothing peculiar to Constantine's standard. Tertullian shows that that cross-bar
was found long before on the vexillum, the Roman Pagan standard, that carried a
flag; and it was used simply for the purpose of displaying that flag. If,
therefore, that cross-bar was the "celestial sign," it needed no
voice from heaven to direct Constantine to make it; nor would the making or
displaying of it have excited any particular attention on the part of those who
saw it. We find no evidence at all that the famous legend, "In this
overcome," has any reference to this cross-bar; but we find evidence the
most decisive that that legend does refer to the X. Now, that that X was not
intended as the sign of the cross, but as the initial of Christ's name, is
manifest from this, that the Greek P, equivalent to our R, is inserted in the
middle of it, making by their union CHR. The standard of Constantine, then, was
just the name of Christ. Whether the device came from earth or from
heaven--whether it was suggested by human wisdom or Divine, supposing that
Constantine was sincere in his Christian profession, nothing more was implied
in it than a literal embodiment of the sentiment of the Psalmist, "In the
name of the Lord will we display our banners." To display that name on the
standards of Imperial Rome was a thing absolutely new; and the sight of that
name, there can be little doubt, nerved the Christian soldiers in Constantine's
army with more than usual fire to fight and conquer at the Milvian bridge.
In the above remarks I have gone on the supposition that
Constantine acted in good faith as a Christian. His good faith, however, has
been questioned; and I am not without my suspicions that the X may have been
intended to have one meaning to the Christians and another to the Pagans. It is
certain that the X was the symbol of the god Ham in Egypt, and as such was
exhibited on the breast of his image. Whichever view be taken, however, of
Constantine's sincerity, the supposed Divine warrant for reverencing the sign
of the cross entirely falls to the ground. In regard to the X, there is no
doubt that, by the Christians who knew nothing of secret plots or devices, it
was generally taken, as Lactantius declares, as equivalent to the name of
"Christ." In this view, therefore, it had no very great attractions
for the Pagans, who, even in worshipping Horus, had always been accustomed to
make use of the mystic tau or cross, as the "sign of life," or the
magical charm that secured all that was good, and warded off everything that
was evil. When, therefore, multitudes of the Pagans, on the conversion of Constantine,
flocked into the Church, like the semi-Pagans of Egypt, they brought along with
them their predilection for the old symbol. The consequence was, that in no
great length of time, as apostacy proceeded, the X which in itself was not an
unnatural symbol of Christ, the true Messiah, and which had once been regarded
as such, was allowed to go entirely into disuse, and the Tau, the sign of the
cross, the indisputable sign of Tammuz, the false Messiah, was everywhere
substituted in its stead. Thus, by the "sign of the cross," Christ
has been crucified anew by those who profess to be His disciples. Now, if these
things be matter of historic fact, who can wonder that, in the Romish Church,
"the sign of the cross" has always and everywhere been seen to be
such an instrument of rank superstition and delusion?
There is more, much more, in the rites and ceremonies of Rome
that might be brought to elucidate our subject. But the above may suffice. *
* If the above remarks be well founded, surely it cannot be
right that this sign of the cross, or emblem of Tammuz, should be used in
Christian baptism. At the period of the Revolution, a Royal Commission,
appointed to inquire into the Rites and Ceremonies of the Church of England,
numbering among its members eight or ten bishops, strongly recommended that the
use of the cross, as tending to superstition, should be laid aside. If such a
recommendation was given then, and that by such authority as members of the
Church of England must respect, how much ought that recommendation to be
enforced by the new light which Providence has cast on the subject!
The Two Babylons
Alexander Hislop
Chapter VI
Section I
The Sovereign Pontiff
The gift of the ministry is one of the greatest gifts which
Christ has bestowed upon the world. It is in reference to this that the
Psalmist, predicting the ascension of Christ, thus loftily speaks of its
blessed results: "Thou hast ascended up on high: Thou hast led captivity
captive; Thou hast received gifts for men, even for the rebellious, that the
Lord God might dwell among them" (Eph 4:8-11). The Church of Rome, at its
first planting, had the divinely bestowed gift of a Scriptural ministry and government;
and then "its faith was spoken of throughout the whole world"; its
works of righteousness were both rich and abundant. But, in an evil hour, the
Babylonian element was admitted into its ministry, and thenceforth, that which
had been intended as a blessing, was converted into a curse. Since then,
instead of sanctifying men, it has only been the means of demoralising them,
and making them "twofold more the children of hell" than they would
have been had they been left simply to themselves.
If there be any who imagine that there is some occult and
mysterious virtue in an apostolic succession that comes through the Papacy, let
them seriously consider the real character of the Pope's own orders, and of
those of his bishops and clergy. From the Pope downwards, all can be shown to
be now radically Babylonian. The College of Cardinals, with the Pope at its
head, is just the counterpart of the Pagan College of Pontiffs, with its
"Pontifex Maximus," or "Sovereign Pontiff," which had
existed in Rome from the earliest times, and which is known to have been framed
on the model of the grand original Council of Pontiffs at Babylon. The Pope now
pretends to supremacy in the Church as the successor of Peter, to whom it is
alleged that our Lord exclusively committed the keys of the kingdom of heaven.
But here is the important fact that, till the Pope was invested with the title,
which for a thousand years had had attached to it the power of the keys of
Janus and Cybele, * no such claim to pre-eminence, or anything approaching to
it, was ever publicly made on his part, on the ground of his being the
possessor of the keys bestowed on Peter.
* It was only in the second century before the Christian era
that the worship of Cybele, under that name, was introduced into Rome; but the
same goddess, under the name of Cardea, with the "power of the key,"
was worshipped in Rome, along with Janus, ages before. OVID's Fasti
Very early, indeed, did the bishop of Rome show a proud and
ambitious spirit; but, for the first three centuries, their claim for superior
honour was founded simply on the dignity of their see, as being that of the
imperial city, the capital of the Roman world. When, however, the seat of
empire was removed to the East, and Constantinople threatened to eclipse Rome,
some new ground for maintaining the dignity of the Bishop of Rome must be
sought. That new ground was found, when, about 378, the Pope fell heir to the
keys that were the symbols of two well-known Pagan divinities at Rome. Janus
bore a key, and Cybele bore a key; and these are the two keys that the Pope
emblazons on his arms as the ensigns of his spiritual authority. How the Pope
came to be regarded as wielding the power of these keys will appear in the
sequel; but that he did, in the popular apprehension, become entitled to that
power at the period referred to is certain. Now, when he had come, in the
estimation of the Pagans, to occupy the place of the representatives of Janus
and Cybele, and therefore to be entitled to bear their keys, the Pope saw that
if he could only get it believed among the Christians that Peter alone had the
power of the keys, and that he was Peter's successor, then the sight of these
keys would keep up the delusion, and thus, though the temporal dignity of Rome
as a city should decay, his own dignity as the Bishop of Rome would be more
firmly established than ever. On this policy it is evident he acted. Some time
was allowed to pass away, and then, when the secret working of the Mystery of
iniquity had prepared the way for it, for the first time did the Pope publicly
assert his pre-eminence, as founded on the keys given to Peter. About 378 was
he raised to the position which gave him, in Pagan estimation, the power of the
keys referred to. In 432, and not before, did he publicly lay claim to the
possession of Peter's keys. This, surely, is a striking coincidence. Does the
reader ask how it was possible that men could give credit to such a baseless
assumption? The words of Scripture, in regard to this very subject, give a very
solemn but satisfactory answer (2 Thess 2:10,11): "Because they received
not the love of the truth, that they might be saved...For this cause God shall
send them strong delusion, that they should believe a lie." Few lies could
be more gross; but, in course of time, it came to be widely believed; and now,
as the statue of Jupiter is worshipped at Rome as the veritable image of Peter,
so the keys of Janus and Cybele have for ages been devoutly believed to
represent the keys of the same apostle.
While nothing but judicial infatuation can account for the
credulity of the Christians in regarding these keys as emblems of an exclusive
power given by Christ to the Pope through Peter, it is not difficult to see how
the Pagans would rally round the Pope all the more readily when they heard him
found his power on the possession of Peter's keys. The keys that the Pope bore
were the keys of a "Peter" well known to the Pagans initiated in the
Chaldean Mysteries. That Peter the apostle was ever Bishop of Rome has been
proved again and again to be an arrant fable. That he ever even set foot in
Rome is at the best highly doubtful. His visit to that city rests on no better
authority than that of a writer at the end of the second century or beginning
of the third--viz., the author of the work called The Clementines, who gravely
tells us that on the occasion of his visit, finding Simon Magus there, the
apostle challenged him to give proof of his miraculous or magical powers,
whereupon the sorcerer flew up into the air, and Peter brought him down in such
hast that his leg was broken. All historians of repute have at once rejected
this story of the apostolic encounter with the magician as being destitute of
all contemporary evidence; but as the visit of Peter to Rome rests on the same
authority, it must stand or fall along with it, or, at least, it must be
admitted to be extremely doubtful. But, while this is the case with Peter the
Christian, it can be shown to be by no means doubtful that before the Christian
era, and downwards, there was a "Peter" at Rome, who occupied the
highest place in the Pagan priesthood. The priest who explained the Mysteries
to the initiated was sometimes called by a Greek term, the Hierophant; but in
primitive Chaldee, the real language of the Mysteries, his title, as pronounced
without the points, was "Peter"--i.e., "the interpreter."
As the revealer of that which was hidden, nothing was more natural than that,
while opening up the esoteric doctrine of the Mysteries, he should be decorated
with the keys of the two divinities whose mysteries he unfolded. *
* The Turkish Mufties, or "interpreters" of the
Koran, derive that name from the very same verb as that from which comes
Miftah, a key.
Thus we may see how the keys of Janus and Cybele would come to
be known as the keys of Peter, the "interpreter" of the Mysteries.
Yea, we have the strongest evidence that, in countries far removed from one
another, and far distant from Rome, these keys were known by initiated Pagans
not merely as the "keys of Peter," but as the keys of a Peter
identified with Rome. In the Eleusinian Mysteries at Athens, when the
candidates for initiation were instructed in the secret doctrine of Paganism,
the explanation of that doctrine was read to them out of a book called by
ordinary writers the "Book Petroma"; that is, as we are told, a book
formed of stone. But this is evidently just a play upon words, according to the
usual spirit of Paganism, intended to amuse the vulgar. The nature of the case,
and the history of the Mysteries, alike show that this book could be none other
than the "Book Pet-Roma"; that is, the "Book of the Grand
Interpreter," in other words, of Hermes Trismegistus, the great
"Interpreter of the Gods." In Egypt, from which Athens derived its
religion, the books of Hermes were regarded as the divine fountain of all true
knowledge of the Mysteries. * In Egypt, therefore, Hermes was looked up to in
this very character of Grand Interpreter, or "Peter-Roma." ** In
Athens, Hermes, as its well known, occupied precisely the same place, *** and,
of course, in the sacred language, must have been known by the same title.
* The following are the authorities for the statement in the
text: "Jamblichus says that Hermes [i.e., the Egyptian] was the god of all
celestial knowledge, which, being communicated by him to his priests,
authorised them to inscribe their commentaries with the name of Hermes"
(WILKINSON). Again, according to the fabulous accounts of the Egyptian Mercury,
he was reported...to have taught men the proper mode of approaching the Deity
with prayers and sacrifice (WILKINSON). Hermes Trismegistus seems to have been
regarded as a new incarnation of Thoth, and possessed of higher honours. The
principal books of this Hermes, according to Clemens of Alexandria, were
treated by the Egyptians with the most profound respect, and carried in their
religious processions (CLEM., ALEX., Strom.).
** In Egypt, "Petr" was used in this very sense. See
BUNSEN, Hieroglyph, where Ptr is said to signify "to show." The
interpreter was called Hierophantes, which has the very idea of
"showing" in it.
*** The Athenian or Grecian Hermes is celebrated as "The
source of invention...He bestows, too, mathesis on souls, by unfolding the will
of the father of Jupiter, and this he accomplishes as the angel or messenger of
Jupiter...He is the guardian of disciplines, because the invention of geometry,
reasoning, and language is referred to this god. He presides, therefore, over
every species of erudition, leading us to an intelligible essence from this
mortal abode, governing the different herds of souls" (PROCLUS in
Commentary on First Alcibiades, TAYLOR'S Orphic Hymns). The Grecian Hermes was
so essentially the revealer or interpreter of divine things, that Hermeneutes,
an interpreter, was currently said to come from his name (HYGINUS).
The priest, therefore, that in the name of Hermes explained
the Mysteries, must have been decked not only with the keys of Peter, but with
the keys of "Peter-Roma." Here, then, the famous "Book of
Stone" begins to appear in a new light, and not only so, but to shed new
light on one of the darkest and most puzzling passages of Papal history. It has
always been a matter of amazement to candid historical inquirers how it could
ever have come to pass that the name of Peter should be associated with Rome in
the way in which it is found from the fourth century downwards--how so many in
different countries had been led to believe that Peter, who was an
"apostle of the circumcision," had apostatised from his Divine
commission, and become bishop of a Gentile Church, and that he should be the
spiritual ruler in Rome, when no satisfactory evidence could be found for his
ever having been in Rome at all. But the book of "Peter-Roma"
accounts for what otherwise is entirely inexplicable. The existence of such a title
was too valuable to be overlooked by the Papacy; and, according to its usual
policy, it was sure, if it had the opportunity, to turn it to the account of
its own aggrandisement. And that opportunity it had. When the Pope came, as he
did, into intimate connection with the Pagan priesthood; when they came at
last, as we shall see they did, under his control, what more natural than to
seek not only to reconcile Paganism and Christianity, but to make it appear
that the Pagan "Peter-Roma," with his keys, meant "Peter of
Rome," and that that "Peter of Rome" was the very apostle to
whom the Lord Jesus Christ gave the "keys of the kingdom of heaven"?
Hence, from the mere jingle of words, persons and things essentially different
were confounded; and Paganism and Christianity jumbled together, that the
towering ambition of a wicked priest might be gratified; and so, to the blinded
Christians of the apostacy, the Pope was the representative of Peter the
apostle, while to the initiated pagans, he was only the representative of
Peter, the interpreter of their well known Mysteries. Thus was the Pope the
express counterpart of "Janus, the double-faced." Oh! what an
emphasis of meaning in the Scriptural expression, as applied to the Papacy,
"The Mystery of Iniquity"!
The reader will now be
prepared to understand how it is that the Pope's Grand Council of State, which
assists him in the government of the Church, comes to be called the College of
Cardinals. The term Cardinal is derived from Cardo, a hinge. Janus, whose key
the Pope bears, was the god of doors and hinges, and was called Patulcius, and
Clusius "the opener and the shutter." This had a blasphemous meaning,
for he was worshipped at Rome as the grand mediator. Whatever important
business was in hand, whatever deity was to be invoked, an invocation first of
all must be addressed to Janus, who was recognised as the "God of
gods," in whose mysterious divinity the characters of father and son were
combined, and without that no prayer could be heard--the "door of heaven"
could not be opened. It was this same god whose worship prevailed so
exceedingly in Asia Minor at the time when our Lord sent, by his servant John,
the seven Apocalyptic messages to the churches established in that region. And,
therefore, in one of these messages we find Him tacitly rebuking the profane
ascription of His own peculiar dignity to that divinity, and asserting His
exclusive claim to the prerogative usually attributed to His rival. Thus,
Revelation 3:7 "And to the angel of the church in Philadelphia write:
These things saith he that is holy, he that is true, he that hath the key of
David, he that openeth, and no man shutteth; and shutteth, and no man
openeth." Now, to this Janus, as Mediator, worshipped in Asia Minor, and
equally, from very early times, in Rome, belonged the government of the world;
and, "all power in heaven, in earth, and the sea," according to Pagan
ideas, was vested in him. In this character he was said to have "jus
vertendi cardinis"--the "power of turning the hinge"--of opening
the doors of heaven, or of opening or shutting the gates of peace or war upon
earth. The Pope, therefore, when he set up as the High-priest of Janus, assumed
also the "jus vertendi cardinis," "the power of turning the
hinge,"--of opening and shutting in the blasphemous Pagan sense. Slowly
and cautiously at first was this power asserted; but the foundation being laid,
steadily, century after century, was the grand superstructure of priestly power
erected upon it. The Pagans, who saw what strides, under Papal directions,
Christianity, as professed in Rome, was making towards Paganism, were more than
content to recognise the Pope as possessing this power; they gladly encouraged
him to rise, step by step, to the full height of the blasphemous pretensions
befitting the representative of Janus--pretensions which, as all men know, are
now, by the unanimous consent of Western Apostate Christendom, recognised as
inherent in the office of the Bishop of Rome. To enable the Pope, however, to
rise to the full plenitude of power which he now asserts, the co-operation of
others was needed. When his power increased, when his dominion extended, and
especially after he became a temporal sovereign, the key of Janus became too
heavy for his single hand--he needed some to share with him the power of the
"hinge." Hence his privy councillors, his high functionaries of
state, who were associated with him in the government of the Church and the
world, got the now well known title of "Cardinals"--the priests of
the "hinge." This title had been previously borne by the high
officials of the Roman Emperor, who, as "Pontifex Maximus," had been
himself the representative of Janus, and who delegated his powers to servants
of his own. Even in the reign of Theodosius, the Christian Emperor of Rome, the
title of Cardinal was borne by his Prime Minister. But now both the name and
the power implied in the name have long since disappeared from all civil
functionaries of temporal sovereigns; and those only who aid the Pope in
wielding the key of Janus--in opening and shutting--are known by the title of
Cardinals, or priests of the "hinge."
I have said that the Pope became the representative of Janus,
who, it is evident, was none other than the Babylonian Messiah. If the reader
only considers the blasphemous assumptions of the Papacy, he will see how
exactly it has copied from its original. In the countries where the Babylonian
system was most thoroughly developed, we find the Sovereign Pontiff of the
Babylonian god invested with the very attributes now ascribed to the Pope. Is
the Pope called "God upon earth," the "Vice-God," and
"Vicar of Jesus Christ"? The King in Egypt, who was Sovereign
Pontiff, * was, says Wilkinson, regarded with the highest reverence as
"THE REPRESENTATIVE OF THE DIVINITY ON EARTH."
* Wilkinson shows that the king had the right of enacting
laws, and of managing all the affairs of religion and the State, which proves
him to have been Sovereign Pontiff.
Is the Pope "Infallible," and does the Church of
Rome, in consequence, boast that it has always been "unchanged and
unchangeable"? The same was the case with the Chaldean Pontiff, and the
system over which he presided. The Sovereign Pontiff, says the writer just
quoted, was believed to be "INCAPABLE OF ERROR," * and, in
consequence, there was "the greatest respect for the sanctity of old
edicts"; and hence, no doubt, also the origin of the custom that "the
laws of the Medes and Persians could not be altered." Does the Pope
receive the adorations of the Cardinals? The king of Babylon, as Sovereign
Pontiff, was adored in like manner. **
* WILKINSON'S Egyptians. "The Infallibility" was a
natural result of the popular belief in regard to the relation in which the
Sovereign stood to the gods: for, says Diodorus Siculus, speaking of Egypt, the
king was believed to be "a partaker of the divine nature."
** From the statement of LAYARD (Nineveh and its Remains and
Nineveh and Babylon), it appears that as the king of Egypt was the "Head
of the religion and the state," so was the king of Assyria, which included
Babylon. Then we have evidence that he was worshipped. The sacred images are
represented as adoring him, which could not have been the case if his own
subjects did not pay their homage in that way. Then the adoration claimed by
Alexander the Great evidently came from this source. It was directly in
imitation of the adoration paid to the Persian kings that he required such
homage. From Xenophon we have evidence that this Persian custom came from
Babylon. It was when Cyrus had entered Babylon that the Persians, for the first
time, testified their homage to him by adoration; for, "before this,"
says Xenophon (Cyropoed), "none of the Persians had given adoration to
Cyrus."
Are kings and ambassadors required to kiss the Pope's slipper?
This, too, is copied from the same pattern; for, says Professor Gaussen,
quoting Strabo and Herodotus, "the kings of Chaldea wore on their feet
slippers which the kings they conquered used to kiss." In kind, is the
Pope addressed by the title of "Your Holiness"? So also was the Pagan
Pontiff of Rome. The title seems to have been common to all Pontiffs.
Symmachus, the last Pagan representative of the Roman Emperor, as Sovereign
Pontiff, addressing one of his colleagues or fellow-pontiffs, on a step of
promotion he was about to obtain, says, "I hear that YOUR HOLINESS
(sanctitatem tuam) is to be called out by the sacred letters."
Peter's keys have now been restored to their rightful owner.
Peter's chair must also go along with them. That far-famed chair came from the
very same quarter as the cross-keys. The very same reason that led the Pope to
assume the Chaldean keys naturally led him also to take possession of the
vacant chair of the Pagan Pontifex Maximus. As the Pontifex, by virtue of his
office, had been the Hierophant, or Interpreter of the Mysteries, his chair of
office was as well entitled to be called "Peter's" chair as the Pagan
keys to be called "the keys of Peter"; and so it was called
accordingly. The real pedigree of the far-famed chair of Peter will appear from
the following fact: "The Romans had," says Bower, "as they
thought, till the year 1662, a pregnant proof, not only of Peter's erecting
their chair, but of his sitting in it himself; for, till that year, the very
chair on which they believed, or would make others believe, he had sat, was
shown and exposed to public adoration on the 18th of January, the festival of
the said chair. But while it was cleaning, in order to set it up in some
conspicuous place of the Vatican, the twelve labours of Hercules unluckily
appeared on it!" and so it had to be laid aside. The partisans of the
Papacy were not a little disconcerted by this discovery; but they tried to put
the best face on the matter they could. "Our worship," said Giacomo
Bartolini, in his Sacred Antiquities of Rome, while relating the circumstances
of the discovery, "Our worship, however, was not misplaced, since it was
not to the wood we paid it, but to the prince of the apostles, St. Peter,"
that had been supposed to sit in it. Whatever the reader may think of this
apology for chair-worship, he will surely at least perceive, taking this in
connection with what we have already seen, that the hoary fable of Peter's
chair is fairly exploded. In modern times, Rome seems to have been rather
unfortunate in regard to Peter's chair; for, even after that which bore the
twelve labours of Hercules had been condemned and cast aside, as unfit to bear
the light that the Reformation had poured upon the darkness of the Holy See,
that which was chosen to replace it was destined to reveal still more
ludicrously the barefaced impostures of the Papacy. The former chair was
borrowed from the Pagans; the next appears to have been purloined from the
Mussulmans; for when the French soldiers under General Bonaparte took
possession of Rome in 1795, they found on the back of it, in Arabic, this well
known sentence of the Koran, "There is no God but God, and Mahomet is His
Prophet."
The Pope has not merely a chair to sit in; but he has a chair
to be carried in, in pomp and state, on men's shoulders, when he pays a visit
to St. Peter's, or any of the churches of Rome. Thus does an eye-witness
describe such a pageant on the Lord's Day, in the headquarters of Papal
idolatry: "The drums were heard beating without. The guns of the soldiers
rung on the stone pavement of the house of God, as, at the bidding of their
officer, they grounded, shouldered, and presented arms. How unlike the
Sabbath--how unlike religion--how unlike the suitable preparation to receive a
minister of the meek and lowly Jesus! Now, moving slowly up, between the two
armed lines of soldiers, appeared a long procession of ecclesiastics, bishops,
canons, and cardinals, preceding the Roman pontiff, who was borne on a gilded
chair, clad in vestments resplendent as the sun. His bearers were twelve men
clad in crimson, being immediately preceded by several persons carrying a
cross, his mitre, his triple crown, and other insignia of his office. As he was
borne along on the shoulders of men, amid the gaping crowds, his head was shaded
or canopied by two immense fans, made of peacocks' feathers, which were borne
by two attendants." Thus it is with the Sovereign Pontiff of Rome at this
day; only that, frequently, over and above being shaded by the fan, which is
just the "Mystic fan of Bacchus," his chair of state is also covered
with a regular canopy. Now, look back through the vista of three thousand
years, and see how the Sovereign Pontiff of Egypt used to pay a visit to the
temple of his god. "Having reached the precincts of the temple," says
Wilkinson, "the guards and royal attendants selected to be the
representatives of the whole army entered the courts...Military bands played
the favourite airs of the country; and the numerous standards of the different
regiments, the banners floating on the wind, the bright lustre of arms, the
immense concourse of people, and the imposing majesty of the lofty towers of
the propylaea, decked with their bright-coloured flags, streaming above the
cornice, presented a scene seldom, we may say, equalled on any occasion, in any
country. The most striking feature of this pompous ceremony was the brilliant
cortege of the monarch, who was either borne in his chair of state by the
principal officers of state, under a rich canopy, or walked on foot, overshadowed
with rich flabella and fans of waving plumes."
So much for Peter's chair and Peter's keys. Now Janus, whose
key the Pope usurped with that of his wife or mother Cybele, was also Dagon.
Janus, the two-headed god, "who had lived in two worlds," was the Babylonian
divinity as an incarnation of Noah. Dagon, the fish-god, represented that deity
as a manifestation of the same patriarch who had lived so long in the waters of
the deluge. As the Pope bears the key of Janus, so he wears the mitre of Dagon.
The excavations of Nineveh have put this beyond all possibility of doubt. The
Papal mitre is entirely different from the mitre of Aaron and the Jewish high
priests. That mitre was a turban. The two-horned mitre, which the Pope wears,
when he sits on the high altar at Rome and receives the adoration of the
Cardinals, is the very mitre worn by Dagon, the fish-god of the Philistines and
Babylonians. There were two ways in which Dagon was anciently represented. The
one was when he was depicted as half-man half-fish; the upper part being
entirely human, the under part ending in the tail of a fish. The other was,
when, to use the words of Layard, "the head of the fish formed a mitre
above that of the man, while its scaly, fan-like tail fell as a cloak behind,
leaving the human limbs and feet exposed." Of Dagon in this form Layard
gives a representation in his last work; and no one who examines his mitre, and
compares it with the Pope's as given in Elliot's Horoe, can doubt for a moment
that from that, and no other source, has the pontifical mitre been derived. The
gaping jaws of the fish surmounting the head of the man at Nineveh are the
unmistakable counterpart of the horns of the Pope's mitre at Rome. Thus was it
in the East, at least five hundred years before the Christian era. The same
seems to have been the case also in Egypt; for Wilkinson, speaking of a fish of
the species of Siluris, says "that one of the Genii of the Egyptian
Pantheon appears under a human form, with the head of this fish." In the
West, at a later period, we have evidence that the Pagans had detached the
fish-head mitre from the body of the fish, and used that mitre alone to adorn
the head of the great Mediatorial god; for on several Maltese Pagan coins that
god, with the well-known attributes of Osiris, is represented with nothing of
the fish save the mitre on his head; very nearly in the same form as the mitre
of the Pope, or of a Papal bishop at this day. Even in China, the same practice
of wearing the fish-head mitre had evidently once prevailed; for the very
counterpart of the Papal mitre, as worn by the Chinese Emperor, has subsisted
to modern times. "Is it known," asks a well-read author of the
present day, in a private communication to me, "that the Emperor of China,
in all ages, even to the present year, as high priest of the nation, once a
year prays for and blesses the whole nation, having his priestly robes on and
his mitre on his head, the same, the very same, as that worn by the Roman
Pontiff for near 1200 years? Such is the fact." The reader must bear in
mind, that even in Japan, still farther distant from Babel than China itself,
one of the divinities is represented with the same symbol of might as prevailed
in Assyria--even the bull's horns, and is called "The ox-headed Prince of Heaven."
If the symbol of Nimrod, as Kronos, "The Horned one," is thus found
in Japan, it cannot be surprising that the symbol of Dagon should be found in
China.
But there is another symbol of the Pope's power which must not
be overlooked, and that is the pontifical crosier. Whence came the crosier? The
answer to this, in the first place, is, that the Pope stole it from the Roman
augur. The classical reader may remember, that when the Roman augurs consulted
the heavens, or took prognostics from the aspect of the sky, there was a
certain instrument with which it was indispensable that they should be
equipped. That instrument with which they described the portion of the heavens
on which their observations were to be made, was curved at the one end, and was
called "lituus." Now, so manifestly was the "lituus," or
crooked rod of the Roman augurs, identical with the pontifical crosier, that
Roman Catholic writers themselves, writing in the Dark Ages, at a time when
disguise was thought unnecessary, did not hesitate to use the term
"lituus" as a synonym for the crosier. Thus a Papal writer describes
a certain Pope or Papal bishop as "mitra lituoque decorus," adorned
with the mitre and the augur's rod, meaning thereby that he was "adorned
with the mitre and the crosier." But this lituus, or divining-rod, of the
Roman augurs, was, as is well known, borrowed from the Etruscans, who, again,
had derived it, along with their religion, from the Assyrians. As the Roman
augur was distinguished by his crooked rod, so the Chaldean soothsayers and
priests, in the performance of their magic rites, were generally equipped with
a crook or crosier. This magic crook can be traced up directly to the first
king of Babylon, that is, Nimrod, who, as stated by Berosus, was the first that
bore the title of a Shepherd-king. In Hebrew, or the Chaldee of the days of
Abraham, "Nimrod the Shepherd," is just Nimrod "He-Roe";
and from this title of the "mighty hunter before the Lord," have no
doubt been derived, both the name of Hero itself, and all that Hero-worship
which has since overspread the world. Certain it is that Nimrod's deified
successors have generally been represented with the crook or crosier. This was
the case in Babylon and Nineveh, as the extant monuments show. In Layard, it
may be seen in a more ornate form, and nearly resembling the papal crosier as
borne at this day. * This was the case in Egypt, after the Babylonian power was
established there, as the statues of Osiris with his crosier bear witness, **
Osiris himself being frequently represented as a crosier with an eye above it.
* Nineveh and Babylon. Layard seems to think the instrument
referred to, which is borne by the king, "attired as high priest in his
sacrificial robes," a sickle; but any one who attentively examines it will
see that it is a crosier, adorned with studs, as is commonly the case even now
with the Roman crosiers, only, that instead of being held erect, it is held
downwards.
** The well known name Pharaoh, the title of the Pontiff-kings
of Egypt, is just the Egyptian form of the Hebrew He-Roe. Pharaoh in Genesis,
without the points, is "Phe-Roe." Phe is the Egyptian definite
article. It was not shepherd-kings that the Egyptians abhorred, but Roi-Tzan,
"shepherds of cattle" (Gen 46:34). Without the article Roe, a
"shepherd," is manifestly the original of the French Roi, a king,
whence the adjective royal; and from Ro, which signifies to "act the
shepherd," which is frequently pronounced Reg--(with Sh, which signifies
"He who is," or "who does," affixed)--comes Regah, "He
who acts the shepherd," whence the Latin Rex, and Regal.
This is the case among the Negroes of Africa, whose god,
called the Fetiche, is represented in the form of a crosier, as is evident from
the following words of Hurd: "They place Fetiches before their doors, and
these titular deities are made in the form of grapples or hooks, which we
generally make use of to shake our fruit trees." This is the case at this
hour in Thibet, where the Lamas or Theros bear, as stated by the Jesuit Huc, a
crosier, as the ensign of their office. This is the case even in the
far-distant Japan, where, in a description of the idols of the great temple of
Miaco, the spiritual capital, we find this statement: "Their heads are
adorned with rays of glory, and some of them have shepherds' crooks in their
hands, pointing out that they are the guardians of mankind against all the
machinations of evil spirits." The crosier of the Pope, then, which he
bears as an emblem of his office, as the great shepherd of the sheep, is neither
more nor less than the augur's crooked staff, or magic rod of the priests of
Nimrod.
Now, what say the worshippers of the apostolic succession to
all this? What think they now of their vaunted orders as derived from Peter of
Rome? Surely they have much reason to be proud of them. But what, I further
ask, would even the old Pagan priests say who left the stage of time while the
martyrs were still battling against their gods, and, rather than symbolise with
them, "loved not their lives unto the death," if they were to see the
present aspect of the so-called Church of European Christendom? What would
Belshazzar himself say, if it were possible for him to "revisit the
glimpses of the moon," and enter St. Peter's at Rome, and see the Pope in
his pontificals, in all his pomp and glory? Surely he would conclude that he
had only entered one of his own well known temples, and that all things
continued as they were at Babylon, on that memorable night, when he saw with
astonished eyes the handwriting on the wall: "Mene, mene, tekel,
Upharsin."
The Two Babylons
Alexander Hislop
Chapter VI
Section II
Priests, Monks, and Nuns
If the head be corrupt, so also must be the members. If the
Pope be essentially Pagan, what else can be the character of his clergy? If
they derive their orders from a radically corrupted source, these orders must
partake of the corruption of the source from which they flow. This might be
inferred independently of any special evidence; but the evidence in regard to
the Pagan character of the Pope's clergy is as complete as that in regard to
the Pope himself. In whatever light the subject is viewed, this will be very
apparent.
There is a direct contrast between the character of the
ministers of Christ, and that of the Papal priesthood. When Christ commissioned
His servants, it was "to feed His sheep, to feed His lambs," and that
with the Word of God, which testifies of Himself, and contains the words of
eternal life. When the Pope ordains his clergy, he takes them bound to
prohibit, except in special circumstances, the reading of the Word of God
"in the vulgar tongue," that is, in a language which the people can
understand. He gives them, indeed, a commission; and what is it? It is couched
in these astounding words: "Receive the power of sacrificing for the
living and the dead." What blasphemy could be worse than this? What more
derogatory to the one sacrifice of Christ, whereby "He hath perfected for
ever them that are sanctified"? (Heb 10:14) This is the real
distinguishing function of the popish priesthood. At the remembrance that this
power, in these very words, had been conferred on him, when ordained to the
priesthood, Luther used, in after years, with a shudder, to express his
astonishment that "the earth had not opened its mouth and swallowed up
both him who uttered these words, and him to whom they were addressed."
The sacrifice which the papal priesthood are empowered to offer, as a
"true propitiatory sacrifice" for the sins of the living and the
dead, is just the "unbloody sacrifice" of the mass, which was offered
up in Babylon long before it was ever heard of in Rome.
Now, while Semiramis, the real original of the Chaldean Queen
of Heaven, to whom the "unbloody sacrifice" of the mass was first
offered, was in her own person, as we have already seen, the very paragon of
impurity, she at the same time affected the greatest favour for that kind of
sanctity which looks down with contempt on God's holy ordinance of marriage.
The Mysteries over which she presided were scenes of the rankest pollution; and
yet the higher orders of the priesthood were bound to a life of celibacy, as a
life of peculiar and pre-eminent holiness. Strange though it may seem, yet the
voice of antiquity assigns to that abandoned queen the invention of clerical
celibacy, and that in the most stringent form. In some countries, as in Egypt,
human nature asserted its rights, and though the general system of Babylon was
retained, the yoke of celibacy was abolished, and the priesthood were permitted
to marry. But every scholar knows that when the worship of Cybele, the
Babylonian goddess, was introduced into Pagan Rome, it was introduced in its
primitive form, with its celibate clergy. When the Pope appropriated to himself
so much that was peculiar to the worship of that goddess, from the very same
source, also, he introduced into the priesthood under his authority the binding
obligation of celibacy. The introduction of such a principle into the Christian
Church had been distinctly predicted as one grand mark of the apostacy, when
men should "depart from the faith, and speaking lies in hypocrisy, having
their consciences seared with a hot iron, should forbid to marry." The
effects of its introduction were most disastrous. The records of all nations
where priestly celibacy has been introduced have proved that, instead of
ministering to the purity of those condemned to it, it has only plunged them in
the deepest pollution. The history of Thibet, and China, and Japan, where the
Babylonian institute of priestly celibacy has prevailed from time immemorial,
bears testimony to the abominations that have flowed from it. The excesses
committed by the celibate priests of Bacchus in Pagan Rome in their secret
Mysteries, were such that the Senate felt called upon to expel them from the
bounds of the Roman republic. In Papal Rome the same abominations have flowed
from priestly celibacy, in connection with the corrupt and corrupting system of
the confessional, insomuch that all men who have examined the subject have been
compelled to admire the amazing significance of the name divinely bestowed on
it, both in a literal and figurative sense, "Babylon the Great, THE MOTHER
OF HARLOTS AND ABOMINATIONS OF THE EARTH." *
* Revelation 17:5. The Rev. M. H. Seymour shows that in 1836
the whole number of births in Rome was 4373, while of these no fewer than 3160
were foundlings! What enormous profligacy does this reveal!--"Moral
Results of the Romish System," in Evenings with Romanists.
Out of a thousand facts of a similar kind, let one only be
adduced, vouched for by the distinguished Roman Catholic historian De Thou.
When Pope Paul V meditated the suppression of the licensed brothels in the
"Holy City," the Roman Senate petitioned against his carrying his
design into effect, on the ground that the existence of such places was the
only means of hindering the priests from seducing their wives and daughters!!
These celibate priests have all a certain mark set upon them
at their ordination; and that is the clerical tonsure. The tonsure is the first
part of the ceremony of ordination; and it is held to be a most important
element in connection with the orders of the Romish clergy. When, after long
contendings, the Picts were at last brought to submit to the Bishop of Rome,
the acceptance of this tonsure as the tonsure of St. Peter on the part of the
clergy was the visible symbol of that submission. Naitan, the Pictish king,
having assembled the nobles of his court and the pastors of his church, thus
addressed them: "I recommend all the clergy of my kingdom to receive the
tonsure." Then, without delay, as Bede informs us, this important
revolution was accomplished by royal authority. He sent agents into every
province, and caused all the ministers and monks to receive the circular
tonsure, according to the Roman fashion, and thus to submit to Peter, "the
most blessed Prince of the apostles." "It was the mark," says
Merle D'Aubigne, "that Popes stamped not on the forehead, but on the
crown. A royal proclamation, and a few clips of the scissors, placed the
Scotch, like a flock of sheep, beneath the crook of the shepherd of the
Tiber." Now, as Rome set so much importance on this tonsure, let it be
asked what was the meaning of it? It was the visible inauguration of those who
submitted to it as the priests of Bacchus. This tonsure cannot have the
slightest pretence to Christian authority. It was indeed the "tonsure of
Peter," but not of the Peter of Galilee, but of the Chaldean
"Peter" of the Mysteries. He was a tonsured priest, for so was the
god whose Mysteries he revealed. Centuries before the Christian era, thus spoke
Herodotus of the Babylonian tonsure: "The Arabians acknowledge no other
gods than Bacchus and Urania [i.e., the Queen of Heaven], and they say that
their hair was cut in the same manner as Bacchus' is cut; now, they cut it in a
circular form, shaving it around the temples." What, then, could have led
to this tonsure of Bacchus? Everything in his history was mystically or
hieroglyphically represented, and that in such a way as none but the initiated
could understand. One of the things that occupied the most important place in
the Mysteries was the mutilation to which he was subjected when he was put to
death. In memory of that, he was lamented with bitter weeping every year, as
"Rosh-Gheza," "the mutilated Prince." But
"Rosh-Gheza" also signified the "clipped or shaved head."
Therefore he was himself represented either with the one or the other form of
tonsure; and his priests, for the same reason, at their ordination had their
heads either clipped or shaven. Over all the world, where the traces of the
Chaldean system are found, this tonsure or shaving of the head is always found
along with it. The priests of Osiris, the Egyptian Bacchus, were always
distinguished by the shaving of their heads. In Pagan Rome, in India, and even
in China, the distinguishing mark of the Babylonian priesthood was the shaven
head. Thus Gautama Buddha, who lived at least 540 years before Christ, when
setting up the sect of Buddhism in India which spread to the remotest regions
of the East, first shaved his own head, in obedience, as he pretended, to a
Divine command, and then set to work to get others to imitate his example. One
of the very titles by which he was called was that of the
"Shaved-head." "The shaved-head," says one of the Purans,
"that he might perform the orders of Vishnu, formed a number of disciples,
and of shaved-heads like himself." The high antiquity of this tonsure may
be seen from the enactment in the Mosaic law against it. The Jewish priests
were expressly forbidden to make any baldness upon their heads (Lev 21:5),
which sufficiently shows that, even so early as the time of Moses, the
"shaved-head" had been already introduced. In the Church of Rome the
heads of the ordinary priests are only clipped, the heads of the monks or
regular clergy are shaven, but both alike, at their consecration, receive the
circular tonsure, thereby identifying them, beyond all possibility of doubt,
with Bacchus, "the mutilated Prince." *
* It has been already shown that among the Chaldeans the one
term "Zero" signified at once "a circle" and "the
seed." "Suro," "the seed," in India, as we have seen,
was the sun-divinity incarnate. When that seed was represented in human form,
to identify him with the sun, he was represented with the circle, the well
known emblem of the sun's annual course, on some part of his person. Thus our
own god Thor was represented with a blazing circle on his breast. (WILSON'S
Parsi Religion) In Persia and Assyria the circle was represented sometimes on
the breast, sometimes round the waist, and sometimes in the hand of the
sun-divinity. (BRYANT and LAYARD'S Nineveh and Babylon) In India it is
represented at the tip of the finger. (MOOR'S Pantheon, "Vishnu")
Hence the circle became the emblem of Tammuz born again, or "the
seed." The circular tonsure of Bacchus was doubtless intended to point him
out as "Zero," or "the seed," the grand deliverer. And the
circle of light around the head of the so-called pictures of Christ was
evidently just a different form of the very same thing, and borrowed from the
very same source. The ceremony of tonsure, says Maurice, referring to the
practice of that ceremony in India, "was an old practice of the priests of
Mithra, who in their tonsures imitated the solar disk." (Antiquities) As
the sun-god was the great lamented god, and had his hair cut in a circular
form, and the priests who lamented him had their hair cut in a similar manner,
so in different countries those who lamented the dead and cut off their hair in
honour of them, cut it in a circular form. There were traces of that in Greece,
as appears from the Electra of Sophocles; and Herodotus particularly refers to
it as practised among the Scythians when giving an account of a royal funeral
among that people. "The body," says he, "is enclosed in wax.
They then place it on a carriage, and remove it to another district, where the
persons who receive it, like the Royal Scythians, cut off a part of their ear,
shave their heads in a circular form," &c. (Hist.) Now, while the
Pope, as the grand representative of the false Messiah, received the circular
tonsure himself, so all his priests to identify them with the same system are
required to submit to the same circular tonsure, to mark them in their measure
and their own sphere as representatives of that same false Messiah.
Now, if the priests of Rome take away the key of knowledge,
and lock up the Bible from the people; if they are ordained to offer the
Chaldean sacrifice in honour of the Pagan Queen of Heaven; if they are bound by
the Chaldean law of celibacy, that plunges them in profligacy; if, in short,
they are all marked at their consecration with the distinguishing mark of the
priests of the Chaldean Bacchus, what right, what possible right, can they have
to be called ministers of Christ?
But Rome has not only her ordinary secular clergy, as they are
called; she has also, as every one knows, other religious orders of a different
kind. She has innumerable armies of monks and nuns all engaged in her service.
Where can there be shown the least warrant for such an institution in
Scripture? In the religion of the Babylonian Messiah their institution was from
the earliest times. In that system there were monks and nuns in abundance. In
Thibet and Japan, where the Chaldean system was early introduced, monasteries
are still to be found, and with the same disastrous results to morals as in
Papal Europe. *
* There are some, and Protestants, too, who begin to speak of
what they call the benefits of monasteries in rude times, as if they were
hurtful only when they fall into "decrepitude and corruption"!
Enforced celibacy, which lies at the foundation of the monastic system, is of
the very essence of the Apostacy, which is divinely characterised as the
"Mystery of Iniquity." Let such Protestants read 1 Timothy 4:1-3, and
surely they will never speak more of the abominations of the monasteries as
coming only from their "decrepitude"!
In Scandinavia, the priestesses of Freya, who were generally
kings' daughters, whose duty it was to watch the sacred fire, and who were
bound to perpetual virginity, were just an order of nuns. In Athens there were
virgins maintained at the public expense, who were strictly bound to single
life. In Pagan Rome, the Vestal virgins, who had the same duty to perform as
the priestesses of Freya, occupied a similar position. Even in Peru, during the
reign of the Incas, the same system prevailed, and showed so remarkable an
analogy, as to indicate that the Vestals of Rome, the nuns of the Papacy, and
the Holy Virgins of Peru, must have sprung from a common origin. Thus does
Prescott refer to the Peruvian nunneries: "Another singular analogy with
Roman Catholic institutions is presented by the virgins of the sun, the elect,
as they were called. These were young maidens dedicated to the service of the
deity, who at a tender age were taken from their homes, and introduced into
convents, where they were placed under the care of certain elderly matrons,
mamaconas, * who had grown grey within their walls. It was their duty to watch
over the sacred fire obtained at the festival of Raymi. From the moment they
entered the establishment they were cut off from all communication with the
world, even with their own family and friends...Woe to the unhappy maiden who
was detected in an intrigue! by the stern law of the Incas she was to be buried
alive."
* Mamacona, "Mother Priestess," is almost pure
Hebrew, being derived from Am a "mother," and Cohn, "a
priest," only with the feminine termination. Our own Mamma, as well as
that of Peru, is just the Hebrew Am reduplicated. It is singular that the usual
style and title of the Lady Abbess in Ireland is the "Reverend
Mother." The term Nun itself is a Chaldean word. Ninus, the son in Chaldee
is either Nin or Non. Now, the feminine of Non, a "son," is Nonna, a
"daughter," which is just the Popish canonical name for a "Nun,"
and Nonnus, in like manner, was in early times the designation for a monk in
the East. (GIESELER)
This was precisely the fate of the Roman Vestal who was proved
to have violated her vow. Neither in Peru, however, nor in Pagan Rome was the
obligation to virginity so stringent as in the Papacy. It was not perpetual,
and therefore not so exceedingly demoralising. After a time, the nuns might be
delivered from their confinement, and marry; from all hopes of which they are
absolutely cut off in the Church of Rome. In all these cases, however, it is
plain that the principle on which these institutions were founded was
originally the same. "One is astonished," adds Prescott, "to
find so close a resemblance between the institutions of the American Indian,
the ancient Roman, and the modern Catholic."
Prescott finds it difficult to account for this resemblance;
but the one little sentence from the prophet Jeremiah, which was quoted at the
commencement of this inquiry, accounts for it completely: "Babylon hath
been a golden cup in the Lord's hand, that hath made ALL THE EARTH
drunken" (Jer 51:7). This is the Rosetta stone that has helped already to
bring to light so much of the secret iniquity of the Papacy, and that is
destined still further to decipher the dark mysteries of every system of
heathen mythology that either has been or that is. The statement of this text
can be proved to be a literal fact. It can be proved that the idolatry of the
whole earth is one, that the sacred language of all nations is radically Chaldean--that
the GREAT GODS of every country and clime are called by Babylonian names--and
that all the Paganisms of the human race are only a wicked and deliberate, but
yet most instructive corruption of the primeval gospel first preached in Eden,
and through Noah, afterwards conveyed to all mankind. The system, first
concocted in Babylon, and thence conveyed to the ends of the earth, has been
modified and diluted in different ages and countries. In Papal Rome only is it
now found nearly pure and entire. But yet, amid all the seeming variety of
heathenism, there is an astonishing oneness and identity, bearing testimony to
the truth of God's Word. The overthrow of all idolatry cannot now be distant.
But before the idols of the heathens shall be finally cast to the moles and to
the bats, I am persuaded that they will be made to fall down and worship
"the Lord the king," to bear testimony to His glorious truth, and
with one loud and united acclaim, ascribe salvation, and glory, and honour, and
power unto Him that sitteth upon the throne, and to the Lamb, for ever and ever
The Two Babylons
Alexander Hislop
Chapter VII
The Two Developments Historically and Prophetically
Considered
Hitherto we have considered the history of the Two Babylons
chiefly in detail. Now we are to view them as organised systems. The idolatrous
system of the ancient Babylon assumed different phases in different periods of
its history. In the prophetic description of the modern Babylon, there is
evidently also a development of different powers at different times. Do these
two developments bear any typical relation to each other? Yes, they do. When we
bring the religious history of the ancient Babylonian Paganism to bear on the
prophetic symbols that shadow forth the organised working of idolatry in Rome,
it will be found that it casts as much light on this view of the subject as on
that which has hitherto engaged our attention. The powers of iniquity at work in
the modern Babylon are specifically described in chapters 12 and 13 of the
Revelation; and they are as follows:--I. The Great Red Dragon; II. The Beast
that comes up out of the sea; III. The Beast that ascendeth out of the earth;
and IV. The Image of the Beast. In all these respects it will be found, on
inquiry, that, in regard to succession and order of development, the Paganism
of the Old Testament Babylon was the exact type of the Paganism of the new.
____________________
Section I
The Great Red Dragon
This formidable enemy of the truth is particularly described
in Revelation 12:3--"And there appeared another wonder in heaven, a great
red dragon." It is admitted on all hands that this is the first grand
enemy that in Gospel times assaulted the Christian Church. If the terms in
which it is described, and the deeds attributed to it, are considered, it will
be found that there is a great analogy between it and the first enemy of all,
that appeared against the ancient Church of God soon after the Flood. The term
dragon, according to the associations currently connected with it, is somewhat
apt to mislead the reader, by recalling to his mind the fabulous dragons of the
Dark Ages, equipped with wings. At the time this Divine description was given,
the term dragon had no such meaning among either profane or sacred writers.
"The dragon of the Greeks," says Pausanias, "was only a large
snake"; and the context shows that this is the very case here; for what in
the third verse is called a "dragon," in the fourteenth is simply
described as a "serpent." Then the word rendered "Red"
properly means "Fiery"; so that the "Red Dragon" signifies
the "Fiery Serpent" or "Serpent of Fire." Exactly so does
it appear to have been in the first form of idolatry, that, under the patronage
of Nimrod, appeared in the ancient world. The "Serpent of Fire" in
the plains of Shinar seems to have been the grand object of worship. There is
the strongest evidence that apostacy among the sons of Noah began in
fire-worship, and that in connection with the symbol of the serpent.
We have seen already, on different occasions, that fire was
worshipped as the enlightener and the purifier. Now, it was thus at the very
beginning; for Nimrod is singled out by the voice of antiquity as commencing
this fire-worship. The identity of Nimrod and Ninus has already been proved;
and under the name of Ninus, also, he is represented as originating the same
practice. In a fragment of Apollodorus it is said that "Ninus taught the
Assyrians to worship fire." The sun, as the great source of light and
heat, was worshipped under the name of Baal. Now, the fact that the sun, under
that name, was worshipped in the earliest ages of the world, shows the
audacious character of these first beginnings of apostacy. Men have spoken as
if the worship of the sun and of the heavenly bodies was a very excusable
thing, into which the human race might very readily and very innocently fall.
But how stands the fact? According to the primitive language of mankind, the
sun was called "Shemesh"--that is, "the Servant"--that
name, no doubt, being divinely given, to keep the world in mind of the great
truth that, however glorious was the orb of day, it was, after all, the
appointed Minister of the bounty of the great unseen Creator to His creatures
upon earth. Men knew this, and yet with the full knowledge of it, they put the
servant in the place of the Master; and called the sun Baal--that is, the
Lord--and worshipped him accordingly. What a meaning, then, in the saying of
Paul, that, "when they knew God, they glorified Him not as God"; but
"changed the truth of God into a lie, and worshipped and served the
creature more than the Creator, who is God over all, blessed for ever."
The beginning, then, of sun-worship, and of the worship of the host of heaven,
was a sin against the light--a presumptuous, heaven-daring sin. As the sun in
the heavens was the great object of worship, so fire was worshipped as its
earthly representative. To this primeval fire-worship Vitruvius alludes when he
says that "men were first formed into states and communities by meeting
around fires." And this is exactly in conformity with what we have already
seen in regard to Phoroneus, whom we have identified with Nimrod, that while he
was said to be the "inventor of fire," he was also regarded as the
first that "gathered mankind into communities."
Along with the sun, as the great fire-god, and, in due time,
identified with him, was the serpent worshipped. "In the mythology of the
primitive world," says Owen, "the serpent is universally the symbol
of the sun." In Egypt, one of the commonest symbols of the sun, or
sun-god, is a disc with a serpent around it. The original reason of that
identification seems just to have been that, as the sun was the great
enlightener of the physical world, so the serpent was held to have been the
great enlightener of the spiritual, by giving mankind the "knowledge of
good and evil." This, of course, implies tremendous depravity on the part
of the ring-leaders in such a system, considering the period when it began; but
such appears to have been the real meaning of the identification. At all
events, we have evidence, both Scriptural and profane, for the fact, that the
worship of the serpent began side by side with the worship of fire and the sun.
The inspired statement of Paul seems decisive on the subject. It was, he says,
"when men knew God, but glorified Him not as God," that they changed
the glory of God, not only into an image made like to corruptible man, but into
the likeness of "creeping things"--that is, of serpents (Rom 1:23).
With this profane history exactly coincides. Of profane writers, Sanchuniathon,
the Phoenician, who is believed to have lived about the time of Joshua,
says--"Thoth first attributed something of the divine nature to the serpent
and the serpent tribe, in which he was followed by the Phoenicians and
Egyptians. For this animal was esteemed by him to be the most spiritual of all
the reptiles, and of a FIERY nature, inasmuch as it exhibits an incredible
celerity, moving by its spirit, without either hands or feet...Moreover, it is
long-lived, and has the quality of RENEWING ITS YOUTH...as Thoth has laid down
in the sacred books; upon which accounts this animal is introduced in the
sacred rites and Mysteries."
Now, Thoth, it will be remembered, was the counsellor of
Thamus, that is, Nimrod. From this statement, then, we are led to the
conclusion that serpent-worship was a part of the primeval apostacy of Nimrod.
The "FIERY NATURE" of the serpent, alluded to in the above extract,
is continually celebrated by the heathen poets. Thus Virgil, "availing
himself," as the author of Pompeii remarks, "of the divine nature
attributed to serpents," describes the sacred serpent that came from the
tomb of Anchises, when his son Aeneas had been sacrificing before it, in such
terms as illustrate at once the language of the Phoenician, and the "Fiery
Serpent" of the passage before us:--
"Scarce had he finished, when, with speckled pride,
A serpent from the tomb began to glide;
His hugy bulk on seven high volumes rolled,
Blue was his breadth of back, but streaked with scaly gold.
Thus, riding on his curls, he seemed to pass
A rolling fire along, and singe the grass."
It is not wonderful, then, the fire-worship and
serpent-worship should be conjoined. The serpent, also, as "renewing its
youth" every year, was plausibly represented to those who wished an excuse
for idolatry as a meet emblem of the sun, the great regenerator, who every year
regenerates and renews the face of nature, and who, when deified, was
worshipped as the grand Regenerator of the souls of men.
In the chapter under consideration, the "great fiery
serpent" is represented with all the emblems of royalty. All its heads are
encircled with "crowns or diadems"; and so in Egypt, the serpent of fire,
or serpent of the sun, in Greek was called the Basilisk, that is, the
"royal serpent," to identify it with Moloch, which name, while it
recalls the ideas both of fire and blood, properly signifies "the
King." The Basilisk was always, among the Egyptians, and among many
nations besides, regarded as "the very type of majesty and dominion."
As such, its image was worn affixed to the head-dress of the Egyptian monarchs;
and it was not lawful for any one else to wear it. The sun identified with this
serpent was called "P'ouro," which signifies at one "the
Fire" and "the King," and from this very name the epithet
"Purros," the "Fiery," is given to the "Great
seven-crowned serpent" of our text. *
* The word Purros in the text does not exclude the idea of
"Red," for the sun-god was painted red to identify him with Moloch,
at once the god of fire and god of blood.--(WILKINSON). The primary leading
idea, however, is that of Fire.
Thus was the Sun, the Great Fire-god, identified with the
Serpent. But he had also a human representative, and that was Tammuz, for whom
the daughters of Israel lamented, in other words Nimrod. We have already seen
the identity of Nimrod and Zoroaster. Now, Zoroaster was not only the head of
the Chaldean Mysteries, but, as all admit, the head of the
fire-worshippers.(see note below) The title given to Nimrod, as the first of the Babylonian
kings, by Berosus, indicates the same thing. That title is Alorus, that is,
"the god of fire." As Nimrod, "the god of fire," was
Molk-Gheber, or, "the Mighty king," inasmuch as he was the first who
was called Moloch, or King, and the first who began to be "mighty"
(Gheber) on the earth, we see at once how it was that the "passing through
the fire to Moloch" originated, and how the god of fire among the Romans
came to be called "Mulkiber." *
* Commonly spelled Mulciber (OVID, Art. Am.); but the Roman c
was hard. From the epithet "Gheber," the Parsees, or fire-worshippers
of India, are still called "Guebres."
It was only after his death, however, that he appears to have
been deified. Then, retrospectively, he was worshipped as the child of the Sun,
or the Sun incarnate. In his own life-time, however, he set up no higher
pretensions than that of being Bol-Khan, or Priest of Baal, from which the
other name of the Roman fire-god Vulcan is evidently derived. Everything in the
history of Vulcan exactly agrees with that of Nimrod. Vulcan was "the most
ugly and deformed" of all the gods. Nimrod, over all the world, is
represented with the features and complexion of a negro. Though Vulcan was so
ugly, that when he sought a wife, "all the beautiful goddesses rejected
him with horror"; yet "Destiny, the irrevocable, interposed, and
pronounced the decree, by which [Venus] the most beautiful of the goddesses,
was united to the most unsightly of the gods." So, in spite of the black
and Cushite features of Nimrod, he had for his queen Semiramis, the most
beautiful of women. The wife of Vulcan was noted for her infidelities and
licentiousness; the wife of Nimrod was the very same. * Vulcan was the head and
chief of the Cyclops, that is, "the kings of flame." **
* Nimrod, as universal king, was Khuk-hold, "King of the
world." As such, the emblem of his power was the bull's horns. Hence the
origin of the Cuckhold's horns.
** Kuclops, from Khuk, "king," and Lohb,
"flame." The image of the great god was represented with three
eyes--one in the forehead; hence the story of the Cyclops with the one eye in
the forehead.
Nimrod was the head of the fire-worshippers. Vulcan was the
forger of the thunderbolts by which such havoc was made among the enemies of
the gods. Ninus, or Nimrod, in his wars with the king of Bactria, seems to have
carried on the conflict in a similar way. From Arnobius we learn, that when the
Assyrians under Ninus made war against the Bactrians, the warfare was waged not
only by the sword and bodily strength, but by magic and by means derived from
the secret instructions of the Chaldeans. When it is known that the historical
Cyclops are, by the historian Castor, traced up to the very time of Saturn or
Belus, the first king of Babylon, and when we learn that Jupiter (who was
worshipped in the very same character as Ninus, "the child"), when
fighting against the Titans, "received from the Cyclops aid" by means
of "dazzling lightnings and thunders," we may have some pretty clear
idea of the magic arts derived from the Chaldean Mysteries, which Ninus
employed against the Bactrian king. There is evidence that, down to a late
period, the priests of the Chaldean Mysteries knew the composition of the
formidable Greek fire, which burned under water, and the secret of which has
been lost; and there can be little doubt that Nimrod, in erecting his power,
availed himself of such or similar scientific secrets, which he and his
associates alone possessed.
In these, and other respects yet to be noticed, there is an
exact coincidence between Vulcan, the god of fire of the Romans, and Nimrod,
the fire-god of Babylon. In the case of the classic Vulcan, it is only in his
character of the fire-god as a physical agent that he is popularly represented.
But it was in his spiritual aspects, in cleansing and regenerating the souls of
men, that the fire-worship told most effectually on the world. The power, the
popularity, and skill of Nimrod, as well as the seductive nature of the system
itself, enabled him to spread the delusive doctrine far and wide, as he was represented
under the well-known name of Phaethon, (see note below) as on the point of "setting the whole world on
fire," or (without the poetical metaphor) of involving all mankind in the
guilt of fire-worship. The extraordinary prevalence of the worship of the
fire-god in the early ages of the world, is proved by legends found over all
the earth, and by facts in almost every clime. Thus, in Mexico, the natives
relate, that in primeval times, just after the first age, the world was burnt
up with fire. As their history, like the Egyptian, was written in
Hieroglyphics, it is plain that this must be symbolically understood. In India,
they have a legend to the very same effect, though somewhat varied in its form.
The Brahmins say that, in a very remote period of the past, one of the gods
shone with such insufferable splendour, "inflicting distress on the
universe by his effulgent beams, brighter than a thousand worlds," * that,
unless another more potent god had interposed and cut off his head, the result
would have been most disastrous.
* SKANDA PURAN, and PADMA PURAN, apud KENNEDY'S Hindoo
Mythology, p. 275. In the myth, this divinity is represented as the fifth head
of Brahma; but as this head is represented as having gained the knowledge that
made him so insufferably proud by perusing the Vedas produced by the other four
heads of Brahma, that shows that he must have been regarded as having a
distinct individuality.
In the Druidic Triads of the old British Bards, there is
distinct reference to the same event. They say that in primeval times a
"tempest of fire arose, which split the earth asunder to the great
deep," from which none escaped but "the select company shut up together
in the enclosure with the strong door," with the great "patriarch
distinguished for his integrity," that is evidently with Shem, the leader
of the faithful--who preserved their "integrity" when so many made
shipwreck of faith and a good conscience. These stories all point to one and
the same period, and they show how powerful had been this form of apostacy. The
Papal purgatory and the fires of St. John's Eve, which we have already
considered, and many other fables or practices still extant, are just so many
relics of the same ancient superstition.
It will be observed, however, that the Great Red Dragon, or
Great Fiery Serpent, is represented as standing before the Woman with the crown
of twelve stars, that is, the true Church of God, "To devour her child as
soon as it should be born." Now, this is in exact accordance with the
character of the Great Head of the system of fire-worship. Nimrod, as the
representative of the devouring fire to which human victims, and especially
children, were offered in sacrifice, was regarded as the great child-devourer.
Though, at his first deification, he was set up himself as Ninus, or the child,
yet, as the first of mankind that was deified, he was, of course, the actual
father of all the Babylonian gods; and, therefore, in that character he was
afterwards universally regarded. *
* Phaethon, though the child of the sun, is also called the
Father of the gods. (LACTANTIUS, De Falsa Religione) In Egypt, too, Vulcan was
the Father of the gods. (AMMIANUS MARCELLINUS)
As the Father of the gods, he was, as we have seen, called
Kronos; and every one knows that the classical story of Kronos was just this,
that, "he devoured his sons as soon as they were born." Such is the
analogy between type and antitype. This legend has a further and deeper meaning;
but, as applied to Nimrod, or "The Horned One," it just refers to the
fact, that, as the representative of Moloch or Baal, infants were the most
acceptable offerings at his altar. We have ample and melancholy evidence on
this subject from the records of antiquity. "The Phenicians," says
Eusebius, "every year sacrificed their beloved and only-begotten children
to Kronos or Saturn, and the Rhodians also often did the same." Diodorus
Siculus states that the Carthaginians, on one occasion, when besieged by the
Sicilians, and sore pressed, in order to rectify, as they supposed, their error
in having somewhat departed from the ancient custom of Carthage, in this
respect, hastily "chose out two hundred of the noblest of their children,
and publicly sacrificed them" to this god. There is reason to believe that
the same practice obtained in our own land in the times of the Druids. We know
that they offered human sacrifices to their bloody gods. We have evidence that
they made "their children pass through the fire to Moloch," and that
makes it highly probable that they also offered them in sacrifice; for, from
Jeremiah 32:35, compared with Jeremiah 19:5, we find that these two things were
parts of one and the same system. The god whom the Druids worshipped was Baal,
as the blazing Baal-fires show, and the last-cited passage proves that children
were offered in sacrifice to Baal. When "the fruit of the body" was
thus offered, it was "for the sin of the soul." And it was a
principle of the Mosaic law, a principle no doubt derived from the patriarchal
faith, that the priest must partake of whatever was offered as a sin-offering
(Num 18:9,10). Hence, the priests of Nimrod or Baal were necessarily required
to eat of the human sacrifices; and thus it has come to pass that
"Cahna-Bal," * the "Priest of Baal," is the established
word in our own tongue for a devourer of human flesh. **
* The word Cahna is the emphatic form of Cahn. Cahn is "a
priest," Cahna is "the priest."
** From the historian Castor (in Armenian translation of
EUSEBIUS) we learn that it was under Bel, or Belus, that is Baal, that the
Cyclops lived; and the Scholiast on Aeschylus states that these Cyclops were
the brethren of Kronos, who was also Bel or Bal, as we have elsewhere seen. The
eye in their forehead shows that originally this name was a name of the great
god; for that eye in India and Greece is found the characteristic of the
supreme divinity. The Cyclops, then, had been representatives of that God--in
other words, priests, and priests of Bel or Bal. Now, we find that the Cyclops
were well-known as cannibals, Referre ritus Cyclopum, "to bring back the
rites of the Cyclops," meaning to revive the practice of eating human
flesh. (OVID, Metam.)
Now, the ancient traditions relate that the apostates who joined
in the rebellion of Nimrod made war upon the faithful among the sons of Noah.
Power and numbers were on the side of the fire-worshippers. But on the side of
Shem and the faithful was the mighty power of God's Spirit. Therefore many were
convinced of their sin, arrested in their evil career; and victory, as we have
already seen, declared for the saints. The power of Nimrod came to an end, *
and with that, for a time, the worship of the sun, and the fiery serpent
associated with it.
* The wars of the giants against heaven, referred to in
ancient heathen writers, had primary reference to this war against the saints;
for men cannot make war upon God except by attacking the people of God. The
ancient writer Eupolemus, as quoted by Eusebius (Praeparatio Evang.), states,
that the builders of the tower of Babel were these giants; which statement
amounts nearly to the same thing as the conclusion to which we have already
come, for we have seen that the "mighty ones" of Nimrod were
"the giants" of antiquity. Epiphanius records that Nimrod was a
ringleader among these giants, and that "conspiracy, sedition, and tyranny
were carried on under him." From the very necessity of the case, the
faithful must have suffered most, as being most opposed to his ambitious and sacrilegious
schemes. That Nimrod's reign terminated in some very signal catastrophe, we
have seen abundant reason already to conclude. The following statement of
Syncellus confirms the conclusions to which we have already come as to the
nature of that catastrophe; referring to the arresting of the tower-building
scheme, Syncellus (Chronographia) proceeds thus: "But Nimrod would still
obstinately stay (when most of the other tower-builders were dispersed), and
reside upon the spot; nor could he be withdrawn from the tower, still having
the command over no contemptible body of men. Upon this, we are informed, that
the tower, being beat upon by violent winds, gave way, and by the just judgment
of God, crushed him to pieces." Though this could not be literally true,
for the tower stood for many ages, yet there is a considerable amount of
tradition to the effect that the tower in which Nimrod gloried was overthrown
by wind, which gives reason to suspect that this story, when properly
understood, had a real meaning in it. Take it figuratively, and remembering
that the same word which signifies the wind signifies also the Spirit of God,
it becomes highly probable that the meaning is, that his lofty and ambitious
scheme, by which, in Scriptural language, he was seeking to "mount up to
heaven," and "set his nest among the stars," was overthrown for
a time by the Spirit of God, as we have already concluded, and that, in that
overthrow he himself perished.
The case was exactly as stated here in regard to the antitype
(Rev 12:9): "The great dragon," or fiery serpent, was "cast out
of heaven to the earth, and his angels were cast out with him"; that is,
the Head of the fire-worship, and all his associates and underlings, were cast
down from the power and glory to which they had been raised. Then was the time
when the whole gods of the classic Pantheon of Greece were fain to flee and
hide themselves from the wrath of their adversaries. Then it was, that, in
India, Indra, the king of the gods, Surya, the god of the sun, Agni, the god of
fire, and all the rabble rout of the Hindu Olympus, were driven from heaven,
wandered over the earth, or hid themselves, in forests, disconsolate, and ready
to "perish of hunger." Then it was that Phaethon, while driving the
chariot of the sun, when on the point of setting the world on fire, was smitten
by the Supreme God, and cast headlong to the earth, while his sisters, the
daughters of the sun, inconsolably lamented him, as, "the women wept for
Tammuz." Then it was, as the reader must be prepared to see, that Vulcan,
or Molk-Gheber, the classic "god of fire," was so ignominiously
hurled down from heaven, as he himself relates in Homer, speaking of the wrath
of the King of Heaven, which in this instance must mean God Most High:--
"I felt his matchless might,
Hurled headlong downwards from the ethereal height;
Tossed all the day in rapid circles round,
Nor, till the sun descended, touched the ground.
Breathless I fell, in giddy motion lost.
The Sinthians raised me on the Lemnian coast."
The lines, in which Milton refers to this same downfall,
though he gives it another application, still more beautifully describe the
greatness of the overthrow:--
"In Ausonian land
Men called him Mulciber; and how he fell
From heaven, they fabled. Thrown by angry Jove
Sheer o'er the crystal battlements; from morn
To noon he fell, from noon to dewy eve,
A summer's day; and, with the setting sun,
Dropped from the zenith, like a falling star.
On Lemnos, the Aegean isle."
Paradise Lost
These words very strikingly show the tremendous fall of
Molk-Gheber, or Nimrod, "the Mighty King," when "suddenly he was
cast down from the height of his power, and was deprived at once of his kingdom
and his life." *
* The Greek poets speak of two downfalls of Vulcan. In the one
case he was cast down by Jupiter, in the other by Juno. When Jupiter cast him
down, it was for rebellion; when Juno did so, one of the reasons specially
singled out for doing so was his "malformation," that is, his
ugliness. (HOMER'S Hymn to Apollo) How exactly does this agree with the story
of Nimrod: First he was personally cast down, when, by Divine authority, he was
slain. Then he was cast down, in effigy, by Juno, when his image was degraded
from the arms of the Queen of Heaven, to make way for the fairer child.
Now, to this overthrow there is very manifest allusion in the
prophetic apostrophe of Isaiah to the king of Babylon, exulting over his
approaching downfall: "How art thou fallen from heaven, O Lucifer, son of
the morning"! The Babylonian king pretended to be a representative of
Nimrod or Phaethon; and the prophet, in these words, informs him, that, as
certainly as the god in whom he gloried had been cast down from his high
estate, so certainly should he. In the classic story, Phaethon is said to have
been consumed with lightning (and, as we shall see by-and-by, Aesculapius also
died the same death); but the lightning is a mere metaphor for the wrath of
God, under which his life and his kingdom had come to an end. When the history
is examined, and the figure stripped off, it turns out, as we have already
seen, that he was judicially slain with the sword. *
* Though Orpheus was commonly represented as having been torn
in pieces, he too was fabled to have been killed by lightning. (PAUSANIAS,
Boeotica) When Zoroaster died, he also is said in the myth to have perished by
lightning (SUIDAS); and therefore, in accordance with that myth, he is
represented as charging his countrymen to preserve not his body, but his
"ashes." The death by lightning, however, is evidently a mere figure.
Such is the language of the prophecy, and so exactly does it
correspond with the character, and deeds, and fate of the ancient type. How
does it suit the antitype? Could the power of Pagan Imperial Rome--that power
that first persecuted the Church of Christ, that stood by its soldiers around
the tomb of the Son of God Himself, to devour Him, if it had been possible,
when He should be brought forth, as the first-begotten from the dead, * to rule
all nations--be represented by a "Fiery Serpent"?
* The birth of the Man-child, as given above, is different
from that usually given: but let the reader consider if the view which I have
taken does not meet all the requirements of the case. I think there will be but
few who will assent to the opinion of Mr. Elliot, which in substance amounts to
this, that the Man-child was Constantine the Great, and that when Christianity,
in his person sat down on the throne of Imperial Rome, that was the fulfilment
of the saying, that the child brought forth by the woman, amid such pangs of
travail, was "caught up to God and His throne." When Constantine came
to the empire, the Church indeed, as foretold in Daniel 11:34, "was holpen
with a little help"; but that was all. The Christianity of Constantine was
but of a very doubtful kind, the Pagans seeing nothing in it to hinder but that
when he died, he should be enrolled among their gods. (EUTROPIUS) But even
though it had been better, the description of the woman's child is far too high
for Constantine, or any Christian emperor that succeeded him on the imperial
throne. "The Man-child, born to rule all nations with a rod of iron,"
is unequivocally Christ (see Psalms 2:9; Rev 19:15). True believers, as one
with Him in a subordinate sense, share in that honour (Rev 2:27); but to Christ
alone, properly, does that prerogative belong; and I think it must be evident
that it is His birth that is here referred to. But those who have contended for
this view have done injustice to their cause by representing this passage as referring
to His literal birth in Bethlehem. When Christ was born in Bethlehem, no doubt
Herod endeavoured to cut Him off, and Herod was a subject of the Roman Empire.
But it was not from any respect to Caesar that he did so, but simply from fear
of danger to his own dignity as King of Judea. So little did Caesar sympathise
with the slaughter of the children of Bethlehem, that it is recorded that
Augustus, on hearing of it, remarked that it was "better to be Herod's hog
than to be his child." (MACROBIUS, Saturnalia) Then, even if it were
admitted that Herod's bloody attempt to cut off the infant Saviour was
symbolised by the Roman dragon, "standing ready to devour the child as
soon as it should be born," where was there anything that could correspond
to the statement that the child, to save it from that dragon, "was caught
up to God and His Throne"? The flight of Joseph and Mary with the Child
into Egypt could never answer to such language. Moreover, it is worthy of
special note, that when the Lord Jesus was born in Bethlehem, He was born, in a
very important sense only as "King of the Jews." "Where is He
that is born King of the Jews?" was the inquiry of the wise men that came
from the East to seek Him. All His life long, He appeared in no other
character; and when He died, the inscription on His cross ran in these terms:
"This is the King of the Jews." Now, this was no accidental thing.
Paul tells us (Rom 15:8) that "Jesus Christ was a minister of the
circumcision for the truth of God, to confirm the promises made unto the
fathers." Our Lord Himself plainly declared the same thing. "I am not
sent," said He to the Syrophoenician woman, "save to the lost sheep
of the house of Israel"; and, in sending out His disciples during His
personal ministry, this was the charge which He gave them: "Go not in the
way of the Gentiles, and into any city of the Samaritans enter ye not." It
was only when He was "begotten from the dead," and "declared to
be the Son of God with power," by His victory over the grave, that He was
revealed as "the Man-child, born to rule all nations." Then said He
to His disciples, when He had risen, and was about to ascend on high: "All
power is given unto Me in heaven and in earth: go ye therefore, and teach
allnations." To this glorious "birth" from the tomb, and to the
birth-pangs of His Church that preceded it, our Lord Himself made distinct
allusion on the night before He was betrayed (John 16:20-22). "Verily,
verily, I say unto you, That ye shall weep and lament, but the world shall
rejoice; and ye shall be sorrowful, but your sorrow shall be turned into joy. A
woman when she is in travail hath sorrow, because her hour is come; but as soon
as she is delivered of the child, she remembereth no more the anguish, for joy
that a MAN is born into the world. And ye now therefore have sorrow; but I will
see you again, and your heart shall rejoice." Here the grief of the
apostles, and, of course, all the true Church that sympathised with them during
the hour and power of darkness, is compared to the pangs of a travailing woman;
and their joy, when the Saviour should see them again after His resurrection,
to the joy of a mother when safely delivered of a Man-child. Can there be a
doubt, then, what the symbol before us means, when the woman is represented as
travailing in pain to be delivered of a "Man-child, that was to rule all
nations," and when it is said that that "Man-child was caught up to
God and His Throne"?
Nothing could more lucidly show it forth. Among the lords
many, and the gods many, worshipped in the imperial city, the two grand objects
of worship were the "Eternal Fire," kept perpetually burning in the
temple of Vesta, and the sacred Epidaurian Serpent. In Pagan Rome, this
fire-worship and serpent-worship were sometimes separate, sometimes conjoined;
but both occupied a pre-eminent place in Roman esteem. The fire of Vesta was
regarded as one of the grand safeguards of the empire. It was pretended to have
been brought from Troy by Aeneas, who had it confided to his care by the shade
of Hector, and was kept with the most jealous care by the Vestal virgins, who,
for their charge of it, were honoured with the highest honours. The temple
where it was kept, says Augustine, "was the most sacred and most
reverenced of all the temples of Rome." The fire that was so jealously
guarded in that temple, and on which so much was believed to depend, was
regarded in the very same light as by the old Babylonian fire-worshippers. It
was looked upon as the purifier, and in April every year, at the Palilia, or
feast of Pales, both men and cattle, for this purpose, were made to pass
through the fire. The Epidaurian snake, that the Romans worshipped along with
the fire, was looked on as the divine representation of Aesculapius, the child
of the Sun. Aesculapius, whom that sacred snake represented, was evidently,
just another name for the great Babylonian god. His fate was exactly the same
as that of Phaethon. He was said to have been smitten with lightning for
raising the dead. It is evident that this could never have been the case in a
physical sense, nor could it easily have been believed to be so. But view it in
a spiritual sense, and then the statement is just this, that he was believed to
raise men who were dead in trespasses and sins to newness of life. Now, this
was exactly what Phaethon was pretending to do, when he was smitten for setting
the world on fire. In the Babylonian system there was a symbolical death, that
all the initiated had to pass through, before they got the new life which was
implied in regeneration, and that just to declare that they had passed from
death unto life. As the passing through the fire was both a purgation from sin
and the means of regeneration, so it was also for raising the dead that
Phaethon was smitten. Then, as Aesculapius was the child of the Sun, so was
Phaethon. *
* The birth of Aesculapius in the myth was just the same as
that of Bacchus. His mother was consumed by lightning, and the infant was
rescued from the lightning that consumed her, as Bacchus was snatched from the
flames that burnt up his mother.--LEMPRIERE
To symbolise this relationship, the head of the image of
Aesculapius was generally encircled with rays. The Pope thus encircles the
heads of the pretended images of Christ; but the real source of these
irradiations is patent to all acquainted either with the literature or the art
of Rome. Thus speaks Virgil of Latinus:--
"And now, in pomp, the peaceful kings appear,
Four steeds the chariot of Latinus bear,
Twelve golden beams around his temples play,
To mark his lineage from the god of day."
The "golden beams" around the head of Aesculapius
were intended to mark the same, to point him out as the child of the Sun, or
the Sun incarnate. The "golden beams" around the heads of pictures
and images called by the name of Christ, were intended to show the Pagans that
they might safely worship them, as the images of their well-known divinities,
though called by a different name. Now Aesculapius, in a time of deadly
pestilence, had been invited from Epidaurus to Rome. The god, under the form of
a larger serpent, entered the ship that was sent to convey him to Rome, and
having safely arrived in the Tiber, was solemnly inaugurated as the guardian
god of the Romans. From that time forth, in private as well as in public, the
worship of the Epidaurian snake, the serpent that represented the Sun-divinity
incarnate, in other words, the "Serpent of Fire," became nearly
universal. In almost every house the sacred serpent, which was a harmless sort,
was to be found. "These serpents nestled about the domestic altars,"
says the author of Pompeii, "and came out, like dogs or cats, to be patted
by the visitors, and beg for something to eat. Nay, at table, if we may build
upon insulated passages, they crept about the cups of the guests, and, in hot
weather, ladies would use them as live boas, and twist them round their necks
for the sake of coolness...These sacred animals made war on the rats and mice,
and thus kept down one species of vermin; but as they bore a charmed life, and
no one laid violent hands on them, they multiplied so fast, that, like the
monkeys of Benares, they became an intolerable nuisance. The frequent fires at
Rome were the only things that kept them under." Some pictures represent
Roman fire-worship and serpent-worship at once separate and conjoined. The
reason of the double representation of the god I cannot here enter into, but it
must be evident, from the words of Virgil already quoted, that the figures
having their heads encircled with rays, represent the fire-god, or
Sun-divinity; and what is worthy of special note is, that these fire-gods are
black, * the colour thereby identifying them with the Ethiopian or black
Phaethon; while, as the author of Pompeii himself admits, these same black
fire-gods are represented by two huge serpents.
* "All the faces in his (MAZOIS') engraving are quite
black." (Pompeii) In India, the infant Crishna (emphatically the black
god), in the arms of the goddess Devaki, is represented with the woolly hair
and marked features of the Negro or African race.
Now, if this worship of the sacred serpent of the Sun, the
great fire-god, was so universal in Rome, what symbol could more graphically
portray the idolatrous power of Pagan Imperial Rome than the "Great Fiery
Serpent"? No doubt it was to set forth this very thing that the Imperial
standard itself--the standard of the Pagan Emperor of Rome, as Pontifex
Maximus, Head of the great system of fire-worship and serpent-worship--was a
serpent elevated on a lofty pole, and so coloured, as to exhibit it as a
recognised symbol of fire-worship. (see note below)
As Christianity spread in the Roman Empire, the powers of
light and darkness came into collision (Rev 12:7,8): "Michael and his
angels fought against the dragon; and the dragon fought and his angels, and
prevailed not; neither was their place found any more in heaven. And the great
dragon was cast out;...he was cast out into the earth, and his angels were cast
out with him." The "great serpent of fire" was cast out, when,
by the decree of Gratian, Paganism throughout the Roman empire was
abolished--when the fires of Vesta were extinguished, and the revenues of the
Vestal virgins were confiscated--when the Roman Emperor (who though for more
than a century and a half a professor of Christianity, had been "Pontifex
Maximus," the very head of the idolatry of Rome, and as such, on high occasions,
appearing invested with all the idolatrous insignia of Paganism), through force
of conscience abolished his own office. While Nimrod was personally and
literally slain by the sword, it was through the sword of the Spirit that Shem
overcame the system of fire-worship, and so bowed the hearts of men, as to
cause it for a time to be utterly extinguished. In like manner did the Dragon
of fire, in the Roman Empire, receive a deadly wound from a sword, and that the
sword of the Spirit, which is the Word of God. There is thus far an exact
analogy between the type and the antitype.
But not only is there this analogy. It turns out, when the
records of history are searched to the bottom, that when the head of the Pagan
idolatry of Rome was slain with the sword by the extinction of the office of
Pontifex Maximus, the last Roman Pontifex Maximus was the ACTUAL, LEGITIMATE,
SOLE REPRESENTATIVE OF NIMROD and his idolatrous system then existing. To make
this clear, a brief glance at the Roman history is necessary. In common with
all the earth, Rome at a very early prehistoric period, had drunk deep of
Babylon's "golden cup." But above and beyond all other nations, it
had had a connection with the idolatry of Babylon that put it in a position
peculiar and alone. Long before the days of Romulus, a representative of the
Babylonian Messiah, called by his name, had fixed his temple as a god, and his
palace as a king, on one of those very heights which came to be included within
the walls of that city which Remus and his brother were destined to found. On
the Capitoline hill, so famed in after-days as the great high place of Roman
worship, Saturnia, or the city of Saturn, the great Chaldean god, had in the
days of dim and distant antiquity been erected. Some revolution had then taken
place--the graven images of Babylon had been abolished--the erecting of any
idol had been sternly prohibited, * and when the twin founders of the now
world-renowned city reared its humble walls, the city and the palace of their
Babylonian predecessor had long lain in ruins.
* PLUTARCH (in Hist. Numoe) states, that Numa forbade the
making of images, and that for 170 years after the founding of Rome, no images
were allowed in the Roman temples.
The ruined state of this sacred city, even in the remote age
of Evander, is alluded to by Virgil. Referring to the time when Aeneas is said
to have visited that ancient Italian king, thus he speaks:--
"Then saw two heaps of ruins; once they stood
Two stately towns on either side the flood;
Saturnia and Janicula's remains;
And either place the founder's name retains."
The deadly wound, however, thus given to the Chaldean system,
was destined to be healed. A colony of Etruscans, earnestly attached to the
Chaldean idolatry, had migrated, some say from Asia Minor, others from Greece,
and settled in the immediate neighbourhood of Rome. They were ultimately
incorporated in the Roman state, but long before this political union took
place they exercised the most powerful influence on the religion of the Romans.
From the very first their skill in augury, soothsaying, and all science, real
or pretended, that the augurs or soothsayers monopolised, made the Romans look
up to them with respect. It is admitted on all hands that the Romans derived
their knowledge of augury, which occupied so prominent a place in every public
transaction in which they engaged, chiefly from the Tuscans, that is, the
people of Etruria, and at first none but natives of that country were permitted
to exercise the office of a Haruspex, which had respect to all the rites
essentially involved in sacrifice. Wars and disputes arose between Rome and the
Etruscans; but still the highest of the noble youths of Rome were sent to
Etruria to be instructed in the sacred science which flourished there. The consequence
was, that under the influence of men whose minds were moulded by those who
clung to the ancient idol-worship, the Romans were brought back again to much
of that idolatry which they had formerly repudiated and cast off. Though Numa,
therefore, in setting up his religious system, so far deferred to the
prevailing feeling of his day and forbade image-worship, yet in consequence of
the alliance subsisting between Rome and Etruria in sacred things, matters were
put in train for the ultimate subversion of that prohibition. The college of
Pontiffs, of which he laid the foundation, in process of time came to be
substantially an Etruscan college, and the Sovereign Pontiff that presided over
that college, and that controlled all the public and private religious rites of
the Roman people in all essential respects, became in spirit and in practice an
Etruscan Pontiff.
Still the Sovereign Pontiff of Rome, even after the Etruscan
idolatry was absorbed into the Roman system, was only an offshoot from the
grand original Babylonian system. He was a devoted worshipper of the Babylonian
god; but he was not the legitimate representative of that God. The true
legitimate Babylonian Pontiff had his seat beyond the bounds of the Roman
empire. That seat, after the death of Belshazzar, and the expulsion of the
Chaldean priesthood from Babylon by the Medo-Persian kings, was at Pergamos,
where afterwards was one of the seven churches of Asia. * There, in
consequence, for many centuries was "Satan's seat" (Rev 2:13). There,
under favour of the deified ** kings of Pergamos, was his favourite abode,
there was the worship of Aesculapius, under the form of the serpent, celebrated
with frantic orgies and excesses, that elsewhere were kept under some measure
of restraint.
* BARKER and AINSWORTH'S Lares and Penates of Cilicia. Barker
says, "The defeated Chaldeans fled to Asia Minor, and fixed their central
college at Pergamos." Phrygia, that was so remarkable for the worship of
Cybele and Atys, formed part of the Kingdom of Pergamos. Mysia also was
another, and the Mysians, in the Paschal Chronicle, are said to be descended
from Nimrod. The words are, "Nebrod, the huntsman and giant--from whence
came the Mysians." Lydia, also, from which Livy and Herodotus say the
Etrurians came, formed part of the same kingdom. For the fact that Mysia,
Lydia, and Phrygia were constituent parts of the kingdom of Pergamos, see
SMITH's Classical Dictionary.
** The kings of Pergamos, in whose dominions the Chaldean Magi
found an asylum, were evidently by them, and by the general voice of Paganism
that sympathised with them, put into the vacant place which Belshazzar and his
predecessors had occupied. They were hailed as the representatives of the old
Babylonian god. This is evident from the statements of Pausanias. First, he
quotes the following words from the oracle of a prophetess called Phaennis, in
reference to the Gauls: "But divinity will still more seriously afflict
those that dwell near the sea. However, in a short time after, Jupiter will
send them a defender, the beloved son of a Jove-nourished bull, who will bring
destruction on all the Gauls." Then on this he comments as follows:
"Phaennis, in this oracle, means by the son of a bull, Attalus, king of
Pergamos, whom the oracle of Apollo called Taurokeron," or bull-horned.
This title given by the Delphian god, proves that Attalus, in whose dominions
the Magi had their seat, had been set up and recognised in the very character
of Bacchus, the Head of the Magi. Thus the vacant seat of Belshazzar was
filled, and the broken chain of the Chaldean succession renewed.
At first, the Roman Pontiff had no immediate connection with
Pergamos and the hierarchy there; yet, in course of time, the Pontificate of
Rome and the Pontificate of Pergamos came to be identified. Pergamos itself
became part and parcel of the Roman empire, when Attalus III, the last of its
kings, at his death, left by will all his dominions to the Roman people, BC
133. For some time after the kingdom of Pergamos was merged in the Roman
dominions, there was no one who could set himself openly and advisedly to lay
claim to all the dignity inherent in the old title of the kings of Pergamos.
The original powers even of the Roman Pontiffs seem to have been by that time
abridged, but when Julius Caesar, who had previously been elected Pontifex
Maximus, became also, as Emperor, the supreme civil ruler of the Romans, then,
as head of the Roman state, and head of the Roman religion, all the powers and
functions of the true legitimate Babylonian Pontiff were supremely vested in
him, and he found himself in a position to assert these powers. Then he seems
to have laid claim to the divine dignity of Attalus, as well as the kingdom
that Attalus had bequeathed to the Romans, as centering in himself; for his
well-known watchword, "Venus Genetrix," which meant that Venus was
the mother of the Julian race, appears to have been intended to make him
"The Son" of the great goddess, even as the "Bull-horned"
Attalus had been regarded. *
* The deification of the emperors that continued in succession
from the days of Divus Julius, or the "Deified Julius," can be traced
to no cause so likely as their representing the "Bull-horned" Attalus
both as Pontiff and Sovereign.
Then, on certain occasions, in the exercise of his high pontifical
office, he appeared of course in all the pomp of the Babylonian costume, as
Belshazzar himself might have done, in robes of scarlet, with the crosier of
Nimrod in his hand, wearing the mitre of Dagon and bearing the keys of Janus
and Cybele. *
* That the key was one of the symbols used in the Mysteries,
the reader will find on consulting TAYLOR'S Note on Orphic Hymn to Pluto, where
that divinity is spoken of as "keeper of the keys." Now the Pontifex,
as "Hierophant," was "arrayed in the habit and adorned with the
symbols of the great Creator of the world, of whom in these Mysteries he was
supposed to be the substitute." (MAURICE'S Antiquities) The Primeval or
Creative god was mystically represented as Androgyne, as combining in his own
person both sexes (Ibid.), being therefore both Janus and Cybele at the same
time. In opening up the Mysteries, therefore, of this mysterious divinity, it
was natural that the Pontifex should bear the key of both these divinities.
Janus himself, however, as well as Pluto, was often represented with more than
one key.
Thus did matter continue, as already stated, even under
so-called Christian emperors; who, as a salve to their consciences, appointed a
heathen as their substitute in the performance of the more directly idolatrous
functions of the pontificate (that substitute, however, acting in their name
and by their authority), until the reign of Gratian, who, as shown by Gibbon,
was the first that refused to be arrayed in the idolatrous pontifical attire,
or to act as Pontifex. Now, from all this it is evident that, when Paganism in
the Roman empire was abolished, when the office of Pontifex Maximus was
suppressed, and all the dignitaries of paganism were cast down from their seats
of influence and of power, which they had still been allowed in some measure to
retain, that was not merely the casting down of the Fiery Dragon of Rome, but
the casting down of the Fiery Dragon of Babylon. It was just the enacting over
again, in a symbolical sense, upon the true and sole legitimate successor of
Nimrod, what had taken place upon himself, when the greatness of his downfall
gave rise to the exclamation, "How art thou fallen from heaven, O Lucifer,
son of the morning"!
Notes
Zoroaster, the Head of the Fire-Worshippers
That Zoroaster was head of the fire-worshippers, the
following, among other evidence, may prove. Not to mention that the name
Zoroaster is almost a synonym for a fire-worshipper, the testimony of Plutarch
is of weight: "Plutarch acknowledges that Zoroaster among the Chaldeans
instituted the Magi, in imitation of whom the Persians also had their (Magi). *
The Arabian History also relates that Zaradussit, or Zerdusht, did not for the
first time institute, but (only) reform the religion of the Persians and Magi,
who had been divided into many sects."
* The great antiquity of the institution of the Magi is proved
from the statement of Aristotle already referred to, as preserved in
Theopompus, which makes them to have been "more ancient than the
Egyptians," whose antiquity is well known. (Theopompi Fragmenta in
MULLER).
The testimony of Agathias is to the same effect. He gives it
as his opinion that the worship of fire came from the Chaldeans to the
Persians. That the Magi among the Persians were the guardians of "the
sacred and eternal fire" may be assumed from Curtius, who says that fire
was carried before them "on silver altars"; from the statement of
Strabo (Geograph.), that "the Magi kept upon the altar a quantity of ashes
and an immortal fire," and of Herodotus, that "without them, no
sacrifice could be offered." The fire-worship was an essential part of the
system of the Persian Magi (WILSON, Parsee Religion). This fire-worship the
Persian Magi did not pretend to have invented; but their popular story carried
the origin of it up to the days of Hoshang, the father of Tahmurs, who founded
Babylon (WILSON)--i.e., the time of Nimrod. In confirmation of this, we have
seen that a fragment of Apollodorus makes Ninus the head of the
fire-worshipper, Layard, quoting this fragment, supposes Ninus to be different
from Zoroaster (Nineveh and its Remains); but it can be proved, that though
many others bore the name of Zoroaster, the lines of evidence all converge, so
as to demonstrate that Ninus and Nimrod and Zoroaster were one. The legends of
Zoroaster show that he was known not only as a Magus, but as a Warrior
(ARNOBIUS). Plato says that Eros Armenius (whom CLERICUS, De Chaldaeis, states
to have been the same as the fourth Zoroaster) died and rose again after ten
days, having been killed in battle; and that what he pretended to have learned
in Hades, he communicated to men in his new life (PLATO, De Republica). We have
seen the death of Nimrod, the original Zoroaster, was not that of a warrior
slain in battle; but yet this legend of the warrior Zoroaster is entirely in
favour of the supposition that the original Zoroaster, the original Head of the
Magi, was not a priest merely, but a warrior-king. Everywhere are the
Zoroastrians, or fire-worshippers, called Guebres or Gabrs. Now, Genesis 10:8
proves that Nimrod was the first of the "Gabrs."
As Zoroaster was head of the fire-worshippers, so Tammuz was
evidently the same. We have seen evidence already that sufficiently proves the
identity of Tammuz and Nimrod; but a few words may still more decisively prove
it, and cast further light on the primitive fire-worship. 1. In the first
place, Tammuz and Adonis are proved to be the same divinity. Jerome, who lived
in Palestine when the rites of Tammuz were observed, up to the very time when
he wrote, expressly identifies Tammuz and Adonis, in his Commentary on Ezekiel,
where the Jewish women are represented as weeping for Tammuz; and the testimony
of Jerome on this subject is universally admitted. Then the mode in which the
rites of Tammuz or Adonis were celebrated in Syria was essentially the same as
the rites of Osiris. The statement of Lucian (De Dea Syria) strikingly shows
this, and Bunsen distinctly admits it. The identity of Osiris and Nimrod has
been largely proved in the body of this work. When, therefore, Tammuz or Adonis
is identified with Osiris, the identification of Tammuz with Nimrod follows of
course. And then this entirely agrees with the language of Bion, in his Lament
for Adonis, where he represents Venus as going in a frenzy of grief, like a
Bacchant, after the death of Adonis, through the woods and valleys, and
"calling upon her Assyrian husband." It equally agrees with the
statement of Maimonides, that when Tammuz was put to death, the grand scene of
weeping for that death was in the temple of Babylon. 2. Now, if Tammuz was
Nimrod, the examination of the meaning of the name confirms the connection of
Nimrod with the first fire-worship. After what has already been advanced, there
needs no argument to show that, as the Chaldeans were the first who introduced
the name and power of kings (SYNCELLUS), and as Nimrod was unquestionably the
first of these kings, and the first, consequently, that bore the title of
Moloch, or king, so it was in honour of him that the "children were made
to pass through the fire to Moloch." But the intention of that passing
through the fire was undoubtedly to purify. The name Tammuz has evidently
reference to this, for it signifies "to perfect," that is, "to
purify" * "by fire"; and if Nimrod was, as the Paschal
Chronicle, and the general voice of antiquity, represent him to have been, the
originator of fire-worship, this name very exactly expresses his character in
that respect.
* From tam, "to perfect," and muz, "to
burn." To be "pure in heart" in Scripture is just the same as to
be "perfect in heart." The well-known name Deucalion, as connected
with the flood, seems to be a correlative term of the water-worshippers.
Dukh-kaleh signifies "to purify by washing," from Dikh, "to
wash" (CLAVIS STOCKII), and Khaleh, "to complete," or
"perfect." The noun from the latter verb, found in 2 Chronicles 4:21,
shows that the root means "to purify," "perfect gold" being
in the Septuagint justly rendered "pure gold." There is a name
sometimes applied to the king of the gods that has some bearing on this
subject. That name is "Akmon." What is the meaning of it? It is
evidently just the Chaldee form of the Hebrew Khmn, "the burner,"
which becomes Akmon in the same way as the Hebrew Dem, "blood," in
Chaldee becomes "Adem." Hesychius says that Akmon is Kronos, sub voce
"Akmon." In Virgil (Aeneid) we find this name compounded so as to be
an exact synonym for Tammuz, Pyracmon being the name of one of the three famous
Cyclops whom the poet introduces. We have seen that the original Cyclops were
Kronos and his brethren, and deriving the name from "Pur," the
Chaldee form of Bur, "to purify," and "Akmon," it just
signifies "The purifying burner."
It is evident, however, from the Zoroastrian verse, elsewhere
quoted, that fire itself was worshipped as Tammuz, for it is called the
"Father that perfected all things." In one respect this represented
fire as the Creative god; but in another, there can be no doubt that it had
reference to the "perfecting" of men by "purifying" them. And
especially it perfected those whom it consumed. This was the very idea that,
from time immemorial until very recently, led so many widows in India to
immolate themselves on the funeral piles of their husbands, the woman who thus
burned herself being counted blessed, because she became Suttee *--i.e.,
"Pure by burning."
* MOOR'S Pantheon, "Siva." The epithet for a woman
that burns herself is spelled "Sati," but is pronounced
"Suttee," as above.
And this also, no doubt, reconciled the parents who actually
sacrificed their children to Moloch, to the cruel sacrifice, the belief being
cherished that the fire that consumed them also "perfected" them, and
made them meet for eternal happiness. As both the passing through the fire, and
the burning in the fire, were essential rites in the worship of Moloch or
Nimrod, this is an argument that Nimrod was Tammuz. As the priest and
representative of the perfecting or purifying fire, it was he that carried on the
work of perfecting or purifying by fire, and so he was called by its name.
When we turn to the legends of India, we find evidence to the
very same effect as that which we have seen with regard to Zoroaster and Tammuz
as head of the fire-worshippers. The fifth head of Brahma, that was cut off for
inflicting distress on the three worlds, by the "effulgence of its
dazzling beams," referred to in the text of this work, identifies itself
with Nimrod. The fact that that fifth head was represented as having read the
Vedas, or sacred books produced by the other four heads, shows, I think, a
succession. *
* The Indian Vedas that now exist do not seem to be of very
great antiquity as written documents; but the legend goes much further back
than anything that took place in India. The antiquity of writing seems to be
very great, but whether or not there was any written religious document in
Nimrod's day, a Veda there must have been; for what is the meaning of the word
"Veda"? It is evidently just the same as the Anglo-Saxon Edda with
the digamma prefixed, and both alike evidently come from "Ed" a
"Testimony," a "Religious Record," or "confession of
Faith." Such a "Record" or "Confession," either
"oral" or "written," must have existed from the beginning.
Now, coming down from Noah, what would that succession be? We
have evidence from Berosus, that, in the days of Belus--that is, Nimrod--the
custom of making representations like that of two-headed Janus, had begun.
Assume, then, that Noah, as having lived in two worlds, has his two heads. Ham
is the third, Cush the fourth, and Nimrod is, of course, the fifth. And this
fifth head was cut off for doing the very thing for which Nimrod actually was
cut off. I suspect that this Indian myth is the key to open up the meaning of a
statement of Plutarch, which, according to the terms of it, as it stands, is
visibly absurd. It is as follows: Plutarch (in the fourth book of his
Symposiaca) says that "the Egyptians were of the opinion that darkness was
prior to light, and that the latter [viz. light] was produced from mice, in the
fifth generation, at the time of the new moon." In India, we find that
"a new moon" was produced in a different sense from the ordinary
meaning of that term, and that the production of that new moon was not only
important in Indian mythology, but evidently agreed in time with the period
when the fifth head of Brahma scorched the world with its insufferable
splendour. The account of its production runs thus: that the gods and mankind
were entirely discontented with the moon which they had got, "Because it
gave no light," and besides the plants were poor and the fruits of no use,
and that therefore they churned the White sea [or, as it is commonly expressed,
"they churned the ocean"], when all things were mingled--i.e., were
thrown into confusion, and that then a new moon, with a new regent, was
appointed, which brought in an entirely new system of things (Asiatic
Researches). From MAURICE's Indian Antiquities, we learn that at this very time
of the churning of the ocean, the earth was set on fire, and a great
conflagration was the result. But the name of the moon in India is Soma, or Som
(for the final a is only a breathing, and the word is found in the name of the
famous temple of Somnaut, which name signifies "Lord of the Moon"),
and the moon in India is male. As this transaction is symbolical, the question
naturally arises, who could be meant by the moon, or regent of the moon, who
was cast off in the fifth generation of the world? The name Som shows at once
who he must have been. Som is just the name of Shem; for Shem's name comes from
Shom, "to appoint," and is legitimately represented either by the
name Som, or Sem, as it is in Greek; and it was precisely to get rid of Shem
(either after his father's death, or when the infirmities of old age were
coming upon him) as the great instructor of the world, that is, as the great
diffuser of spiritual light, that in the fifth generation the world was thrown
into confusion and the earth set on fire. The propriety of Shem's being
compared to the moon will appear if we consider the way in which his father
Noah was evidently symbolised. The head of a family is divinely compared to the
sun, as in the dream of Joseph (Gen 37:9), and it may be easily conceived how
Noah would, by his posterity in general, be looked up to as occupying the
paramount place as the Sun of the world; and accordingly Bryant, Davies, Faber,
and others, have agreed in recognising Noah as so symbolised by Paganism. When,
however, his younger son--for Shem was younger than Japhet--(Gen 10:21) was
substituted for his father, to whom the world had looked up in comparison of
the "greater light," Shem would naturally, especially by those who
disliked him and rebelled against him, be compared to "the lesser light,"
or the moon. *
* "As to the kingdom, the Oriental Oneirocritics, jointly
say, that the sun is the symbol of the king, and the moon of the next to him in
power." This sentence extracted from DAUBUZ's Symbolical Dictionary,
illustrated with judicious notes by my learned friend, the Rev. A. Forbes,
London, shows that the conclusion to which I had come before seeing it, in
regard to the symbolical meaning of the moon, is entirely in harmony with
Oriental modes of thinking.
Now, the production of light by mice at this period, comes in
exactly to confirm this deduction. A mouse in Chaldee is "Aakbar";
and Gheber, or Kheber, in Arabic, Turkish, and some of the other eastern
dialects, becomes "Akbar," as in the well-known Moslem saying, "Allar
Akbar," "God is Great." So that the whole statement of Plutarch,
when stripped of its nonsensical garb, just amounts to this, that light was
produced by the Guebres or fire-worshippers, when Nimrod was set up in
opposition to Shem, as the representative of Noah, and the great enlightener of
the world.
____________________
The Story of Phaethon
The identity of Phaethon and Nimrod has much to support it
besides the prima facie evidence arising from the statement that Phaethon was
an Ethiopian or Cushite, and the resemblance of his fate, in being cast down
from heaven while driving the chariot of the sun, as "the child of the
Sun," to the casting down of Molk-Gheber, whose very name, as the god of
fire, identifies him with Nimrod. 1. Phaethon is said by Apollodorus to have
been the son of Tithonus; but if the meaning of the name Tithonus be examined,
it will be evident that he was Tithonus himself. Tithonus was the husband of
Aurora (DYMOCK). In the physical sense, as we have already seen, Aur-ora
signifies "The awakener of the light"; to correspond with this
Tithonus signifies "The kindler of light," or "setter on
fire." *
* From Tzet or Tzit, "to kindle," or "set on
fire," which in Chaldee becomes Tit, and Thon, "to give."
Now "Phaethon, the son of Tithonus," is in Chaldee
"Phaethon Bar Tithon." But this also signifies "Phaethon, the
son that set on fire." Assuming, then, the identity of Phaethon and
Tithonus, this goes far to identify Phaethon with Nimrod; for Homer, as we have
seen (Odyssey), mentions the marriage of Aurora with Orion, the mighty Hunter,
whose identity with Nimrod is established. Then the name of the celebrated son
that sprang from the union between Aurora and Tithonus, shows that Tithonus, in
his original character, must have been indeed the same as "the mighty
hunter" of Scripture, for the name of that son was Memnon (MARTIAL and
OVID, Metam.), which signifies "The son of the spotted one," *
thereby identifying the father with Nimrod, whose emblem was the spotted
leopard's skin.
* From Mem or Mom, "spotted," and Non, "a
son."
As Ninus or Nimrod, was worshipped as the son of his own wife,
and that wife Aurora, the goddess of the dawn, we see how exact is the
reference to Phaethon, when Isaiah, speaking of the King of Babylon, who was
his representative, says, "How art thou fallen from heaven, O Lucifer, son
of the morning" (Isa 14:12). The marriage of Orion with Aurora; in other
words, his setting up as "The kindler of light," or becoming the
"author of fire-worship," is said by Homer to have been the cause of
his death, he having in consequence perished under the wrath of the gods. 2.
That Phaethon was currently represented as the son of Aurora, the common story,
as related by Ovid, sufficiently proves. While Phaethon claimed to be the son
of Phoebus, or the sun, he was reproached with being only the son of
Merops--i.e., of the mortal husband of his mother Clymene (OVID, Metam.). The
story implies that that mother gave herself out to be Aurora, not in the physical
sense of that term, but in its mystical sense; as "The woman pregnant with
light"; and, consequently, her son was held up as the great
"Light-bringer" who was to enlighten the world,--"Lucifer, the
son of the morning," who was the pretended enlightener of the souls of
men. The name Lucifer, in Isaiah, is the very word from which Eleleus, one of
the names of Bacchus, evidently comes. It comes from "Helel," which
signifies "to irradiate" or "to bring light," and is
equivalent to the name Tithon. Now we have evidence that Lucifer, the son of
Aurora, or the morning, was worshipped in the very same character as Nimrod,
when he appeared in his new character as a little child.
This Phaethon, or Lucifer, who was cast down is further proved
to be Janus; for Janus is called "Pater Matutinus" (HORACE); and the
meaning of this name will appear in one of its aspects when the meaning of the
name of the Dea Matuta is ascertained. Dea Matuta signifies "The kindling
or Light-bringing goddess," * and accordingly, by Priscian, she is
identified with Aurora.
* Matuta comes from the same word as Tithonus--i.e., Tzet,
Tzit, or Tzut, which in Chaldee becomes Tet, Tit, or Tut, "to light"
or "set on fire." From Tit, "to set on fire," comes the
Latin Titio, "a firebrand"; and from Tut, with the formative M
prefixed, comes Matuta--just as from Nasseh, "to forget," with the
same formative prefixed, comes Manasseh, "forgetting," the name of
the eldest son of Joseph (Gen 41:51). The root of this verb is commonly given
as "Itzt"; but see BAKER'S Lexicon, where it is also given as
"Tzt." It is evidently from this root that the Sanscrit
"Suttee" already referred to comes.
Matutinus is evidently just the correlate of Matuta, goddess
of the morning; Janus, therefore, as Matutinus, is "Lucifer, son of the
morning." But further, Matuta is identified with Ino, after she had
plunged into the sea, and had, along with her son Melikerta, been changed into
a sea-divinity. Consequently her son Melikerta, "king of the walled
city," is the same as Janus Matutinus, or Lucifer, Phaethon, or Nimrod.
There is still another link by which Melikerta, the
sea-divinity, or Janus Matutinus, is identified with the primitive god of the
fire-worshippers. The most common name of Ino, or Matuta, after she had passed
through the waters, was Leukothoe (OVID, Metam.). Now, Leukothoe or Leukothea
has a double meaning, as it is derived either from "Lukhoth," which
signifies "to light," or "set on fire," or from Lukoth
"to glean." In the Maltese medal, the ear of corn, at the side of the
goddess, which is more commonly held in her hand, while really referring in its
hidden meaning to her being the Mother of Bar, "the son," to the
uninitiated exhibits her as Spicilega, or "The Gleaner,"--"the
popular name," says Hyde, "for the female with the ear of wheat
represented in the constellation Virgo." In Bryant, Cybele is represented
with two or three ears of corn in her hand; for as there were three peculiarly
distinguished Bacchuses, there were consequently as many "Bars," and
she might therefore be represented with one, two, or three ears in her hand.
But to revert to the Maltese medal just referred to, the flames coming out of
the head of Lukothea, the "Gleaner," show that, though she has passed
through the waters, she is still Lukhothea, "the Burner," or
"Light-giver." And the rays around the mitre of the god on the
reverse entirely agree with the character of that god as Eleleus, or
Phaethon--in other words, as "The Shining Bar." Now, this "Shining
Bar," as Melikerta, "king of the walled city," occupies the very
place of "Ala-Mahozim," whose representative the Pope is elsewhere
proved to be. But he is equally the sea-divinity, who in that capacity wears
the mitre of Dagon. The fish-head mitre which the Pope wears shows that, in this
character also, as the "Beast from the sea," he is the unquestionable
representative of Melikerta.
____________________
The Roman Imperial Standard of the Dragon a Symbol of Fire-
worship
The passage of Ammianus Marcellinus, that speaks of that
standard, calls it "purpureum signum draconis." On this may be raised
the question, Has the epithet purpureum, as describing the colour of the
dragon, any reference to fire? The following extract from Salverte may cast
some light upon it: "The dragon figured among the military ensigns of the
Assyrians. Cyrus caused it to be adopted by the Persians and Medes. Under the
Roman emperors, and under the emperors of Byzantium, each cohort or centuria
bore for an ensign a dragon." There is no doubt that the dragon or serpent
standard of the Assyrians and Persians had reference to fire-worship, the
worship of fire and the serpent being mixed up together in both these
countries. As the Romans, therefore, borrowed these standards evidently from
these sources, it is to be presumed that they viewed them in the very same
light as those from whom they borrowed them, especially as that light was so
exactly in harmony with their own system of fire-worship. The epithet purpureus
or "purple" does not indeed naturally convey the idea of fire-colour
to us. But it does convey the idea of red; and red in one shade or another,
among idolatrous nations, has almost with one consent been used to represent
fire. The Egyptians (BUNSEN), the Hindoos (MOOR'S Pantheon,
"Brahma"), the Assyrians (LAYARD'S Nineveh), all represented fire by
red. The Persians evidently did the same, for when Quintus Curtius describes
the Magi as following "the sacred and eternal fire," he describes the
365 youths, who formed the train of these Magi, as clad in "scarlet garments,"
the colour of these garments, no doubt, having reference to the fire whose
ministers they were. Puniceus is equivalent to purpureus, for it was in
Phenicia [six] that the purpura, or purple-fish, was originally found. The
colour derived from that purple-fish was scarlet, and it is the very name of
that Phoenician purple-fish, "arguna," that is used in Daniel 5:16
and 19, where it is said that he that should interpret the handwriting on the
wall should "be clothed in scarlet." The Tyrians had the art of
making true purples, as well as scarlet; and there seems no doubt that
purpureus is frequently used in the ordinary sense attached to our word purple.
But the original meaning of the epithet is scarlet; and as bright scarlet
colour is a natural colour to represent fire, so we have reason to believe that
that colour, when used for robes of state among the Tyrians, had special
reference to fire; for the Tyrian Hercules, who was regarded as the inventor of
purple (BRYANT), was regarded as "King of Fire," (NONNUS,
Dionysiaca). Now, when we find that the purpura of Tyre produced the scarlet
colour which naturally represented fire, and that puniceus, which is equivalent
to purpureus, is evidently used for scarlet, there is nothing that forbids us
to understand purpureus in the same sense here, but rather requires it. But
even though it were admitted that the tinge was deeper, and purpureus meant the
true purple, as red, of which it is a shade, is the established colour of fire,
and as the serpent was the universally acknowledged symbol of fire-worship, the
probability is strong that the use of a red dragon as the Imperial standard of
Rome was designed as an emblem of that system of fire-worship on which the
safety of the empire was believed so vitally to hinge.
The Two Babylons
Alexander Hislop
Chapter VII
Section II
The Beast from the Sea
The next great enemy introduced to our notice is the Beast
from the Sea (Rev 13:1): "I stood," says John, "upon the sand of
the sea-shore, and saw a beast rise up out of the sea." The seven heads
and ten horns on this beast, as on the great dragon, show that this power is
essentially the same beast, but that it has undergone a circumstantial change.
In the old Babylonian system, after the worship of the god of fire, there
speedily followed the worship of the god of water or the sea. As the world
formerly was in danger of being burnt up, so now it was in equal danger of
being drowned. In the Mexican story it is said to have actually been so. First,
say they, it was destroyed by fire, and then it was destroyed by water. The
Druidic mythology gives the same account; for the Bards affirm that the
dreadful tempest of fire that split the earth asunder, was rapidly succeeded by
the bursting of the Lake Llion, when the waters of the abyss poured forth and
"overwhelmed the whole world." In Greece we meet with the very same
story. Diodorus Siculus tells us that, in former times, "a monster called
Aegides, who vomited flames, appeared in Phrygia; hence spreading along Mount
Taurus, the conflagration burnt down all the woods as far as India; then, with
a retrograde course, swept the forests of Mount Lebanon, and extended as far as
Egypt and Africa; at last a stop was put to it by Minerva. The Phrygians
remembered well this CONFLAGRATION and the FLOOD which FOLLOWED it." Ovid,
too, has a clear allusion to the same fact of the fire-worship being speedily
followed by the worship of water, in his fable of the transformation of Cycnus.
He represents King Cycnus, an attached friend of Phaethon, and consequently of
fire-worship, as, after his friend's death, hating the fire, and taking to the
contrary element that of water, through fear, and so being transformed into a
swan. In India, the great deluge, which occupies so conspicuous a place in its
mythology, evidently has the same symbolical meaning, although the story of
Noah is mixed up with it; for it was during that deluge that "the lost
Vedas," or sacred books, were recovered, by means of the great god, under
the form of a FISH. The "loss of the Vedas" had evidently taken place
at that very time of terrible disaster to the gods, when, according to the
Purans, a great enemy of these gods, called Durgu, "abolished all
religious ceremonies, the Brahmins, through fear, forsook the reading of the
Veda,...fire lost its energy, and the terrified stars retired from sight";
in other words, when idolatry, fire-worship, and the worship of the host of
heaven had been suppressed. When we turn to Babylon itself, we find there also
substantially the same account. In Berosus, the deluge is represented as coming
after the time of Alorus, or the "god of fire," that is, Nimrod,
which shows that there, too, this deluge was symbolical. Now, out of this
deluge emerged Dagon, the fish-god, or god of the sea. The origin of the
worship of Dagon, as shown by Berosus, was founded upon a legend, that, at a remote
period of the past, when men were sunk in barbarism, there came up a BEAST
CALLED OANNES FROM THE RED SEA, or Persian Gulf--half-man, half-fish--that
civilised the Babylonians, taught them arts and sciences, and instructed them
in politics and religion. The worship of Dagon was introduced by the very
parties--Nimrod, of course, excepted--who had previously seduced the world into
the worship of fire. In the secret Mysteries that were then set up, while in
the first instance, no doubt, professing the greatest antipathy to the
prescribed worship of fire, they sought to regain their influence and power by
scenic representations of the awful scenes of the Flood, in which Noah was
introduced under the name of Dagon, or the Fish-god--scenes in which the whole family
of man, both from the nature of the event and their common connection with the
second father of the human race, could not fail to feel a deep interest. The
concocters of these Mysteries saw that if they could only bring men back again
to idolatry in any shape, they could soon work that idolatry so as
substantially to re-establish the very system that had been put down. Thus it
was, that, as soon as the way was prepared for it, Tammuz was introduced as one
who had allowed himself to be slain for the good of mankind. A distinction was
made between good serpents and bad serpents, one kind being represented as the
serpent of Agathodaemon, or the good divinity, another as the serpent of
Cacodaemon, or the evil one. *
* WILKINSON. In Egypt, the Uraeus, or the Cerastes, was the
good serpent, the Apophis the evil one.
It was easy, then, to lead men on by degrees to believe that,
in spite of all appearances to the contrary, Tammuz, instead of being the
patron of serpent-worship in any evil sense, was in reality the grand enemy of
the Apophis, or great malignant serpent that envied the happiness of mankind,
and that in fact he was the very seed of the woman who was destined to bruise
the serpent's head. By means of the metempsychosis, it was just as easy to identify
Nimrod and Noah, and to make it appear that the great patriarch, in the person
of this his favoured descendant, had graciously condescended to become
incarnate anew, as Dagon, that he might bring mankind back again to the
blessings they had lost when Nimrod was slain. Certain it is, that Dagon was
worshipped in the Chaldean Mysteries, wherever they were established, in a
character that represented both the one and the other.
In the previous system, the grand mode of purification had
been by fire. Now, it was by water that men were to be purified. Then began the
doctrine of baptismal regeneration, connected, as we have seen, with the
passing of Noah through the waters of the Flood. Then began the reverence for
holy wells, holy lakes, holy rivers, which is to be found wherever these exist
on the earth; which is not only to be traced among the Parsees, who, along with
the worship of fire, worship also the Zereparankard, or Caspian Sea, and among
the Hindoos, who worship the purifying waters of the Ganges, and who count it
the grand passport to heaven, to leave their dying relatives to be smothered in
its stream; but which is seen in full force at this day in Popish Ireland, in
the universal reverence for holy wells, and the annual pilgrimages to Loch
Dergh, to wash away sin in its blessed waters; and which manifestly lingers
also among ourselves, in the popular superstition about witches which shines
out in the well-known line of Burns--
"A running stream they daurna cross."
So much for the worship of water. Along with the
water-worship, however, the old worship of fire was soon incorporated again. In
the Mysteries, both modes of purification were conjoined. Though water-baptism
was held to regenerate, yet purification by fire was still held to be
indispensable; * and, long ages after baptismal regeneration had been
established, the children were still made "to pass through the fire to
Moloch." This double purification both by fire and water was practised in
Mexico, among the followers of Wodan. This double purification was also
commonly practised among the old Pagan Romans; ** and, in course of time,
almost everywhere throughout the Pagan world, both the fire-worship and
serpent-worship of Nimrod, which had been put down, was re-established in a new
form, with all its old and many additional abominations besides.
* The name Tammuz, as applied to Nimrod or Osiris, was
equivalent to Alorus or the "god of fire," and seems to have been
given to him as the great purifier by fire. Tammuz is derived from tam,
"to make perfect," and muz, "fire," and signifies
"Fire the perfecter," or "the perfecting fire." To this
meaning of the name, as well as to the character of Nimrod as the Father of the
gods, the Zoroastrian verse alludes when it says: "All things are the
progeny of ONE FIRE. The Father perfected all things, and delivered them to the
second mind, whom all nations of men call the first." (CORY'S Fragments)
Here Fire is declared to be the Father of all; for all things are said to be
its progeny, and it is also called the "perfecter of all things." The
second mind is evidently the child who displaced Nimrod's image as an object of
worship; but yet the agency of Nimrod, as the first of the gods, and the
fire-god, was held indispensable for "perfecting" men. And hence, too,
no doubt, the necessity of the fire of Purgatory to "perfect" men's
souls at last, and to purge away all the sins that they have carried with them
into the unseen world.
** OVID, Fasti. It was not a little interesting to me, after
being led by strict induction from circumstantial evidence to the conclusion
that the purgation by fire was derived from the fire-worship of Adon or Tammuz,
and that by water had reference to Noah's Flood, to find an express statement
in Ovid, that such was the actual belief at Rome in his day. After mentioning,
in the passage to which the above citation refers, various fanciful reasons for
the twofold purgation by fire and water, he concludes thus: "For my part,
I do not believe them; there are some (however) who say that the one is
intended to commemorate Phaethon, and the other the flood of Deucalion."
If, however, any one should still think it unlikely that the
worship of Noah should be mingled in the ancient world with the worship of the
Queen of Heaven and her son, let him open his eyes to what is taking place in
Italy at this hour [in 1856] in regard to the worship of that patriarch and the
Roman Queen of Heaven. The following, kindly sent me by Lord John Scott, as
confirmatory of the views propounded in these pages, appeared in the Morning
Herald, October 26, 1855: "AN ARCHBISHOP'S PRAYER TO THE PATRIARCH
NOAH.-POPERY IN TURIN.--For several consecutive years the vintage has been
almost entirely destroyed in Tuscany, in consequence of the prevalent disease.
The Archbishop of Florence has conceived the idea of arresting this plague by
directing prayers to be offered, not to God, but to the patriarch Noah; and he
has just published a collection, containing eight forms of supplication,
addressed to this distinguished personage of the ancient covenant. 'Most holy
patriarch Noah!' is the language of one of these prayers, 'who didst employ
thyself in thy long career in cultivating the vine, and gratifying the human
race with that precious beverage, which allays the thirst, restores the
strength, and enlivens the spirits of us all, deign to regard our vines, which,
following thine example, we have cultivated hitherto; and, while thou beholdest
them languishing and blighted by that disastrous visitation, which, before the
vintage, destroys the fruit (in severe punishment for many blasphemies and
other enormous sins we have committed), have compassion on us, and, prostrate
before the lofty throne of God, who has promised to His children the fruits of
the earth, and an abundance of corn and wine, entreat Him on our behalf;
promise Him in our name, that, with the aid of Divine grace, we will forsake
the ways of vice and sin, that we will no longer abuse His sacred gifts, and
will scrupulously observe His holy law, and that of our holy Mother, the
Catholic Church,' &c. The collection concludes with a new prayer, addressed
to the Virgin Mary, who is invoked in these words: 'O immaculate Mary, behold
our fields and vineyards! and, should it seem to thee that we merit so great a
favour, stay, we beseech thee, this terrible plague, which, inflicted for our
sins, renders our fields unfruitful, and deprives our vines of the honours of
the vintage,' &c. The work contains a vignette, representing the patriarch
Noah presiding over the operations of the vintage, as well as a notification
from the Archbishop, granting an indulgence of forty days to all who shall
devoutly recite the prayers in question.--Christian Times" In view of such
rank Paganism as this, well may the noble Lord already referred to remark, that
surely here is the world turned backwards, and the worship of the old god
Bacchus unmistakably restored!
Now, this god of the sea, when his worship had been firmly
re-established, and all formidable opposition had been put down, was worshipped
also as the great god of war, who, though he had died for the good of mankind,
now that he had risen again, was absolutely invincible. In memory of this new
incarnation, the 25th of December, otherwise Christmas Day, was, as we have
already seen, celebrated in Pagan Rome as "Natalis Solis invicti,"
"the birth-day of the Unconquered Sun." We have equally seen that the
very name of the Roman god of war is just the name of Nimrod; for Mars and
Mavors, the two well-known names of the Roman war-god, are evidently just the
Roman forms of the Chaldee "Mar" or "Mavor," the Rebel.
Thus terrible and invincible was Nimrod when he reappeared as Dagon, the beast
from the sea. If the reader looks at what is said in Revelation 13:3, he will
see precisely the same thing: "And I saw one of his heads as it were
wounded unto death; and his deadly wound was healed: and all the world wondered
after the beast. And they worshipped the dragon, which gave power unto the
beast, and they worshipped the beast, saying, Who is like unto the beast? who
is able to make war with him?" Such, in all respects, is the analogy
between the language of the prophecy and the ancient Babylonian type.
Do we find, then, anything corresponding to this in the
religious history of the Roman empire after the fall of the old Paganism of
that empire? Exactly in every respect. No sooner was Paganism legally
abolished, the eternal fire of Vesta extinguished, and the old serpent cast
down from the seat of power, where so long he had sat secure, than he tried the
most vigorous means to regain his influence and authority. Finding that
persecution of Christianity, as such, in the meantime would not do to destroy
the church symbolised by the sun-clothed Woman, he made another tack (Rev
12:15): "And the serpent cast out of his mouth a flood of water after the
woman, that he might cause her to be carried away of the flood." The
symbol here is certainly very remarkable. If this was the dragon of fire, it
might have been expected that it would have been represented, according to
popular myths, as vomiting fire after the woman. But it is not so. It was a
flood of water that he cast out of his mouth. What could this mean? As the
water came out of the mouth of the dragon--that must mean doctrine, and of
course, false doctrine. But is there nothing more specific than this? A single
glance at the old Babylonian type will show that the water cast out of the
mouth of the serpent must be the water of baptismal regeneration. Now, it was
precisely at this time, when the old Paganism was suppressed, that the doctrine
of regenerating men by baptism, which had been working in the Christian Church
before, threatened to spread like a deluge over the face of the Roman empire. *
* From about AD 360, to the time of the Emperor Justinian,
about 550, we have evidence both of the promulgation of this doctrine, and also
of the deep hold it came at last to take of professing Christians.
It was then precisely that our Lord Jesus Christ began to be
popularly called Ichthys, that is, "the Fish," manifestly to identify
him with Dagon. At the end of the fourth century, and from that time forward,
it was taught, that he who had been washed in the baptismal font was thereby
born again, and made pure as the virgin snow.
This flood issued not merely from the mouth of Satan, the old
serpent, but from the mouth of him who came to be recognised by the Pagans of
Rome as the visible head of the old Roman Paganism. When the Roman fire-worship
was suppressed, we have seen that the office of Pontifex Maximus, the head of
that Paganism, was abolished. That was "the wounding unto death" of
the head of the Fiery Dragon. But scarcely had that head received its deadly
wound, when it began to be healed again. Within a few years after the Pagan
title of Pontifex had been abolished, it was revived, and that by the very
Emperor that had abolished it, and was bestowed, with all the Pagan
associations clustering around it, upon the Bishop of Rome, who, from that time
forward, became the grand agent in pouring over professing Christendom, first
the ruinous doctrine of baptismal regeneration, and then all the other
doctrines of Paganism derived from ancient Babylon. When this Pagan title was
bestowed on the Roman bishop, it was not as a mere empty title of honour it was
bestowed, but as a title to which formidable power was annexed. To the
authority of the Bishop of Rome in this new character, as Pontifex, when
associated "with five or seven other bishops" as his counsellors,
bishops, and even metropolitans of foreign churches over extensive regions of
the West, in Gaul not less than in Italy, were subjected; and civil pains were
attached to those who refused to submit to his pontifical decisions. Great was
the danger to the cause of truth and righteousness when such power was, by
imperial authority, vested in the Roman bishop, and that a bishop so willing to
give himself to the propagation of false doctrine. Formidable, however, as the
danger was, the true Church, the Bride, the Lamb's wife (so far as that Church
was found within the bounds of the Western Empire), was wonderfully protected
from it. That Church was for a time saved from the peril, not merely by the
mountain fastnesses in which many of its devoted members found an asylum, as
Jovinian, Vigilantius, and the Waldenses, and such-like faithful ones, in the
wilderness among the Cottian Alps, and other secluded regions of Europe, but
also not a little, by a signal interposition of Divine Providence in its
behalf. That interposition is referred to in these words (Rev 12:16): "The
earth opened her mouth and swallowed up the flood, which the dragon cast out of
his mouth." What means the symbol of the "earth's opening its
mouth"? In the natural world, when the earth opens its mouth, there is an
earthquake; and an "earthquake," according to the figurative language
of the Apocalypse, as all admit, just means a great political convulsion. Now,
when we examine the history of the period in question, we find that the fact
exactly agrees with the prefiguration; that soon after the Bishop of Rome
because Pontiff, and, as Pontiff, set himself so zealously to bring in Paganism
into the Church, those political convulsions began in the civil empire of Rome,
which never ceased till the framework of that empire was broken up, and it was
shattered to pieces. But for this the spiritual power of the Papacy might have
been firmly established over all the nations of the West, long before the time
it actually was so. It is clear, that immediately after Damasus, the Roman
bishop, received his pontifical power, the predicted "apostacy" (1
Tim 4:3), so far as Rome was concerned, was broadly developed. Then were men
"forbidden to marry," * and "commanded to abstain from
meats."
* The celibacy of the clergy was enacted by Syricius, Bishop
of Rome, AD 385. (GIESELER)
Then, with a factitious doctrine of sin, a factitious holiness
also was inculcated, and people were led to believe that all baptised persons
were necessarily regenerated. Had the Roman Empire of the West remained under
one civil head, backed by that civil head, the Bishop of Rome might very soon
have infected all parts of that empire with the Pagan corruption he had
evidently given himself up to propagate. Considering the cruelty with which
Jovinian, and all who opposed the Pagan doctrines in regard to marriage and
abstinence, were treated by the Pontifex of Rome, under favour of the imperial
power, it may easily be seen how serious would have been the consequences to
the cause of truth in the Western Empire had this state of matters been allowed
to pursue its natural course. But now the great Lord of the Church interfered.
The "revolt of the Goths," and the sack of Rome by Alaric the Goth in
410, gave that shock to the Roman Empire which issued, by 476, in its complete
upbreaking and the extinction of the imperial power. Although, therefore, in
pursuance of the policy previously inaugurated, the Bishop of Rome was formally
recognised, by an imperial edict in 445, as "Head of all the Churches of
the West," all bishops being commanded "to hold and observe as a law
whatever it should please the Bishop of Rome to ordain or decree"; the
convulsions of the empire, and the extinction, soon thereafter, of the imperial
power itself, to a large extent nullified the disastrous effects of this edict.
The "earth's opening its mouth," then--in other words, the breaking
up of the Roman Empire into so many independent sovereignties--was a benefit to
true religion, and prevented the flood of error and corruption, that had its
source in Rome, from flowing as fast and as far as it would otherwise have
done. When many different wills in the different countries were substituted for
the one will of the Emperor, on which the Sovereign Pontiff leaned, the
influence of that Pontiff was greatly neutralised. "Under these
circumstances," says Gieseler, referring to the influence of Rome in the
different kingdoms into which the empire was divided, "under these
circumstances, the Popes could not directly interfere in ecclesiastical
matters; and their communications with the established Church of the country
depended entirely on the royal pleasure." The Papacy at last overcame the
effects of the earthquake, and the kingdoms of the West were engulfed in that
flood of error that came out of the mouth of the dragon. But the overthrow of
the imperial power, when so zealously propping up the spiritual despotism of
Rome, gave the true Church in the West a lengthened period of comparative
freedom, which otherwise it could not have had. The Dark Ages would have come
sooner, and the darkness would have been more intense, but for the Goths and
Vandals, and the political convulsions that attended their irruptions. They
were raised up to scourge an apostatising community, not to persecute the
saints of the Most High, though these, too, may have occasionally suffered in
the common distress. The hand of Providence may be distinctly seen, in that, at
so critical a moment, the earth opened its mouth and helped the woman.
To return, however, to the memorable period when the
pontifical title was bestowed on the Bishop of Rome. The circumstances in which
that Pagan title was bestowed upon Pope Damasus, were such as might have been
not a little trying to the faith and integrity of a much better man than he.
Though Paganism was legally abolished in the Western Empire of Rome, yet in the
city of the Seven Hills it was still rampant, insomuch that Jerome, who knew it
well, writing of Rome at this very period, calls it "the sink of all
superstitions." The consequence was, that, while everywhere else
throughout the empire the Imperial edict for the abolition of Paganism was
respected, in Rome itself it was, to a large extent, a dead letter. Symmachus,
the prefect of the city, and the highest patrician families, as well as the
masses of the people, were fanatically devoted to the old religion; and,
therefore, the Emperor found it necessary, in spite of the law, to connive at
the idolatry of the Romans. How strong was the hold that Paganism had in the
Imperial city, even after the fire of Vesta was extinguished, and State support
was withdrawn from the Vestals, the reader may perceive from the following
words of Gibbon: "The image and altar of Victory were indeed removed from
the Senate-house; but the Emperor yet spared the statues of the gods which were
exposed to public view; four hundred and twenty-four temples or chapels still
remained to satisfy the devotion of the people, and in every quarter of Rome
the delicacy of the Christians was offended by the fumes of idolatrous
sacrifice." Thus strong was Paganism in Rome, even after State support was
withdrawn about 376. But look forward only about fifty years, and see what has
become of it. The name of Paganism has almost entirely disappeared; insomuch
that the younger Theodosius, in an edict issued AD 423, uses these words:
"The Pagans that remain, although now we may believe there are none."
The words of Gibbon in reference to this are very striking. While fully admitting
that, notwithstanding the Imperial laws made against Paganism, "no
peculiar hardships" were imposed on "the sectaries who credulously
received the fables of Ovid, and obstinately rejected the miracles of the
Gospel," he expresses his surprise at the rapidity of the revolution that
took place among the Romans from Paganism to Christianity. "The ruin of
Paganism," he says--and his dates are from AD 378, the year when the
Bishop of Rome was made Pontifex, to 395--"The ruin of Paganism, in the
age of Theodosius, is perhaps the only example of the total extirpation of any
ancient and popular superstition; and may therefore deserve to be considered as
a singular event in the history of the human mind."...After referring to
the hasty conversion of the senate, he thus proceeds: "The edifying
example of the Anician family [in embracing Christianity] was soon imitated by
the rest of the nobility...The citizens who subsisted by their own industry,
and the populace who were supported by the public liberality, filled the churches
of the Lateran and Vatican with an incessant throng of devout proselytes. The
decrees of the senate, which proscribed the worship of idols, were ratified by
the general consent of the Romans; the splendour of the capitol was defaced,
and the solitary temples were abandoned to ruin and contempt. Rome submitted to
the yoke of the Gospel...The generation that arose in the world, after the
promulgation of Imperial laws, was ATTRACTED within the pale of the Catholic
Church, and so RAPID, yet so GENTLE was the fall of Paganism, that only
twenty-eight years after the death of Theodosius [the elder], the faint and
minute vestiges were no longer visible to the eye of the legislator." Now,
how can this great and rapid revolution be accounted for? Is it because the
Word of the Lord has had free course and been glorified? Then, what means the
new aspect that the Roman Church has now begun to assume? In exact proportion
as Paganism has disappeared from without the Church, in the very same
proportion it appears within it. Pagan dresses for the priests, Pagan festivals
for the people, Pagan doctrines and ideas of all sorts, are everywhere in
vogue. The testimony of the same historian, who has spoken so decisively about
the rapid conversion of the Romans to the profession of the Gospel, is not less
decisive on this point. In his account of the Roman Church, under the head of
"Introduction of Pagan Ceremonies," he thus speaks: "As the
objects of religion were gradually reduced to the standard of the imagination,
the rites and ceremonies were introduced that seemed most powerfully to effect
the senses of the vulgar. If, in the beginning of the fifth century, Tertullian
or Lactantius had been suddenly raised from the dead, to assist at the festival
of some popular saint or martyr, they would have gazed with astonishment and
indignation on the profane spectacle which had succeeded to the pure and
spiritual worship of a Christian congregation. As soon as the doors of the
church were thrown open, they must have been offended by the smoke of incense,
the perfume of flowers, and the glare of lamps and tapers, which diffused at
noon-day a gaudy, superfluous, and, in their opinion, sacrilegious light."
Gibbon has a great deal more to the same effect. Now, can any one believe that
this was accidental? No. It was evidently the result of that unprincipled
policy, of which, in the course of this inquiry, we have already seen such
innumerable instances on the part of the Papacy. *
* Gibbon distinctly admits this. "It must ingenuously be
confessed," says he, "that the ministers of the Catholic Church
imitated the profane model they were so impatient to destroy."
Pope Damasus saw that, in a city pre-eminently given to
idolatry, if he was to maintain the Gospel pure and entire, he must be willing
to bear the cross, to encounter hatred and ill-will, to endure hardness as a
good soldier of Jesus Christ. On the other hand, he could not but equally see,
that if bearing the title, around which, for so many ages, all the hopes and
affections of Paganism had clustered, he should give its votaries reason to
believe that he was willing to act up to the original spirit of that title, he
might count on popularity, aggrandisement and glory. Which alternative, then,
was Damasus likely to choose? The man that came into the bishopric of Rome, as
a thief and a robber, over the dead bodies of above a hundred of his opponents,
could not hesitate as to the election he should make. The result shows that he
had acted in character, that, in assuming the Pagan title of Pontifex, he had
set himself at whatever sacrifice of truth to justify his claims to that title
in the eyes of the Pagans, as the legitimate representative of their long line
of pontiffs. There is no possibility of accounting for the facts on any other supposition.
It is evident also that he and his successors were ACCEPTED in that character
by the Pagans, who, in flocking into the Roman Church, and rallying around the
new Pontiff, did not change their creed or worship, but brought both into the
Church along with them. The reader has seen how complete and perfect is the
copy of the old Babylonian Paganism, which, under the patronage of the Popes,
has been introduced into the Roman Church. He has seen that the god whom the
Papacy worships as the Son of the Highest, is not only, in spite of a Divine
command, worshipped under the form of an image, made, as in the days of avowed
Paganism, by art and man's device, but that attributes are ascribed to Him
which are the very opposite of those which belong to the merciful Saviour, but
which attributes are precisely those which were ascribed to Moloch, the
fire-god, or Ala Mahozim, "the god of fortifications." He has seen
that, about the very time when the Bishop of Rome was invested with the Pagan
title of Pontifex, the Saviour began to be called Ichthys, or "the
Fish," thereby identifying Him with Dagon, or the Fish-god; and that, ever
since, advancing step by step, as circumstances would permit, what has gone
under the name of the worship of Christ, has just been the worship of that same
Babylonian divinity, with all its rites and pomps and ceremonies, precisely as
in ancient Babylon. Lastly, he has seen that the Sovereign Pontiff of the
so-called Christian Church of Rome has so wrought out the title bestowed upon him
in the end of the fourth century, as to be now dignified, as for centuries he
has been, with the very "names of blasphemy" originally bestowed on
the old Babylonian pontiffs. *
* The reader who has seen the first edition of this work, will
perceive that, in the above reasoning, I found nothing upon the formal
appointment by Gratian of the Pope as Pontifex, with direct authority over the
Pagans, as was done in that edition. That is not because I do not believe that
such an appointment was made, but because, at the present moment, some
obscurity rests on the subject. The Rev. Barcroft Boake, a very learned
minister of the Church of England in Ceylon, when in this country, communicated
to me his researches on the subject, which have made me hesitate to assert that
there was any formal authority given to the Bishop of Rome over the Pagans by
Gratian. At the same time, I am still convinced that the original statement was
substantially true. The late Mr. Jones, in the Journal of Prophecy, not only
referred to the Appendix to the Codex Theodosianus, in proof of such an
appointment, but, in elucidation of the words of the Codex, asserted in express
terms that there was a contest for the office of Pontifex, and that there were
two candidates, the one a Pagan, Symmachus, who had previously been
Valentinian's deputy, and the other the Bishop of Rome. (Quarterly Journal of
Prophecy, Oct. 1852) I have not been able to find Mr. Jones's authority for
this statement; but the statement is so circumstantial, that it cannot easily
be called in question without impugning the veracity of him that made it. I
have found Mr. Jones in error on divers points, but in no error of such a
nature as this; and the character of the man forbids such a supposition.
Moreover, the language of the Appendix cannot easily admit of any other
interpretation. But, even though there were no formal appointment of Bishop
Damasus to a pontificate extending over the Pagans, yet it is clear that, by
the rescript of Gratian (the authenticity of which is fully admitted by the
accurate Gieseler), he was made the supreme spiritual authority in the Western
Empire in all religious questions. When, therefore, in the year 400, Pagan
priests were, by the Christian Emperor of the West, from political motives,
"acknowledged as public officers" (Cod. Theod., ad POMPEJANUM,
Procons), these Pagan priests necessarily came under the jurisdiction of the
Bishop of Rome, as there was then no other tribunal but his for determining all
matters affecting religion. In the text, however I have made no allusion to
this. The argument, as I think the reader will admit, is sufficiently decisive
without it.
Now, if the circumstance in which the Pope has risen to all
this height of power and blasphemous assumption, be compared with a prediction
in Daniel, which, for want of the true key has never been understood, I think
the reader will see how literally in the history of the Popes of Rome that
prediction has been fulfilled. The prediction to which I allude is that which
refers to what is commonly called the "Wilful King" as described in
Daniel 11:36, and succeeding verses. That "Wilful King" is admitted
on all hands to be a king that arises in Gospel times, and in Christendom, but
has generally been supposed to be an Infidel Antichrist, not only opposing the
truth but opposing Popery as well, and every thing that assumed the very name
of Christianity. But now, let the prediction be read in the light of the facts
that have passed in review before us, and it will be seen how very different is
the case (v 36): "And the king shall do according to his will; and he
shall exalt himself and magnify himself above every god, and shall speak
marvellous things against the God of gods, and shall prosper till the
indignation be accomplished: for that that is determined shall be done. Neither
shall he regard the god of his fathers, nor the desire of women, nor regard any
god: for he shall magnify himself above all." So far these words give an
exact description of the Papacy, with its pride, its blasphemy, and forced
celibacy and virginity. But the words that follow, according to any sense that
the commentators have put upon them, have never hitherto been found capable of
being made to agree either with the theory that the Pope was intended, or any
other theory whatever. Let them, however, only be literally rendered, and
compared with the Papal history, and all is clear, consistent, and harmonious.
The inspired seer has declared that, in the Church of Christ, some one shall
arise who shall not only aspire to a great height, but shall actually reach it,
so that "he shall do according to his will"; his will shall be
supreme in opposition to all law, human and Divine. Now, if this king is to be
a pretended successor of the fisherman of Galilee, the question would naturally
arise, How could it be possible that he should ever have the means of rising to
such a height of power? The words that follow give a distinct answer to that
question: "He shall not REGARD * any god, for he shall magnify himself
above all. BUT, in establishing himself, shall he honour the god of
fortifications (Ala Mahozim), and a god, whom his fathers knew not, shall he
honour with gold and silver, and with precious stones and pleasant things. Thus
shall he make into strengthening bulwarks ** [for himself] the people of a
strange god, whom he shall acknowledge and increase with glory; and he shall
cause them to rule over many, and he shall divide the land for gain."
* The reader will observe, it is not said he shall not worship
any god; the reverse is evident; but that he shall not regard any, that his own
glory is his highest end.
** The word here is the same as above rendered
"fortifications."
Such is the prophecy. Now, this is exactly what the Pope did.
Self-aggrandisement has ever been the grand principle of the Papacy; and, in
"establishing" himself, it was just the "god of
Fortifications" that he honoured. The worship of that god he introduced
into the Roman Church; and, by so doing, he converted that which otherwise
would have been a source of weakness to him, into the very tower of his
strength--he made the very Paganism of Rome by which he was surrounded the
bulwark of his power. When once it was proved that the Pope was willing to
adopt Paganism under Christian names, the Pagans and Pagan priests would be his
most hearty and staunch defenders. And when the Pope began to wield lordly
power over the Christians, who were the men that he would recommend--that he
would promote--that he would advance to honour and power? Just the very people
most devoted to "the worship of the strange god" which he had
introduced into the Christian Church. Gratitude and self-interest alike would
conspire to this. Jovinian, and all who resisted the Pagan ideas and Pagan
practices, were excommunicated and persecuted. Those only who were heartily
attached to the apostacy (and none could now be more so than genuine Pagans)
were favoured and advanced. Such men were sent from Rome in all directions,
even as far as Britain, to restore the reign of Paganism--they were magnified with
high titles, the lands were divided among them, and all to promote "the
gain" of the Romish see, to bring in "Peter's pence" from the
ends of the earth to the Roman Pontiff. But it is still further said, that the
self-magnifying king was to "honour a god, whom his fathers knew not, with
gold and silver and precious stones." The principle on which
transubstantiation was founded is unquestionably a Babylonian principle, but
there is no evidence that that principle was applied in the way in which it has
been by the Papacy. Certain it is, that we have evidence that no such wafer-god
as the Papacy worships was ever worshipped in Pagan Rome. "Was any man
ever so mad," says Cicero, who himself was a Roman augur and a
priest--"was any man ever so mad as to take that which he feeds on for a
god?" Cicero could not have said this if anything like wafer-worship had
been established in Rome. But what was too absurd for Pagan Romans is no
absurdity at all for the Pope. The host, or consecrated wafer, is the great god
of the Romish Church. That host is enshrined in a box adorned with gold and
silver and precious stones. And thus it is manifest that "a god" whom
even the Pope's Pagan "fathers knew not," he at this day honours in
the very way that the terms of the prediction imply that he would. Thus, in
every respect, when the Pope was invested with the Pagan title of Pontifex, and
set himself to make that title a reality, he exactly fulfilled the prediction
of Daniel recorded more than 900 years before.
But to return to the Apocalyptic symbols. It was out of the
mouth of the "Fiery Dragon" that "the flood of water" was
discharged. The Pope, as he is now, was at the close of the fourth century the
only representative of Belshazzar, or Nimrod, on the earth; for the Pagans manifestly
ACCEPTED him as such. He was equally, of course, the legitimate successor of
the Roman "Dragon of fire." When, therefore, on being dignified with
the title of Pontifex, he set himself to propagate the old Babylonian doctrine
of baptismal regeneration, that was just a direct and formal fulfilment of the
Divine words, that the great Fiery Dragon should "cast out of his mouth a
flood of water to carry away the Woman with the flood." He, and those who
co-operated with him in this cause, paved the way for the erecting of that
tremendous civil and spiritual despotism which began to stand forth full in the
face of Europe in AD 606, when, amid the convulsions and confusions of the
nations tossed like a tempestuous sea, the Pope of Rome was made Universal Bishop;
and when the ten chief kingdoms of Europe recognised him as Christ's Vicar upon
earth, the only centre of unity, the only source of stability to their thrones.
Then by his own act and deed, and by the consent of the UNIVERSAL PAGANISM of
Rome, he was actually the representative of Dagon; and as he bears upon his
head at this day the mitre of Dagon, so there is reason to believe he did then.
*
* It is from this period only that the well-known 1260 days
can begin to be counted; for not before did the Pope appear as Head of the
ten-horned beast, and head of the Universal Church. The reader will observe
that though the beast above referred to has passed through the sea, it still
retains its primitive characteristic. The head of the apostacy at first was
Kronos, "The Horned One." The head of the apostacy is Kronos still,
for he is the beast "with seven head and ten horns."
Could there, then, be a more exact fulfilment of chapter 13:1
"And I stood upon the sand of the sea, and saw a beast rise up out of the
sea, having seven heads and ten horns, and upon his horns ten crowns, and upon
his heads the names of blasphemy...And I saw one of his heads as it had been
wounded to death; and his deadly wound was healed, and all the world wondered
after the beast"?
The Two Babylons
Alexander Hislop
Chapter VII
Section III
The Beast from the Earth
This beast is presented to our notice (Rev 13:11): "And I
beheld another beast coming up out of the earth; and he had two horns like a
lamb, and he spake as a serpent." Though this beast is mentioned after the
beast from the sea, it does not follow that he came into existence after the
sea-beast. The work he did seems to show the very contrary; for it is by his
instrumentality that mankind are led (v 12) "to worship the first
beast" after that beast had received the deadly wound, which shows that he
must have been in existence before. The reason that he is mentioned second, is
just because, as he exercises all the powers of the first beast, and leads all
men to worship him, so he could not properly be described till that beast had
first appeared on the stage. Now, in ancient Chaldea there was the type, also,
of this. That god was called in Babylon Nebo, in Egypt Nub or Num, * and among
the Romans Numa, for Numa Pompilius, the great priest-king of the Romans,
occupied precisely the position of the Babylonian Nebo.
* In Egypt, especially among the Greek-speaking population,
the Egyptian b frequently passed into an m.
Among the Etrurians, from whom the Romans derived the most of
their rites, he was called Tages, and of this Tages it is particularly
recorded, that just as John saw the beast under consideration "come up out
of the earth," so Tages was a child suddenly and miraculously born out of
a furrow or hole in the ground. In Egypt, this God was represented with the
head and horns of a ram. In Etruria he seems to have been represented in a
somewhat similar way; for there we find a Divine and miraculous child exhibited
wearing the ram's horns. The name Nebo, the grand distinctive name of this god,
signifies "The Prophet," and as such, he gave oracles, practised augury,
pretended to miraculous powers, and was an adept in magic. He was the great
wonder-worker, and answered exactly to the terms of the prophecy, when it is
said (v 13), "he doeth great wonders, and causeth fire to come down from
heaven in the sight of men." It was in this very character that the
Etrurian Tages was known; for it was he who was said to have taught the Romans
augury, and all the superstition and wonder-working jugglery connected
therewith. As in recent times, we hear of weeping images and winking Madonnas,
and innumerable prodigies besides, continually occurring in the Romish Church,
in proof of this papal dogma or that, so was it also in the system of Babylon.
There is hardly a form of "pious fraud" or saintly imposture practised
at this day on the banks of the Tiber, that cannot be proved to have had its
counterpart on the banks of the Euphrates, or in the systems that came from it.
Has the image of the Virgin been seen to shed tears? Many a tear was shed by
the Pagan images. To these tender-hearted idols Lucan alludes, when, speaking
of the prodigies that occurred during the civil wars, he says:--
"Tears shed by gods, our country's patrons,
And sweat from Lares, told the city's woes."
Virgil also refers to the same, when he says:--
"The weeping statues did the wars foretell,
And holy sweat from brazen idols fell."
When in the consulship of Appius Claudius, and Marcus
Perpenna, Publius Crassus was slain in a battle with Aristonicus, Apollo's
statue at Cumae shed tears for four days without intermission. The gods had
also their merry moods, as well as their weeping fits. If Rome counts it a
divine accomplishment for the sacred image of her Madonna to "wink,"
it was surely not less becoming in the sacred images of Paganism to relax their
features into an occasional grin. That they did so, we have abundant testimony.
Psellus tells us that, when the priests put forth their magic powers,
"then statues laughed, and lamps were spontaneously enkindled." When
the images made merry, however, they seemed to have inspired other feelings
than those of merriment into the breasts of those who beheld them. "The
Theurgists," says Salverte, "caused the appearance of the gods in the
air, in the midst of gaseous vapour, disengaged from fire. The Theurgis Maximus
undoubtedly made use of a secret analogous to this, when, in the fumes of the
incense which he burned before the statue of Hecate, the image was seen to
laugh so naturally as to fill the spectators with terror." There were
times, however, when different feelings were inspired. Has the image of the
Madonna been made to look benignantly upon a favoured worshipper, and send him
home assured that his prayer was heard? So did the statues of the Egyptian
Isis. They were so framed, that the goddess could shake the silver serpent on
her forehead, and nod assent to those who had preferred their petitions in such
a way as pleased her. We read of Romish saints that showed their miraculous
powers by crossing rivers or the sea in most unlikely conveyances. Thus, of St.
Raymond it is written that he was transported over the sea on his cloak.
Paganism is not a whit behind in this matter; for it is recorded of a Buddhist
saint, Sura Acharya, that, when "he used to visit his flocks west of the
Indus, he floated himself across the stream upon his mantle." Nay, the
gods and high priests of Paganism showed far more buoyancy than even this.
There is a holy man, at this day, in the Church of Rome, somewhere on the
Continent, who rejoices in the name of St. Cubertin, who so overflows with
spirituality, that when he engages in his devotions there is no keeping his
body down to the ground, but, spite of all the laws of gravity, it rises
several feet into the air. So was it also with the renowned St. Francis of
Assisi, Petrus a Martina, and Francis of Macerata, some centuries ago. But both
St. Cubertin and St. Francis and his fellows are far from being original in
this superhuman devotion. The priests and magicians in the Chaldean Mysteries
anticipated them not merely by centuries, but by thousands of years. Coelius
Rhodiginus says, "that, according to the Chaldeans, luminous rays,
emanating from the soul, do sometimes divinely penetrate the body, which is
then of itself raised above the earth, and that this was the case with Zoroaster."
The disciples of Jamblichus asserted that they had often witnessed the same
miracle in the case of their master, who, when he prayed was raised to the
height of ten cubits from the earth. The greatest miracle which Rome pretends
to work, is when, by the repetition of five magic words, she professes to bring
down the body, blood, soul, and divinity of our Lord Jesus Christ from heaven,
to make Him really and corporeally present in the sacrament of the altar. The
Chaldean priests pretended, by their magic spells, in like manner, to bring
down their divinities into their statues, so that their "real
presence" should be visibly manifested in them. This they called "the
making of gods"; and from this no doubt comes the blasphemous saying of the
Popish priests, that they have power "to create their Creator." There
is no evidence, so far as I have been able to find, that, in the Babylonian
system, the thin round cake of wafer, the "unbloody sacrifice of the
mass," was ever regarded in any other light than as a symbol, that ever it
was held to be changed into the god whom it represented. But yet the doctrine
of transubstantiation is clearly of the very essence of Magic, which pretended,
on the pronunciation of a few potent words, to change one substance into
another, or by a dexterous juggle, wholly to remove one substance, and to
substitute another in its place. Further, the Pope,
in the plenitude of his power, assumes the right of wielding the lightnings of
Jehovah, and of blasting by his "fulminations" whoever offends him.
Kings, and whole nations, believing in this power, have trembled and bowed
before him, through fear of being scathed by his spiritual thunders. The
priests of Paganism assumed the very same power; and, to enforce the belief of
their spiritual power, they even attempted to bring down the literal lightnings
from heaven; yea, there seems some reason to believe that they actually
succeeded, and anticipated the splendid discovery of Dr. Franklin. Numa
Pompilius is said to have done so with complete success. Tullus Hostilius, his
successor, imitating his example, perished in the attempt, himself and his
whole family being struck, like Professor Reichman in recent times, with the
lightning he was endeavouring to draw down. * Such were the wonder-working powers
attributed in the Divine Word to the beast that was to come up from the earth;
and by the old Babylonian type these very powers were all pretended to be
exercised.
* The means appointed for drawing down the lightning were
described in the books of the Etrurian Tages. Numa had copied from these books,
and had left commentaries behind him on the subject, which Tallus had
misunderstood, and hence the catastrophe.
Now, in remembrance of the birth of the god out of a
"hole in the earth," the Mysteries were frequently celebrated in
caves under ground. This was the case in Persia, where, just as Tages was said
to be born out of the ground, Mithra was in like manner fabled to have been
produced from a cave in the earth. *
* JUSTIN MARTYR. It is remarkable that, as Mithra was born out
of a cave, so the idolatrous nominal Christians of the East represent our
Saviour as having in like manner been born in a a cave. (See KITTO's
Cyclopoedia, "Bethlehem") There is not the least hint of such a thing
in the Scripture.
Numa of Rome himself pretended to get all his revelations from
the Nymph Egeria, in a cave. In these caves men were first initiated in the
secret Mysteries, and by the signs and lying wonders there presented to them,
they were led back, after the death of Nimrod, to the worship of that god in
its new form. This Apocalyptic beast, then, that "comes up out of the
earth," agrees in all respects with that ancient god born from a
"hole in the ground"; for no words could more exactly describe his
doing than the words of the prediction (v 13): "He doeth great wonders,
and causeth fire to come down from heaven in the sight of men,...and he causeth
the earth and them that dwell therein to worship the first beast, whose deadly
wound was healed." This wonder-working beast, called Nebo, or "The
Prophet," as the prophet of idolatry, was, of course, the "false
prophet." By comparing the passage before us with Revelation 19:20, it
will be manifest that this beast that "came up out of the earth" is
expressly called by that very name: "And the beast was taken, and with him
the false prophet that wrought miracles before him, with which he deceived them
that received the mark of the beast, and them that worshipped his image."
As it was the "beast from the earth" that "wrought miracles"
before the first beast, this shows that "the beast from the earth" is
the "false prophet"; in other words, is "Nebo."
If we examine the history of the Roman empire, we shall find
that here also there is a precise accordance between type and antitype. When
the deadly wound of Paganism was healed, and the old Pagan title of Pontiff was
restored, it was, through means of the corrupt clergy, symbolised, as is
generally believed, and justly under the image of a beast with horns, like a
lamb; according to the saying of our Lord, "Beware of false prophets, that
shall come to you in sheep's clothing, but inwardly they are ravening
wolves." The clergy, as a corporate body, consisted of two grand
divisions--the regular and secular clergy answering to the two horns or powers
of the beast, and combining also, at a very early period, both temporal and
spiritual powers. The bishops, as heads of these clergy, had large temporal
powers, long before the Pope gained his temporal crown. We have the distinct
evidence of both Guizot and Gibbon to this effect. After showing that before
the fifth century, the clergy had not only become distinct from, but
independent of the people, Guizot adds: "The Christian clergy had moreover
another and very different source of influence. The bishops and priests became
the principal municipal magistrates...If you open the code, either of
Theodosius or Justinian, you will find numerous regulations which remit
municipal affairs to the clergy and the bishops." Guizot makes several
quotations. The following extract from the Justinian code is sufficient to show
how ample was the civil power bestowed upon the bishops: "With respect to
the yearly affairs of cities, whether they concern the ordinary revenues of the
city, either from funds arising from the property of the city, or from private
gifts or legacies, or from any other source; whether public works, or depots of
provisions or aqueducts, or the maintenance of baths or ports, or the
construction of walls or towers, or the repairing of bridges or roads, or
trials, in which the city may be engaged in reference to public or private
interests, we ordain as follows:--The very pious bishop, and three notables,
chosen from among the first men of the city, shall meet together; they shall
each year examine the works done; they shall take care that those who conduct
them, or who have conducted them, shall regulate them with precision, render
their accounts, and show that they have duly performed their engagements in the
administration, whether of the public monuments, or of the sums appointed for
provisions or baths, or of expenses in the maintenance of roads, aqueducts, or
any other work." Here is a large list of functions laid on the spiritual
shoulders of "the very pious bishop," not one of which is even hinted
at in the Divine enumeration of the duties of a bishop, as contained in the
Word of God. (See 1 Timothy 3:1-7; and Titus 1:5-9.) How did the bishops, who
were originally appointed for purely spiritual objects, contrive to grasp at
such a large amount of temporal authority? From Gibbon we get light as to the
real origin of what Guizot calls this "prodigious power." The author
of the Decline and Fall shows, that soon after Constantine's time, "the
Church" [and consequently the bishops, especially when they assumed to be
a separate order from the other clergy] gained great temporal power through the
right of asylum, which had belonged to the Pagan temples, being transferred by
the Emperors to the Christian churches. His words are: "The fugitive, and
even the guilty, were permitted to implore either the justice or mercy of the
Deity and His ministers." Thus was the foundation laid of the invasion of
the rights of the civil magistrate by ecclesiastics, and thus were they
encouraged to grasp at all the powers of the State. Thus, also, as is justly
observed by the authoress of Rome in the 19th Century, speaking of the right of
asylum, were "the altars perverted into protection towards the very crimes
they were raised to banish from the world." This is a very striking thing,
as showing how the temporal power of the Papacy, in its very first beginnings,
was founded on "lawlessness," and is an additional proof to the many
that might be alleged, that the Head of the Roman system, to whom all bishops are
subject is indeed "The Lawless One" (2 Thess 2:8), predicted in
Scripture as the recognised Head of the "Mystery of Iniquity." All
this temporal power came into the hands of men, who, while professing to be
ministers of Christ, and followers of the Lamb, were seeking simply their own
aggrandisement, and, to secure that aggrandisement, did not hesitate to betray
the cause which they professed to serve. The spiritual power which they wielded
over the souls of men, and the secular power which they gained in the affairs
of the world, were both alike used in opposition to the cause of pure religion
and undefiled. At first these false prophets, in leading men astray, and
seeking to unite Paganism and Christianity, wrought under-ground, mining like
the mole in the dark, and secretly perverting the simple, according to the
saying of Paul, "The Mystery of Iniquity doth already work." But
by-and-by, towards the end of the fourth century, when the minds of men had
been pretty well prepared, and the aspects of things seemed to be favourable
for it, the wolves in sheep's clothing appeared above ground, brought their
secret doctrines and practices, by little and little, into the light of day,
and century after century, as their power increased, by means of all
"deceivableness of unrighteousness," and "signs and lying
wonders," deluded the minds of the worldly Christians, made them believe
that their anathema was equivalent to the curse of God; in other words, that
they could "bring down fire from heaven," and thus "caused the
earth, and them that dwelt therein, to worship the beast whose deadly wound was
healed." *
* Though the Pope be the great Jupiter Tonans of the Papacy,
and "fulminates" from the Vatican, as his predecessor was formerly
believed to do from the Capitol, yet it is not he in reality that brings down
the fire from heaven, but his clergy. But for the influence of the clergy in
everywhere blinding the minds of the people, the Papal thunders would be but
"bruta fulmina" after all. The symbol, therefore, is most exact, when
it attributes the "bringing down of the fire from heaven," to the
beast from the earth, rather than to the beast from the sea.
When "the deadly wound" of the Pagan beast was
healed, and the beast from the sea appeared, it is said that this beast from the
earth became the recognised, accredited executor of the will of the great sea
beast (v 12), "And he exerciseth all the power of the first beast before
him," literally "in his presence"--under his inspection.
Considering who the first beast is, there is great force in this expression
"in his presence." The beast that comes up from the sea, is "the
little horn," that "has eyes like the eyes of man" (Dan 7:8); it
is Janus Tuens, "All-seeing Janus," in other words, the Universal
Bishop or "Universal Overseer," who, from his throne on the seven
hills, by means of the organised system of the confessional, sees and knows all
that is done, to be the utmost bounds of his wide dominion. Now,
it was just exactly about the time that the Pope became universal bishop, that
the custom began of systematically investing the chief bishops of the Western
empire with the Papal livery, the pallium, "for the purpose," says
Gieseler, "of symbolising and strengthening their connection with the
Church of Rome." *
* GIESELER. From Gieseler we learn that so early as 501, the
Bishop of Rome had laid the foundation of the corporation of bishops by the
bestowal of the pallium; but, at the same time, he expressly states that it was
only about 602, at the `63 ascent of Phocas to the imperial throne--that Phocas
that made the Pope Universal Bishop--that the Popes began to bestow the
pallium, that is, of course, systematically, and on a large scale.
That pallium, worn on the shoulders of the bishops, while on
the one hand it was the livery of the Pope, and bound those who received it to
act as the functionaries of Rome, deriving all their authority from him, and
exercising it under his superintendence, as the "Bishop of bishops,"
on the other hand, was in reality the visible investiture of these wolves with
the sheep's clothing. For what was the pallium of the Papal bishop? It was a
dress made of wool, blessed by the Pope, taken from the holy lambs kept by the
nuns of St. Agnes, and woven by their sacred hands, that it might be bestowed
on those whom the Popes delighted to honour, for the purpose, as one of
themselves expressed it, of "joining them to our society in the one
pastoral sheepfold." *
* GIESELER, "Papacy"). The reader who peruses the
early letters of the Popes in bestowing the pallium, will not fail to observe
the wide difference of meaning between "the one pastoral sheepfold"
above referred to, and "the one sheepfold" of our Lord. The former
really means a sheepfold consisting of pastors or shepherds. The papal letters
unequivocally imply the organisation of the bishops, as a distinct corporation,
altogether independent of the Church, and dependent only on the Papacy, which
seems remarkably to agree with the terms of the prediction in regard to the
beast from the earth.
Thus commissioned, thus ordained by the universal Bishop, they
did their work effectually, and brought the earth and them that dwelt in it,
"to worship the beast that received the wound by a sword and did
live." This was a part of this beast's predicted work. But there was
another, and not less important, which remains for consideration.
The Two Babylons
Alexander Hislop
Chapter VII
Section IV
The Image of the Beast
Not merely does the beast from the earth lead the world to
worship the first beast, but (v 14) he prevails on them that dwell on the earth
to make "an IMAGE to the beast, which had the wound by a sword, and did
live." In meditating for many years on what might be implied in "the
image of the beast," I could never find the least satisfaction in all the
theories that had ever been propounded, till I fell in with an unpretending but
valuable work, which I have noticed already, entitled An Original Interpretation
of the Apocalypse. That work, evidently the production of a penetrating mind
deeply read in the history of the Papacy, furnished at once the solution of the
difficulty. There the image of the beast is pronounced to be the Virgin Mother,
or the Madonna. This at first sight may appear a very unlikely solution; but
when it is brought into comparison with the religious history of Chaldea, the
unlikelihood entirely disappears. In the old Babylonian Paganism, there was an
image of the Beast from the sea; and when it is known what that image was, the
question will, I think, be fairly decided. When Dagon was first set up to be
worshipped, while he was represented in many different ways, and exhibited in
many different characters, the favourite form in which he was worshipped, as
the reader well knows, was that of a child in his mother's arms. In the natural
course of events, the mother came to be worshipped along with the child, yea,
to be the favourite object of worship. To justify this worship, as we have already
seen, that mother, of course, must be raised to divinity, and divine powers and
prerogatives ascribed to her. Whatever dignity, therefore, the son was believed
to possess a like dignity was ascribed to her. Whatever name of honour he bore,
a similar name was bestowed upon her. He was called Belus, "the
Lord"; she, Beltis, "My Lady." He was called Dagon, "the
Merman"; she, Derketo, "the Mermaid." He, as the World-king,
wore the bull's horns; she, as we have already seen, on the authority of
Sanchuniathon, put on her own head a bull's head, as the ensign of royalty. *
* EUSEBIUS, Proeparatio Evangelii. This statement is
remarkable, as showing that the horns which the great goddess wore were really
intended to exhibit her as the express image of Ninus, or "the Son."
Had she worn merely the cow's horns, it might have been supposed that these
horns were intended only to identify her with the moon. But the bull's horns
show that the intention was to represent her as equal in her sovereignty with
Nimrod, or Kronos, the "Horned one."
He, as the Sun-god, was called Beel-samen, "Lord of
heaven"; she, as the Moon-goddess, Melkat-ashemin, "Queen of
heaven." He was worshipped in Egypt as the "Revealer of goodness and
truth"; she, in Babylon, under the symbol of the Dove, as the goddess of
gentleness and mercy, the "Mother of gracious acceptance,"
"merciful and benignant to men." He, under the
name of Mithra, was worshipped as Mesites, or "the Mediator"; she, as
Aphrodite, or the "Wrath-subduer," was called Mylitta, "the Mediatrix."
He was represented as crushing the great serpent under his heel; she, as
bruising the serpent's head in her hand. He, under the name Janus, bore a key
as the opener and shutter of the gates of the invisible world. She, under the
name of Cybele, was invested with a like key, as an emblem of the same power. *
* TOOKE'S Pantheon. That the key of Cybele, in the esoteric
story, had a corresponding meaning to that of Janus, will appear from the
character above assigned to her as the Mediatrix.
He, as the cleanser from sin, was called the "Unpolluted
god"; she, too, had the power to wash away sin, and, though the mother of
the seed, was called the "Virgin, pure and undefiled." He was
represented as "Judge of the dead"; she was represented as standing
by his side, at the judgment-seat, in the unseen world. He, after being killed
by the sword, was fabled to have risen again, and ascended up to heaven. She,
too, though history makes her to have been killed with the sword by one of her
own sons, * was nevertheless in the myth, said to have been carried by her son
bodily to heaven, and to have been made Pambasileia, "Queen of the
universe." Finally, to clench the whole, the name by which she was now
known was Semele, which, in the Babylonian language, signifies "THE
IMAGE." ** Thus, in every respect, to the very least jot and tittle, she
became the express image of the Babylonian "beast that had the wound by a
sword, and did live."
* In like manner, Horus, in Egypt, is said to have cut off his
mother's head, as Bel in Babylon also cut asunder the great primeval goddess of
the Babylonians. (BUNSEN)
** Apollodorus states that Bacchus, on carrying his mother to
heaven, called her Thuone, which was just the feminine of his own name,
Thuoenus--in Latin Thyoneus. (OVID, Metam.) Thuoneus is evidently from the
passive participle of Thn, "to lament," a synonym for
"Bacchus," "The lamented god." Thuone, in like manner, is
"The lamented goddess." The Roman Juno was evidently known in this
very character of the "Image"; for there was a temple erected to her
in Rome, on the Capitoline hill, under the name of "Juno Moneta."
Moneta is the emphatic form of one of the Chaldee words for an
"image"; and that this was the real meaning of the name, will appear
from the fact that the Mint was contained in the precincts of that temple. (See
SMITH'S "Juno") What is the use of a mint but just to stamp
"images"? Hence the connection between Juno and the Mint.
After what the reader has already seen in a previous part of
this work, it is hardly necessary to say that it is this very goddess that is
now worshipped in the Church of Rome under the name of Mary. Though that
goddess is called by the name of the mother of our Lord, all the attributes
given to her are derived simply from the Babylonian Madonna, and not from the
Virgin Mother of Christ. *
* The very way in which the Popish Madonna is represented is
plainly copied from the idolatrous representations of the Pagan goddess. The
great god used to be represented as sitting or standing in the cup of a
Lotus-flower. In India, the very same mode of representation is common; Brahma
being often seen seated on a Lotus-flower, said to have sprung from the navel
of Vishnu. The great goddess, in like manner, must have a similar couch; and,
therefore, in India, we find Lakshmi, the "Mother of the Universe,"
sitting on a Lotus, borne by a tortoise. Now, in this very thing, also Popery
has copied from its Pagan model; for, in the Pancarpium Marianum the Virgin and
child are represented sitting in the cup of a tulip.
There is not one line or one letter in all the Bible to
countenance the idea that Mary should be worshipped, that she is the
"refuge of sinners," that she was "immaculate," that she
made atonement for sin when standing by the cross, and when, according to
Simeon, "a sword pierced through her own soul also"; or that, after
her death, she was raised from the dead and carried in glory to heaven. But in
the Babylonian system all this was found; and all this is now incorporated in
the system of Rome. The "sacred heart of Mary" is exhibited as
pierced through with a sword, in token, as the apostate Church teaches, that
her anguish at the crucifixion was as true an atonement as the death of
Christ;--for we read in the Devotional office or Service-book, adopted by the
"Sodality of the sacred heart," such blasphemous words as these,
"Go, then, devout client! go to the heart of Jesus, but let your way be
through the heart of Mary; the sword of grief which pierced her soul opens you
a passage; enter by the wound which love has made"; *--again we hear one
expounder of the new faith, like M. Genoude in France, say that "Mary was
the repairer of the guilt of Eve, as our Lord was the repairer of the guilt of
Adam"; and another--Professor Oswald of Paderbon--affirm that Mary was not
a human creature like us, that she is "the Woman, as Christ is the
Man," that "Mary is co-present in the Eucharist, and that it is
indisputable that, according to the Eucharistic doctrine of the Church, this
presence of Mary in the Eucharist is true and real, not merely ideal or
figurative"; and, further, we read in the Pope's decree of the Immaculate
Conception, that that same Madonna, for this purpose "wounded with the
sword," rose from the dead, and being assumed up on high, became Queen of
Heaven. If all this be so, who can fail to see that in that apostate community
is to be found what precisely answers to the making and setting up in the heart
of Christendom, of an "Image to the beast that had the wound by a sword
and did live"?
* Memoir of Rev. Godfrey Massy. In the Paradisus sponsi et
sponsoe, by the author of Pancarpium Marianum, the following words, addressed
to the Virgin, occur in illustration of a plate representing the crucifixion,
and Mary, at the foot of the Cross, with the sword in her breast, "Thy
beloved son did sacrifice his flesh; thou thy soul--yea, both body and
soul." This does much more than put the sacrifice of the Virgin on a level
with that of the Lord Jesus, it makes it greater far. This, in 1617, was the
creed only of Jesuitism; now there is reason to believe it to be the general
creed of the Papacy.
If the inspired terms be consulted, it will be seen that this
was to be done by some public general act of apostate Christendom; (v 14),
"Saying to them that dwell on the earth, that they should make an image to
the beast"; and they made it. Now, here is the important fact to be
observed, that this never was done, and this never could have been done, till
eight years ago; for this plain reason, that till then the Madonna of Rome was
never recognised as combining all the characters that belonged to the
Babylonian "IMAGE of the beast." Till then it was not admitted even
in Rome, though this evil leaven had been long working, and that strongly, that
Mary was truly immaculate, and consequently she could not be the perfect
counterpart of the Babylonian Image. What, however, had never been done before,
was done in December, 1854. Then bishops from all parts of Christendom, and
representatives from the ends of the earth, met in Rome; and with only four
dissentient voices, it was decreed that Mary, the mother of God, who died, rose
from the dead, and ascended into heaven, should henceforth be worshipped as the
Immaculate Virgin, "conceived and born without sin." This was the
formal setting up of the Image of the beast, and that by the general consent of
"the men that dwell upon the earth." Now, this beast being set up, it
is said, that the beast from the earth gives life and speech to the Image,
implying, first, that it has neither life nor voice in itself; but that,
nevertheless, through means of the beast from the earth, it is to have both
life and voice, and to be an effective agent of the Papal clergy, who will make
it speak exactly as they please. Since the Image has been set up, its voice has
been everywhere heard throughout the Papacy. Formerly decrees ran less or more
in the name of Christ. Now all things are pre-eminently done in the name of the
Immaculate Virgin. Her voice is everywhere heard--her voice is supreme. But, be
it observed, when that voice is heard, it is not the voice of mercy and love,
it is the voice of cruelty and terror. The decrees that come forth under the
name of the Image, are to this effect (v 17), that "no man might buy or
sell, save he that had the mark, or the name of the beast, or the number of his
name." No sooner is the image set up than we see this very thing begun to
be carried out. What was the Concordat in Austria, that so speedily followed,
but this very thing? That concordat, through the force of unexpected events
that have arisen, has not yet been carried into effect; but if it were, the
results would just be what is predicted--that no man in the Austrian dominions
should "buy or sell" without the mark in some shape or other. And the
very fact of such an intolerant concordat coming so speedily on the back of the
Decree of the Immaculate Conception, shows what is the natural fruit of that
decree. The events that soon thereafter took place in Spain showed the powerful
working of the same persecuting spirit there also. During the last few years,
the tide of spiritual despotism might have seemed to be effectually arrested;
and many, no doubt, have indulged the persuasion that, crippled as the temporal
sovereignty of the Papacy is, and tottering as it seems to be, that power, or
its subordinates, could never persecute more. But there is an amazing vitality
in the Mystery of Iniquity; and no one can ever tell beforehand what apparent
impossibilities it may accomplish in the way of arresting the progress of truth
and liberty, however promising the aspect of things may be. Whatever may become
of the temporal sovereignty of the Roman states, it is by no means so evident
this day, as to many it seemed only a short while ago, that the overthrow of
the spiritual power of the Papacy is imminent, and that its power to persecute
is finally gone. I doubt not but that many, constrained by the love and mercy
of God, will yet obey the heavenly voice, and flee out of the doomed communion,
before the vials of Divine wrath descend upon it. But if I have been right in
the interpretation of this passage, then it follows that it must yet become
more persecuting than ever it has been, and that that intolerance, which,
immediately after the setting up of the Image, began to display itself in
Austria and Spain, shall yet spread over all Europe; for it is not said that
the Image of the beast should merely decree, but should "cause that as
many as would not worship the Image of the beast should be killed" (v 15).
When this takes place, that evidently is the time when the language of verse 8
is fulfilled, "And all that dwell on the earth shall worship the beast,
whose names are not written in the book of life of the Lamb slain from the
foundation of the world." It is impossible to get quit of this by saying,
"This refers to the Dark Ages; this was fulfilled before Luther." I
ask, had the men who dwelt on the earth set up the Image of the beast before
Luther's days? Plainly not. The decree of the Immaculate Conception was the
deed of yesterday. The prophecy, then, refers to our own times--to the period
on which the Church is now entering. In other words, the slaying of the
witnesses, the grand trial of the saints, IS STILL TO COME. (see note below)
____________________
The Slaying of the Witnesses
Is it past, or is it still to come? This is a vital question.
The favourite doctrine at this moment is, that it is past centuries ago, and
that no such dark night of suffering to the saints of God can ever come again,
as happened just before the era of the Reformation. This is the cardinal
principle of a work that has just appeared, under the title of The Great
Exodus, which implies, that however much the truth may be assailed, however
much the saints of God may be threatened, however their fears may be aroused,
they have no real reason to fear, for that the Red Sea will divide, the tribes
of the Lord will pass through dry shod, and all their enemies, like Pharaoh and
his host, shall sink in overwhelming ruin. If the doctrine maintained by many
of the soberest interpreters of Scripture for a century past, including such
names as Brown of Haddington, Thomas Scott, and others, be well founded-viz.,
that the putting down of the testimony of the witnesses is till to come, this
theory must not only be a delusion, but a delusion of most fatal tendency--a
delusion that by throwing professors off their guard, and giving them an excuse
for taking their ease, rather than standing in the high places of the field,
and bearing bold and unflinching testimony for Christ, directly paves the way
for that very extinction of the testimony which is predicted. I enter not into
any historical disquisition as to the question, whether, as a matter of fact,
it was true that the witnesses were slain before Luther appeared. Those who
wish to see an historical argument on the subject may see it in the Red
Republic, which I venture to think has not yet been answered. Neither do I
think it worth while particularly to examine the assumption of Dr. Wylie, and I
hold it to be a pure and gratuitous assumption, that the 1260 days during which
the saints of God in Gospel times were to suffer for righteousness' sake, has
any relation whatever, as a half period, to a whole, symbolised by the
"Seven times" that passed over Nebuchadnezzar when he was suffering
and chastened for his pride and blasphemy, as the representative of the
"world power." *
* The author does not himself make the humiliation of the
Babylonian king a type of the humiliation of the Church. How then can he
establish any typical relation between the "seven times" in the one
case, and the "seven times" in the other? He seems to think it quite
enough to establish that relation, if he can find one point of resemblance
between Nebuchadnezzar, the humbled despot, and the "world-power"
that oppresses the Church during the two periods of "seven times"
respectively. That one point is the "madness" of the one and the
other. It might be asked, Was, then, the "world-power" in its right
mind before "the seven times" began? But waiving that, here is the
vital objection to this view: The madness in the case of Nebuchadnezzar was
simply an affliction; in the other it was sin. The madness of Nebuchadnezzar
did not, so far as we know, lead him to oppress a single individual; the
madness of the "world-power," according to the theory, is essentially
characterised by the oppression of the saints. Where, then, can there be the
least analogy between the two cases? The "seven times" of the
Babylonian king were seven times of humiliation, and humiliation alone. The
suffering monarch cannot be a type of the suffering Church; and still less can
his "seven times" of deepest humiliation, when all power and glory
was taken from him, be a type of the "seven times" of the "world-power,"
when that "world-power" was to concentrate in itself all the glory
and grandeur of the earth. This is one fatal objection to this theory. Then let
the reader only look at the following sentence from the work under
consideration, and compare it with historical fact, and he will see still more
how unfounded the theory is: "It follows undeniably," says the
author, "that as the Church is to be tyrannised over by the idolatrous
power throughout the whole of the seven times, she will be oppressed during the
first half of the 'seven times,' by idolatry in the form of Paganism, and
during the last half by idolatry in the form of Popery." Now, the first
half, or 1260 years, during which the Church was to be oppressed by Pagan
idolatry, ran out exactly, it is said, in AD 530 or 532; when suddenly
Justinian changed the scene, and brought the new oppressor on the stage. But I
ask where was the "world-power" to be found up to 530, maintaining
"idolatry in the form of Paganism"? From the time of Gratian at
least, who, about 376, formally abolished the worship of the gods, and
confiscated their revenues, where was there any such Pagan power to persecute?
There is certainly a very considerable interval between 376 and 532. The
necessities of the theory require that Paganism, and that avowed Paganism, be
it observed, shall be persecuting the Church straight away till 532; but for
156 years there was no such thing as a Pagan "world-power" in
existence to persecute the Church. "The legs of the lame," says
Solomon, "are not equal"; and if the 1260 years of Pagan persecution
lack no less that 156 years of the predicted period, surely it must be manifest
that the theory halts very much on one side at least. But I ask, do the facts
agree with the theory, even in regard to the running out of the second 1260
years in 1792, at the period of the French Revolution? If the 1260 years of
Papal oppression terminated then, and if then the Ancient of days came to begin
the final judgment on the beast, He came also to do something else. This will
appear from the language of Daniel 7:21, 22: "I beheld, and the same horn
made war with the saints, and prevailed against them; until the Ancient of days
came, and judgment was given to the saints of the Most High; and the time came
that the saints possessed the kingdom." This language implies that the
judgment on the little horn, and the putting of the saints in possession
"of the kingdom" are contemporaneous events. Long has the rule of the
kingdoms of this world been in the hands of worldly men, that knew not God nor
obeyed Him; but now, when He to whom the kingdom belongs comes to inflict
judgment on His enemies, He comes also to transfer the rule of the kingdoms of
this world from the hands of those who have abused it, into the hand of those
that fear God and govern their public conduct by His revealed will. This is
evidently the meaning of the Divine statement. Now, on the supposition that
1792 was the predicted period of the coming of the Ancient of days, it follows
that, ever since, the principles of God's Word must have been leavening the
governments of Europe more and more, and good and holy men, of the spirit of
Daniel and Nehemiah, must have been advanced to the high places of power. But
has it been so in point of fact? Is there one nation in all Europe that acts on
Scriptural principles at this day? Does Britain itself do so? Why, it is
notorious that it was just three years after the reign of righteousness,
according to this theory, must have commenced that that unprincipled policy
began that has left hardly a shred of appearance of respect for the honour of
the "Prince of the Kings of the earth" in the public rule of this
nation. It was in 1795 that Pitt, and the British Parliament, passed the Act
for the erecting of the Roman Catholic College of Maynooth, which formed the
beginning of a course that, year by year, has lifted the Man of Sin into a
position of power in this land, that threatens, if Divine mercy do not
miraculously interfere, to bring us speedily back again under complete thraldom
to Antichrist. Yet, according to the theory of The Great Exodus, the very
opposite of this ought to have been the case.
But to this only I call the reader's attention, that even on
the theory of Dr. Wylie himself, the witnesses of Christ could not possibly
have finished their testimony before the Decree of the Immaculate Conception
came forth. The theory of Dr. Wylie, and those who take the same general view
as he, is, that the "finishing of the testimony," means
"completing the elements" of the testimony, bearing a full and complete
testimony against the errors of Rome. Dr. Wylie himself admits that "the
dogma of the 'Immaculate Conception' [which was given forth only during the
last few years] declares Mary truly 'divine,' and places her upon the altars of
Rome as practically the sole and supreme object of worship" (The Great
Exodus). This was NEVER done before, and therefore the errors and blasphemies
of Rome were not complete until that decree had gone forth, if even then. Now,
if the corruption and blasphemy of Rome were "incomplete" up to our
own day, and if they have risen to a height which was never witnessed before,
as all men instinctively felt and declared, when that decree was issued, how
could the testimony of the witnesses be "complete" before Luther's
day! It is nothing to say that the principle and the germ of this decree were
in operation long before. The same thing may be said of all the leading errors
of Rome long before Luther's day. They were all in essence and substance very
broadly developed, from near the time when Gregory the Great commanded the
image of the Virgin to be carried forth in the processions that supplicated the
Most High to remove the pestilence from Rome, when it was committing such havoc
among its citizens. But that does in no wise prove that they were
"complete," or that the witnesses of Christ could then "finish
their testimony" by bearing a full and "complete testimony"
against the errors and corruptions of the Papacy. I submit this view of the
matter to every intelligent reader for his prayerful consideration. If we have
not "understanding of the times," it is vain to expect that we
"shall know what Israel ought to do." If we are saying "Peace
and safety," when trouble is at hand, or underrating the nature of that
trouble, we cannot be prepared for the grand struggle when that struggle shall
come.
The Two Babylons
Alexander Hislop
Chapter VII
Section V
The Name of the Beast, the Number of His Name--
The Invisible Head of the Papacy
Dagon and the Pope being now identified, this brings us naturally
and easily to the long-sought name and number of the beast, and confirms, by
entirely new evidence, the old Protestant view of the subject. The name
"Lateinos" has been generally accepted by Protestant writers, as
having many elements of probability to recommend it. But yet there has been
always found a certain deficiency, and it has been felt that something was
wanting to put it beyond all possibility of doubt. Now, looking at the subject
from the Babylonian point of view, we shall find both the name and number of
the beast brought home to us in such a way as leaves nothing to be desired on
the point of evidence. Osiris, or Nimrod, whom the Pope represents, was called
by many different titles, and therefore, as Wilkinson remarks, he was much in the
same position as his wife, who was called "Myrionymus," the goddess
with "ten thousand names." Among these innumerable names, how shall
we ascertain the name at which the Spirit of God points in the enigmatical
language that speaks of the name of the beast, and the number of his name? If
we know the Apocalyptic name of the system, that will lead us to the name of
the head of the system. The name of the system is "Mystery" (Rev
17:5). Here, then, we have the key that at once unlocks the enigma. We have now
only to inquire what was the name by which Nimrod was known as the god of the
Chaldean Masteries. That name, as we have seen, was Saturn. Saturn and Mystery
are both Chaldean words, and they are correlative terms. As Mystery signifies
the Hidden system, so Saturn signifies the Hidden god. *
* In the Litany of the Mass, the worshippers are taught thus
to pray: "God Hidden, and my Saviour, have mercy upon us." (M'GAVIN'S
Protestant) Whence can this invocation of the "God Hidden" have come,
but from the ancient worship of Saturn, the "Hidden God"? As the
Papacy has canonised the Babylonian god by the name of St. Dionysius, and St.
Bacchus, the "martyr," so by this very name of "Satur" is
he also enrolled in the calendar; for March 29th is the festival of "St. Satur,"
the martyr. (CHAMBER'S Book of Days)
To those who were initiated the god was revealed; to all else
he was hidden. Now, the name Saturn in Chaldee is pronounced Satur; but, as
every Chaldee scholar knows, consists only of four letters, thus--Stur. This
name contains exactly the Apocalyptic number 666:--
S = 060
T = 400
U = 006
R = 200
If the Pope is, as we have seen, the legitimate representative
of Saturn, the number of the Pope, as head of the Mystery of Iniquity, is just
666. But still further it turns out, as shown above, that the original name of
Rome itself was Saturnia, "the city of Saturn." This is vouched alike
by Ovid, by Pliny, and by Aurelius Victor. Thus, then, the Pope has a double
claim to the name and number of the beast. He is the only legitimate
representative of the original Saturn at this day in existence, and he reigns
in the very city of the seven hills where the Roman Saturn formerly reigned;
and, from his residence in which, the whole of Italy was "long after
called by his name," being commonly named "the Saturnian land." But
what bearing, it may be said, has this upon the name Lateinos, which is
commonly believed to be the "name of the beast"? Much. It proves that
the common opinion is thoroughly well-founded. Saturn and Lateinos are just
synonymous, having precisely the same meaning, and belonging equally to the
same god. The reader cannot have forgotten the lines of Virgil, which showed
that Lateinos, to whom the Romans or Latin race traced back their lineage, was
represented with a glory around his head, to show that he was a "child of
the Sun." Thus, then, it is evident that, in popular opinion, the original
Lateinos had occupied the very same position as Saturn did in the Mysteries,
who was equally worshipped as the "offspring of the Sun." Moreover,
it is evident that the Romans knew that the name "Lateinos" signifies
the "Hidden One," for their antiquarians invariably affirm that
Latium received its name from Saturn "lying hid" there. On
etymological grounds, then, even on the testimony of the Romans, Lateinos is
equivalent to the "Hidden One"; that is, to Saturn, the "god of
Mystery." *
* Latium Latinus (the Roman form of the Greek Lateinos), and
Lateo, "to lie hid," all alike come from the Chaldee "Lat,"
which has the same meaning. The name "lat," or the hidden one, had
evidently been given, as well as Saturn, to the great Babylonian god. This is
evident from the name of the fish Latus, which was worshipped along with the
Egyptian Minerva, in the city of Latopolis in Egypt, now Esneh (WILKINSON),
that fish Latus evidently just being another name for the fish-god Dagon. We
have seen that Ichthys, or the Fish, was one of the names of Bacchus; and the
Assyrian goddess Atergatis, with her son Ichthys is said to have been cast into
the lake of Ascalon. That the sun-god Apollo had been known under the name of
Lat, may be inferred from the Greek name of his mother-wife Leto, or in Doric,
Lato, which is just the feminine of Lat. The Roman name Latona confirms this,
for it signifies "The lamenter of Lat," as Bellona signifies
"The lamenter of Bel." The Indian god Siva, who, as we have seen, is
sometimes represented as a child at the breast of its mother, and has the same
bloody character as Moloch, or the Roman Saturn, is called by this very name,
as may be seen from the following verse made in reference to the image found in
his celebrated temple at Somnaut:
"This image grim, whose name was LAUT,
Bold Mahmoud found when he took Sumnaut."
BORROW'S Gypsies in Spain, or Zincali
As Lat was used as a synonym for Saturn, there can be little
doubt that Latinus was used in the same sense.
The deified kings were called after the gods from whom they
professed to spring, and not after their territories. The same, we may be sure,
was the case with Latinus.
While Saturn, therefore, is the name of the beast, and
contains the mystic number, Lateinos, which contains the same number, is just
as peculiar and distinctive an appellation of the same beast. The Pope, then,
as the head of the beast, is equally Lateinos or Saturn, that is, the head of
the Babylonian "Mystery." When, therefore, the Pope requires all his
services to be performed in the "Latin tongue," that is as much as to
say that they must be performed in the language of "Mystery"; when he
calls his Church the Latin Church, that is equivalent to a declaration that it
is the Church of "Mystery." Thus, by this very name of the Pope's own
choosing, he has with his own hands written upon the very forehead of his
apostate communion its divine Apocalyptic designation, "MYSTERY--Babylon
the great." Thus, also, by a process of the purest induction, we have been
led on from step to step, till we find the mystic number 666 unmistakably and
"indelibly marked" on his own forehead, and that he who has his seat
on the seven hills of Rome has exclusive and indefeasible claims to be regarded
as the Visible head of the beast.
The reader, however, who has carefully considered the language
that speaks of the name and number of the Apocalyptic beast, must have observed
that, in the terms that describe that name and number, there is still an enigma
that ought not to be overlooked. The words are these: "Let him that hath
understanding count the number of the beast--for it is the number of a
man" (Rev 13:18). What means the saying, that the "number of the
beast is the number of a man"? Does it merely mean that he has been called
by a name that has been borne by some individual man before? This is the sense
in which the words have been generally understood. But surely this would be
nothing very distinctive--nothing that might not equally apply to innumerable
names. But view this language in connection with the ascertained facts of the
case, and what a Divine light at once beams from the expression. Saturn, the
hidden god,--the god of the Mysteries, whom the Pope represents, whose secrets
were revealed only to the initiated,--was identical with Janus, who was
publicly known to all Rome, to the uninitiated and initiated alike, as the
grand Mediator, the opener and the shutter, who had the key of the invisible
world. Now, what means the name Janus? That name, as Cornificius in Macrobius
shows, was properly Eanus; and in ancient Chaldee, E-anush signifies "the
Man." By that very name was the Babylonian beast from the sea called, when
it first made its appearance. *
* The name, as given in Greek by Berosus, is O-annes; but this
is just the very way we might expect "He-anesth," "the
man," to appear in Greek. He-siri, in Greek, becomes Osiris; and
He-sarsiphon, Osarsiphon; and, in like manner, He-anesh naturally becomes
Oannes. In the sense of a "Man-god," the name Oannes is taken by
Barker (Lares and Penates). We find the conversion of the H' into O' among our
own immediate neighbours, the Irish; what is now O'Brien and O'Connell was
originally H'Brien and H'Connell (Sketches of Irish History).
The name E-anush, or "the Man," was applied to the
Babylonian Messiah, as identifying him with the promised seed of the Woman. The
name of "the Man," as applied to a god, was intended to designate him
as the "god-man." We have seen that in India the Hindoo Shasters bear
witness, that in order to enable the gods to overcome their enemies, it was
needful that the Sun, the supreme divinity, should be incarnate, and born of a
Woman. The classical nations had a legend of precisely the same nature.
"There was a current tradition in heaven," says Apollodorus,
"that the giants could never be conquered except by the help of a
man." That man, who was believed to have conquered the adversaries of the
gods, was Janus, the god-man. In consequence of his assumed character and
exploits, Janus was invested with high powers, made the keeper of the gates of
heaven, and arbiter of men's eternal destinies. Of this Janus, this Babylonian
"man," the Pope, as we have seen, is the legitimate representative;
his key, therefore, he bears, with that of Cybele, his mother-wife; and to all
his blasphemous pretensions he at this hour lays claim. The very fact, then,
that the Pope founds his claim to universal homage on the possession of the
keys of heaven, and that in a sense which empowers him, in defiance of every
principle of Christianity, to open and shut the gates of glory, according to
his mere sovereign will and pleasure, is a striking and additional proof that
he is that head of the beast from the sea, whose number, as identified with
Janus, is the number of a man, and amounts exactly to 666.
But there is something further still in the name of Janus or
Eanus, not to be passed over. Janus, while manifestly worshipped as the Messiah
or god-man, was also celebrated as "Principium Decorum," the source
and fountain of all the Pagan gods. We have already in this character traced
him backward through Cush to Noah; but to make out his claim to this high
character, in its proper completeness, he must be traced even further still.
The Pagans knew, and could not but know, at the time the Mysteries were
concocted, in the days of Shem and his brethren, who, through the Flood, had
passed from the old world to the new, the whole story of Adam, and therefore it
was necessary, if a deification of mankind there was to be, that his
pre-eminent dignity, as the human "Father of gods and men," should
not be ignored. Nor was it. The Mysteries were full of what he did, and what
befel him; and the name E-anush, or, as it appeared in the Egyptian form,
Ph'anesh, "The man," was only another name for that of our great
progenitor. The name of Adam in the Hebrew of Genesis almost always occurs with
the article before it, implying "The Adam," or "The man."
There is this difference, however--"The Adam" refers to man unfallen,
E-anush, "The man," to "fallen man." E-anush, then, as
"Principium decorum," "The fountain and father of the
gods," is "FALLEN Adam." *
* Anesh properly signifies only the weakness or frailty of
fallen humanity; but any one who consults OVID, Fashti, as to the character of
Janus, will see that when E-anush was deified, it was not simply as Fallen man
with his weakness, but Fallen man with his corruption.
The principle of Pagan idolatry went directly to exalt fallen
humanity, to consecrate its lusts, to give men license to live after the flesh,
and yet, after such a life, to make them sure of eternal felicity. E-anus, the
"fallen man," was set up as the human Head of this system of
corruption--this "Mystery of Iniquity." Now, from this we come to see
the real meaning of the name, applied to the divinity commonly worshipped in
Phrygia along with Cybele in the very same character as this same Janus, who
was at once the Father of the gods, and the Mediatorial divinity. That name was
Atys, or Attis, or Attes, * and the meaning will evidently appear from the
meaning of the well-known Greek word Ate, which signifies "error of
sin," and is obviously derived from the Chaldean Hata, "to sin."
* SMITH'S Classical Dictionary, "Atys." The
identification of Attes with Bacchus or Adonis, who was at once the Father of
the gods, and the Mediator, is proved from divers considerations. 1. While it
is certain that the favourite god of the Phrygian Cybele was Attes, whence he
was called "Cybelius Attes," from Strabo, we learn that the divinity
worshipped along with Cybele in Phrygia, was called by the very name of
Dionusos or Bacchus. 2. Attes was represented in the very same way as Bacchus.
In Bryant there is an inscription to him along with the Idaean goddess, that is
Cybele, under the name of "Attis the Minotaur" (Mythol.). Bacchus was
bull-horned; it is well known that the Minotaur, in like manner, was half-man,
half-bull. 3. He was represented in the exoteric story, as perishing in the
same way as Adonis by a wild boar (PAUSAN). 4. In the rites of Magna Mater or
Cybele, the priests invoked him as the "Deus propitius, Deus
sanctus," "the merciful God, the holy God" (ARNOBIUS in Maxima
Biblioth. Patrum), the very character which Bacchus or Adonis sustained as the
mediatorial god.
Atys or Attes, formed from the same verb, and in a similar
way, signifies "The Sinner." The reader will remember that Rhea or
Cybele was worshipped in Phrygia under the name of Idaia Mater, "The
mother of knowledge," and that she bore in her hand, as her symbol, the
pomegranate, which we have seen reason to conclude to have been in Pagan
estimation the fruit of the "forbidden tree." Who, then, so likely to
have been the contemplar divinity of that "Mother of knowledge" as
Attes, "The sinner," even her own husband, whom she induced to share
with her in her sin, and partake of her fatal knowledge, and who thereby became
in true and proper sense, "The man of sin,"--"the man by whom
sin entered the world, and death by sin, and so death passed upon all, because
all have sinned." *
* The whole story of Attes can be proved in detail to be the
story of the Fall. Suffice it here only to state that, even on the surface,
this sin was said to be connected with undue love for "a nymph, whose fate
depended on a tree" (OVID, Fasti). The love of Attes for this nymph was in
one aspect an offence to Cybele, but, in another, it was the love of Cybele
herself; for Cybele has two distinct fundamental characters--that of the Holy
Spirit, and also that of our mother Eve. "The nymph whose fate depended on
a tree" was evidently Rhea, the mother of mankind.
Now to Attes, this "Man of sin," after passing
through those sorrows and sufferings, which his worshippers yearly
commemorated, the distinguishing characteristics and glories of the Messiah
were given. He was identified with the sun, * the only god; he was identified
with Adonis; and to him as thus identified, the language of the Sixteenth
Psalm, predicting the triumph of our Saviour Christ over death and the grave,
was in all its greatness applied: "Thou wilt not leave my soul in hell,
nor suffer thine Holy One to see corruption."
BRYANT. The ground of the Identification of Attis with the sun
evidently was, that as Hata signifies to sin, so Hatah, which signifies to
burn, is in pronunciation nearly the same. (see note below)
It is sufficiently known that the first part of this statement
was applied to Adonis; for the annual weeping of the women for Tammuz was
speedily turned into rejoicings, on account of his fabled return from Hades, or
the infernal regions. But it is not so well known that Paganism applied to its
mediatorial god the predicted incorruption of the body of the Messiah. But that
this was the fact, we learn from the distinct testimony of Pausanias.
"Agdistis," that is Cybele, says he, "obtained from Jupiter,
that no part of the body of Attes should either become putrid or waste
away." Thus did Paganism apply to Attes "the sinner," the
incommunicable honour of Christ, who came to "save His people from their
sins"--as contained in the Divine language uttered by the "sweet
psalmist of Israel," a thousand years before the Christian era. If,
therefore, the Pope occupies, as we have seen, the very place of Janus
"the man," how clear is it, that he equally occupies the place of
Attes, "the sinner," and then how striking in this point of view the
name "Man of sin," as divinely given by prophecy (2 Thess 2:3) to him
who was to be the head of the Christian apostacy, and who was to concentrate in
that apostacy all the corruption of Babylonian Paganism?
The Pope is thus on every ground demonstrated to be the
visible head of the beast. But the beast has not only a visible, but an
invisible head that governs it. That invisible head is none other than Satan,
the head of the first grand apostacy that began in heaven itself. This is put
beyond doubt by the language of Revelation 13:4 "And they worshipped the
Dragon which gave power unto the beast, saying, Who is like unto the beast? Who
is able to make war with him?" This language shows that the worship of the
dragon is commensurate with the worship of the beast. That the dragon is
primarily Satan, the arch-fiend himself, is plain from the statement of the
previous chapter (Rev 12:9) "And the Dragon was cast out, that old
serpent, called the Devil, and Satan, which deceiveth the whole world."
If, then, the Pope be, as we have seen, the visible head of the beast, the
adherents of Rome, in worshipping the Pope, of necessity worship also the
Devil. With the Divine statement before us, there is no possibility of escaping
from this. And this is exactly what we might expect on other grounds. Let it be
remembered that the Pope, as the head of the Mystery of Iniquity, is "the
son of perdition," Iscariot, the false apostle, the traitor. Now, it is
expressly stated, that before Judas committed his treason, "Satan,"
the prince of the Devils, "entered into him," took complete and
entire possession of him. From analogy, we may expect the same to have been the
case here. Before the Pope could even conceive such a scheme of complicated
treachery to the cause of his Lord, as has been proved against him, before he
could be qualified for successfully carrying that treacherous scheme into
effect, Satan himself must enter into him. The Mystery of Iniquity was to
practise and prosper according "to the working"--i.e., literally,
"according to the energy or mighty power of Satan" (2 Thess 2:9). *
* The very term "energy" here employed, is the term
continually used in the Chaldean books, describing the inspiration coming from
the gods and demons to their worshippers. (TAYLOR'S Jamblichus)
Therefore Satan himself, and not any subordinate spirit of
hell, must preside over the whole vast system of consecrated wickedness; he
must personally take possession of him who is its visible head, that the system
may be guided by his diabolical subtlety, and "energised" by his
super-human power. Keeping this in view, we see at once how it is that, when
the followers of the Pope worship the beast, they worship also the "dragon
that gave power to the beast."
Thus, altogether independent of historical evidence on this
point, we are brought to the irresistible conclusion that the worship of Rome
is one vast system of Devil-worship. If it be once admitted that the Pope is
the head of the beast from the sea, we are bound, on the mere testimony of God,
without any other evidence whatever, to receive this as a fact, that,
consciously or unconsciously, those who worship the Pope are actually
worshipping the Devil. But, in truth, we have historical evidence, and that of
a very remarkable kind, that the Pope, as head of the Chaldean Mysteries, is as
directly the representative of Satan, as he is of the false Messiah of Babylon.
It was long ago noticed by Irenaeus, about the end of the second century, that
the name Teitan contained the Mystic number 666; and he gave it as his opinion
that Teitan was "by far the most probable name" of the beast from the
sea. *
* IRENAEUS. Though the name Teitan was originally derived from
Chaldee, yet it became thoroughly naturalised in the Greek language. Therefore,
to give the more abundant evidence on this important subject, the Spirit of God
seems to have ordered it, that the number of Teitan should be found according
to the Greek computation, while that of Satur is found by the Chaldee.
The grounds of his opinion, as stated by him, do not carry
much weight; but the opinion itself he may have derived from others who had
better and more valid reasons for their belief on this subject. Now, on
inquiry, it will actually be found, that while Saturn was the name of the
visible head, Teitan was the name of the invisible head of the beast. Teitan is
just the Chaldean form of Sheitan, * the very name by which Satan has been
called from time immemorial by the Devil-worshippers of Kurdistan; and from
Armenia or Kurdistan, this Devil-worship embodied in the Chaldean Mysteries
came westward to Asia Minor, and thence to Etruria and Rome.
* The learned reader has no need of examples in proof of this
frequent Chaldean transformation of the Sh or S into T; but for the common
reader, the following may be adduced: Hebrew, Shekel, to weigh, becomes Tekel
in Chaldee; Hebrew, Shabar, to break--Chaldee, Tabar; Hebrew,
Seraphim--Chaldee, Teraphim, the Babylonian counterfeit of the Divine Cherubim
or Seraphim; Hebrew, Asar, to be rich--Chaldee, Atar; Hebrew, Shani,
second--Chaldee, Tanin, &c.
That Teitan was actually known by the classic nations of
antiquity to be Satan, or the spirit of wickedness, and originator of moral
evil, we have the following proofs: The history of Teitan and his brethren, as
given in Homer and Hesiod, the two earliest of all the Greek writers, although
later legends are obviously mixed up with it, is evidently the exact
counterpart of the Scriptural account of Satan and his angels. Homer says, that
"all the gods of Tartarus," or Hell, "were called Teitans."
Hesiod tells us how these Teitans, or "gods of hell," came to have
their dwelling there. The chief of them having committed a certain act of
wickedness against his father, the supreme god of heaven, with the sympathy of
many others of the "sons of heaven," that father "called them
all by an opprobrious name, Teitans," pronounced a curse upon them, and
then, in consequence of that curse, they were "cast down to hell,"
and "bound in chains of darkness" in the abyss. While this is the
earliest account of Teitan and his followers among the Greeks, we find that, in
the Chaldean system, Teitan was just a synonym for Typhon, the malignant
Serpent or Dragon, who was universally regarded as the Devil, or author of all
wickedness. It was Typhon, according to the Pagan version of the story, that
killed Tammuz, and cut him in pieces; but Lactantius, who was thoroughly
acquainted with the subject, upbraids his Pagan countrymen for
"worshipping a child torn in pieces by the Teitans." It is
undeniable, then, that Teitan, in Pagan belief, was identical with the Dragon,
or Satan. *
* We have seen that Shem was the actual slayer of Tammuz. As
the grand adversary of the Pagan Messiah, those who hated him for his deed
called him for that very deed by the name of the Grand Adversary of all,
Typhon, or the Devil. "If they called the Master of the house
Beelzebub," no wonder that his servant was called by a similar name.
In the Mysteries, as formerly hinted, an important change took
place as soon as the way was paved for it. First, Tammuz was worshipped as the
bruiser of the serpent's head, meaning thereby that he was the appointed
destroyer of Satan's kingdom. Then the dragon himself, or Satan, came to
receive a certain measure of worship, to "console him," as the Pagans
said, "for the loss of his power," and to prevent him from hurting
them; and last of all the dragon, or Teitan or Satan, became the supreme object
of worship, the Titania, or rites of Teitan, occupying a prominent place in the
Egyptian Mysteries, and also in those of Greece. How vitally important was the
place that these rites of Teitan or Satan occupied, may be judged of from the
fact that Pluto, the god of Hell (who, in his ultimate character, was just the
grand Adversary), was looked up to with awe and dread as the great god on whom
the destinies of mankind in the eternal world did mainly depend; for it was
said that to Pluto belonged "to purify souls after death." Purgatory
having been in Paganism, as it is in Popery, the grand hinge of priestcraft and
superstition, what a power did this opinion attribute to the "god of
Hell"! No wonder that the serpent, the Devil's grand instrument in
seducing mankind, was in all the earth worshipped with such extraordinary
reverence, it being laid down in the Octateuch of Ostanes, that "serpents
were the supreme of all gods and the princes of the Universe." No wonder
that it came at last to be firmly believed that the Messiah, on whom the hopes
of the world depended, was Himself the "seed of the serpent"! This
was manifestly the case in Greece; for the current story there came to be, that
the first Bacchus was brought forth in consequence of a connexion on the part
of his mother with the father of the gods, in the form of a "speckled
snake." *
* OVID, Metam. So deeply was the idea of "the seed of the
serpent" being the great World-king imprinted on the Pagan mind, that when
a man set up to be a god upon earth, it was held essential to establish his
title to that character, that he prove himself to be the "serpent's
seed." Thus, when Alexander the Great claimed divine honours, it is well
known that his mother Olympias, declared that he was not sprung from King
Philip, her husband, but from Jupiter, in the form of a serpent. In like
manner, says the authoress of Rome in the 19th Century, the Roman emperor,
"Augustus, pretended that he was the son of Apollo, and that the god had
assumed the form of a serpent for the purpose of giving him birth."
That "father of the gods" was manifestly "the
god of hell"; for Proserpine, the mother of Bacchus, that miraculously
conceived and brought forth the wondrous child--whose rape by Pluto occupied
such a place in the Mysteries--was worshipped as the wife of the god of Hell,
as we have already seen, under the name of the "Holy Virgin." The
story of the seduction of Eve * by the serpent is plainly imported into this
legend, as Julius Firmicus and the early Christian apologists did with great
force cast in the teeth of the Pagans of their day; but very different is the
colouring given to it in the Pagan legend from that which it has in the Divine
Word.
* We find that Semele, the mother of the Grecian Bacchus, had
been identified with Eve; for the name of Eve had been given to her, as Photius
tells us that "Pherecydes called Semele, Hue." Hue is just the Hebrew
name for Eve, without the points.
Thus the grand Thimblerigger, by dexterously shifting the
peas, through means of men who began with great professions of abhorrence of
his character, got himself almost everywhere recognised as in very deed
"the god of this world." So deep and so strong was the hold that
Satan had contrived to get of the ancient world in this character, that even
when Christianity had been proclaimed to man, and the true light had shone from
Heaven, the very doctrine we have been considering raised its head among the
professed disciples of Christ. Those who held this doctrine were called Ophiani
or Ophites, that is, serpent-worshippers. "These heretics," says
Tertullian, "magnify the serpent to such a degree as to prefer him even to
Christ Himself; for he, say they, gave us the first knowledge of good and evil.
It was from a perception of his power and majesty that Moses was induced to
erect the brazen serpent, to which whosoever looked was healed. Christ Himself,
they affirm, in the Gospel imitates the sacred power of the serpent, when He
says that, 'As Moses lifted up the serpent in the wilderness even so must the
Son of Man be lifted up.' They introduce it when they bless the
Eucharist." These wicked heretics avowedly worshipped the old serpent, or
Satan, as the grand benefactor of mankind, for revealing to them the knowledge
of good and evil. But this doctrine they had just brought along with them from
the Pagan world, from which they had come, or from the Mysteries, as they came
to be received and celebrated in Rome. Though Teitan, in the days of Hesiod and
in early Greece, was an "opprobrious name," yet in Rome, in the days
of the Empire and before, it had become the very reverse. "The splendid or
glorious Teitan" was the way in which Teitan was spoken of at Rome. This
was the title commonly given to the Sun, both as the orb of day and viewed as a
divinity. Now, the reader has seen already that another form of the sun-divinity,
or Teitan, at Rome, was the Epidaurian snake, worshipped under the name of
"Aesculapius," that is, "the man-instructing serpent." *
* Aish-shkul-ape, from Aish, "man"; shkul, "to
instruct"; and Aphe, or Ape, "a serpent." The Greek form of this
name, Asklepios, signifies simply "the instructing snake," and comes
from A, "the," skl, "to teach," and hefi, "a
snake," the Chaldean words being thus modified in Egypt. The name
Aselepios, however, is capable of another sense, as derived from Aaz,
"strength," and Khlep, "to renew"; and, therefore, in the
exoteric doctrine, Aselepios was known simply as "the
strength-restorer," or the Healing God. But, as identified with the
serpent, the true meaning of the name seems to be that which is first stated.
Macrobius, giving an account of the mystic doctrine of the ancients, says that
Aesculapius was that beneficent influence of the sun which pervaded the souls
of men. Now the Serpent was the symbol of the enlightening sun.
Here, then, in Rome was Teitan, or Satan, identified with the
"serpent that taught mankind," that opened their eyes (when, of
course, they were blind), and gave them "the knowledge of good and
evil." In Pergamos, and in all Asia Minor, from which directly Rome
derived its knowledge of the Mysteries, the case was the same. In Pergamos,
especially, where pre-eminently "Satan's seat was," the sun-divinity,
as is well known, was worshipped under the form of a serpent and under the name
of Aesculapius, "the man-instructing serpent." According to the fundamental
doctrine of the Mysteries, as brought from Pergamos to Rome, the sun was the
one only god. Teitan, or Satan, then, was thus recognised as the one only god;
and of that only god, Tammuz or Janus, in his character as the Son, or the
woman's seed, was just an incarnation. Here, then, the grand secret of the
Roman Empire is at last brought to light--viz., the real name of the tutelar
divinity of Rome. That secret was most jealously guarded; insomuch that when
Valerius Soranus, a man of the highest rank, and, as Cicero declares, "the
most learned of the Romans," had incautiously divulged it, he was
remorselessly put to death for his revelation. Now, however, it stands plainly
revealed. A symbolical representation of the worship of the Roman people, from Pompeii,
strikingly confirms this deduction by evidence that appeals to the very senses.
We have seen already that it is admitted by the author of Pompeii, that the
serpents in the under compartment are only another way of exhibiting the dark
divinities represented in the upper compartment. Let the same principle be
admitted here, and it follows that the swallows, or birds pursuing the flies,
represent the same thing as the serpents do below. But the serpent, of which
there is a double representation, is unquestionably the serpent of Aesculapius.
The fly-destroying swallow, therefore, must represent the same divinity. Now,
every one knows what was the name by which "the Lord of the fly," or
fly-destroying god of the Oriental world was called. It was Beel-zebub. This
name, as signifying "Lord of the Fly," to the profane meant only the
power that destroyed the swarms of flies when these became, as they often did
in hot countries, a source of torment to the people whom they invaded. But this
name, as identified with the serpent, clearly reveals itself as one of the
distinctive names of Satan. And how appropriate is this name, when its mystic
or esoteric meaning is penetrated. What is the real meaning of this familiar
name? Baal-zebub just means "The restless Lord," * even that unhappy
one who "goeth to and fro in the earth, and walketh up and down in
it," who "goeth through dry places seeking rest, and finding
none." From all this, the inference is unavoidable that Satan, in his own
proper name, must have been the great god of their secret and mysterious
worship, and this accounts for the extraordinary mystery observed on the
subject. **
* See CLAVIS STOCKII, "Zebub," where it is stated
that the word zebub, as applied to the fly, comes from an Arabic root, which signifies
to move from place to place, as flies do, without settling anywhere.
Baal-zebub, therefore, in its secret meaning, signifies, "Lord of restless
and unsettled motion."
** I find Lactantius was led to the conclusion that the
Aesculapian servant was the express symbol of Satan, for, giving an account of
the bringing of the Epidaurian snake to Rome, he says: "Thither [i.e., to
Rome] the Demoniarches [or Prince of the Devils] in his own proper shape,
without disguise, was brought; for those who were sent on that business brought
back with them a dragon of amazing size."
When, therefore, Gratian abolished the legal provision for the
support of the fire-worship and serpent-worship of Rome, we see how exactly the
Divine prediction was fulfilled (Rev 12:9) "And the great dragon was cast
out, that old serpent called the DEVIL, and SATAN, which deceiveth the whole
world; he was cast out into the earth, and his angels were cast out with
him." *
* The facts stated above cast a very singular light on a well
known superstition among ourselves. Everybody has heard of St. Swithin's day,
on which, if it rain, the current belief is, that it will rain in uninterrupted
succession for six weeks. And who or what was St. Swithin that his day should
be connected with forty days' uninterrupted rain? for six weeks is just the
round number of weeks equivalent to forty days. It is evident, in the first
place, that he was no Christian saint, though an Archbishop of Canterbury in
the tenth century is said to have been called by his name. The patron saint of
the forty days' rain was just Tammuz or Odin, who was worshipped among our
ancestors as the incarnation of Noah, in whose time it rained forty days and
forty nights without intermission. Tammuz and St. Swithin, then, must have been
one and the same. But, as in Egypt, and Rome, and Greece, and almost everywhere
else, long before the Christian era, Tammuz had come to be recognised as an
incarnation of the Devil, we need not be surprised to find that St. Swithin is
no other than St. Satan. One of the current forms of the grand adversary's name
among the Pagans was just Sytan or Sythan. This name, as applied to the Evil
Being, is found as far to the east as the kingdom of Siam. It had evidently
been known to the Druids, and that in connection with the flood; for they say
that it was the son of Seithin that, under the influence of drink, let in the
sea over the country so as to overwhelm a large and populous district. (DAVIES,
Druids) The Anglo-Saxons, when they received that name, in the very same way as
they made Odin into Wodin, would naturally change Sythan into Swythan; and
thus, in St. Swithin's day and the superstition therewith connected, we have at
once a striking proof of the wide extent of Devil-worship in the heathen world,
and of the thorough acquaintance of our Pagan ancestors with the great
Scriptural fact of the forty days' incessant rain at the Deluge.
If any one thinks it incredible that Satan should thus be
canonised by the Papacy in the Dark Ages, let me call attention to the pregnant
fact that, even in comparatively recent times, the Dragon--the Devil's
universally recognised symbol--was worshipped by the Romanists of Poictiers
under the name of "the good St. Vermine"!! (Notes of the Society of
the Antiquaries of France, SALVERTE)
Now, as the Pagan Pontifex, to whose powers and prerogatives
the Pope had served himself heir, was thus the High-priest of Satan, so, when
the Pope entered into a league and alliance with that system of Devil-worship,
and consented to occupy the very position of that Pontifex, and to bring all
its abominations into the Church, as he has done, he necessarily became the
Prime Minister of the Devil, and, of course, came as thoroughly under his power
as ever the previous Pontiff had been. *
* This gives a new and darker significance to the mystic Tau,
or sign of the cross. At first it was the emblem of Tammuz, at last it became
the emblem of Teitan, or Satan himself.
How exact the fulfilment of the Divine statement that the
coming of the Man of Sin was to be "after the working or energy of
Satan." Here, then, is the grand conclusion to which we are compelled,
both on historical and Scriptural grounds, to come: As the mystery of godliness
is God manifest in the flesh, so the mystery of iniquity is--so far as such a
thing is possible--the Devil incarnate.
Note
We have seen that the name Pan signifies "to turn
aside," and have concluded that as it is a synonym for Hata, "to
sin," the proper generic meaning of which is "to turn aside from the
straight line," that name was the name of our first parent, Adam. One of
the names of Eve, as the primeval goddess, worshipped in ancient Babylon, while
it gives confirmation to this conclusion, elucidates also another classical
myth in a somewhat unexpected way. The name of that primeval goddess, as given
by Berosus, is Thalatth, which, as we have seen, signifies "the rib."
Adam's name, as her husband, would be "Baal-Thalatth," "Husband
of the rib"; for Baal signifies Lord in the sense frequently of
"Husband." But "Baal-Thalatth," according to a peculiar
Hebrew idiom already noticed, signifies also "He that halted or went
sideways." *
* The Chaldee Thalatth, "a rib" or a
"side," comes from the verb Thalaa, the Chaldee form of Tzalaa, which
signifies "to turn aside," "to halt," "to sidle,"
or "to walk sideways."
This is the remote origin of Vulcan's lameness; for Vulcan, as
the "Father of the gods," needed to be identified with Adam, as well
as the other "fathers of the gods," to whom we have already traced
him. Now Adam, in consequence of his sin and departure from the straight line
of duty, was, all his life after, in a double sense "Baal-Thalatth,"
not only the "Husband of the rib," but "The man that halted or
walked sideways." In memory of this turning aside, no doubt it was that
the priests of Baal (1 Kings 18:26) "limped at the altar," when
supplicating their god to hear them (for that is the exact meaning in the
original of the word rendered "leaped"--see KITTO's Bib. Cyclop), and
that the Druidic priests went sideways in performing some of their sacred rites,
as appears from the following passage of Davies: "The dance is performed
with solemn festivity about the lakes, round which and the sanctuary the
priests move sideways, whilst the sanctuary is earnestly invoking the gliding
king, before whom the fair one retreats upon the veil that covers the huge
stones" (Druids). This Davies regards as connected with the story of
Jupiter, the father of the gods, violating his own daughter in the form of a
serpent. Now, let the reader look at what is on the breast of the Ephesian
Diana, as the Mother of the gods, and he will see a reference to her share in
the same act of going aside; for there is the crab, and how does a crab go but
sideways? This, then, shows the meaning of another of the signs of the Zodiac.
Cancer commemorates the fatal turning aside of our first parent from the paths
of righteousness, when the covenant of Eden was broken.
The Pagans knew that this turning aside or going sideways,
implied death--the death of the soul--("In the day thou eatest thereof,
thou shalt surely die"); and, therefore, while at the spring festival of
Cybele and Attes, there were great lamentations for the death of Attes, so on
the Hilaria or rejoicing festival of the 25th of March--that is, Lady-day, the
last day of the festival--the mourning was turned into joy, "on occasion
of the dead god being restored to life again" (DUPUIS, Origine de tous les
Cultes). If Attes was he that by "his turning aside" brought sin and
death into the world, what could the life be to which he was so speedily
restored, but just that new and divine life which enters every soul when it is
"born again," and so "passes from death unto life." When
the promise was given that the seed of the woman should bruise the serpent's
head, and Adam grasped it by faith, that, there can be no doubt, was evidence
that the divine life was restored, and that he was born again. And thus do the
very Mysteries of Attes, which were guarded with special jealousy, and the
secret meaning of which Pausanias declares that he found it impossible, notwithstanding
all his efforts to discover (Achaica), bear their distinct testimony, when once
the meaning of the name of Attes is deciphered, to the knowledge which paganism
itself had of the real nature of the Fall, and of the essential character of
that death, which was threatened in the primeval covenant.
This new birth of Attes laid the foundation for his being
represented as a little child, and so being identified with Adonis, who, though
he died a full-grown man, was represented in that very way. In the Eleusinian
Mysteries, that commemorated the rape of Proserpine, that is, the seduction of
Eve, the lamented god, or Bacchus, was represented as a babe, at the breast of
the great Mother, who by Sophocles is called Deo (Antigone). As Deo or Demete,
applied to the Great Mother, is evidently just another form of Idaia Mater,
"The Mother of Knowledge" (the verb "to know" being either
Daa or Idaa), this little child, in one of his aspects, was no doubt the same
as Attes, and thus also Deoius, as his name is given. The Hilaria, or rejoicing
festival of the 25th of March, or Lady-day, owed its gladness to the
Annunciation of a birth yet to come, even the birth of the woman's seed; but,
at the same time, the joy of that festival was enhanced by the immediate new birth
that very day of Attes, "The sinner," or Adam, who, in consequence of
his breach of the covenant, had become dead in "trespasses and sins."
The Two Babylons
Alexander Hislop
Conclusion
I have now finished the task I proposed to myself. Even yet
the evidence is not nearly exhausted; but, upon the evidence which has been
adduced, I appeal to the reader if I have not proved every point which I
engaged to demonstrate. Is there one, who has candidly considered the proof
that has been led, that now doubts that Rome is the Apocalyptic Babylon? Is
there one who will venture to deny that, from the foundation to the topmost
stone, it is essentially a system of Paganism? What, then, is to be the
practical conclusion from all this?
1. Let every Christian henceforth and for ever treat
it as an outcast from the pale of Christianity. Instead of speaking of it as a
Christian Church, let it be recognised and regarded as the Mystery of Iniquity,
yea, as the very Synagogue of Satan. With such overwhelming evidence
of its real character, it would be folly--it would be worse--it would be
treachery to the cause of Christ--to stand merely on the defensive, to parley
with its priests about the lawfulness of Protestant orders, the validity of
Protestant sacraments, or the possibility of salvation apart from its
communion. If Rome is now to be admitted to form a portion of the Church of
Christ, where is the system of Paganism that has ever existed, or that now
exists, that could not put in an equal claim? On what grounds could the
worshippers of the original Madonna and child in the days of old be excluded
"from the commonwealth of Israel," or shown to be "strangers to
the covenants of promise"? On what grounds could the worshippers of Vishnu
at this day be put beyond the bounds of such wide catholicity? The ancient
Babylonians held, the modern Hindoos still hold, clear and distinct traditions
of the Trinity, the Incarnation, the Atonement. Yet, who will venture to say
that such nominal recognition of the cardinal articles of Divine revelation
could relieve the character of either the one system or the other from the
brand of the most deadly and God-dishonouring heathenism? And so also in regard
to Rome. True, it nominally admits Christian terms and Christian names; but all
that is apparently Christian in its system is more than neutralised by the
malignant Paganism that it embodies. Grant that the bread the Papacy presents
to its votaries can be proved to have been originally made of the finest of the
wheat; but what then, if every particle of that bread is combined with prussic
acid or strychnine? Can the excellence of the bread overcome the virus of the
poison? Can there by anything but death, spiritual and eternal death, to those
who continue to feed upon the poisoned food that it offers? Yes, here is the
question, and let it be fairly faced. Can there be salvation in a communion in
which it is declared to be a fundamental principle, that the Madonna is
"our greatest hope; yea, the SOLE GROUND OF OUR HOPE"? *
* The language of the late Pope Gregory, substantially
endorsed by the present Pontiff.
The time is come when charity to the perishing souls of men,
hoodwinked by a Pagan priesthood, abusing the name of Christ, requires that the
truth in this matter should be clearly, loudly, unflinchingly proclaimed. The
beast and the image of the beast alike stand revealed in the face of all
Christendom; and now the tremendous threatening of the Divine Word in regard to
their worship fully applies (Rev 14:9,10): "And the third angel followed them,
saying, 'If any man worship the beast and his image, and receive his mark in
his forehead, or in his hand, the same shall drink of the wine of the wrath of
God, poured without mixture into the cup of His indignation; and he shall be
tormented with fire and brimstone in the presence of the holy angels, and in
the presence of the Lamb.'" These words are words of awful import; and woe
to the man who is found finally under the guilt which they imply. These words,
as has already been admitted by Elliott, contain a "chronological
prophecy," a prophecy not referring to the Dark Ages, but to a period not
far distant from the consummation, when the Gospel should be widely diffused,
and when bright light should be cast on the character and doom of the apostate
Church of Rome (vv 6-8). They come, in the Divine chronology of events,
immediately after an angel has proclaimed, "BABYLON IS FALLEN, IS
FALLEN." We have, as it were, with our own ears heard this predicted
"Fall of Babylon" announced from the high places of Rome itself, when
the seven hills of the "Eternal City" reverberated with the guns that
proclaimed, not merely to the citizens of the Roman republic, but to the wide
world, that "PAPACY HAD FALLEN, de facto and de jure, from the temporal throne
of the Roman State." *
* The Apocalypse announces two falls of Babylon. The fall
referred to above is evidently only the first. The prophecy clearly implies,
that after the first fall it rises to a greater height than before; and
therefore the necessity of the warning.
Now, it is in the order of the prophecy, after this fall of
Babylon, that this fearful threatening comes. Can there, then, be a doubt that
this threatening specially and peculiarly applies to this very time? Never till
now was the real nature of the Papacy fully revealed; never till now was the
Image of the beast set up. Till the Image of the beast was erected, till the
blasphemous decree of the Immaculate Conception was promulged, no such apostacy
had taken place, even in Rome, no such guilt had been contracted, as now lies
at the door of the great Babylon. This, then, is a subject of infinite
importance to every one within the pale of the Church of Rome--to every one
also who is looking, as so many at present are doing, towards the City of the
Seven Hills. If any one can prove that the Pope does not assume all the
prerogatives and bear substantially all the blasphemous titles of that
Babylonian beast that "had the wound by a sword, and did live," and
if it can be shown that the Madonna, that has so recently with one consent been
set up, is not in every essential respect the same as the Chaldean
"Image" of the beast, they may indeed afford to despise the
threatening contained in these words. But if neither the one nor the other can
be proved (and I challenge the strictest scrutiny in regard to both), then
every one within the pale of the Papacy may well tremble at such a threatening.
Now, then, as never before, may the voice Divine, and that a voice of the
tenderest love, be heard sounding from the Eternal throne to every adherent of
the Mystic Babylon, "Come out of her, My people, that ye be not partakers
of her sins, and that ye receive not of her plagues."
2. But if the guilt and danger of those who adhere to the
Roman Church, believing it to be the only Church where salvation can be found,
be so great, what must be the guilt of those who, with a Protestant profession,
nevertheless uphold the doomed Babylon? The constitution of this land requires
our Queen to swear, before the crown can be put upon her head, before she can
take her seat on the throne, that "she believes" that the essential
doctrines of Rome are "idolatrous." All the Churches of Britain,
endowed and unendowed, alike with one voice declare the very same. They all
proclaim that the system of Rome is a system of blasphemous idolatry...And yet
the members of these Churches can endow and uphold, with Protestant money, the
schools, the colleges, the chaplains of that idolatrous system. If the guilt of
Romanists, then, be great, the guilt of Protestants who uphold such a system
must be tenfold greater. That guilt has been greatly accumulating during the
last three or four yeas. While the King of Italy, in the very States of the
church--what but lately were the Pope's own dominions--has been suppressing the
monasteries (and in the space of two years no less than fifty-four were
suppressed, and their property confiscated), the British Government has been
acting on a policy the very reverse, has not only been conniving at the
erection of monasteries, which are prohibited by the law of the land, but has
actually been bestowing endowment on these illegal institutions under the name
of Reformatories. It was only a short while ago, that it was stated, on
authority of the Catholic Directory, that in the space of three years,
fifty-two new converts were added to the monastic system of Great Britain,
almost the very number that the Italians had confiscated, yet Christian men and
Christian Churches look on with indifference. Now, if ever there was an excuse
for thinking lightly of the guilt contracted by our national support of
idolatry, that excuse will no longer avail. The God of Providence, in India,
has been demonstrating that He is the God of Revelation. He has been proving,
to an awe-struck world, by events that made every ear to tingle, that every
word of wrath, written three thousand years ago against idolatry, is in as full
force at this day as when He desolated the covenanted people of Israel for
their idols, and sold them into the hands of their enemies. If men begin to see
that it is a dangerous thing for professing Christians to uphold the Pagan
idolatry of India, they must be blind indeed if they do not equally see that it
must be as dangerous to uphold the Pagan idolatry of Rome. Wherein does the Paganism
of Rome differ from that of Hindooism? Only in this, that the Roman Paganism is
the more complete, more finished, more dangerous, more insidious Paganism of
the two.
I am afraid, that after all that has been said, not a few will
revolt from the above comparative estimate of Popery and undisguised Paganism.
Let me, therefore, fortify my opinion by the testimonies of two distinguished
writers, well qualified to pronounce on this subject. They will, at least, show
that I am not singular in the estimate which I have formed. The writers to whom
I refer, are Sir George Sinclair of Ulbster, and Dr. Bonar of Kelso. Few men
have studied the system of Rome more thoroughly than Sir George, and in his
Letters to the Protestants of Scotland he has brought all the fertility of his
genius, the curiosa felicitas of his style, and the stores of his highly
cultivated mind, to bear upon the elucidation of his theme. Now, the testimony
of Sir George is this: "Romanism is a refined system of Christianised
heathenism, and chiefly differs from its prototype in being more treacherous,
more cruel, more dangerous, more intolerant." The mature opinion of Dr.
Bonar is the very same, and that, too, expressed with the Cawnpore massacre
particularly in view: "We are doing for Popery at home," says he,
"what we have done for idolaters abroad, and in the end the results will
be the same; nay, worse; for Popish cruelty, and thirst for the blood of the
innocent, have been the most savage and merciless that the earth has seen. Cawnpore,
Delhi, and Bareilly, are but dust in comparison with the demoniacal brutalities
perpetrated by the Inquisition, and by the armies of Popish fanaticism."
These are the words of truth and soberness, that no man acquainted with the
history of modern Europe can dispute. There is great danger of their being
overlooked at this moment. It will be a fatal error if they be. Let not the
pregnant fact be overlooked, that, while the Apocalyptic history runs down to
the consummation of all things, in that Divine foreshadowing all the other
Paganisms of the world are in a manner cast into the shade by the Paganism of
Papal Rome. It is against Babylon that sits on the seven hills that the saints
are forewarned; it is for worshipping the beast and his image pre-eminently,
that "the vials of the wrath of God, that liveth and abideth for
ever," are destined to be outpoured upon the nations. Now, if the voice of
God has been heard in the late Indian calamities, the Protestantism of Britain
will rouse itself to sweep away at once and for ever all national support,
alike from the idolatry of Hindoostan and the still more malignant idolatry of
Rome. Then, indeed, there would be a lengthening of our tranquility, then there
would be hope that Britain would be exalted, and that its power would rest on a
firm and stable foundation. But if we will not "hear the voice, if we
receive not correction, if we refuse to return," if we persist in
maintaining, at the national charge, "that image of jealousy provoking to
jealousy," then, after the repeated and ever INCREASING strokes that the
justice of God has laid on us, we have every reason to fear that the calamities
that have fallen so heavily upon our countrymen in India, may fall still more
heavily upon ourselves, within our own borders at home; for it was when
"the image of jealousy" was set up in Jerusalem by the elders of
Judah, that the Lord said, "Therefore will I also deal in fury; mine eye
shall not spare, neither will I have pity; and though they cry in mine ears
with a loud voice, yet will I not hear them." He who let loose the Sepoys,
to whose idolatrous feelings and antisocial propensities we have pandered so
much, to punish us for the guilty homage we had paid to their idolatry, can
just as easily let loose the Papal Powers of Europe, to take vengeance upon us
for our criminal fawning upon the Papacy.
3. But, further, if the views established in this work be
correct, it is time that the Church of God were aroused. Are the witnesses
still to be slain, and has the Image of the Beast only within the last year or
two been set up, at whose instigation the bloody work is to be done? Is this,
then, the time for indifference, for sloth, for lukewarmness in religion? Yet,
alas! how few are they who are lifting up their voice like a trumpet, who are
sounding the alarm in God's holy mountain--who are bestirring themselves
according to the greatness of the emergency--to gather the embattled hosts of
the Lord to the coming conflict? The emissaries of Rome for years have been
labouring unceasingly night and day, in season and out of season, in every
conceivable way, to advance their Master's cause, and largely have they
succeeded. But "the children of light" have allowed themselves to be
lulled into a fatal security; they have folded their hands; they have got to
sleep as soundly as if Rome had actually disappeared from the face of the
earth--as if Satan himself had been bound and cast into the bottomless pit, and
the pit had shut its mouth upon him, to keep him fast for a thousand years. How
long shall this state of things continue? Oh, Church of God, awake, awake! Open
your eyes, and see if there be not dark and lowering clouds on the horizon that
indicate an approaching tempest. Search the Scriptures for yourselves; compare
them with the facts of history, and say, if there be not reason after all to
suspect that there are sterner prospects before the saints than most seem to
wot of. If it may turn out that the views opened up in these pages are
Scriptural and well-founded, they are at least worthy of being made the
subjects of earnest and prayerful inquiry. It never can tend to good to indulge
an uninquiring and delusive feeling of safety, when, if they be true, the only
safety is to be found in a timely knowledge of the danger and due preparation,
by all activity, all zeal, all spirituality of mind, to meet it. On the
supposition that peculiar dangers are at hand, and that God in His prophetic
Word has revealed them, His goodness is manifest. He has made known the danger,
that, being forewarned, we may be forearmed; that, knowing our own weakness, we
may cast ourselves on His Almighty grace; that we may feel the necessity of a
fresh baptism of the Holy Ghost; that the joy of the Lord being our strength,
we may be thorough and decided for the Lord, and for the Lord alone, that we
may work, every one in his own sphere, with increased energy and diligence, in
the Lord's vineyard, and save all the souls we can, while yet opportunity
lasts, and the dark predicted night has not come, wherein no man can work. Though
there be dark prospects before us, there is no room for despondency; no ground
for any one to say that, with such prospects, effort is vain. The Lord can
bless and prosper to His own glory, the efforts of those who truly gird
themselves to fight His battles in the most hopeless circumstances; and, at the
very time when the enemy cometh in like a flood, He can, by His Spirit, lift up
a standard against him. Nay, not only is this a possible thing, there is
reason, from the prophetic word, to believe that so it shall actually be; that
the last triumph of the Man of Sin shall not be achieved without a glorious
struggle first, on the part of those who are leal-hearted to Zion's King. But
if we would really wish to do anything effectual in this warfare, it is indispensable
that we know, and continually keep before our eyes, the stupendous character of
that Mystery of Iniquity embodied in the Papacy that we have to grapple with.
Popery boasts of being the "old religion"; and truly, from what we
have seen, it appears that it is ancient indeed. It can trace its lineage far
beyond the era of Christianity, back over 4000 years, to near the period of the
Flood and the building of the Tower of Babel. During all that period its
essential elements have been nearly the same, and these elements have a
peculiar adaptation to the corruption of human nature. Most seem to think that
Popery is a system merely to be scouted and laughed at; but the Spirit of God
everywhere characterises it in quite a different way. Every statement in the
Scripture shows that it was truly described when it was characterised as
"Satan's Masterpiece"--the perfection of his policy for deluding and
ensnaring the world. It is not the state-craft of politicians, the wisdom of
philosophers, or the resources of human science, that can cope with the wiles
and subtleties of the Papacy. Satan, who inspires it, has triumphed over all
these again and again. Why, the very nations where the worship of the Queen of
Heaven, with all its attendant abominations, has flourished most in all ages,
have been precisely the most civilised, the most polished, the most
distinguished for arts and sciences. Babylon, where it took its rise, was the
cradle of astronomy. Egypt, that nursed it in its bosom, was the mother of all
the arts; the Greek cities of Asia Minor, where it found a refuge when expelled
from Chaldea, were famed for their poets and philosophers, among the former
Homer himself being numbered; and the nations of the European Continent, where
literature has long been cultivated, are now prostrate before it. Physical
force, no doubt, is at present employed in its behalf; but the question arises,
How comes it that this system, of all others, can so prevail as to get that
physical force to obey its behests? No answer can be given but this, that
Satan, the god of this world, exerts his highest power in its behalf. Physical
force has not always been on the side of the Chaldean worship of the Queen of
Heaven. Again and again has power been arrayed against it; but hitherto every
obstacle it has surmounted, every difficulty it has overcome. Cyrus, Xerxes,
and many of the Medo-Persian kings, banished its priests from Babylon, and
laboured to root it out of their empire; but then it found a secure retreat in
Pergamos, and "Satan's seat" was erected there. The glory of Pergamos
and the cities of Asia Minor departed; but the worship of the Queen of Heaven
did not wane. It took a higher flight, and seated itself on the throne of
Imperial Rome. That throne was subverted. The Arian Goths came burning with
fury against the worshippers of the Virgin Queen; but still that worship rose
buoyant above all attempts to put it down, and the Arian Goths themselves were
soon prostrate at the feet of the Babylonian goddess, seated in glory on the seven
hills of Rome. In more modern times, the temporal powers of all the kingdoms of
Europe have expelled the Jesuits, the chief promoters of this idolatrous
worship, from their dominions. France, Spain, Portugal, Naples, Rome itself
have all adopted the same measures, and yet what do we see at this hour? The
same Jesuitism and the worship of the Virgin exalted above almost every throne
on the Continent. When we look over the history of the last 4000 yeas, what a
meaning in the words of inspiration, that "the coming of the Man of
Sin" is with the energy, "the mighty power of Satan." Now, is
this the system that, year by year, has been rising into power in our own
empire? And is it for a moment to be imagined that lukewarm, temporising,
half-hearted Protestants can make any head against such a system? No; the time
is come when Gideon's proclamation must be made throughout the camp of the
Lord: "Whosoever is fearful and afraid, let him return and depart early
from Mount Gilead." Of the old martyrs it is said, "They overcame by
the blood of the Lamb and the word of their testimony, and they loved not their
lives unto the death." The same self-denying, the same determined spirit,
is needed now as much as ever it was. Are there none who are prepared to stand up,
and in that very spirit to gird themselves for the great conflict that must
come, before Satan shall be bound and cast into his prison-house? Can any one
believe that such an event can take place without a tremendous struggle--that
"the god of this world" shall quietly consent to resign the power
that for thousands of years he has wielded, without stirring up all his wrath,
and putting forth all his energy and skill to prevent such a catastrophe. Who,
then, is on the Lord's side? If there be those who, within the last few years,
have been revived and quickened--stirred up, not by mere human excitement, but
by the Almighty grace of God's Spirit, what is the gracious design of this? Is
it merely that they themselves may be delivered from the wrath to come? No; it
is that, zealous for the glory of their Lord, they may act the parts of true
witnesses, contend earnestly for the faith once delivered to the saints, and
maintain the honour of Christ in opposition to him who blasphemously usurps his
prerogatives. If the servants of Antichrist are faithful to their master, and
unwearied in promoting his cause, shall it be said that the servants of Christ
are less faithful to theirs? If none else will bestir themselves, surely to the
generous hearts of the young and rising ministry of Christ, in the kindness of
their youth, and the love of their espousals, the appeal shall not be made in
vain, when the appeal is made in the name of Him whom their souls love, that in
this grand crisis of the Church and of the world, they should "come to the
help of the Lord--the help of the Lord against the mighty," that they
should do what in them lies to strengthen the hands and encourage the hearts of
those who are seeking to stem the tide of apostacy, and to resist the efforts of
the men who are labouring with such zeal, and with so much of infatuated
patronage on the part of "the powers that be," to bring this land
back again under the power of the Man of Sin. To take such a part, and steadily
and perseveringly to pursue it, amid so much growing lukewarmness, it is
indispensable that the servants of Christ set their faces as a flint. But if
they have grace so to do, they shall not do so without a rich reward at last;
and in time they have the firm and faithful promise that "as their day is,
so shall their strength be." For all who wish truly to perform their part
as good soldiers of Jesus Christ, there is the strongest and richest
encouragement. With the blood of Christ on the conscience, with the Spirit of
Christ warm and working in the heart, with our Father's name on our forehead,
and our life, as well as our lips, consistently bearing "testimony"
for God, we shall be prepared for every event. But it is not common grace that
will do for uncommon times. If there be indeed such prospects before us, as I
have endeavoured to prove there are, then we must live, and feel, and act as if
we heard every day resounding in our ears the words of the great Captain of our
Salvation, "To him that overcometh will I grant to sit with Me on My
throne, even as I also overcame, and am set down with My Father on His throne.
Be thou faithful unto death, and I will give thee a crown of life."
Lastly, I appeal to every reader of this work, if it does not
contain an argument for the divinity of the Scriptures, as well as an exposure
of the impostures of Rome. Surely, if one thing more than another be proved in
the previous pages, it is this, that the Bible is no cunningly devised fable,
but that holy men of God of old spake and wrote as they were moved by the Holy
Ghost. What can account for the marvellous unity in all the idolatrous systems
of the world, but that the facts recorded in the early chapters of Genesis were
real transactions, in which, as all mankind were involved, so all mankind have
preserved in their various systems, distinct and undeniable memorials of them,
though those who have preserved them have long lost the true key to their meaning?
What, too, but Omniscience could have foreseen that a system, such as that of
the Papacy, could ever effect an entrance into the Christian Church, and
practise and prosper as it has done? How could it ever have entered into the
heart of John, the solitary exile of Patmos, to imagine, that any of the
professed disciples of that Saviour whom he loved, and who said, "My
kingdom is not of this world," should gather up and systematise all the
idolatry and superstition and immorality of the Babylon of Belshazzar,
introduce it into the bosom of the Church, and, by help of it, seat themselves
on the throne of the Caesars, and there, as the high-priests of the queen of
Heaven, and gods upon earth, for 1200 years, rule the nations with a rod of
iron? Human foresight could never have done this; but all this the exile of
Patmos has done. His pen, then, must have been guided by Him who sees the end
from the beginning, and who calleth the things that be not as though they were.
And if the wisdom of God now shines forth so brightly from the Divine
expression "Babylon the Great," into which such an immensity of
meaning has been condensed, ought not that to lead us the more to reverence and
adore the same wisdom that is in reality stamped on every page of the inspired
Word? Ought it not to lead us to say with the Psalmist, "Therefore, I
esteem all Thy commandments concerning all things to be right"? The
commandments of God, to our corrupt and perverse minds, may sometimes seem to
be hard. They may require us to do what is painful, they may require us to
forego what is pleasing to flesh and blood. But, whether we know the reason of
these commandments or no, if we only know that they come from "the only
wise God, our Saviour," we may be sure that in the keeping of them there
is great reward; we may go blindfold wherever the Word of God may lead us, and
rest in the firm conviction that, in so doing, we are pursuing the very path of
safety and peace. Human wisdom at the best is but a blind guide; human policy
is a meter that dazzles and leads astray; and they who follow it walk in
darkness, and know not whither they are going; but he "that walketh
uprightly," that walks by the rule of God's infallible Word, will ever
find that "he walketh surely," and that whatever duty he has to
perform, whatever danger he has to face, "great peace have all they that
love God's law, and nothing shall offend them."
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